Pub Date : 2023-06-30DOI: 10.1177/14744740231183205
Loïc Aloisio
This article focuses on the Chinese science fiction writer Han Song who often uses heterotopias in his work. I will use this concept to illustrate how Han Song uses these ‘other places’ for the emplotment of his stories to better reflect on the society and epoch described in his works. Indeed, Han Song often chooses the symbols of modernity put forward by the Chinese government as heterotopias and then distorts them to show the dark side of the government’s ideals, hence countering the official discourse. To do so Han Song has a particular way of emploting these heterotopias: he starts his stories right in the middle of reality before leading the reader towards a succession of exponential distortions of reality, while punctuating his text with references to Chinese history and current events, Han Song’s heterotopias hence encompassing many aspects of Chinese past and present society.
{"title":"Elsewhere like here: heterotopias in Han Song’s science fiction","authors":"Loïc Aloisio","doi":"10.1177/14744740231183205","DOIUrl":"https://doi.org/10.1177/14744740231183205","url":null,"abstract":"This article focuses on the Chinese science fiction writer Han Song who often uses heterotopias in his work. I will use this concept to illustrate how Han Song uses these ‘other places’ for the emplotment of his stories to better reflect on the society and epoch described in his works. Indeed, Han Song often chooses the symbols of modernity put forward by the Chinese government as heterotopias and then distorts them to show the dark side of the government’s ideals, hence countering the official discourse. To do so Han Song has a particular way of emploting these heterotopias: he starts his stories right in the middle of reality before leading the reader towards a succession of exponential distortions of reality, while punctuating his text with references to Chinese history and current events, Han Song’s heterotopias hence encompassing many aspects of Chinese past and present society.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":" ","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44175851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-14DOI: 10.1177/14744740231181566
Gabriele Colombo, Jonathan Gray
Geographical research is increasingly focused on how digital technology shapes human-nature relations. This article explores how internet search engines and their associated algorithms and indexing technologies order and produce homogenising accounts of forest places. We put forward ‘un-indexing’ as a critical and inventive method for un-ordering and re-ordering search engine results to complicate digital perspectives on forest-society relations. We present Everything at the Forest Park, a series of four speculative catalogues we created to invite collective inquiries into the digital mediation of a forested area in Scotland – Queen Elizabeth Forest Park. Fostering a slower form of engagement with web material, the catalogues suggest how geographers and other scholars might critically repurpose, reappropriate and interrogate the algorithmically curated and advertising-oriented orderings of search engines to foster more careful and convivial forest-society relations.
{"title":"Un-indexing forest media: repurposing search query results to reconsider forest-society relations","authors":"Gabriele Colombo, Jonathan Gray","doi":"10.1177/14744740231181566","DOIUrl":"https://doi.org/10.1177/14744740231181566","url":null,"abstract":"Geographical research is increasingly focused on how digital technology shapes human-nature relations. This article explores how internet search engines and their associated algorithms and indexing technologies order and produce homogenising accounts of forest places. We put forward ‘un-indexing’ as a critical and inventive method for un-ordering and re-ordering search engine results to complicate digital perspectives on forest-society relations. We present Everything at the Forest Park, a series of four speculative catalogues we created to invite collective inquiries into the digital mediation of a forested area in Scotland – Queen Elizabeth Forest Park. Fostering a slower form of engagement with web material, the catalogues suggest how geographers and other scholars might critically repurpose, reappropriate and interrogate the algorithmically curated and advertising-oriented orderings of search engines to foster more careful and convivial forest-society relations.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":" ","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49040101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-14DOI: 10.1177/14744740231179479
Thembi Luckett, J. Bagelman
Body mapping is an intimate cartographic process that involves tracing the body and exploring one’s embodied experience. This visual, arts-based process is highly reflective, designed to empower communities to express and share stories – often those difficult to utter. Steeped in various activist and feminist traditions, body mapping is also a practice of care. It is not just about producing a map but is also about coming together to tend to the body and build solidarities to generate change. Our article seeks to expand creative conversation around the value of body mapping for geographers as both a research method and pedagogical tool which may enable multiple bridges to be crossed: activist and academic, generational, and linguistic. This article centers body mapping where it was first articulated as a research method – South Africa – and reflects on a 3-day workshop with the Waterberg Women Advocacy Organization to map the gendered impacts of extractive industries. By insisting on community ownership of both the mapping process and maps themselves – where and how they get used – data sovereignty remains at the heart of this method. This data sovereignty is not insignificant, given the persistent landscapes of extraction in the Global South. Perhaps most critically, the feminist ethos underpinning body mapping explored here provides tangible ways in which our work as geographers can cultivate spaces of care with and for communities who regularly experience the abdication of care.
{"title":"Body mapping: feminist-activist geographies in practice","authors":"Thembi Luckett, J. Bagelman","doi":"10.1177/14744740231179479","DOIUrl":"https://doi.org/10.1177/14744740231179479","url":null,"abstract":"Body mapping is an intimate cartographic process that involves tracing the body and exploring one’s embodied experience. This visual, arts-based process is highly reflective, designed to empower communities to express and share stories – often those difficult to utter. Steeped in various activist and feminist traditions, body mapping is also a practice of care. It is not just about producing a map but is also about coming together to tend to the body and build solidarities to generate change. Our article seeks to expand creative conversation around the value of body mapping for geographers as both a research method and pedagogical tool which may enable multiple bridges to be crossed: activist and academic, generational, and linguistic. This article centers body mapping where it was first articulated as a research method – South Africa – and reflects on a 3-day workshop with the Waterberg Women Advocacy Organization to map the gendered impacts of extractive industries. By insisting on community ownership of both the mapping process and maps themselves – where and how they get used – data sovereignty remains at the heart of this method. This data sovereignty is not insignificant, given the persistent landscapes of extraction in the Global South. Perhaps most critically, the feminist ethos underpinning body mapping explored here provides tangible ways in which our work as geographers can cultivate spaces of care with and for communities who regularly experience the abdication of care.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"30 1","pages":"621 - 627"},"PeriodicalIF":1.6,"publicationDate":"2023-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49547690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-12DOI: 10.1177/14744740231179478
Hannah Macpherson, A. Fox, A. Ranjit, A. Church
This paper documents and discusses the creation of a performance (dance and song) by 12 sanitation workers in Nepal working with artists Alice Fox (UK) and Ashmina Ranjit (Nepal). This creative work was one element within an international, interdisciplinary research programme that explored shit flow, wastewater and marginality in five rapidly developing off-grid towns. Performed at the Lumbini Peace Park as part of the 2022 Women of the World Festival, an important objective of the work was raising awareness of issues affecting sanitation workers, who are among the most precarious workers in the world. Using photos and artist commentary, ‘we’ (geographers and artists) show how the performance (un)seen (un)clean opened a creative space through which to engage and circulate the lived experiences of workers.
{"title":"Art in water and sanitation research in Nepal: a performance with sanitation workers","authors":"Hannah Macpherson, A. Fox, A. Ranjit, A. Church","doi":"10.1177/14744740231179478","DOIUrl":"https://doi.org/10.1177/14744740231179478","url":null,"abstract":"This paper documents and discusses the creation of a performance (dance and song) by 12 sanitation workers in Nepal working with artists Alice Fox (UK) and Ashmina Ranjit (Nepal). This creative work was one element within an international, interdisciplinary research programme that explored shit flow, wastewater and marginality in five rapidly developing off-grid towns. Performed at the Lumbini Peace Park as part of the 2022 Women of the World Festival, an important objective of the work was raising awareness of issues affecting sanitation workers, who are among the most precarious workers in the world. Using photos and artist commentary, ‘we’ (geographers and artists) show how the performance (un)seen (un)clean opened a creative space through which to engage and circulate the lived experiences of workers.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":" ","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46524690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-08DOI: 10.1177/14744740231179481
P. Hubbard, Eleanor Wilkinson
Cultural geography has a long and fruitful tradition of working at the intersections between geography and performance art: in this piece we build upon this by considering how artistic practice can shed light on the housing crisis via a focus on quotidian practices of housing design. Here, we focus on Anne Tallentire’s exhibition Material Distance, which took place in 2022–23 at the John Hansard Gallery, Southampton, UK. A conceptual artist working with moving image, installation, performance and photography, Tallentire’s work has frequently addressed issues of spatial cognition, homemaking and transience. Material Distance extends this interest by foregrounding issues of housing size, adopting the abstract forms of representation – floorplans, measurements, technical drawings – which professionals use for determining the material and physical requirements of domestic inhabitation. Contrasting abstract and lived experiences of home, and comparing housing constructed on post-war council estates with some of the smaller homes recently converted from industrial or retail premises, Tallentire’s work invites us to develop a critical awareness of dimensionality through an embodied encounter with art that is relational, performative and experiential.
{"title":"Living rooms: Anne Tallentire’s Material Distance","authors":"P. Hubbard, Eleanor Wilkinson","doi":"10.1177/14744740231179481","DOIUrl":"https://doi.org/10.1177/14744740231179481","url":null,"abstract":"Cultural geography has a long and fruitful tradition of working at the intersections between geography and performance art: in this piece we build upon this by considering how artistic practice can shed light on the housing crisis via a focus on quotidian practices of housing design. Here, we focus on Anne Tallentire’s exhibition Material Distance, which took place in 2022–23 at the John Hansard Gallery, Southampton, UK. A conceptual artist working with moving image, installation, performance and photography, Tallentire’s work has frequently addressed issues of spatial cognition, homemaking and transience. Material Distance extends this interest by foregrounding issues of housing size, adopting the abstract forms of representation – floorplans, measurements, technical drawings – which professionals use for determining the material and physical requirements of domestic inhabitation. Contrasting abstract and lived experiences of home, and comparing housing constructed on post-war council estates with some of the smaller homes recently converted from industrial or retail premises, Tallentire’s work invites us to develop a critical awareness of dimensionality through an embodied encounter with art that is relational, performative and experiential.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":" ","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45672913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-18DOI: 10.1177/14744740231167599
Joe Revans, Oscar Hartman Davies
In 2021 and 2022, we engaged in a collaborative filmmaking project at Maple Farm, a rewilding site in Southeast England. The project resulted in After Wilding, a speculative documentary film that explores different perspectives on rewilding and the future of Maple Farm and natures in the United Kingdom more broadly. After Wilding envisions what it would be like to visit Maple Farm in June 2042; to do so, we used 360° imagery of the present site and computer-generated visualisations of possible future landscape features. These visualisations were underscored by three narrative vignettes reflecting on different interventions and perspectives on the site. This article describes creating After Wilding as a three-part process – attunement, perspectives and synthesis. We then reflect on the potential opportunities that digital technologies offer for collaborative speculations between researchers, artists and practitioners for geographical praxis and conservation activities.
{"title":"After Wilding: exploring environmental futures through place-based, speculative documentary filmmaking","authors":"Joe Revans, Oscar Hartman Davies","doi":"10.1177/14744740231167599","DOIUrl":"https://doi.org/10.1177/14744740231167599","url":null,"abstract":"In 2021 and 2022, we engaged in a collaborative filmmaking project at Maple Farm, a rewilding site in Southeast England. The project resulted in After Wilding, a speculative documentary film that explores different perspectives on rewilding and the future of Maple Farm and natures in the United Kingdom more broadly. After Wilding envisions what it would be like to visit Maple Farm in June 2042; to do so, we used 360° imagery of the present site and computer-generated visualisations of possible future landscape features. These visualisations were underscored by three narrative vignettes reflecting on different interventions and perspectives on the site. This article describes creating After Wilding as a three-part process – attunement, perspectives and synthesis. We then reflect on the potential opportunities that digital technologies offer for collaborative speculations between researchers, artists and practitioners for geographical praxis and conservation activities.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":" ","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45128781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-16DOI: 10.1177/14744740231167604
G. Burdon
This paper examines the cultural popularity of ‘ambient music’ playlists on digital streaming platforms as a paradigm of the technical fabrication of atmospheres and the modulation of affect in some of the media environments of contemporary capitalism. Ambient music names a style of non-intrusive, gentle background music designed to assist the listener in relaxing or focussing on work. At the centre of the paper is the argument that ambient music demonstrates how the intimate tonalities of human behaviour are increasingly shaped through media technologies in ways that hold significant implications for how we feel and perceive our senses of being in the world today. Developing this argument, the paper advances two claims. First, drawing on the work of Peter Sloterdijk, that ambient music exemplifies the ‘immunological’ character of atmospheric envelopment. Second, that ambient music points towards the role of digital technologies capable of supporting new atmospheric envelopments as facilitating what Gilles Deleuze and Felix Guattari call ‘investments of desire’, new conjunctions between flows of information, behaviours, value and affects that are central to the processes of contemporary capitalism. Finally, the paper speculates on ambient music in its relation to the atmospheric conditions of life in contemporary capitalist societies.
{"title":"Immunological atmospheres: Ambient music and the design of self-experience","authors":"G. Burdon","doi":"10.1177/14744740231167604","DOIUrl":"https://doi.org/10.1177/14744740231167604","url":null,"abstract":"This paper examines the cultural popularity of ‘ambient music’ playlists on digital streaming platforms as a paradigm of the technical fabrication of atmospheres and the modulation of affect in some of the media environments of contemporary capitalism. Ambient music names a style of non-intrusive, gentle background music designed to assist the listener in relaxing or focussing on work. At the centre of the paper is the argument that ambient music demonstrates how the intimate tonalities of human behaviour are increasingly shaped through media technologies in ways that hold significant implications for how we feel and perceive our senses of being in the world today. Developing this argument, the paper advances two claims. First, drawing on the work of Peter Sloterdijk, that ambient music exemplifies the ‘immunological’ character of atmospheric envelopment. Second, that ambient music points towards the role of digital technologies capable of supporting new atmospheric envelopments as facilitating what Gilles Deleuze and Felix Guattari call ‘investments of desire’, new conjunctions between flows of information, behaviours, value and affects that are central to the processes of contemporary capitalism. Finally, the paper speculates on ambient music in its relation to the atmospheric conditions of life in contemporary capitalist societies.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"30 1","pages":"555 - 568"},"PeriodicalIF":1.6,"publicationDate":"2023-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42913854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-12DOI: 10.1177/14744740231167601
T. Fry
This paper outlines the practice of a novel digital method in animal geographies: etho-ethnographic citizen science. I describe a project using this participatory method with local residents in inner-city London, where we worked together to use camera traps to record video footage of red fox behaviour. The research sought to build an etho-ethnographic account of fox life by tethering data collection and interpretation to local knowledge. The paper focuses on the familial relations of one particular fox, a young male living on an allotment, who plotholders call Sonny. It begins by outlining how research objectives emerged through the process of collaborative research design with plotholders, premised on their own knowledge of fox personalities, and their storied accounts of individual foxes. It then considers how the practical planning of camera placement was directed through the plotholders own socioecological knowledge of the site. Lastly, it outlines how participants continual use of the traps, and their own analysis of footage, embeds digital data within vernacular understandings of Sonny’s world. In doing so the paper outlines how etho-ethnographic citizen science can potentially amplify, affirm and digitise vernacular knowledges of urban fox ethologies and geographies.
{"title":"Tracking Sonny: localised digital knowledge of an urban fox","authors":"T. Fry","doi":"10.1177/14744740231167601","DOIUrl":"https://doi.org/10.1177/14744740231167601","url":null,"abstract":"This paper outlines the practice of a novel digital method in animal geographies: etho-ethnographic citizen science. I describe a project using this participatory method with local residents in inner-city London, where we worked together to use camera traps to record video footage of red fox behaviour. The research sought to build an etho-ethnographic account of fox life by tethering data collection and interpretation to local knowledge. The paper focuses on the familial relations of one particular fox, a young male living on an allotment, who plotholders call Sonny. It begins by outlining how research objectives emerged through the process of collaborative research design with plotholders, premised on their own knowledge of fox personalities, and their storied accounts of individual foxes. It then considers how the practical planning of camera placement was directed through the plotholders own socioecological knowledge of the site. Lastly, it outlines how participants continual use of the traps, and their own analysis of footage, embeds digital data within vernacular understandings of Sonny’s world. In doing so the paper outlines how etho-ethnographic citizen science can potentially amplify, affirm and digitise vernacular knowledges of urban fox ethologies and geographies.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":" ","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42345572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-10DOI: 10.1177/14744740231167600
C. Griffin
Geography is a discipline rooted in the idea of ‘earth writing’, yet until recently human geographers had left the study of the very matter of the earth – the soil beneath our feet – to natural scientists. If human geographers – amongst other humanities scholars – have begun to address human-soil relationships there is a need to attend to meanings invested in and generated by being with the soil. This paper attempts to address this by analysing the relationship with the soil by those who made their living by tilling and tending it, rural agricultural workers, those who laboured on (and in) the soil. Specifically, it focuses on the ‘long 19th century’, the period at the start of which when labourers remained the largest occupational sector but when agricultural ‘improvement’, industrialisation and rapid urbanisation were challenging human-soil entanglements. Drawing upon novels, poetry and biographical writing, this paper plots three key ways in which the relationship between rural workers and the soil was figured: as the link to the past; as inheritance, the promise of the future; and through the affective nature of tilling. In so thinking about these multi-layered meanings, the paper shows not only the value of excavating past human-environmental entanglements but also the need to adopt a cultural geographical methodology and sensibility. In sum, it is shown that soil was a crucible not just of life but of meaning in life.
{"title":"Earthling: the labourer and the soil","authors":"C. Griffin","doi":"10.1177/14744740231167600","DOIUrl":"https://doi.org/10.1177/14744740231167600","url":null,"abstract":"Geography is a discipline rooted in the idea of ‘earth writing’, yet until recently human geographers had left the study of the very matter of the earth – the soil beneath our feet – to natural scientists. If human geographers – amongst other humanities scholars – have begun to address human-soil relationships there is a need to attend to meanings invested in and generated by being with the soil. This paper attempts to address this by analysing the relationship with the soil by those who made their living by tilling and tending it, rural agricultural workers, those who laboured on (and in) the soil. Specifically, it focuses on the ‘long 19th century’, the period at the start of which when labourers remained the largest occupational sector but when agricultural ‘improvement’, industrialisation and rapid urbanisation were challenging human-soil entanglements. Drawing upon novels, poetry and biographical writing, this paper plots three key ways in which the relationship between rural workers and the soil was figured: as the link to the past; as inheritance, the promise of the future; and through the affective nature of tilling. In so thinking about these multi-layered meanings, the paper shows not only the value of excavating past human-environmental entanglements but also the need to adopt a cultural geographical methodology and sensibility. In sum, it is shown that soil was a crucible not just of life but of meaning in life.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":" ","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45152468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.1177/14744740231167598
Eric Magrane
{"title":"Book review: Late Modernism and the Poetics of Place","authors":"Eric Magrane","doi":"10.1177/14744740231167598","DOIUrl":"https://doi.org/10.1177/14744740231167598","url":null,"abstract":"","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":" ","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42355355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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