Pub Date : 2021-10-01DOI: 10.1215/10642684-9316882
K. Cheang
This essay argues that the queer figure of the child that crops up curiously in (post–)Umbrella Movement Hong Kong is a defining political signifier for characterizing the city's youthful protesters and imagining alternative futures for Hong Kong. In many mainland Chinese media outlets, the youthfulness of the Hong Kong demonstrators is often emphasized to critique their fixation on the Western ideology of democracy. For the young resisters and their sympathizers, childishness connotes a different script of identity: it entails a narrative of temporal suspension in the face of assimilation into a Chinese homogeneity. By, for example, comparing the political star Joshua Wong to Peter Pan, who refuses to grow up, or by assigning uniform-wearing grade-school students the role of “the keepers of the Umbrella Movement,” prodemocratic cultural narratives keep alive the possibility of a political alterity that resists the neoliberal, temporal mandates of Hong Kong's government and mainland China. Theorizing that possibility in the context of temporal, queer, children's, and postcolonial studies, this essay contends that the future of resistance in Hong Kong will follow a lateral horizon, a sideways course that will put minor dissenters into new and nonheteropatriarchal relations with the existing order of the city.
{"title":"Queering “The Children's Movement”","authors":"K. Cheang","doi":"10.1215/10642684-9316882","DOIUrl":"https://doi.org/10.1215/10642684-9316882","url":null,"abstract":"\u0000 This essay argues that the queer figure of the child that crops up curiously in (post–)Umbrella Movement Hong Kong is a defining political signifier for characterizing the city's youthful protesters and imagining alternative futures for Hong Kong. In many mainland Chinese media outlets, the youthfulness of the Hong Kong demonstrators is often emphasized to critique their fixation on the Western ideology of democracy. For the young resisters and their sympathizers, childishness connotes a different script of identity: it entails a narrative of temporal suspension in the face of assimilation into a Chinese homogeneity. By, for example, comparing the political star Joshua Wong to Peter Pan, who refuses to grow up, or by assigning uniform-wearing grade-school students the role of “the keepers of the Umbrella Movement,” prodemocratic cultural narratives keep alive the possibility of a political alterity that resists the neoliberal, temporal mandates of Hong Kong's government and mainland China. Theorizing that possibility in the context of temporal, queer, children's, and postcolonial studies, this essay contends that the future of resistance in Hong Kong will follow a lateral horizon, a sideways course that will put minor dissenters into new and nonheteropatriarchal relations with the existing order of the city.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49121646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.1215/10642684-9316867
Freda L. Fair
This article examines Living with Pride: Ruth C. Ellis @ 100 (1999) by Yvonne Welbon, an independent documentary film centered on the life of African American lesbian centenarian Ruth Ellis to advance a queer of color theory of longevity. The analysis closely considers Ruth Ellis's assertion in the film that she: “. . . wasn't in—What you call it? . . . Closet. Never.” Although Ellis explicitly disavows “the closet” declaring instead that she was never in it, both in the film and commonly she is often referred to as “out.” The article addresses the ways in which “out,” along with Ellis's declarations of “never” and “wasn't in,” examined together as “never in,” render Ellis's living legible within black sexuality studies and LGBTQ cultural politics. Ellis advises at the end of the film that cultivating “atmosphere” interpersonally in daily life engenders longevity. Living with Pride puts forth a model of longevity that is personally and collectively grounded in black sexual difference and queer of color resistant social practices that trouble public health life expectancy discourses. Drawing on queer of color critique, black sexuality studies, and visual cultural studies, the article engages Ellis's formulation of black queer atmosphere as a site of imagining that advances the livability of racialized sexual difference.
{"title":"“I'm Hard to Catch”","authors":"Freda L. Fair","doi":"10.1215/10642684-9316867","DOIUrl":"https://doi.org/10.1215/10642684-9316867","url":null,"abstract":"\u0000 This article examines Living with Pride: Ruth C. Ellis @ 100 (1999) by Yvonne Welbon, an independent documentary film centered on the life of African American lesbian centenarian Ruth Ellis to advance a queer of color theory of longevity. The analysis closely considers Ruth Ellis's assertion in the film that she: “. . . wasn't in—What you call it? . . . Closet. Never.” Although Ellis explicitly disavows “the closet” declaring instead that she was never in it, both in the film and commonly she is often referred to as “out.” The article addresses the ways in which “out,” along with Ellis's declarations of “never” and “wasn't in,” examined together as “never in,” render Ellis's living legible within black sexuality studies and LGBTQ cultural politics. Ellis advises at the end of the film that cultivating “atmosphere” interpersonally in daily life engenders longevity. Living with Pride puts forth a model of longevity that is personally and collectively grounded in black sexual difference and queer of color resistant social practices that trouble public health life expectancy discourses. Drawing on queer of color critique, black sexuality studies, and visual cultural studies, the article engages Ellis's formulation of black queer atmosphere as a site of imagining that advances the livability of racialized sexual difference.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45350185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.1215/10642684-9316852
Beenash Jafri
What can narratives of suicide tell us about diasporic and Indigenous relationships to the white settler state? This article engages relational critique to examine trans/femme/bisexual South Asian Canadian filmmaker Vivek Shraya's short film I want to kill myself (2017) and queer Cree/Métis filmmaker Adam Garnet Jones's feature film Fire Song (2015). Both films challenge the spectacularity of suicide, effectively situating suicide on a continuum of “slow death.” However, the films also stage distinct relationships between suicide, community, and the state that emerge from diasporic and Native positionalities within a white settler society. Whereas Shraya's diasporic struggle with suicide is alleviated by forging community within settler spaces, Fire Song counters pathologizing depictions of reserve communities by emphasizing resurgent Indigenous practices and their refusal of settler logics.
{"title":"Reframing Suicide","authors":"Beenash Jafri","doi":"10.1215/10642684-9316852","DOIUrl":"https://doi.org/10.1215/10642684-9316852","url":null,"abstract":"\u0000 What can narratives of suicide tell us about diasporic and Indigenous relationships to the white settler state? This article engages relational critique to examine trans/femme/bisexual South Asian Canadian filmmaker Vivek Shraya's short film I want to kill myself (2017) and queer Cree/Métis filmmaker Adam Garnet Jones's feature film Fire Song (2015). Both films challenge the spectacularity of suicide, effectively situating suicide on a continuum of “slow death.” However, the films also stage distinct relationships between suicide, community, and the state that emerge from diasporic and Native positionalities within a white settler society. Whereas Shraya's diasporic struggle with suicide is alleviated by forging community within settler spaces, Fire Song counters pathologizing depictions of reserve communities by emphasizing resurgent Indigenous practices and their refusal of settler logics.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42321600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-22DOI: 10.1215/10642684-9316810
D. A. Griffiths
Abstract:Heteronormativity structures biomedical justifications for continuing surgical interventions on infants' genitals that are cosmetic and medically unnecessary. It would seem, then, that queer theory is uniquely suited to challenge this continuing practice. This article takes up the question of what queer theory can do for intersex, with particular focus on queer temporality. I consider the example of "hypospadias repair," a surgical intervention justified by invoking restrictive norms of what the penis should look like and be able to do at some point in the future. In contrast, intersex activists invoke post-medical futures, structured by norms of consent and bodily integrity. While queer approaches to temporality might challenge the notion of intervening surgically on an infant for the sake of the future adult the child will become, might this queer critique also disrupt the ability of activist individuals and organizations to invoke other narratives of the future, including ones where adults have not had irreversible surgeries as infants? I will ask whether queer theories of temporality and futurity can challenge medical practices that compromise consent and bodily integrity. Can queer theory question surgery as a queer moment and help us to conceptualize all bodily differences within a more expansive frame, without reinstating heteronormative narratives of futurity?
{"title":"Queering the Moment of Hypospadias \"Repair\"","authors":"D. A. Griffiths","doi":"10.1215/10642684-9316810","DOIUrl":"https://doi.org/10.1215/10642684-9316810","url":null,"abstract":"Abstract:Heteronormativity structures biomedical justifications for continuing surgical interventions on infants' genitals that are cosmetic and medically unnecessary. It would seem, then, that queer theory is uniquely suited to challenge this continuing practice. This article takes up the question of what queer theory can do for intersex, with particular focus on queer temporality. I consider the example of \"hypospadias repair,\" a surgical intervention justified by invoking restrictive norms of what the penis should look like and be able to do at some point in the future. In contrast, intersex activists invoke post-medical futures, structured by norms of consent and bodily integrity. While queer approaches to temporality might challenge the notion of intervening surgically on an infant for the sake of the future adult the child will become, might this queer critique also disrupt the ability of activist individuals and organizations to invoke other narratives of the future, including ones where adults have not had irreversible surgeries as infants? I will ask whether queer theories of temporality and futurity can challenge medical practices that compromise consent and bodily integrity. Can queer theory question surgery as a queer moment and help us to conceptualize all bodily differences within a more expansive frame, without reinstating heteronormative narratives of futurity?","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42233984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-22DOI: 10.1215/10642684-9316911
Joseph J. Fischel
{"title":"Sexing the Child","authors":"Joseph J. Fischel","doi":"10.1215/10642684-9316911","DOIUrl":"https://doi.org/10.1215/10642684-9316911","url":null,"abstract":"","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45285285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1215/10642684-8994084
Christina A. León
Abstract:This article traces the figure of polvo (dust) across the writing career of Puerto Rican and New York writer Manuel Ramos Otero. Polvo heralds the macabre sensuality of his early short stories, long before his diagnosis with HIV, and persists and morphs through his later essays and poetry up until his eventual death in 1990 from AIDS complications. Writing defiantly as a queer, a feminist, a Puerto Rican, and a sidoso, he produced work that invites death and desire to commingle through a figuration of dust, as a scattered substance that covers skin, coats translation, and dirties conventional genres. Polvo illuminates the dimensions and risks of relation as a particulate matter that exposes our porosity—clinging and hovering in the space between bodies, between the past and the future, between life and death. As the dust settles in the wake of Hurricane María, so too can polvo be read as prescient for how coloniality lingers as enduring conditions of debility and precarity. Ramos Otero's affinity for finitude, figured through polvo, counterintuitively conjures a relational desire that privileges the porous, the marginal, and the always precarious possibility of survival. Polvo moves across the different genres and phases of Ramos Otero's work as a matter that refuses to disentangle the material realities of queerness and coloniality.
{"title":"Exorbitant Dust: Manuel Ramos Otero's Queer and Colonial Matters","authors":"Christina A. León","doi":"10.1215/10642684-8994084","DOIUrl":"https://doi.org/10.1215/10642684-8994084","url":null,"abstract":"Abstract:This article traces the figure of polvo (dust) across the writing career of Puerto Rican and New York writer Manuel Ramos Otero. Polvo heralds the macabre sensuality of his early short stories, long before his diagnosis with HIV, and persists and morphs through his later essays and poetry up until his eventual death in 1990 from AIDS complications. Writing defiantly as a queer, a feminist, a Puerto Rican, and a sidoso, he produced work that invites death and desire to commingle through a figuration of dust, as a scattered substance that covers skin, coats translation, and dirties conventional genres. Polvo illuminates the dimensions and risks of relation as a particulate matter that exposes our porosity—clinging and hovering in the space between bodies, between the past and the future, between life and death. As the dust settles in the wake of Hurricane María, so too can polvo be read as prescient for how coloniality lingers as enduring conditions of debility and precarity. Ramos Otero's affinity for finitude, figured through polvo, counterintuitively conjures a relational desire that privileges the porous, the marginal, and the always precarious possibility of survival. Polvo moves across the different genres and phases of Ramos Otero's work as a matter that refuses to disentangle the material realities of queerness and coloniality.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45404163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1215/10642684-8994056
Susy Shock, J. M. Pierce, Mayra G. Bottaro, Juliana Martínez
Abstract:This special issue questions translation and its politics of (in)visibilizing certain bodies and geographies, and sheds light on queer and cuir histories that have confronted the imperial gaze, or that remain untranslatable. Part of a larger scholarly and activist project of the Feminist and Cuir/Queer Américas Working Group, the special issue situates the relationships across linguistic and cultural differences as central to a hemispheric queer/cuir dialogue. We have assembled contributions with activists, scholars, and artists working through queer and cuir studies, gender and sexuality studies, intersectional feminisms, decolonial approaches, migration studies, and hemispheric American studies. Published across three journals, GLQ in the United States, Periódicus in Brazil, and El lugar sin límites in Argentina, this special issue homes in on the production, circulation, and transformation of knowledge, and on how knowledge production relates to cultural, disciplinary, or market-based logics.
摘要：本期特刊质疑翻译及其对某些身体和地理的视觉化政治，并揭示了那些曾面临帝国凝视或仍无法翻译的古怪历史。作为女权主义者和酷儿/酷儿美国人工作组的一个更大的学术和活动家项目的一部分，特刊将语言和文化差异之间的关系定位为半球酷儿/奎尔对话的核心。我们与活动家、学者和艺术家一起通过酷儿和酷儿研究、性别和性研究、跨部门女权主义、非殖民化方法、移民研究和半球美国研究收集了意见。这期特刊在美国的《GLQ》、巴西的《Periódicus》和阿根廷的《El lugar sin límites》三本期刊上发表，重点关注知识的生产、流通和转化，以及知识生产如何与文化、学科或市场逻辑相关联。
{"title":"I, Monster Mine","authors":"Susy Shock, J. M. Pierce, Mayra G. Bottaro, Juliana Martínez","doi":"10.1215/10642684-8994056","DOIUrl":"https://doi.org/10.1215/10642684-8994056","url":null,"abstract":"Abstract:This special issue questions translation and its politics of (in)visibilizing certain bodies and geographies, and sheds light on queer and cuir histories that have confronted the imperial gaze, or that remain untranslatable. Part of a larger scholarly and activist project of the Feminist and Cuir/Queer Américas Working Group, the special issue situates the relationships across linguistic and cultural differences as central to a hemispheric queer/cuir dialogue. We have assembled contributions with activists, scholars, and artists working through queer and cuir studies, gender and sexuality studies, intersectional feminisms, decolonial approaches, migration studies, and hemispheric American studies. Published across three journals, GLQ in the United States, Periódicus in Brazil, and El lugar sin límites in Argentina, this special issue homes in on the production, circulation, and transformation of knowledge, and on how knowledge production relates to cultural, disciplinary, or market-based logics.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46354585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1215/10642684-8994182
A. Patel
{"title":"Queer Calculus, Warm Data, and Other Oxymorons","authors":"A. Patel","doi":"10.1215/10642684-8994182","DOIUrl":"https://doi.org/10.1215/10642684-8994182","url":null,"abstract":"","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43834642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1215/10642684-8994126
Rocío Pichon-Rivière
Abstract:This essay is part of a project historicizing vernacular theories from Latin America to create dialogues across geopolitical and epistemic borders. This article specifically advances a comparatist analysis of the critical phenomenologies of nudity, truth, and social space by two trans thinkers: Marlene Wayar, an Argentine social psychologist and activist, and Talia Mae Bettcher, a Canadian philosopher and activist based in Los Angeles. Pichon-Rivière argues that a core difference between their approaches stems from different geopolitical and disciplinary regimes of visibility and that these paradigms are not as incompatible as they might seem at first glance. Pichon-Rivière's own theorization seeks to integrate these two perspectives into a shared critical phenomenology of collective truth.
摘要：本文是一个项目的一部分，该项目将拉丁美洲的本土理论历史化，以创造跨越地缘政治和认识边界的对话。这篇文章特别提出了两位跨性别思想家对裸体、真相和社会空间的批判现象的比较分析：阿根廷社会心理学家和活动家Marlene Wayar和洛杉矶的加拿大哲学家和活动家Talia Mae Bettcher。Pichon Rivière认为，他们的方法之间的核心差异源于不同的地缘政治和学科可见性制度，这些范式并不像乍一看那样不兼容。Pichon Rivière自己的理论试图将这两个观点整合到集体真理的共同批判现象学中。
{"title":"Nudes and Naked Souls: Critical Phenomenology of Skin Disclosure and Hemispheric Trans Theory","authors":"Rocío Pichon-Rivière","doi":"10.1215/10642684-8994126","DOIUrl":"https://doi.org/10.1215/10642684-8994126","url":null,"abstract":"Abstract:This essay is part of a project historicizing vernacular theories from Latin America to create dialogues across geopolitical and epistemic borders. This article specifically advances a comparatist analysis of the critical phenomenologies of nudity, truth, and social space by two trans thinkers: Marlene Wayar, an Argentine social psychologist and activist, and Talia Mae Bettcher, a Canadian philosopher and activist based in Los Angeles. Pichon-Rivière argues that a core difference between their approaches stems from different geopolitical and disciplinary regimes of visibility and that these paradigms are not as incompatible as they might seem at first glance. Pichon-Rivière's own theorization seeks to integrate these two perspectives into a shared critical phenomenology of collective truth.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42875636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1215/10642684-8994042
Duen DanaDavid Ochy Marlene John Michael Sacchi, DanaDavid GalánAruquipa, Ochy Curiel, Marlene Wayar, John Michael Hughson
{"title":"Disobedient Epistemologies and Decolonial Histories: A Forum on Latin American Praxis","authors":"Duen DanaDavid Ochy Marlene John Michael Sacchi, DanaDavid GalánAruquipa, Ochy Curiel, Marlene Wayar, John Michael Hughson","doi":"10.1215/10642684-8994042","DOIUrl":"https://doi.org/10.1215/10642684-8994042","url":null,"abstract":"","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45482703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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