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Anomaly or Harbinger? Penn State’s 1935 Female ‘Letter “Man”’ and New Frontiers in the History of Women’s Intercollegiate Sport in the United States 异常还是预兆?宾夕法尼亚州立大学1935年的女性“字母”“男人”和美国女子校际运动史上的新领域
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2019-12-12 DOI: 10.1080/09523367.2020.1725481
Tommy Slotcavage, M. Dyreson
In 1935, Pennsylvania State University fielded a men’s varsity tennis team that included a woman, Dorothy Anderson. In an era in which only college women at single-sex institutions supposedly playe...
1935年,宾夕法尼亚州立大学派出了一支男子大学网球队,其中包括一名女子多萝西·安德森。在一个只有在单性学院的大学女生才能玩游戏的时代。。。
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引用次数: 0
D. Day,Methodology in Sports History Abingdon:Routledge ,2018 9781138740587 D. Day,《体育史方法论》,北京:劳特利奇出版社,2018年9781138740587
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2019-10-28 DOI: 10.1080/09523367.2019.1675037
J. Verriet
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引用次数: 0
Double Standards: South Africa, British Rugby, and the Moscow Olympics 双重标准:南非、英国橄榄球和莫斯科奥运会
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/09523367.2019.1638770
James Alexander Ivey
Abstract The year 1980 proved to be a time of diplomatic crisis for the British government and the Commonwealth due to the confluence of two events: a British Lions tour of South Africa and the Moscow Olympics. The Thatcher government debated its Commonwealth counterparts over the perceived hypocrisy of British policy towards South Africa and Moscow. While the British government campaigned internationally for a boycott of the Moscow Games, many African and Caribbean countries believed Britain was taking a harder line against Moscow than in enforcing the Gleneagles Agreement to end all sporting contacts with apartheid South Africa. This inconsistency led to threats of retaliation from African countries and seriously affected the influence Britain had in Africa during the period of Rhodesian independence and the ongoing conflict in Namibia. Controversy erupted surrounding the plans for a British Lions tour, how the invasion of Afghanistan changed the target of the Moscow boycott, and about the discussions between Britain and other countries about sporting ‘double standards’.
1980年被证明是英国政府和英联邦的外交危机时期,因为两件事的汇合:英国狮子会访问南非和莫斯科奥运会。撒切尔政府就英国对南非和莫斯科的虚伪政策与英联邦同僚展开辩论。当英国政府在国际上发起抵制莫斯科奥运会的运动时,许多非洲和加勒比国家认为,英国对莫斯科采取了比执行《格伦伊格尔斯协议》(Gleneagles Agreement)更强硬的立场,该协议终止了与种族隔离的南非的所有体育联系。这种不一致导致非洲国家威胁要进行报复,并严重影响了英国在罗得西亚独立期间和纳米比亚持续冲突期间在非洲的影响力。围绕英国狮队巡演的计划、入侵阿富汗如何改变了莫斯科抵制的目标,以及英国和其他国家关于体育“双重标准”的讨论,引发了争议。
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引用次数: 5
Decoding Olympic History in a Painting by Charles de Coubertin 在顾拜旦的画作中解读奥运历史
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2018-12-12 DOI: 10.1080/09523367.2019.1575812
Natalia Camps Y Wilant
Abstract When Pierre de Coubertin died in 1937, he left an impressive amount of writings, which have enabled international sport historians to research his modern Olympic Games to this day. Besides the written sources on Olympic history, other artefacts play a minor role in the research of sport historians; visual sources such as artworks, in particular, have been overlooked and consequently are not used to their full potential. This observation does not seem to be important unless Pierre de Coubertin’s artistic family background is taken into account. The fact that his father, Charles de Coubertin (1822–1908), had been a painter sheds new light on visual sources and makes it necessary to take a more detailed look at them. This paper concentrates on one of Charles de Coubertin’s paintings, which is exhibited in the Olympic Museum in Lausanne. Drawing on Olympic history documents and art historical sources, the painting is decoded according to an art history method. Beyond that, artefacts created by the artist were discovered in the archives of the descendants of the Coubertin family. The combination of these sources evidences that Charles de Coubertin was a close observer of his son’s ideas and witnessed developments in Olympic history.
皮埃尔·德·顾拜旦于1937年去世,他留下了大量令人印象深刻的著作,这些著作使国际体育史学家得以研究他的现代奥运会,直到今天。除了有关奥林匹克历史的书面资料外,其他文物在体育史学家的研究中起着次要作用;特别是艺术作品等视觉资源一直被忽视,因此没有充分发挥其潜力。除非考虑到皮埃尔·德·顾拜旦的艺术家庭背景,否则这一观察似乎并不重要。他的父亲查尔斯·德·顾拜旦(Charles de Coubertin, 1822-1908)曾是一位画家,这一事实为视觉来源提供了新的视角,并使我们有必要对它们进行更详细的研究。这篇论文的重点是在洛桑奥林匹克博物馆展出的顾拜旦的一幅画。根据奥林匹克历史文献和艺术史资料,根据艺术史方法对这幅画进行了解码。除此之外,在顾拜旦家族后代的档案中还发现了这位艺术家创作的文物。这些资料证明顾拜旦密切关注他儿子的思想,并见证了奥林匹克历史的发展。
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引用次数: 0
Chivas y Tuzos. Íconos de México: identidades colectivas y capitalismo de compadres en el futbol nacional, by Gabriel Angelotti Pasteur 芝华士和Tuzos。《墨西哥的图标:国家足球中的集体身份和同志资本主义》,加布里埃尔·安杰洛蒂·巴斯德著
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2018-07-03 DOI: 10.1080/09523367.2018.1518041
Alejandro González Landeros
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引用次数: 0
Basque Women on Court: The Success, Repression, and Oblivion of Professional Racket Pelota Players in Spain, 1917–1980 球场上的巴斯克女子:1917-1980年西班牙职业球拍选手的成功、压抑和遗忘
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2018-04-13 DOI: 10.1080/09523367.2018.1483917
Olatz González Abrisketa
Abstract In January 1917, a very special sports court opened in Madrid. Sixteen women initiated a successful new type of Basque pelota, which was subsequently played professionally by more than a thousand women until it disappeared in 1980. Paired with a system of simultaneous betting, racket pelota became an industry, with more than 30 courts operating in Spain, Cuba, Brazil, and Mexico, and with training schools distributed across the Basque Country, from where most of the players originated. The present article examines the historical and cultural conditions which created the possibilities for this new female sport to emerge and explores its paradoxical development during Franco’s fascist regime. This paper also argues that the absence of support for racket pelota under Basque nationalism (and also from feminist quarters) is puzzling, considering the ethnic politics they defended; the lack of interest and protection toward this sport contributed to the strengthening of Francoist discourses, which perceived it as ‘inappropriate’ for women. Based on archive material and informal interviews, this paper briefly describes the history of racket pelota, in order to address the contradictions between dimensions of success, repression, and oblivion that these female racket players had to confront.
1917年1月,马德里开设了一个非常特殊的体育球场。16名妇女成功地开创了一种新型的巴斯克佩洛塔,随后有一千多名妇女从事职业演奏,直到1980年消失。与同时投注系统相结合,pelota球拍成为一种产业,在西班牙、古巴、巴西和墨西哥有30多个球场,训练学校分布在巴斯克地区,大多数球员都来自巴斯克地区。本文考察了创造这种新的女性运动出现的可能性的历史和文化条件,并探讨了在佛朗哥法西斯政权期间其矛盾的发展。本文还认为,考虑到他们捍卫的种族政治,巴斯克民族主义(也来自女权主义阵营)对非法pelota的支持缺失令人费解;对这项运动缺乏兴趣和保护,助长了弗朗哥主义者的言论,他们认为这项运动对女性“不合适”。本文以档案资料和非正式访谈为基础,简要描述了球拍的历史,以解决这些女性球拍运动员必须面对的成功、压抑和遗忘之间的矛盾。
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引用次数: 0
Different Faces of Colonialism: Sport in Cape Verde and Portuguese Guinea 殖民主义的不同面貌:佛得角和葡属几内亚的体育运动
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2018-03-04 DOI: 10.1080/09523367.2018.1458714
V. A. de Melo
Abstract Despite a common trajectory, sport has taken significantly different forms in Cape Verde and Portuguese Guinea. These differences provide a glimpse into both the plasticity of sport as a phenomenon and the specificities of colonial processes, even more remarkable in this case, given that both contexts involve the same colonizer: Portugal. This study focuses on the different ways in which representations of sport were constructed in Cape Verde and in Portuguese Guinea during the colonial period. The debate centres on two themes: (a) the political uses of sport by metropolitan interests and (b) the political uses of sport by local interests.
尽管有着共同的发展轨迹,但在佛得角和葡属几内亚,体育运动的形式却截然不同。这些差异让我们得以一窥体育作为一种现象的可塑性和殖民过程的特殊性,在这种情况下,更值得注意的是,这两种情况都涉及同一个殖民者:葡萄牙。本研究的重点是在殖民时期佛得角和葡属几内亚构建体育表征的不同方式。辩论集中在两个主题上:(a)都市利益对体育的政治利用和(b)地方利益对体育的政治利用。
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引用次数: 1
History of Sport in Brazil and in South America: Visibility for New Looks 巴西和南美洲的体育史:新面貌的可见度
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2017-04-13 DOI: 10.1080/09523367.2017.1382476
V. A. de Melo
Abstract This article details my views about sport history in Brazil and South America. I suggest that there is a long path to tread and more efforts to perfect our initiatives are necessary. Nevertheless, I think that we already have interesting contributions to perspectives on the history of sport. To make them known, we need to extend, from both sides, our communication efforts. To this end, it seems necessary to me that we, South American and Ibero-American historians, become closer and more integrated with each another. Perhaps this will be a contribution to the renewal of a world history of sport tradition.
本文详细阐述了我对巴西和南美体育史的看法。我认为还有很长的路要走,需要进一步努力完善我们的倡议。尽管如此,我认为我们已经对体育历史的观点做出了有趣的贡献。为了让他们知道,我们需要从双方扩大我们的沟通努力。为此,在我看来,我们这些南美和伊比利亚-美洲的历史学家有必要变得更加密切和融合。也许这将对世界体育传统历史的更新做出贡献。
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引用次数: 1
Migration, Knowledge Transfer, and the Emergence of Australian Post-War Skiing: The Story of Charles William Anton. 移民、知识转移与战后澳大利亚滑雪运动的兴起:查尔斯·威廉·安东的故事。
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2016-11-01 DOI: 10.1080/09523367.2017.1313234
Philipp Strobl

Skiing underwent substantial changes during the post-war years when the sport turned into a multi-billion dollar industry and a leisure activity for the masses. Despite its global nature and popularity, skiing in academic writing has not gained much recognition. This paper explores the role of knowledge transfer during the pioneering phase of post-war skiing in Australia. It describes the life of Charles William Anton, an Austrian refugee from the Anschluss who migrated to Sydney and subsequently became one of the founding fathers of Australian post-war skiing. The following pages show the multi-layered nature of skiing as a global sport by exemplifying how ideas spread from pre-war Europe to post-war Australia. The paper will also provide a case study about refugee knowledge transfer and the 'productive process of absorption, adoption or rejection of knowledge' that takes place once an idea has been introduced into a new environment.

在战后的几年里,滑雪运动经历了巨大的变化,成为一项价值数十亿美元的产业和大众的休闲活动。尽管滑雪在全球范围内广受欢迎,但在学术写作中却没有得到太多认可。本文探讨了知识转移在战后澳大利亚滑雪运动起步阶段的作用。它描述了查尔斯·威廉·安东的生活,他是一名来自德国的奥地利难民,后来移民到悉尼,后来成为澳大利亚战后滑雪运动的创始人之一。以下几页通过举例说明滑雪思想如何从战前的欧洲传播到战后的澳大利亚,展示了滑雪作为一项全球性运动的多层次本质。这篇论文还将提供一个关于难民知识转移和“吸收、采用或拒绝知识的生产过程”的案例研究,一旦一个想法被引入一个新的环境,就会发生这种过程。
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引用次数: 1
A Female Medallist at the 1928 Olympic Art Competitions: The Sculptress Renée Sintenis 1928年奥林匹克艺术比赛的女奖牌获得者:雕塑家rensamei sinintenis
IF 0.6 4区 教育学 Q2 Arts and Humanities Pub Date : 2016-09-01 DOI: 10.1080/09523367.2017.1280026
Natalia Camps Y Wilant
Abstract Olympic Art Competitions were part of the Olympic programme for 36 years in the first half of the twentieth century. According to sport history research, one of the reasons for their suspension was the participation of unknown artists. A careful analysis of the sources used by sport historians reveals that little is known about the artists. Even less is known about female artists in this context. Investigating the example of the German sculptress Renée Sintenis (1888–1965), medallist of the 1928 Olympic Art Competitions, is an attempt to address this research gap. Biographical research about the sculptress provides art historical evidence for her successful career, her impressive oeuvre and her outstanding societal position as a female artist; and, in doing so, backs up the publications by sport historians. Furthermore, the paper illustrates the circumstances under which female artists participated in the Olympic Art Competitions, evidencing that the artistic competitions had not been a topic on the agenda of the International Olympic Committee. Importantly, it also demonstrates that Pierre de Coubertin’s artistic family environment influenced his thinking about female artists in the Olympic Art Competitions.
在20世纪上半叶的36年里,奥林匹克艺术比赛一直是奥林匹克项目的一部分。根据体育史研究,他们被停赛的原因之一是不知名的艺术家的参与。对体育史学家使用的资料进行仔细分析后发现,人们对这些艺术家知之甚少。在这种背景下,对女性艺术家的了解就更少了。调查1928年奥林匹克艺术比赛的奖牌获得者、德国雕塑家rensamei sinintenis(1888-1965)的例子,是解决这一研究空白的一种尝试。关于这位女雕塑家的传记研究为她成功的职业生涯、令人印象深刻的作品以及作为女性艺术家的杰出社会地位提供了艺术史证据;而且,这样做也支持了体育历史学家的出版物。此外,本文还举例说明了女性艺术家参加奥林匹克艺术比赛的情况,证明艺术比赛并没有被列入国际奥委会的议程。重要的是,这也表明顾拜旦的艺术家庭环境影响了他对奥林匹克艺术比赛中女性艺术家的思考。
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引用次数: 1
期刊
International Journal of the History of Sport
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