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Curating new ethnicities in a digital era: Women and media work in the British South Asian diaspora 在数字时代策划新种族:英国南亚侨民中的女性和媒体工作
IF 2.1 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-08-22 DOI: 10.1177/13678779221120435
Aswin Punathambekar, J. Giese, Diwas Bisht
This article analyses the unfolding impact of social media platforms on the politics of race, ethnicity, and gender in the UK. Revisiting Stuart Hall's foundational work on ‘new ethnicities’ and building on recent critiques of anti-racist struggles premised on mainstream media visibility and recognition, we explore how British South Asian women are navigating opportunities opened up by the digitalization of media industries. First, we examine how an interlocking set of shifts involving social media, techniques of self-making, and media industry logics has sparked the curation of ethnicities that challenge dominant ideas of Britishness and cultural citizenship. We then show that their success hinges on performing two forms of labour: crafting brand-ready representations that satisfy the media industries’ diversity mandates and, at the same time, subsuming their religious and ethnic identities into a picture of entrepreneurial womanhood that resonates with the logics of popular feminism.
本文分析了社交媒体平台对英国种族、民族和性别政治的影响。回顾斯图尔特·霍尔关于“新种族”的基础性工作,并以最近对主流媒体知名度和认同度为前提的反种族主义斗争的批评为基础,我们探讨了英国南亚女性如何利用媒体行业数字化带来的机会。首先,我们考察了涉及社交媒体、自我创造技术和媒体行业逻辑的一系列连锁转变是如何引发了对挑战英国性和文化公民身份的主导思想的种族管理的。然后,我们表明,她们的成功取决于两种形式的劳动:制作满足媒体行业多样性要求的品牌准备代表,同时,将她们的宗教和种族身份纳入一幅与流行女权主义逻辑产生共鸣的企业家女性形象。
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引用次数: 0
The sad clown paradox: A theory of comic transcendence 悲伤小丑悖论:一种喜剧超越理论
IF 2.1 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-08-02 DOI: 10.1177/13678779221117176
Daniel R Smith
One prevailing cultural sensibility of our time is a concern with the state of our mental health, another is our obligation and desire for a good ‘sense of humour’. At present the two are conflated, most often through a long-standing cultural trope: the sad clown paradox – those who make us laugh the most tend to be the most prone to mental health problems. This article views the ‘sad clown paradox’ as less about the peculiarity or exceptional status of a comedian's mind, more about how the cognitive burdens of modernity are rendered bearable and collectively recognised in thought and sentiment by humour. Accounts of comedy and mental health conflate good comedy with mental anguish. By unpacking this knotted relationship, it is argued that comedian's humour performs a way for contemporary people to deal with modernity's fragmentary character of life from within their own inner worlds and selves.
我们这个时代盛行的一种文化敏感性是对我们心理健康状况的关注,另一种是我们对良好“幽默感”的义务和渴望。目前,这两者被混为一谈,通常是通过一个长期存在的文化比喻:悲伤的小丑悖论——那些最让我们发笑的人往往最容易出现心理健康问题。这篇文章认为,“悲伤小丑悖论”与其说是关于喜剧演员头脑的特殊性或特殊地位,不如说是关于现代性的认知负担是如何通过幽默在思想和情感上得到承受和集体认可的。关于喜剧和心理健康的描述将好的喜剧与心理痛苦混为一谈。通过解开这种纠结的关系,有人认为喜剧演员的幽默为当代人从自己的内心世界和自我中处理现代性的零碎生活提供了一种方式。
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引用次数: 0
The border as “other space” 边界为“其他空间”
IF 2.1 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-08-02 DOI: 10.1177/13678779221117171
Dominik Winkler
Refugees played a central role in public discourse in the past decade, however, self-representations were marginal. In this article, I analyze the documentary My Escape / Meine Flucht, which portrays the flight of 15 people based on footage from their mobile phones on their journey and interviews. Starting from Foucault's concept of the heterotopia, I approach the Mediterranean Sea as a place in which different power regimes intersect, engage and compete. The self-representation of border-crossing makes the enacted power on refugees visible and challenges common framings of refugees and border-crossing. I pick up the argument that the rise in migration in 2015 offers a healing potential which could mirror the reality in the “Global South” to a European Union (EU) public. I argue that self-representations in media reveal the contradictions in the self-imagination of the EU and its reality. Yet their impact remains limited.
在过去十年中,难民在公共话语中发挥了核心作用,然而,自我表达是微不足道的。在这篇文章中,我分析了纪录片《我的逃亡》(My Escape/Meine Flucht),该片根据15人旅途中手机的镜头和采访,描绘了他们的逃亡过程。从福柯的异托邦概念出发,我将地中海视为一个不同权力政权交叉、参与和竞争的地方。过境的自我代表性使制定的难民权力显而易见,并挑战了难民和过境的共同框架。我接受了这样一种观点,即2015年移民的增加提供了一种治愈的潜力,可以向欧盟(EU)公众反映“全球南方”的现实。我认为,媒体上的自我表述揭示了欧盟自我想象与其现实的矛盾。然而,它们的影响仍然有限。
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引用次数: 0
Bilingual fiction series, genre conventions, and the economy of linguistic interaction in Israeli television 双语小说系列,类型惯例,以及以色列电视中语言互动的经济
IF 2.1 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-07-26 DOI: 10.1177/13678779221114380
Nahuel Ribke
During the last decade, an increasing number of transnational and multilingual television shows have been produced, distributed, and consumed via global streaming platforms. The present study aims to examine bilingual fiction series through the analysis of two high-impact Hebrew-Arabic bilingual television shows, produced by the Israeli television industry: Arab Labor (2007–13) and Fauda (2015–present). While previous studies on these shows focused on the on-screen representation of the Jewish-Israeli and Palestinian population, and the Israeli-Palestinian conflict, the present article proposes a methodology for a quantitative and qualitative analysis of multilingual fiction series. Instead of a linear textual analysis, it suggests focusing on the genre conventions, televisual structure, and linguistic performances that made possible the complex amalgamation of the languages spoken in both series.
在过去十年中,越来越多的跨国和多语言电视节目通过全球流媒体平台制作、分发和消费。本研究旨在通过分析以色列电视业制作的两个影响巨大的希伯来语-阿拉伯语双语电视节目:《阿拉伯劳工》(2007-13)和《Fauda》(2015-至今),来检验双语小说系列。虽然之前对这些节目的研究集中在犹太-以色列和巴勒斯坦人口的屏幕表现,以及以色列-巴勒斯坦冲突,但本文提出了一种对多语言小说系列进行定量和定性分析的方法。它建议关注流派惯例、电视视觉结构和语言表现,而不是线性的文本分析,这使得两个系列中所说的语言的复杂融合成为可能。
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引用次数: 0
An anatomy of carewashing: Corporate branding and the commodification of care during Covid-19. 护理剖析:新冠肺炎期间的企业品牌和护理商品化。
IF 2.1 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-07-01 DOI: 10.1177/13678779211065474
Andreas Chatzidakis, Jo Littler

This article defines 'carewashing' as commercial branding strategies which commodify care and attempt to increase corporate profit, and provides the first theorisation and historicisation of the term. The first section of the article situates 'carewashing' in relation to longer-term strategies of corporate 'social responsibility' and cause-related marketing. The second shows how established corporate practices are being reinvented in an era of Covid-19 and amidst profound neoliberal instability. The third section focuses on specific examples of contemporary carewashing, showing their variation and pinpointing three tendencies: 'opportunistic branding'; 'community resourcing'; and 'reputational steamrolling'. The concluding section argues that carewashing also needs to be understood as a political act which is involved in wider social struggles. It argues that, in the Gramscian sense, carewashing is part of a 'passive revolution' in that it is attempting to claim and demarcate the realm of care for corporate capitalism and against social democracy.

本文将“护理清洗”定义为将护理商品化并试图增加企业利润的商业品牌策略,并对该术语进行了首次理论化和历史化。文章的第一部分将“关爱”与企业“社会责任”和事业相关营销的长期战略联系起来。第二个展示了在新冠肺炎时代和深刻的新自由主义不稳定中,既定的企业实践是如何被重塑的。第三部分重点介绍了当代护理的具体例子,展示了它们的变化,并指出了三种趋势:“机会主义品牌”社区资源;以及“声誉滑坡”。结论部分认为,护理也需要被理解为一种涉及更广泛社会斗争的政治行为。它认为,在葛兰西主义的意义上,护理是“被动革命”的一部分,因为它试图主张和划定对企业资本主义和反对社会民主的护理领域。
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引用次数: 10
The house cannot be full: Risk, anxiety, and the politics of collective spectatorship in a pandemic. 屋子不可能坐满:大流行中的风险、焦虑和集体旁观的政治。
IF 2.1 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-07-01 DOI: 10.1177/13678779211066330
Tupur Chatterjee

This article charts the pandemic-engendered configurations of moviegoing cultures, leisure, and collective spectatorship in the Indian subcontinent and locates it within the discourses of personal risk, public anxiety, and industrial exclusion that have historically permeated the cinema hall. The pandemic marks a significant moment in the remaking of collective spectatorship and must be contextualized within the two-decades-long transition from single screens to multiplexes already under way in the Indian exhibition landscape. Through an account of the industrial developments in film exhibition in the last year and a half of pandemic time across two catastrophic waves of Covid-19, I offer some preliminary insights into the ways in which these shifts signal towards the cultural production of a new spectatorial body amenable to novel forms of bio-surveillance and datafication of self.

本文描绘了流行病在印度次大陆引发的观影文化、休闲和集体观影的配置,并将其定位于个人风险、公众焦虑和工业排斥的话语中,这些话语在历史上渗透到电影院。这次大流行标志着集体观影方式重塑的一个重要时刻,必须在印度展览领域已经开始的从单屏幕到多银幕的长达20年的过渡中加以考虑。在过去一年半的大流行时间里,在两次灾难性的Covid-19浪潮中,通过对电影展览工业发展的描述,我提供了一些初步的见解,以了解这些转变如何预示着一种新的观影身体的文化生产,这种文化生产适合新型生物监测和自我数据化。
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引用次数: 0
The relationship between ambient temperatures and road traffic injuries: a systematic review and meta-analysis. 环境温度与道路交通伤害之间的关系:系统回顾与荟萃分析。
IF 5.8 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-07-01 Epub Date: 2022-03-02 DOI: 10.1007/s11356-022-19437-y
Mingming Liang, Min Min, Xianwei Guo, Qiuxia Song, Hao Wang, Ning Li, Wanying Su, Qiwei Liang, Xiuxiu Ding, Pengpeng Ye, Leilei Duan, Yehuan Sun

Traffic accidents cause considerable economic losses and injuries. Although the adverse effects of a change in ambient temperatures on human health have been widely documented, its effects on road traffic safety are still debated. This systematic review and meta-analysis was performed to synthesize available data on the association between ambient temperature and the risks of road traffic accidents (RTAs) and traffic accident injuries (TAIs). We searched 7 different databases to locate studies. The subgroup analyses were stratified by temperature type, temperature exposure, region, mean temperature, mortality, study period, statistical model, and source of injury data. This study was registered with PROSPERO under the number CRD42021264660. This is the first meta-analysis to investigate the association between ambient temperature and road traffic safety. A total of 34 high-temperature effect estimates were reported, and two additional studies reported the relationship between low temperatures and TAI risk. The meta-analysis results found a significant association between the high temperature and RTAs, and the pooled RR was 1.025 (95%CI 1.014, 1.035). The risk of TAI was also significantly associated with temperature increases. Subgroup analyses found that using daily mean temperatures, the RR value of road traffic accidents was 1.024 (95%CI 0.939, 1.116), and the RR value of road traffic injuries was 1.052 (95%CI 1.024, 1.080). Hourly temperatures significantly increased the risk of RTA, while the risk of TAI was not significantly increased by hourly temperature. The sensitivity analysis indicated that the results were stable, and no obvious publication bias was detected. The results of this systematic review and meta-analysis suggest that increases in ambient temperature are associated with an increased risk of RTAs and TAIs. These findings add to the evidence of the impact of ambient temperature on road traffic safety.

交通事故造成了巨大的经济损失和人员伤亡。尽管环境温度变化对人类健康的不利影响已被广泛记录,但其对道路交通安全的影响仍存在争议。本系统综述和荟萃分析旨在综合环境温度与道路交通事故(RTA)和交通事故伤害(TAI)风险之间关系的现有数据。我们搜索了 7 个不同的数据库来查找相关研究。亚组分析按照温度类型、温度暴露、地区、平均温度、死亡率、研究时间、统计模型和伤害数据来源进行了分层。本研究已在 PROSPERO 注册,注册号为 CRD42021264660。这是第一项研究环境温度与道路交通安全关系的荟萃分析。共报告了 34 项高温效应估计,另有两项研究报告了低温与 TAI 风险之间的关系。荟萃分析结果发现,高温与道路交通意外之间存在显著关联,汇总的 RR 值为 1.025(95%CI 1.014,1.035)。TAI 风险也与气温升高有显著关联。分组分析发现,使用日平均气温,道路交通事故的 RR 值为 1.024(95%CI 0.939,1.116),道路交通伤害的 RR 值为 1.052(95%CI 1.024,1.080)。每小时的气温会明显增加道路交通意外的风险,而每小时的气温不会明显增加交通意外的风险。敏感性分析表明结果稳定,未发现明显的发表偏倚。这项系统回顾和荟萃分析的结果表明,环境温度的升高与 RTA 和 TAI 风险的增加有关。这些发现增加了环境温度对道路交通安全影响的证据。
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引用次数: 0
Humanizing the posthuman: Digital labour, food delivery, and openings for the new human during the pandemic. 人性化后人类:数字劳动、食品配送和新人类在疫情期间的开放。
IF 2.1 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-07-01 DOI: 10.1177/13678779211066608
Jack Linchuan Qiu

Posthuman is a social condition of humans losing control, especially to technological forces, and a cultural framing beyond Enlightenment modernity. Building on the posthuman critique, this article examines digital labour and food delivery platforms during Covid-19 in Asian contexts. The main argument is that, while reinforcing inequalities through algorithm-based discrimination and control, the pandemic also creates openings for progressive change towards the humanizing of the posthuman, through human-non-human assemblage as well as 'sticky labour'. As such, Covid-19 is more than a crisis that signifies the end of the 'old normal'. It is, more importantly, another moment when existential crisis triggers innovation in working-class network society, leading to novel discourses, practices, and networks. How and why did this happen? What are the implications for pandemic-era cultural shaping of the digital? These questions will be discussed.

后人类是人类失去控制的社会条件,尤其是对技术力量的控制,也是启蒙运动现代性之外的文化框架。本文在人后批判的基础上,审视了新冠肺炎期间亚洲背景下的数字劳工和食品配送平台。主要论点是,在通过基于算法的歧视和控制加剧不平等的同时,疫情也为通过人类-非人类的集合以及“粘性劳动”实现后人类人性化的渐进变革创造了机会。因此,新冠肺炎不仅仅是一场标志着“旧常态”结束的危机。更重要的是,这是另一个存在危机引发工人阶级网络社会创新的时刻,导致了新的话语、实践和网络。这是怎么发生的,为什么会发生?疫情时代数字化的文化塑造有什么影响?我们将讨论这些问题。
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引用次数: 2
'Generic visuals' of Covid-19 in the news: Invoking banal belonging through symbolic reiteration. 新闻中新冠肺炎的“一般视觉效果”:通过象征性的重复唤起平庸的归属感。
IF 2.1 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-07-01 DOI: 10.1177/13678779211061415
Giorgia Aiello, Helen Kennedy, C W Anderson, Camilla Mørk Røstvik

In the early days of the Covid-19 pandemic, images of the virus molecule and 'flatten-the-curve' line charts were inescapable. There is now a vast visual repertoire of vaccines, people wearing face masks in everyday settings, choropleth maps and both bar and line charts. These 'generic visuals' circulate widely in the news media and, however unremarkable, play an important role in representing the crisis in particular ways. We argue that these generic visuals promote banal nationalism, localism and cosmopolitanism in the face of the crisis, and that they do so through the symbolic reiteration of a range of visual resources across news stories. Through an analysis of three major news outlets in the UK, we examine how generic visuals of Covid-19 contribute to these banal visions and versions of belonging and, in doing so, also to foregrounding the role of the state in responding to the crisis.

在新冠肺炎大流行的早期,病毒分子的图像和“曲线图”是不可避免的。现在有大量的疫苗、人们在日常生活中戴口罩、合唱地图以及条形图和折线图。这些“通用视觉”在新闻媒体中广泛传播,尽管不起眼,但在以特定方式代表危机方面发挥着重要作用。我们认为,面对危机,这些通用的视觉效果促进了平庸的民族主义、地方主义和世界主义,而且它们是通过在新闻故事中象征性地重复一系列视觉资源来实现的。通过对英国三家主要新闻媒体的分析,我们研究了新冠肺炎的一般视觉如何促成这些平庸的愿景和归属感,并在这样做的过程中,突出了国家在应对危机中的作用。
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引用次数: 11
The imaginative dimension of digital disinformation: Fake news, political trolling, and the entwined crises of Covid-19 and inter-Asian racism in a postcolonial city. 数字虚假信息的想象力:假新闻、政治炒作,以及后殖民城市中新冠肺炎和跨亚洲种族主义交织的危机。
IF 2.1 2区 社会学 Q1 CULTURAL STUDIES Pub Date : 2022-07-01 DOI: 10.1177/13678779211068533
Jason Vincent A Cabañes

This article uses the concept of the 'imaginative dimension of digital disinformation' to explore how inter-Asian racism in a postcolonial city matters to the way people engage with racially tinged Covid-19 digital disinformation. It pays attention to two key socialities that fake news and political trolling online seek to weaponise: people's existing social narratives as well as their relationally embedded practices of media consumption. Drawing on 15 life story interviews with locals from the Philippines capital of Manila, this article characterises their interpretations of online disinformation campaigns that aim to amplify their shared social narrative of resentment towards China and bank on their communicative practices surrounding this. It also aims to show the value of empirical research that possesses a transnational sensibility in assessing the interpretive and social dynamics surrounding such racist Covid-19 digital disinformation.

本文利用“数字虚假信息的想象力维度”的概念,探讨后殖民城市的跨亚洲种族主义如何影响人们参与带有种族色彩的新冠肺炎数字虚假信息。它关注两个关键的社会问题,假新闻和网络政治巨魔试图将其武器化:人们现有的社会叙事以及他们相对嵌入的媒体消费实践。本文通过对菲律宾首都马尼拉当地人的15次生活故事采访,描述了他们对网络虚假信息运动的解读,这些虚假信息运动旨在扩大他们对中国不满的共同社会叙事,并利用他们围绕这一点的沟通实践。它还旨在展示具有跨国敏感性的实证研究在评估围绕这种种族主义新冠肺炎数字虚假信息的解释和社会动态方面的价值。
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引用次数: 2
期刊
International Journal of Cultural Studies
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