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Organizational artefacts in European student radio: Exploring the organizational culture of student radio in Europe 欧洲学生广播中的组织艺术品:探索欧洲学生广播的组织文化
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-11-29 DOI: 10.1177/17480485221141607
A. Hautaniemi
Organizational culture manifests in core beliefs, values and cultural artefacts. This study examines the organizational artefacts, for example, management practices, stance with the outside world, and content choices of European student radio stations, based on survey data gathered from radio managers in 19 countries. Student radio stations are non-commercial media outlets connected to higher education institutes, at least partly managed and operated by students. Previous research on organizational culture and media systems are heuristics for this study in examining whether European student radio stations cluster regionally based on the observed cultural artefacts or whether they show convergence. In contrast to these studies, findings suggest that the region of the station does not determine its cultural artefacts. The studied stations give freedom of choice to individual station members and lean towards alternative content but are also systematic in their management. If any, mainstream media and podcasts are seen as competition.
组织文化体现在核心信念、价值观和文化艺术品中。这项研究基于从19个国家的电台经理那里收集的调查数据,考察了欧洲学生广播电台的组织手工艺品,例如管理实践、对外立场和内容选择。学生广播电台是与高等教育机构相连的非商业媒体,至少部分由学生管理和运营。先前对组织文化和媒体系统的研究是本研究的启发,目的是检验欧洲学生广播电台是否基于观察到的文化人工制品进行区域集群,或者它们是否表现出趋同。与这些研究相反,研究结果表明,该站的区域并不能确定其文物。所研究的电台为各个电台成员提供了选择的自由,倾向于替代内容,但在管理方面也很系统。如果有的话,主流媒体和播客被视为竞争。
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引用次数: 0
Journalistic role orientations in Rwanda, Uganda and Kenya 卢旺达、乌干达和肯尼亚的新闻角色定位
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-11-28 DOI: 10.1177/17480485221141608
Karen McIntyre, Meghan Sobel Cohen
This study examines how journalists in Rwanda, Uganda and Kenya perceive their journalistic role orientations in light of the countries’ differing political systems, Rwanda representing the nation with the most restrictive political system, Uganda sitting in the middle and Kenya illustrating the nation that is home to the least restrictive political system. Data were analyzed from a comparative, quantitative online survey completed by 424 journalists from the three East African nations. Overall, the journalistic role orientations that emerged in each country align with the freedoms afforded by the political system in each country, revealing a trend that journalists in non-Western countries lean toward more interventionist roles (at times to the point of actively supporting their government), and journalists in countries with less restrictive political systems lean toward more adversarial roles (keeping their government in check).
这项研究考察了卢旺达、乌干达和肯尼亚的记者如何根据各国不同的政治制度来看待他们的新闻角色取向,卢旺达代表着政治制度最严格的国家,乌干达位于中间,肯尼亚代表着政治体制最不严格的国家。数据来自三个东非国家的424名记者完成的一项比较定量在线调查。总的来说,每个国家出现的新闻角色取向都与每个国家政治制度所提供的自由相一致,这揭示了一种趋势,即非西方国家的记者倾向于扮演更具干预性的角色(有时甚至到了积极支持政府的地步),政治制度限制较少的国家的记者倾向于扮演更具对抗性的角色(控制政府)。
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引用次数: 0
Journalistic narratives amid the US and Chinese media expansion in Africa: What it means to tell an African journalistic story 中美媒体在非洲扩张中的新闻叙事:讲述非洲新闻故事意味着什么
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-11-07 DOI: 10.1177/17480485221134182
Gregory Gondwe
With the Joe Biden–Kamala Harris administration working toward the resetting of policies and strategies toward Africa and China, the question of whether African journalists will be accorded a chance to tell an African narrative amid the trilateral relationship has become more apparent. The influence exerted by China in African poses questions of whether China is “constructively” reporting Africa and whether journalists do see themselves as telling an African story. This study interrogates the role of African journalistic paradigms within a broader framework of what it means to constructively report Africa. It argues that despite the overwhelming challenges, the African media can tell its narrative if, (a). it seriously interrogates its journalism education system, (b). focus on in-depth reporting as opposed to efficiency and convenience, and (c). value its epistemologies and localize its content.
拜登和哈里斯政府致力于重新制定对非和对华政策和战略,在三边关系中,非洲记者是否有机会讲述非洲故事的问题变得更加明显。中国在非洲施加的影响引发了一些问题:中国是否在“建设性地”报道非洲,记者们是否真的认为自己在讲述一个非洲故事。本研究在更广泛的框架内探讨了非洲新闻范式的作用,即建设性地报道非洲意味着什么。它认为,尽管面临着巨大的挑战,但非洲媒体可以讲述自己的故事,如果:(a)认真审视其新闻教育体系,(b)专注于深度报道,而不是效率和便利,以及(c)重视其认识论并将其内容本地化。
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引用次数: 0
Soft news in soft war: Maximum pressure, Voice of America, and outrage media in Iran 软战争中的软新闻:最大压力,美国之音和伊朗的愤怒媒体
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-11-01 DOI: 10.1177/17480485221088395
Gilda Modjtahedi, Piotr M. Szpunar
The US Maximum Pressure campaign, a conglomeration of diplomatic, economic, and military sticks, was ostensibly designed to force Iran into renegotiating the 2015 nuclear deal; critics say the real aim is regime change. The auxiliary media efforts in support of the policy are part of an ongoing soft war. One dimension of these efforts is the export of a popular American media format, the outrage genre or cable news magazine, to Iran via Voice of America. Last Page (safhe-ye akhar) is an attempt, like much international propaganda, to reinforce rather than change opinions. This paper examines how the program attempts to reinforce anti-regime sentiment not by informing its audience but by providing a space of mediated belonging in which the host ‘gets you,’ feels the news with you, and feels for you. The paper concludes with a discussion about the potential uses and limitations of outrage media in international propaganda.
美国的最大压力运动是外交、经济和军事大棒的集合体,表面上是为了迫使伊朗重新谈判2015年的核协议;批评人士说,真正的目的是政权更迭。支持该政策的辅助媒体努力是正在进行的软战争的一部分。这些努力的一个方面是通过美国之音向伊朗出口一种流行的美国媒体形式,即愤怒类型或有线新闻杂志。《最后一页》(safhe ye akhar)和许多国际宣传一样,是一种强化而非改变观点的尝试。本文探讨了该节目如何试图强化反政权情绪,不是通过告知观众,而是通过提供一个中介归属的空间,让主持人“了解你”,与你一起感受新闻,并为你感到同情。文章最后讨论了愤怒媒体在国际宣传中的潜在用途和局限性。
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引用次数: 0
Covering the EU at local level: A multiple-case study in Germany, the UK and Spain 在地方层面覆盖欧盟:德国、英国和西班牙的多个案例研究
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-10-22 DOI: 10.1177/17480485221134177
R. Rivas-de-Roca, F. Caro-González, M. García-Gordillo
In recent years, European journalists show a preference for opinionated stories in a growing movement triggered by the acceleration of the political information cycle in the digital sphere. This research aims to analyze how reporting the EU meets quality standards, comparing the coverage of EU affairs in local media from Germany, the United Kingdom (UK) and Spain. We content-analyze all the published news items on European issues, collected over a one-year period (2018–2019). Local media are selected because of their relationship with democracy in nearby communities. Based on a corpus of 1093 news stories, the results show that the number of statements was high; meanwhile, we detected a negative bias in every media outlet of the sample, but some differences were also found linking to national contexts. Likewise, our study provides evidence on the shaping of low-quality news about the EU, arguing that this practice could boost a polarized climate.
近年来,在数字领域政治信息周期加速引发的一场愈演愈烈的运动中,欧洲记者表现出对固执己见的报道的偏好。本研究旨在通过比较德国、英国和西班牙当地媒体对欧盟事务的报道,分析报道欧盟如何达到质量标准。我们对一年(2018-2019)期间收集的所有已发表的欧洲问题新闻进行内容分析。选择当地媒体是因为它们与附近社区的民主关系。基于1093篇新闻报道的语料库,结果显示,陈述数量较高;同时,我们在样本的每个媒体渠道中都发现了负面偏见,但也发现了一些与国家背景有关的差异。同样,我们的研究为有关欧盟的低质量新闻的形成提供了证据,认为这种做法可能会加剧两极分化的气候。
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引用次数: 0
The Dissident: ‘Sawing’ political activism by media corporation? 异见者:媒体公司“窥探”政治激进主义?
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-10-19 DOI: 10.1177/17480485221132753
Aliaa I. Dakroury
Premiered in 2020, and although representing a grim story to narrate the Khashoggi story – a Saudi prominent journalist – who was ambushed, killed, and his body dismembered in his own country's consulate, The Dissident is more than simply a documentary. It is arguably a narration of the need for freedom of expression and political reform in the Arab world generally and Saudi Arabia in particular. This paper highlights the struggle to disseminate The Dissident documentary publicly as none of the major media corporation streamers (HBO, Netflix, Amazon, and Apple) offered to carry it. The way giant media corporations treat the information in this case not only as a commodity but as a means to avoid political tensions affecting their revenues in the markets. The article addresses this case study from a freedom of expression and the right to communicate perspective arguing for the need of an actual media reform within the middle east media system so journalists, like Khashoggi.
《异见者》于2020年首播,虽然代表了一个残酷的故事来讲述沙特著名记者卡舒吉在本国领事馆遭到伏击、杀害和尸体肢解的故事,但它不仅仅是一部纪录片。可以说,这是对整个阿拉伯世界,特别是沙特阿拉伯言论自由和政治改革必要性的叙述。这篇论文强调了公开传播《异见者》纪录片的斗争,因为没有一家主要的媒体公司(HBO、Netflix、亚马逊和苹果)愿意播放这部纪录片。在这种情况下,大型媒体公司不仅将信息视为商品,而且将其视为避免政治紧张局势影响其市场收入的一种手段。这篇文章从言论自由和传播权的角度阐述了这一案例研究,认为有必要在中东媒体体系内进行实际的媒体改革,以便像卡舒吉这样的记者。
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引用次数: 0
Spatial dimensions within hierarchy of influences: How re-conceived notions of space in networked societies impact Latin American journalists 影响等级中的空间维度:网络社会中重新构想的空间概念如何影响拉丁美洲记者
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-10-13 DOI: 10.1177/17480485221130908
Vanessa de Macedo Higgins Joyce, Summer Harlow, Amy Schmitz Weiss, R. Alves
Local, national, regional and global networks of power intersect in this digital era, raising questions of how re-conceived notions of space in networked societies impact journalism. This study surveyed journalists (n = 1094) from 20 Latin American countries to explore how spatial dimensions are influencing how journalists’ roles are perceived in the region, within the hierarchy of influences model. It identified the disseminator/informational role – a role traditionally less common among journalists in Latin America – as most impacted by the spatial shifts at the organizational level (geographic scope), social-institutional level (geo-cultural regions) and social systems level (social network structures). As journalists’ work becomes connected with extra-national networks, their perceptions of roles shift, with relevant consequences for journalistic practices.
在这个数字时代,地方、国家、区域和全球的权力网络相互交织,引发了网络社会中重新构想的空间概念如何影响新闻业的问题。本研究调查了来自20个拉丁美洲国家的记者(n = 1094),以探索在影响层次模型中,空间维度如何影响该地区对记者角色的看法。它确定了传播者/信息角色-传统上在拉丁美洲记者中不太常见的角色-是受组织层面(地理范围)、社会机构层面(地理文化区域)和社会系统层面(社会网络结构)空间变化影响最大的角色。随着记者的工作与国外网络联系起来,他们对角色的看法发生了变化,这对新闻实践产生了相关影响。
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引用次数: 0
Transitions to nowhere: Western teleology and regime-type classification 无所遁形:西方目的论与政体类型分类
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-10-11 DOI: 10.1177/17480485221130220
Afonso de Albuquerque
Comparative Political Communication studies often take the same basic regime-type Stage of Democracy Development (SDD) classification as a basis for analysis. In this model, societies can fall into three basic categories: (1) established democracies; (2) transitional democracies; or (3) authoritarian regimes. This article presents a critique of the SDD model. First, it enshrines ethnocentric prejudices as a basis of global comparison in political communication research. It also lacks analytical consistency and scholars using these categories do not feel compelled to justify their choices. Not rarely, they outsource the task of classifying societies to non-scholarly institutions. This makes the model vulnerable to institutional political bias. Finally, the SDD model—which originated in the time of the US global hegemony—is becoming growingly obsolete, in a time when the global order evolves toward a more multipolar structure, and western democracies (the US, in particular) experience a major crisis.
比较政治传播研究往往以相同的基本政权型民主发展阶段(SDD)分类作为分析基础。在这个模型中,社会可以分为三个基本类别:(1)建立民主;(2)过渡民主;(3)专制政权。本文提出了对SDD模型的批评。首先,它将种族中心主义偏见奉为政治传播研究的全球比较基础。它也缺乏分析的一致性,使用这些类别的学者并不觉得有必要为他们的选择辩护。他们将社会分类的任务外包给非学术机构,这种情况并不少见。这使得该模式容易受到制度性政治偏见的影响。最后,起源于美国全球霸权时代的SDD模式正变得越来越过时,因为全球秩序正朝着更加多极的结构发展,西方民主国家(尤其是美国)正经历一场重大危机。
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引用次数: 0
Consumption of true crimes and perceived vulnerability: Does the cultural context matter? 真实犯罪的消费和感知的脆弱性:文化背景重要吗?
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-10-11 DOI: 10.1177/17480485221131474
María T. Soto-Sanfiel, Diego F. Montoya-Bermúdez
This qualitative research explores how true crime documentaries (TCDs) are received in cultural settings with different crime rates. It identifies and compares motivations for watching TCDs, perceived vulnerabilities from their consumption, and concerns about their inclusion on broadcasting in Colombia (high murder rate context) and Singapore (low murder rate context). Eleven Colombians (RangeAge = 18–24 years old) and 12 Singaporeans (RangeAge = 19–24 years old) participated in 4 focus groups (FGs). A thematic analysis (TA) revealed that Singaporeans watch TCDs mainly for entertainment, to experience emotions, and to learn about past events, whereas Colombians mostly obtain survival skills, and learn about murderers and their cultural context realities. Unlike Singaporeans, Colombians perceive vulnerabilities associated with TCDs’ representation and consumption as revictimization (resuffering consequences or even being blamed), self-victimization (fear of becoming victims), and victimization (vicarious emotional experience of the consequences of and responsibility for crimes). The samples differ in their approaches to TCDs’ offering in TV. These results inform academy, audiovisual industries, educational programs, and regulatory policies.
本定性研究探讨了真实犯罪纪录片(tcd)在不同犯罪率的文化背景下是如何被接受的。该研究确定并比较了哥伦比亚(谋杀率高的背景)和新加坡(谋杀率低的背景)观看tcd的动机、观看tcd的脆弱性,以及对播放tcd的担忧。11名哥伦比亚人(18-24岁)和12名新加坡人(19-24岁)参加了4个焦点小组(fg)。一项专题分析(TA)显示,新加坡人观看tcd主要是为了娱乐、体验情感和了解过去的事件,而哥伦比亚人则主要是为了获得生存技能、了解杀人犯及其文化背景。与新加坡人不同,哥伦比亚人认为与tcd的表现和消费相关的脆弱性是再受害(重新承受后果甚至被指责)、自我受害(害怕成为受害者)和受害(对犯罪后果和责任的替代性情感体验)。这些样本在电视中提供tcd的方法上有所不同。这些结果为学术界、视听行业、教育计划和监管政策提供了信息。
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引用次数: 0
Journalism education, research, and practice in Africa: Toward a transformative approach 非洲的新闻教育、研究与实践:走向变革之路
IF 1.9 3区 文学 Q2 COMMUNICATION Pub Date : 2022-09-16 DOI: 10.1177/17480485221126344
L. Obijiofor, Marie M’Balla-Ndi Oelgemoeller
Western conceptualisation of journalism as a profession and an academic discipline fundamentally represents systemic challenges to how journalism could be theorised, researched, and practised in ways that address and reflect the specificities of non-Western contexts such as Africa. It is in this context that calls for recognition of locally relevant epistemologies of journalism have generated vigorous debates among journalists, journalism educators, and communication academics. The authors argue that, in a rapidly changing world that recognises diverse perspectives, communities, cultures, national differences, and various ways of doing things, journalism education and practice should no longer be viewed through the linear and dominant lens of Western theoretical and practical ways of knowing. The comparative analysis presented in this paper provides critical insights into new approaches to theoretical and methodological developments that inform the discipline, with the aim to inspire and encourage wider debate in international communication field across cultures.
西方将新闻作为一种职业和学术学科的概念从根本上代表了对如何以解决和反映非洲等非西方背景的特殊性的方式对新闻进行理论化、研究和实践的系统性挑战。正是在这种背景下,要求承认与当地相关的新闻认识论的呼声在记者、新闻教育工作者和传播学界引发了激烈的辩论。作者认为,在一个承认不同观点、社区、文化、民族差异和各种做事方式的快速变化的世界里,新闻教育和实践不应再通过西方理论和实践的线性和主导视角来看待。本文中的比较分析为该学科提供了理论和方法发展的新方法的批判性见解,目的是激励和鼓励国际传播领域跨文化的更广泛辩论。
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引用次数: 0
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International Communication Gazette
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