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Monsoon as method 季风作为方法
3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-09-12 DOI: 10.1177/14744740231197814
Lindsay Bremner, Beth Cullen, Jonathan Cane, Christina Geros
This paper is a reflective discussion of the research method developed by a small research team over a 5-year period as it intra-acted with the south Asian monsoon in three south/southeast Asian cities. It reflects on how the team’s practice was transformed from being research on or about the monsoon as a discrete unit of analysis, to research in the monsoon and with its agential materiality. The paper first outlines the theoretical resources from cultural geography, anthropology, feminist theory, posthuman theory, and science and technology studies that the project drew from. After this theoretical section, the paper then discusses the practical implications of the method and the two emergent strands of research (‘weather matters’ and ‘construction matters’) that were followed in Chennai, Dhaka, and Yangon. The final section of the paper reflects on the extension of the method into the formatting of a book and an online exhibition. The paper concludes by arguing that what the method offers to cultural, weather-based research in monsoonal and other climes, is a situated, non-formulaic method that recognizes the affordances of the Earth’s agency, of matter and of other-than-human lives for generating knowledge of and ways of being in changing weather-worlds.
本文是一个小型研究小组在5年期间与南亚季风在三个南亚/东南亚城市的相互作用所开发的研究方法的反思性讨论。它反映了团队的实践是如何从研究季风作为一个离散的分析单位转变为研究季风及其代理物质的。论文首先概述了项目所借鉴的文化地理学、人类学、女性主义理论、后人类理论、科学技术研究等理论资源。在这一理论部分之后,论文接着讨论了该方法的实际意义,以及在金奈、达卡和仰光相继出现的两个新兴研究方向(“天气问题”和“建筑问题”)。论文的最后一部分反映了将该方法扩展到书籍和在线展览的格式中。论文的结论是,该方法为基于季风和其他气候的文化、天气研究提供了一种情境化的、非公式化的方法,这种方法认识到地球、物质和人类以外的生命在不断变化的天气世界中产生知识和生存方式的能力。
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引用次数: 0
The Sound of Water: sensing a wetland intervention through interactive environmental audio 水之声:通过互动环境音频感知湿地干预
3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-09-12 DOI: 10.1177/14744740231197813
Mitchell Whitelaw, Skye Wassens, Adrian Mackenzie
The Sound of Water ( https://flow-mer.org.au/napnap ) microsite documents an environmental intervention at Nap Nap Swamp, a wetland in the western reaches of Australia’s Murrumbidgee River. A collaboration between a designer (Whitelaw) and an ecologist (Wassens), it was supported by the Commonwealth Environmental Water Office. We use audiovisual data storytelling to engage audiences with Nap Nap as it transitions from a dry to wet state. Focusing on a 9-day period in mid-2020, we combine audio and hydrological data to show the ecosystem’s response to a managed environmental flow, narrating this change through the wetland’s charismatic frog species, including the threatened Southern Bell Frog. In this paper we reflect on the technical and creative contributions of the project in visualising environmental audio, as well as its significance for wider practice. We highlight the value of creatively re-purposing ecological data and the importance of multi-stakeholder networks, and we argue that our celebration in this project of environmental management, intervention and care should be a key concern for future digital ecologies practices.
水之声(https://flow-mer.org.au/napnap)微型网站记录了Nap Nap沼泽的环境干预,这是澳大利亚Murrumbidgee河西部的一片湿地。这是设计师(Whitelaw)和生态学家(Wassens)的合作,得到了联邦环境水务局的支持。我们使用视听数据讲故事来吸引观众,因为它从干燥到潮湿的状态转变。以2020年中期为期9天的研究为重点,我们将音频和水文数据结合起来,展示生态系统对受控环境流的反应,并通过湿地中有魅力的青蛙物种(包括受威胁的南方铃蛙)来叙述这种变化。在本文中,我们反思了该项目在可视化环境音频方面的技术和创造性贡献,以及它对更广泛实践的意义。我们强调创造性地重新利用生态数据的价值和多方利益相关者网络的重要性,我们认为,我们在这个环境管理、干预和关怀项目中的庆祝活动应该成为未来数字生态实践的关键关注点。
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引用次数: 0
Book review: The Archaeology of Foucault By Stuart Elden 书评:《福柯的考古学》斯图尔特·埃尔登著
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-08-30 DOI: 10.1177/14744740231197811
M. Hannah
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引用次数: 0
Endurance, exhaustion and the lure of redemption 忍耐,疲惫和救赎的诱惑
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-08-30 DOI: 10.1177/14744740231191535
Leila Dawney, T. Jellis
This paper is concerned with the lure of redemption in contemporary academic and accounts of exhaustion, endurance, and biopolitical life. Drawing on, and contributing to recent work on negativity in cultural geography, the paper analyses how optimism and redemption find their way in to academic writing on the contemporary condition. It interrogates the optimism in these literatures, paying attention to the genealogical roots of the propensity to redeem accounts of slow and attritional violence and biopolitical subjectivity. In particular, the paper charts the implicit politics and ethics at play in the invocation of the Deleuzian ‘otherwise’ which haunts many accounts of the transformatory potential of exhaustion, and the remnants of dialectical historicism and Christian morality at the heart of redemption narratives in accounts of endurance. The paper ends by questioning the motives behind such hopeful readings, and asks what it might entail to refuse to redeem tales of violence with optimistic glimmers of an as-yet unspecified world.
本文关注的是当代学术中救赎的诱惑,以及对疲惫、忍耐和生命政治生活的描述。本文借鉴并贡献了最近关于文化地理学中消极性的工作,分析了乐观主义和救赎如何在当代条件下的学术写作中找到自己的方式。它质疑了这些文献中的乐观主义,关注了对缓慢而消耗的暴力和生物政治主体性的赎回倾向的谱系根源。特别是,这篇论文描绘了在德勒兹“否则”的调用中发挥作用的隐含政治和伦理,这困扰着许多关于疲惫的变革潜力的描述,以及在忍耐的描述中救赎叙事的核心的辩证历史主义和基督教道德的残余。文章最后对这些充满希望的解读背后的动机提出了质疑,并提出了一个问题,即拒绝用一个尚未确定的世界的乐观曙光来弥补暴力故事可能需要什么。
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引用次数: 0
Book review: A Different Trek: Radical Geographies of Deep Space Nine, By David K Seitz 书评:《不同的旅行:深空九号的激进地理》,大卫·K·塞茨著
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-08-30 DOI: 10.1177/14744740231197812
M. Rhodes
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引用次数: 0
Geographies of imagination: why decolonizing Polish children’s classics matters 想象的地域性:为什么波兰儿童经典作品的非殖民化很重要
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-08-24 DOI: 10.1177/14744740231191533
B. Balogun, Margaret Ohia-Nowak
This article examines the iconography of blackness in the book covers of early Polish children’s literature. In doing so, it draws attention to textual practices that consciously or unconsciously reproduce the long-existing Eurocentric colonial/racial imaginaries of Africa and its people. This literature often depicts the inferiority of illustrated Black bodies, whilst highlighting the superiority of whiteness and Europeanness, as part of the global colonial/racial order. Such cultural productions, which contribute to the reproduction and dissemination of contemporary racism, are intertwined with the everyday experiences of people of colour in Poland.
本文考察了早期波兰儿童文学封面中的黑人形象。在这样做的过程中,它提请人们注意有意识或无意识地再现长期存在的以欧洲为中心的非洲及其人民的殖民/种族想象的文本实践。作为全球殖民/种族秩序的一部分,这些文献经常描绘黑人身体的自卑,同时强调白人和欧洲人的优越性。这些文化作品有助于当代种族主义的再现和传播,与波兰有色人种的日常经历交织在一起。
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引用次数: 1
Subaltern cartographies: Exploring geographical imaginations of the agricultural landscape 底层制图学:探索农业景观的地理想象
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-08-24 DOI: 10.1177/14744740231191536
Babatunde A. Ogundiwin
Geographical imaginations of the state-owned agricultural landscape mediated by state-sanctioned neoliberal visual discourse obscures the actual realities of these state-spaces. In this paper, I argue that maps that emerge from everyday practices of subaltern groups not only unveil actual realities of state-spaces but also embed possibilities of these landscapes. Farm-settlers on alienated government farmlands of Oyo State of Nigeria use a participatory sketch mapping to reveal spatialities that contest the authoritative cartographies of the farm settlement scheme. Regardless of the authoritative visualisations of state imaginaries, subaltern mappings are an integral part of the everyday geographies of the state-owned agricultural landscape. In conclusion, social mapping of the economic landscape served not only to counter disinformation but also as visual reminders for improvement evident in the farmers’ imagined futures.
国家认可的新自由主义视觉话语对国有农业景观的地理想象掩盖了这些国家空间的实际现实。在本文中,我认为从下层群体的日常实践中出现的地图不仅揭示了状态空间的实际现实,而且嵌入了这些景观的可能性。在尼日利亚奥约州被疏离的政府农田上,农场定居者使用参与式草图绘图来揭示与农场定居计划的权威制图相抗衡的空间性。不管国家想象的权威可视化,底层映射是国有农业景观日常地理的一个组成部分。综上所述,经济图景的社会地图不仅起到了反击虚假信息的作用,而且还作为一种视觉提醒,提醒农民在想象中的未来中显而易见的改善。
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引用次数: 0
‘But, what’s wrong with ruins?’ Traversing inevitable loss in industrial heritage “但是,废墟怎么了?”穿越工业遗产不可避免的损失
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-08-17 DOI: 10.1177/14744740231191529
Pablo Arboleda, B. Rosa
An architect and a cultural geographer meet to visit a vast industrial complex in southern Spain that was gradually abandoned between 1962 and 2012. Despite being formally designated as protected heritage, the practical absence of material intervention, historical interpretation or control of access turns the act of walking through these ruins into a highly immersive, sensorial and reflective experience. Drawing from fieldnotes and photo-documentation, this contribution broadens the generative potential of preserving-by-not-preserving, a novel heritage approach recently tackled in cultural geography literature.
一位建筑师和一位文化地理学家会面,参观西班牙南部一座在1962年至2012年间逐渐废弃的大型工业综合体。尽管被正式指定为受保护遗产,但由于缺乏物质干预、历史解释或对通道的控制,穿过这些废墟的行为变成了一种高度沉浸式、感官和反思的体验。根据现场笔记和照片文献,这一贡献通过不保存来扩大保存的生成潜力,这是最近在文化地理文献中采用的一种新颖的遗产方法。
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引用次数: 0
Exhibiting toxicity: sprayed strawberries and geographies of hope 表现出毒性:喷洒的草莓和希望的地区
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-07-20 DOI: 10.1177/14744740231183202
L. Sabin, Nora Komposch, A. Mestrot
Exposición was a 2022 art exhibition that explored seasonal farm labourers’ exposure to strawberry herbicides in Huelva, Andalusia. Drawing upon a multidisciplinary collaboration of art, social geography and soil science, the following discussion contextualises Exposición and offers reflection on the exhibition as an immersive site for figuratively re-sensing lived experiences of heavily polluted places. The exhibition provided space in which configurations of matter, affect and atmospherics might allow contemplation of environmental toxicity, while also being a means of voicing the care, solidarity and hope enacted by affected communities.
Exposición是2022年在安达卢西亚韦尔瓦(Huelva)举办的一个艺术展览,探讨了季节性农场工人接触草莓除草剂的情况。通过艺术、社会地理学和土壤科学的多学科合作,下面的讨论将Exposición作为背景,并将展览作为一个身临其境的场所进行反思,以形象地重新感知严重污染地区的生活体验。展览提供了一个空间,在这个空间里,物质、情感和气氛的配置可能会让人思考环境的毒性,同时也是一种表达受影响社区的关怀、团结和希望的手段。
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引用次数: 0
Moving On: dancing in the gap 继续:在空隙中跳舞
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-07-11 DOI: 10.1177/14744740231179482
Sofie Narbed
This article reflects on an audio-movement project produced during the Covid-19 pandemic by London-based performance collective Exit Map. It explores how the physicality of somatic experience might be translated and expanded through the medium of sound, and what movement improvisation might offer as a practice for inhabiting uncertainty and meeting the unknown.
本文反映了伦敦表演团体Exit Map在2019冠状病毒病大流行期间制作的音频运动项目。它探讨了身体体验的物质性如何通过声音的媒介被翻译和扩展,以及动作即兴作为一种居住不确定性和满足未知的实践可能提供什么。
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Cultural Geographies
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