Pub Date : 2023-03-15DOI: 10.1177/13678779231160802
G. Goggin, K. Zhuang
In this article we discuss the entanglement of apps, mobilities, and migration – and the way that apps work as migrant infrastructure in a Covid context. We develop our analysis through a case study of Singapore's response to the pandemic during 2020–22, centred on the control of migrant workers through the use of Covid apps. We argue that Covid apps enact ‘managed inequality’ in blatant as well as subtle ways for migrants and the societies in which they live and belong.
{"title":"Apps, mobilities, and migration in the Covid-19 pandemic: Covid technology and the control of migrant workers in Singapore","authors":"G. Goggin, K. Zhuang","doi":"10.1177/13678779231160802","DOIUrl":"https://doi.org/10.1177/13678779231160802","url":null,"abstract":"In this article we discuss the entanglement of apps, mobilities, and migration – and the way that apps work as migrant infrastructure in a Covid context. We develop our analysis through a case study of Singapore's response to the pandemic during 2020–22, centred on the control of migrant workers through the use of Covid apps. We argue that Covid apps enact ‘managed inequality’ in blatant as well as subtle ways for migrants and the societies in which they live and belong.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41526344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-14DOI: 10.1177/13678779231157428
E. Cabalquinto, T. Ahlin
This article foregrounds the benefits and challenges of deploying remote interviews to investigate the digital practices of older adults from Culturally and Linguistically Diverse (CALD) backgrounds during a series of stay-at-home orders in in 2020 and 2021 in Victoria, Australia. By critically examining the employment of technologically mediated data collection (via video and phone call), we reconceptualize remote fieldwork as a collection of ethnographically significant field events. We draw on the socio material approach to map the impact of human–digital assemblage on the processes, possibilities and limits of collecting data remotely. The study reveals the ways participants' differing digital access, competencies, and social relations engender and undermine methodological interventions. Indeed, it offers a nuanced perspective on deploying remote fieldwork especially among older migrants in an increasingly digital world.
{"title":"Researching (im)mobile lives during a lockdown: Reconceptualizing remote interviews as field events","authors":"E. Cabalquinto, T. Ahlin","doi":"10.1177/13678779231157428","DOIUrl":"https://doi.org/10.1177/13678779231157428","url":null,"abstract":"This article foregrounds the benefits and challenges of deploying remote interviews to investigate the digital practices of older adults from Culturally and Linguistically Diverse (CALD) backgrounds during a series of stay-at-home orders in in 2020 and 2021 in Victoria, Australia. By critically examining the employment of technologically mediated data collection (via video and phone call), we reconceptualize remote fieldwork as a collection of ethnographically significant field events. We draw on the socio material approach to map the impact of human–digital assemblage on the processes, possibilities and limits of collecting data remotely. The study reveals the ways participants' differing digital access, competencies, and social relations engender and undermine methodological interventions. Indeed, it offers a nuanced perspective on deploying remote fieldwork especially among older migrants in an increasingly digital world.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45629474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-10DOI: 10.1177/13678779231161818
{"title":"Revise and Republish Notice","authors":"","doi":"10.1177/13678779231161818","DOIUrl":"https://doi.org/10.1177/13678779231161818","url":null,"abstract":"","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49466527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-08DOI: 10.1177/13678779231153426
Megan Green
The article relates taxidermy to oil in the subculture associated with the oil sands in the Canadian West. Kitsch as it relates to postmodernism, and postmodernism to oil, share a sense of melancholy; an affect which is explored through the author's own practice as a visual artist and in the work of Claire Morgan, an artist from the UK. The affect of oil, and its implications as to mortality on the landscape are examined through an engagement with objects considered as ‘remains’ sourced from the local area, generally in or near the town of Fort McMurray. The author, expanding on past work, proposes a mode by which the subculture of oil workers might be engaged in environmental narratives, necessitating attentiveness to issues of class. The author's artwork describes her own personal experiences in the region and the experiences of members of her community. This article is an attempt to contextualize and elaborate on specific experiences of oil culture; the 2016 Horse River (Fort McMurray) wildfire is a focal point.
{"title":"Danger, no exit: Relationships to ‘remains’ and ‘petromelancholia’ on the landscape of the oil sands","authors":"Megan Green","doi":"10.1177/13678779231153426","DOIUrl":"https://doi.org/10.1177/13678779231153426","url":null,"abstract":"The article relates taxidermy to oil in the subculture associated with the oil sands in the Canadian West. Kitsch as it relates to postmodernism, and postmodernism to oil, share a sense of melancholy; an affect which is explored through the author's own practice as a visual artist and in the work of Claire Morgan, an artist from the UK. The affect of oil, and its implications as to mortality on the landscape are examined through an engagement with objects considered as ‘remains’ sourced from the local area, generally in or near the town of Fort McMurray. The author, expanding on past work, proposes a mode by which the subculture of oil workers might be engaged in environmental narratives, necessitating attentiveness to issues of class. The author's artwork describes her own personal experiences in the region and the experiences of members of her community. This article is an attempt to contextualize and elaborate on specific experiences of oil culture; the 2016 Horse River (Fort McMurray) wildfire is a focal point.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46744136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-06DOI: 10.1177/13678779231159148
Jack Lipei Tang
The fandom community has been one of the most engaging and active segments in the global participatory culture. However, fans face multilevel and intertwined constraints from various social forces while seeking pleasure and fantasies. This study zooms in on a real-person shipping fan community in China where shippers are doubly marginalized as they fantasize about two male idols being in a romantic relationship in a society with both the derogative projection of fans and low levels of acceptance of same-sex relationships. Relying on a mixed-methods approach, this study found that the radical and disruptive practices are the results of tactical and calculative negotiations in relation to political, social, and technological risks while being driven by pleasure-seeking. I call these practices precarious shipping. The contextualized understanding of the fandom community emphasizes the importance of realizing the local tensions that are rarely addressed in previous literature that focuses on Western fandom.
{"title":"Shipping on the edge: Negotiations of precariousness in a Chinese real-person shipping fandom community","authors":"Jack Lipei Tang","doi":"10.1177/13678779231159148","DOIUrl":"https://doi.org/10.1177/13678779231159148","url":null,"abstract":"The fandom community has been one of the most engaging and active segments in the global participatory culture. However, fans face multilevel and intertwined constraints from various social forces while seeking pleasure and fantasies. This study zooms in on a real-person shipping fan community in China where shippers are doubly marginalized as they fantasize about two male idols being in a romantic relationship in a society with both the derogative projection of fans and low levels of acceptance of same-sex relationships. Relying on a mixed-methods approach, this study found that the radical and disruptive practices are the results of tactical and calculative negotiations in relation to political, social, and technological risks while being driven by pleasure-seeking. I call these practices precarious shipping. The contextualized understanding of the fandom community emphasizes the importance of realizing the local tensions that are rarely addressed in previous literature that focuses on Western fandom.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47119604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-03DOI: 10.1177/13678779231155648
C. Hill
This article reflects on how offline and online everyday life coexists for encamped, young Karen living in protracted displacement. As part of the special issue ‘Cultures of (im)mobile entanglements’, edited by Earvin Cabalquinto and Koen Leurs, I centre the voices of young Karen living in Mae La refugee camp in Thailand and unpack how personal and social relationships are built and maintained physically in the camp, as well as in digitally mediated spaces. I focus on the tensions of (im)mobility and how life and presence were mediated before and during the Covid-19 pandemic. I emphasise the influence of culture, society, and infrastructure on my participants’ living trajectories and find how social media expands their lived reality far beyond the confinement of the camp.
{"title":"Physical immobility and virtual mobility: Mediating everyday life from a Karen refugee camp in Thailand","authors":"C. Hill","doi":"10.1177/13678779231155648","DOIUrl":"https://doi.org/10.1177/13678779231155648","url":null,"abstract":"This article reflects on how offline and online everyday life coexists for encamped, young Karen living in protracted displacement. As part of the special issue ‘Cultures of (im)mobile entanglements’, edited by Earvin Cabalquinto and Koen Leurs, I centre the voices of young Karen living in Mae La refugee camp in Thailand and unpack how personal and social relationships are built and maintained physically in the camp, as well as in digitally mediated spaces. I focus on the tensions of (im)mobility and how life and presence were mediated before and during the Covid-19 pandemic. I emphasise the influence of culture, society, and infrastructure on my participants’ living trajectories and find how social media expands their lived reality far beyond the confinement of the camp.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47993438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-02DOI: 10.1177/13678779231159424
Tingting Hu, Liangyan Ge, Z. Chen, Xu Xia
This article examines the tension between public gender expressions and official regulations in mainland China. Utilizing a critical discourse analysis, we investigate a transition in state-initiated criticism and censorship against the danmei genre and male effeminacy. Focusing on the pandemic period, we use official regulations and state media feature articles as data, ‘reticent / han-xu’ politics as a grounding theoretical basis, and statements from mainstream media platforms as secondary resources. We argue that han-xu politics functions as the Chinese party-state's strategic response to a perceived ‘crisis of masculinity’. They first invisibilize and marginalize soft masculinities, and if this is not effective, then suppress and prohibit cultural forms that violate hegemonic masculinity, which works to perpetuate the hetero-patriarchal social-familial system.
{"title":"Masculinity in crisis? Reticent / han-xu politics against danmei and male effeminacy","authors":"Tingting Hu, Liangyan Ge, Z. Chen, Xu Xia","doi":"10.1177/13678779231159424","DOIUrl":"https://doi.org/10.1177/13678779231159424","url":null,"abstract":"This article examines the tension between public gender expressions and official regulations in mainland China. Utilizing a critical discourse analysis, we investigate a transition in state-initiated criticism and censorship against the danmei genre and male effeminacy. Focusing on the pandemic period, we use official regulations and state media feature articles as data, ‘reticent / han-xu’ politics as a grounding theoretical basis, and statements from mainstream media platforms as secondary resources. We argue that han-xu politics functions as the Chinese party-state's strategic response to a perceived ‘crisis of masculinity’. They first invisibilize and marginalize soft masculinities, and if this is not effective, then suppress and prohibit cultural forms that violate hegemonic masculinity, which works to perpetuate the hetero-patriarchal social-familial system.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45314566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-22DOI: 10.1177/13678779231153425
Chandler L. Classen, David Monje
Some of the earliest writings to which we have access introduce the myth of a human child raised by wolves. Enkidu is the “wild” friend of Gilgamesh in the eponymous Sumerian epic; Romulus and Remus of Rome are the infants who suckle from the she-wolf Lupa; and Mowgli's story has been told ever since he was conceived by Rudyard Kipling in The Jungle Book. While this wolf story might seem to imagine a friendly way of living with other-than-human beings, its contemporary uptake in media also serves as a prop for white supremacist orientations to the myth that reassert the primacy of “human” life, while always determining who counts as human. Nature, on this stage, is a savage, dangerous backdrop against which human cruelties and violence are portrayed as the “survival of the fittest.”
{"title":"We are not raised by wolves: Decentering human exceptionalism in nature","authors":"Chandler L. Classen, David Monje","doi":"10.1177/13678779231153425","DOIUrl":"https://doi.org/10.1177/13678779231153425","url":null,"abstract":"Some of the earliest writings to which we have access introduce the myth of a human child raised by wolves. Enkidu is the “wild” friend of Gilgamesh in the eponymous Sumerian epic; Romulus and Remus of Rome are the infants who suckle from the she-wolf Lupa; and Mowgli's story has been told ever since he was conceived by Rudyard Kipling in The Jungle Book. While this wolf story might seem to imagine a friendly way of living with other-than-human beings, its contemporary uptake in media also serves as a prop for white supremacist orientations to the myth that reassert the primacy of “human” life, while always determining who counts as human. Nature, on this stage, is a savage, dangerous backdrop against which human cruelties and violence are portrayed as the “survival of the fittest.”","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44016214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-09DOI: 10.1177/13678779231155507
M. Sienkiewicz, Michael L. Wayne
This article considers how three competing subscription video on-demand services (SVODs) – Jewzy, ChaiFlicks, and IZZY – attract American Jewish subscribers via content selection, platform design, and marketing rhetoric. Although these three SVODs offer similar catalogs, they nonetheless foreground distinct elements of Jewish life, history, and practice. This process of commercial framing, the paper argues, creates unique brand identities for the three services that align with three different approaches to the construction of American Jewish identity. The article goes on to show that these SVODs offer an opportunity to revisit core assumptions embedded within Jewish screen studies and minority screen representation studies more broadly. Minority identity on screen is most often studied through the interpretation of key instances of minority representation. These SVODs instead emphasize the dynamics of interpellation, as they hail viewers by appealing to limited, pre-constructed concepts of cultural identity while offering entire platforms worth of representations.
{"title":"Minority representation in the streaming era: An analysis of Jewish identity in competing subscription video on-demand platforms","authors":"M. Sienkiewicz, Michael L. Wayne","doi":"10.1177/13678779231155507","DOIUrl":"https://doi.org/10.1177/13678779231155507","url":null,"abstract":"This article considers how three competing subscription video on-demand services (SVODs) – Jewzy, ChaiFlicks, and IZZY – attract American Jewish subscribers via content selection, platform design, and marketing rhetoric. Although these three SVODs offer similar catalogs, they nonetheless foreground distinct elements of Jewish life, history, and practice. This process of commercial framing, the paper argues, creates unique brand identities for the three services that align with three different approaches to the construction of American Jewish identity. The article goes on to show that these SVODs offer an opportunity to revisit core assumptions embedded within Jewish screen studies and minority screen representation studies more broadly. Minority identity on screen is most often studied through the interpretation of key instances of minority representation. These SVODs instead emphasize the dynamics of interpellation, as they hail viewers by appealing to limited, pre-constructed concepts of cultural identity while offering entire platforms worth of representations.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42621510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-07DOI: 10.1177/13678779231154288
D. Póvoa
Although festivals are often promoted as opportunities for community empowerment, power dynamics during festival organization might hinder such potential. To discuss this issue, this article examines the Alter do Chão Film Festival (FestAlter), an originally collaborative project in the touristic village of Alter do Chão, Brazil. Through 16 interviews with festival stakeholders, the article unveils the changing power dynamics within the organization of the festival, and how these impacted the event's goals of community participation. I argue that the organization of this event moved from union to rupture among festival stakeholders – a trajectory caused by managerial divergences regarding the meaning of community participation and a lack of understanding of the history, culture and socioeconomic circumstances of Alter do Chão, an Amazonian village marked by enduring legacies of colonial exploitation.
尽管节日通常被宣传为社区赋权的机会，但节日组织期间的权力动态可能会阻碍这种潜力。为了讨论这个问题，本文考察了Alter do Chão电影节（FestAlter），这是一个最初在巴西Alter do Chão旅游村合作的项目。通过对节日利益相关者的16次采访，文章揭示了节日组织中不断变化的权力动态，以及这些动态如何影响活动的社区参与目标。我认为，这一活动的组织在节日利益相关者之间从联盟走向破裂——这一轨迹是由管理层对社区参与意义的分歧以及对Alter do Chão的历史、文化和社会经济环境缺乏了解造成的，Alter do Chão是一个以殖民剥削的持久遗产为标志的亚马逊村庄。
{"title":"‘The festival is ours’: Power dynamics of community participation in the Alter do Chão Film Festival","authors":"D. Póvoa","doi":"10.1177/13678779231154288","DOIUrl":"https://doi.org/10.1177/13678779231154288","url":null,"abstract":"Although festivals are often promoted as opportunities for community empowerment, power dynamics during festival organization might hinder such potential. To discuss this issue, this article examines the Alter do Chão Film Festival (FestAlter), an originally collaborative project in the touristic village of Alter do Chão, Brazil. Through 16 interviews with festival stakeholders, the article unveils the changing power dynamics within the organization of the festival, and how these impacted the event's goals of community participation. I argue that the organization of this event moved from union to rupture among festival stakeholders – a trajectory caused by managerial divergences regarding the meaning of community participation and a lack of understanding of the history, culture and socioeconomic circumstances of Alter do Chão, an Amazonian village marked by enduring legacies of colonial exploitation.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47865321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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