Pub Date : 2022-11-15DOI: 10.1177/13678779221134308
E. Cabalquinto
This provocation presents a critical reflection on the role of cultural studies in examining the consequences of an increasingly global and digital society. More specifically, I extend and situate the inquiry within the new mobilities paradigm, underlining how everyday personal, familial and social interactions have been shaped by the widespread uptake of digital technologies among migrants and their distant networks. Here I centre the transnational and networked home as a critical site of performing, embodying and negotiating linkages beyond borders. Importantly, reflecting on situating cultural studies within the context of the global South, I underscore the paradox of everyday, intimate and transnational practices as symptomatic of the operations of a neo-colonial and global economy. In doing so, this approach sheds light on advancing cultural studies as an intellectual and political inquiry on rethinking mobility justice in a globalising and networked society.
{"title":"The Paradox of a Mobile Society: Situating Cultural Studies in the Global South Context","authors":"E. Cabalquinto","doi":"10.1177/13678779221134308","DOIUrl":"https://doi.org/10.1177/13678779221134308","url":null,"abstract":"This provocation presents a critical reflection on the role of cultural studies in examining the consequences of an increasingly global and digital society. More specifically, I extend and situate the inquiry within the new mobilities paradigm, underlining how everyday personal, familial and social interactions have been shaped by the widespread uptake of digital technologies among migrants and their distant networks. Here I centre the transnational and networked home as a critical site of performing, embodying and negotiating linkages beyond borders. Importantly, reflecting on situating cultural studies within the context of the global South, I underscore the paradox of everyday, intimate and transnational practices as symptomatic of the operations of a neo-colonial and global economy. In doing so, this approach sheds light on advancing cultural studies as an intellectual and political inquiry on rethinking mobility justice in a globalising and networked society.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"22 - 33"},"PeriodicalIF":2.1,"publicationDate":"2022-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47328904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-13DOI: 10.1177/13678779221136881
Rob Cover, Ashleigh L. Haw, J. Thompson
For the past half-decade, disinformation and misinformation have been discussed in the public sphere as the construct ‘fake news’, through a discourse of crisis and, increasingly, in terms of responses, remedies, solutions, interventions and preventative affordances. This article explores the emergence of the crisis–remedy discourse of disinformation, arguing that responsiveness is grounded in a solutionism that positions ‘fake news’ as crisis. Drawing on select examples, we use a cultural approach to analyse a range of remedies put forward in public sphere, policy and scholarly discourse. We identify three frameworks of the crisis–remedy discourse: alarmism, regulation/eradication, and adaptation. The article presents examples of five remedial approaches and theorises their alignment with different crisis frameworks. By thinking through the cultural formation of different remedies, we aim to draw out cultural studies’ utility in future efforts to determine the efficacy and ethics of current and future solutions to disinformation.
{"title":"Remedying disinformation and fake news? The cultural frameworks of fake news crisis responses and solution-seeking","authors":"Rob Cover, Ashleigh L. Haw, J. Thompson","doi":"10.1177/13678779221136881","DOIUrl":"https://doi.org/10.1177/13678779221136881","url":null,"abstract":"For the past half-decade, disinformation and misinformation have been discussed in the public sphere as the construct ‘fake news’, through a discourse of crisis and, increasingly, in terms of responses, remedies, solutions, interventions and preventative affordances. This article explores the emergence of the crisis–remedy discourse of disinformation, arguing that responsiveness is grounded in a solutionism that positions ‘fake news’ as crisis. Drawing on select examples, we use a cultural approach to analyse a range of remedies put forward in public sphere, policy and scholarly discourse. We identify three frameworks of the crisis–remedy discourse: alarmism, regulation/eradication, and adaptation. The article presents examples of five remedial approaches and theorises their alignment with different crisis frameworks. By thinking through the cultural formation of different remedies, we aim to draw out cultural studies’ utility in future efforts to determine the efficacy and ethics of current and future solutions to disinformation.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"216 - 233"},"PeriodicalIF":2.1,"publicationDate":"2022-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42710789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-01DOI: 10.1177/13678779221131346
Nicky Falkof
This contribution to the International Journal of Cultural Studies' ongoing series ponders cultural studies’ relative failure to retain a presence in South African academia today, suggesting that local and historical mis/uses of the notion of culture may have some impact on how it has been received in this particular context.
{"title":"Cultural studies in South Africa, or not","authors":"Nicky Falkof","doi":"10.1177/13678779221131346","DOIUrl":"https://doi.org/10.1177/13678779221131346","url":null,"abstract":"This contribution to the International Journal of Cultural Studies' ongoing series ponders cultural studies’ relative failure to retain a presence in South African academia today, suggesting that local and historical mis/uses of the notion of culture may have some impact on how it has been received in this particular context.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"16 - 21"},"PeriodicalIF":2.1,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49291754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-18DOI: 10.1177/13678779221131080
Emma Verhoeven, A. Dhoest, Steve Paulussen
This article analyses othering discourses in the news media coverage of an alleged homophobic murder in Belgium. The case study is based on a critical discourse analysis of news articles published in Dutch-speaking Belgian news media. Using the framework of homonationalism, this analysis finds that Belgium's LGBTI-friendly status is deeply anchored in the national identity. Discourses in mainstream news media following the murder appeal to a unified imagined community of Belgians based on the assumed shared value of tolerance. This LGBTI-friendly status spills over in the exclusionary discourse in right-wing alternative media towards groups that are represented as a homophobic threat outside the nation (Central and Eastern Europe) and within it (Muslims and migrants).
{"title":"‘No room for hate in our country’: Constructing the LGBTI-friendly nation in news discourses after the murder of a gay man in Belgium","authors":"Emma Verhoeven, A. Dhoest, Steve Paulussen","doi":"10.1177/13678779221131080","DOIUrl":"https://doi.org/10.1177/13678779221131080","url":null,"abstract":"This article analyses othering discourses in the news media coverage of an alleged homophobic murder in Belgium. The case study is based on a critical discourse analysis of news articles published in Dutch-speaking Belgian news media. Using the framework of homonationalism, this analysis finds that Belgium's LGBTI-friendly status is deeply anchored in the national identity. Discourses in mainstream news media following the murder appeal to a unified imagined community of Belgians based on the assumed shared value of tolerance. This LGBTI-friendly status spills over in the exclusionary discourse in right-wing alternative media towards groups that are represented as a homophobic threat outside the nation (Central and Eastern Europe) and within it (Muslims and migrants).","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"69 - 86"},"PeriodicalIF":2.1,"publicationDate":"2022-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42493716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-13DOI: 10.1177/13678779221126538
Audris Umel
This article explores Facebook's role in how Filipino migrants negotiate their diasporic chronotopes, that is, spatio-temporal constructions of their past/homeland and present/hostland. Specifically, focus group and digital ethnographic data with Filipino migrants in Germany are analysed using ethnography and discursive psychology approaches. Findings illustrate how Facebook enables Filipinos to re-enact and challenge past/homeland practices, which in turn help create a more meaningful present/hostland life. Facebook further facilitates the capture of conflicting yet socially consequential chronotopes – or irony chronotopes – that traverse and impact both offline and online dimensions of diaspora relations. Capturing such spatio-temporal interplays in migrant realities through social media provides a nuanced and dialogical view into migrants’ lifeworlds, looks beyond the communication role that social media play therein, and contributes to the digital media and temporal turns in diaspora studies.
{"title":"Filipino migrants in Germany and their diasporic (irony) chronotopes in Facebook","authors":"Audris Umel","doi":"10.1177/13678779221126538","DOIUrl":"https://doi.org/10.1177/13678779221126538","url":null,"abstract":"This article explores Facebook's role in how Filipino migrants negotiate their diasporic chronotopes, that is, spatio-temporal constructions of their past/homeland and present/hostland. Specifically, focus group and digital ethnographic data with Filipino migrants in Germany are analysed using ethnography and discursive psychology approaches. Findings illustrate how Facebook enables Filipinos to re-enact and challenge past/homeland practices, which in turn help create a more meaningful present/hostland life. Facebook further facilitates the capture of conflicting yet socially consequential chronotopes – or irony chronotopes – that traverse and impact both offline and online dimensions of diaspora relations. Capturing such spatio-temporal interplays in migrant realities through social media provides a nuanced and dialogical view into migrants’ lifeworlds, looks beyond the communication role that social media play therein, and contributes to the digital media and temporal turns in diaspora studies.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"768 - 784"},"PeriodicalIF":2.1,"publicationDate":"2022-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44005919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-11DOI: 10.1177/13678779221131349
Łukasz Szulc
In this article, I ask that culture be properly recognized as transnational, with all the implications of transnationalism, including cultural mobility as well as cultural imperialism and colonial legacies. I first establish that we all have culture and that the culture we all have is always already transnational. In particular, I call for the contextual specificity of the dominant culture to be acknowledged and scrutinized, as well as for all cultures to be thought of as provisional assemblages of multiple and entangled scales that co-create each other. I then offer some methodological, ethical, and political propositions to advance a truly transnational cultural studies, including radically contextualizing culture, employing comparative research, and de-westernizing academia. In conclusion, I ask for a radical mainstreaming of transnationalism in cultural studies; a universal recognition of culture as transnational and a universal engagement with a transnational sense of place in the studies of culture.
{"title":"Culture is transnational","authors":"Łukasz Szulc","doi":"10.1177/13678779221131349","DOIUrl":"https://doi.org/10.1177/13678779221131349","url":null,"abstract":"In this article, I ask that culture be properly recognized as transnational, with all the implications of transnationalism, including cultural mobility as well as cultural imperialism and colonial legacies. I first establish that we all have culture and that the culture we all have is always already transnational. In particular, I call for the contextual specificity of the dominant culture to be acknowledged and scrutinized, as well as for all cultures to be thought of as provisional assemblages of multiple and entangled scales that co-create each other. I then offer some methodological, ethical, and political propositions to advance a truly transnational cultural studies, including radically contextualizing culture, employing comparative research, and de-westernizing academia. In conclusion, I ask for a radical mainstreaming of transnationalism in cultural studies; a universal recognition of culture as transnational and a universal engagement with a transnational sense of place in the studies of culture.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"3 - 15"},"PeriodicalIF":2.1,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47780539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-05DOI: 10.1177/13678779221129295
Kyle Conway
This article extends recent research about the material impact of energy-consuming media technologies by describing the role of oil and its derivatives in the production and consumption of television in the United States after the Second World War. It starts by exploring reasons why the material dimensions of oil have received limited scholarly attention in media history. Then it examines television by describing how the component parts of a TV receiver—the cathode ray tube, the chassis into which it was set, and the cabinet housing the chassis—incorporated elements made with oil. Finally, interpreting prior historiography through the lens of oil, it describes the role these different components played in conflicting discourses about the space of the home, especially the living room, in postwar America.
{"title":"Reading oil (back) into media history: The case of postwar television","authors":"Kyle Conway","doi":"10.1177/13678779221129295","DOIUrl":"https://doi.org/10.1177/13678779221129295","url":null,"abstract":"This article extends recent research about the material impact of energy-consuming media technologies by describing the role of oil and its derivatives in the production and consumption of television in the United States after the Second World War. It starts by exploring reasons why the material dimensions of oil have received limited scholarly attention in media history. Then it examines television by describing how the component parts of a TV receiver—the cathode ray tube, the chassis into which it was set, and the cabinet housing the chassis—incorporated elements made with oil. Finally, interpreting prior historiography through the lens of oil, it describes the role these different components played in conflicting discourses about the space of the home, especially the living room, in postwar America.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"410 - 426"},"PeriodicalIF":2.1,"publicationDate":"2022-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47740683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-13DOI: 10.1177/13678779221125241
M. Chew
This study has three research objectives. Its major theoretical objective is to theorize the political impact of fan networks in authoritarian contexts. It finds that these fan networks perform the counterhegemonic work of blocking the authoritarian state's preferred solution to ‘the dictator's popular cultural dilemma’. Its major empirical objective is to understand how anime (Japanese animation) and manga (Japanese comics) disseminated so successfully in China despite authoritarian deterrence. It offers an explanation based on fan networking and fan network resilience. Its secondary theoretical objective is to enrich the research on non-digital kinds of fan networks. Its dataset mainly consists of anime and manga publications and other primary sources such as fans’ memoirs and reports.
{"title":"Non-digital fan networking: How Japanese animation and comics disseminated in China despite authoritarian deterrence","authors":"M. Chew","doi":"10.1177/13678779221125241","DOIUrl":"https://doi.org/10.1177/13678779221125241","url":null,"abstract":"This study has three research objectives. Its major theoretical objective is to theorize the political impact of fan networks in authoritarian contexts. It finds that these fan networks perform the counterhegemonic work of blocking the authoritarian state's preferred solution to ‘the dictator's popular cultural dilemma’. Its major empirical objective is to understand how anime (Japanese animation) and manga (Japanese comics) disseminated so successfully in China despite authoritarian deterrence. It offers an explanation based on fan networking and fan network resilience. Its secondary theoretical objective is to enrich the research on non-digital kinds of fan networks. Its dataset mainly consists of anime and manga publications and other primary sources such as fans’ memoirs and reports.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"34 - 51"},"PeriodicalIF":2.1,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48583793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-25DOI: 10.1177/13678779221123079
Katie Moylan
This article examines intertribal community-building in Indigenous-produced radio show Beyond Bows and Arrows, broadcast since 1983 in Dallas, Texas, and explores ways in which on-air Indigenous articulations function as acts of resurgence in turn reinforcing an Indigenous internationalism. In this critical exploration, I draw on Beyond Bows and Arrows (BBAA) content broadcast between April and June 2020. I analyse components of the radio sound text such as in-studio talk; discussion topics; music selection and verbal segues; and station-produced informational Public Service Announcements (PSAs); and identify recurring preoccupations over three months of weekly programming during the pandemic's first lockdown. In particular, I consider BBAA's foregrounding of pandemic protocols, calls for Census 2020 participation and Black Lives Matter solidarity at the start of the unsettled yet generative 2020 summer and examine how these articulations coalesce into an on-air structure of feeling which in turn embodies the show's ongoing decolonizing project.
本文检视原住民制作的广播节目《超越弓箭》(Beyond Bows and Arrows)中部落间社区的建构，该节目自1983年起在德州达拉斯播出，并探讨广播中原住民的发音如何作为复兴的行动，进而强化原住民的国际主义。在这一关键探索中，我借鉴了2020年4月至6月期间播出的《超越弓箭》(Beyond Bows and Arrows，简称BBAA)内容。我分析电台声音文本的组成部分，比如演播室里的谈话;讨论的话题;音乐选择和语言对话;电台制作的信息公共服务公告;并确定在大流行第一次封锁期间的三个月每周规划中反复出现的重点问题。特别地，我考虑了BBAA对流行病协议的前景，呼吁2020年人口普查的参与和黑人生命的团结，在不确定但又产生的2020年夏天开始，并研究了这些表达如何融合到一个直播的感觉结构中，这反过来又体现了该节目正在进行的非殖民化项目。
{"title":"‘Welcome to a Coronavirus production’: Beyond Bows and Arrows’ Indigenous on-air community-building during lockdown","authors":"Katie Moylan","doi":"10.1177/13678779221123079","DOIUrl":"https://doi.org/10.1177/13678779221123079","url":null,"abstract":"This article examines intertribal community-building in Indigenous-produced radio show Beyond Bows and Arrows, broadcast since 1983 in Dallas, Texas, and explores ways in which on-air Indigenous articulations function as acts of resurgence in turn reinforcing an Indigenous internationalism. In this critical exploration, I draw on Beyond Bows and Arrows (BBAA) content broadcast between April and June 2020. I analyse components of the radio sound text such as in-studio talk; discussion topics; music selection and verbal segues; and station-produced informational Public Service Announcements (PSAs); and identify recurring preoccupations over three months of weekly programming during the pandemic's first lockdown. In particular, I consider BBAA's foregrounding of pandemic protocols, calls for Census 2020 participation and Black Lives Matter solidarity at the start of the unsettled yet generative 2020 summer and examine how these articulations coalesce into an on-air structure of feeling which in turn embodies the show's ongoing decolonizing project.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"52 - 68"},"PeriodicalIF":2.1,"publicationDate":"2022-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48856376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-24DOI: 10.1177/13678779221120028
Mona Mannevuo
This article examines Finnish politicians’ ambivalent attachments to social media – specifically Facebook and Twitter – in candidate-centred, personalised politics. The analysis draws on 20 semi-structured interviews with members of parliament (MPs) to investigate the tactics of adaptation and adjustment politicians develop in a work setting that precludes digital detox. To investigate the MPs’ contradictory feelings, the analysis builds on cultural and media theory to contextualise the porous border between the personal and the political that exists on social media. The analysis revolves around four interconnected themes: uneasiness of self-promotion, Facebook’s ordinariness, Twitter as a necessary evil, and tactics of patience MPs utilise when they encounter various forms of online harassment. The article suggests that in parliamentary research, social media should be considered an ambivalent social glue that holds things together rather than merely a platform for self-promotion.
{"title":"Uneasy self-promotion and tactics of patience: Finnish MPs’ ambivalent feelings about personalised politics on social media","authors":"Mona Mannevuo","doi":"10.1177/13678779221120028","DOIUrl":"https://doi.org/10.1177/13678779221120028","url":null,"abstract":"This article examines Finnish politicians’ ambivalent attachments to social media – specifically Facebook and Twitter – in candidate-centred, personalised politics. The analysis draws on 20 semi-structured interviews with members of parliament (MPs) to investigate the tactics of adaptation and adjustment politicians develop in a work setting that precludes digital detox. To investigate the MPs’ contradictory feelings, the analysis builds on cultural and media theory to contextualise the porous border between the personal and the political that exists on social media. The analysis revolves around four interconnected themes: uneasiness of self-promotion, Facebook’s ordinariness, Twitter as a necessary evil, and tactics of patience MPs utilise when they encounter various forms of online harassment. The article suggests that in parliamentary research, social media should be considered an ambivalent social glue that holds things together rather than merely a platform for self-promotion.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"104 - 119"},"PeriodicalIF":2.1,"publicationDate":"2022-08-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41755364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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