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Kochi: provincialising postcolonial metro-cosmopolitan spatialities 高知:乡土化的后殖民都市大都会空间
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-01-10 DOI: 10.1177/14744740221147554
Jintu Alias, Soni Wadhwa
There is much to learn about how some locales come to be deemed as more cosmopolitan than others. Mumbai is hailed as a cosmopolitan city and even a model for India. With an increasing sense of disappointment about the decline of cosmopolitanism in such metropolitan cities, there is a need to look at what other locales can offer as alternative models of cosmopolitanism. This article addresses Kochi as a locale that is nuanced with precolonial practices of cosmopolitanism. This move towards provincialising cosmopolitanism – in the sense of moving away from metropolitan locales to highlight deeper, more historical and local ways of being cosmopolitan – is informed by the growing emphasis on the need to explore subaltern or vernacular cosmopolitanism.
关于一些地方如何被认为比其他地方更国际化,还有很多需要学习的地方。孟买被誉为国际大都市,甚至是印度的典范。随着人们对世界主义在这些大都市的衰落越来越失望,有必要看看其他地方可以提供什么作为世界主义的替代模式。这篇文章将高知作为一个与前殖民地世界主义实践有细微差别的地方。这种向地方化世界主义的转变——从远离大都市的意义上说,是为了强调更深层次、更具历史意义和地方性的世界主义方式——是因为人们越来越强调探索下层或本土世界主义。
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引用次数: 0
Stories, crisis, and meaning-making: storying possibility and community in the terrain of cultural struggle 故事、危机与意义建构:文化斗争情境下的故事可能性与共同体
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-01-10 DOI: 10.1177/14744740221147550
D. Harris
In a time of multiple, competing, and nested crises, the draw to storytelling is intuitive. Stories help us make sense of the world around us. People are drawn to stories because of their emphasis on community, and the way they create possibilities when it feels like there are none. This paper builds upon geographic research on storytelling, articulating how stories are critical for creating meaning in light of crises. Based on 14 months of fieldwork with storytellers in Appalachia and Alaska, two regions facing profound social, climatic, and economic change and with culturally rich storytelling traditions, research for this paper discusses the practice of storytelling, as told by storytellers, and how different approaches to storytelling help address the climate crisis specifically with notes for crises more broadly. Further, considering calls to use storytelling to address climate change, this paper examines and critiques the stories that are currently being told and valued. Finally, this paper outlines the kinds of stories that could be told to address crises, noting specifically how stories are sites of cultural and political struggle.
在一个多重、竞争和嵌套危机的时代,讲故事的吸引力是直观的。故事有助于我们理解周围的世界。人们之所以被故事所吸引,是因为他们强调社区,以及在感觉没有可能性的情况下创造可能性的方式。本文建立在对讲故事的地理研究的基础上,阐明了故事如何在危机中创造意义。基于14 阿巴拉契亚和阿拉斯加这两个地区面临着深刻的社会、气候和经济变化,有着丰富的讲故事传统,经过数月的实地调查,本文的研究讨论了讲故事者讲述的讲故事的实践,以及不同的讲故事方法如何帮助应对气候危机,特别是更广泛的危机笔记。此外,考虑到利用讲故事来应对气候变化的呼吁,本文对目前正在讲述和重视的故事进行了审查和批评。最后,本文概述了可以讲述的应对危机的故事类型,特别指出了故事是如何成为文化和政治斗争的场所的。
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引用次数: 0
Intimate geographies of virginal blood. 处女之血的私密地理。
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-01-01 DOI: 10.1177/14744740221110586
Elisabeth Militz

Feminist scholars, activists, and artists have long addressed the topic of virginity and have dismantled it as a powerful, globally circulating, and gendered myth. It affects how many woman-identifying people experience how their bodies become (a)sexual. Centrally, the myth of virginity has been shown to be mobilized in support of colonial, ethnonationalist identity projects. In Kyrgyzstan, disciplining women through policing their sexual behavior co-constituted nation-building projects after the dissolution of the Soviet Union. Drawing on data collected since 2017 (qualitative interviews in Bishkek and Osh and qualitative research on Instagram), I examine intimate geographies of the virginity myth in Kyrgyzstan. Building on geographic scholarship on intimacy and body parts, I discuss the ways in which virginal blood works both to submit to and to reclaim one's intimate body spaces and sexual practices. I argue that people affected by the virginity myth create the foundations for intimate justice in Kyrgyzstan. On the one hand, people are reclaiming authority over their intimate bodies through subverting sexist systems of sexual control and through expanding discursive horizons of virginity performances. On the other hand, activists on Instagram are supporting digital public spaces that allow to author virginal blood narratives and provide resources on intimate body knowledge. Analyzing the scalar doings of virginal blood, the paper contributes a case study on intimate justice and the geographies of the body in Kyrgyzstan. My analysis encourages further examination of the capacities of the body to better understand how certain body parts turn into key sites of (geo)political struggles and can transform them.

女权主义学者、活动家和艺术家长期以来一直在讨论童贞这个话题,并将其作为一个强大的、全球流传的、性别化的神话来拆除。它影响了许多女性认同者对自己的身体如何变得有性的体验。最重要的是,童贞的神话被证明是被动员起来支持殖民主义、民族主义的身份认同项目的。在吉尔吉斯斯坦,通过监管女性的性行为来约束她们,是苏联解体后国家建设项目的一部分。根据2017年以来收集的数据(比什凯克和奥什的定性访谈以及Instagram的定性研究),我研究了吉尔吉斯斯坦童贞神话的亲密地理关系。以地理学者对亲密关系和身体部位的研究为基础,我讨论了处女血是如何服从和恢复一个人的亲密身体空间和性行为的。我认为,受童贞神话影响的人们为吉尔吉斯斯坦的亲密正义奠定了基础。一方面,人们通过颠覆性控制的性别歧视系统和扩大童贞表演的话语视野,重新获得对自己亲密身体的权威。另一方面,Instagram上的活动人士支持数字公共空间,允许撰写处女血叙事,并提供有关亲密身体知识的资源。本文分析了处女血的标量行为,并对吉尔吉斯斯坦的亲密正义和身体地理进行了个案研究。我的分析鼓励进一步研究身体的能力,以更好地理解某些身体部位如何成为(地理)政治斗争的关键场所,并能够改变它们。
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引用次数: 1
Corrigendum to The hidden geographies of religious creativity: place-making and material culture in West London faith communities 宗教创造力的隐藏地理更正:西伦敦信仰社区的场所制作和物质文化
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2023-01-01 DOI: 10.1177/14744740221116211
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引用次数: 0
Restoring the river, restoring relations: on Anishinaabe artist Michael Belmore’s stone series, Replenishment 修复河流,修复关系:论安尼什纳贝艺术家Michael Belmore的石头系列,《补给》
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2022-12-07 DOI: 10.1177/14744740221142881
N. Latulippe
In his work and creative practice, Anishinaabe artist Michael Belmore shows that materials have language and rock tells a story. Belmore’s land-based installation on Manitoulin Island, a three-part granite series titled, Replenishment, tells a story about place that is activated by relationship and reciprocity between people and with the Earth. It reinscribes Indigenous presence on the land, rewrites settler-colonial narratives about place, and broadens the scope and intent of ecological restoration. Drawing on my interactions with the artist and his work during the 2017 Manitoulin Island Summer Historical Institute, a field school on Anishinaabe history, I explore the circulation of knowledge and agency in an Anishinaabe world and consider relationship as essential to decolonizing geography’s engagement with Indigenous peoples and territories. Through rock as mnemonic device, Belmore demonstrates the restorative power of subtle and not so subtle acts of interconnection and relationship.
在他的作品和创作实践中,Anishinaabe艺术家Michael Belmore展示了材料有语言,而摇滚讲述了一个故事。Belmore在Manitoulin岛上的陆地装置,由三部分组成的花岗岩系列,名为“补给”,讲述了一个关于人与地球之间的关系和互惠所激活的地方的故事。它重新记录了原住民在这片土地上的存在,改写了定居者-殖民者对这片土地的叙述,扩大了生态恢复的范围和意图。根据我在2017年马尼托林岛夏季历史研究所(一所关于Anishinaabe历史的实地学校)期间与艺术家及其作品的互动,我探索了Anishinaabe世界中知识和机构的循环,并认为关系对于非殖民化地理与土著人民和领土的接触至关重要。通过岩石作为记忆工具,贝尔莫展示了微妙和不那么微妙的相互联系和关系的行为的恢复力量。
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引用次数: 0
Book Review: Tim Cresswell and John Ott, Muybridge and Mobility 书评:Tim Cresswell和John Ott,Muybridge和Mobility
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2022-12-05 DOI: 10.1177/14744740221142882
Judith A. Nicholson
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引用次数: 0
Book Review: Marko Krevs, Hidden Geographies 书评:马尔科·克雷夫斯,《隐藏的地理》
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2022-12-01 DOI: 10.1177/14744740221142876
A. Bonnett
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引用次数: 0
Finding comfort and conviviality with urban trees 与城市树木一起寻找舒适和欢乐
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2022-11-23 DOI: 10.1177/14744740221136284
Elizabeth R. Straughan, C. Phillips, Jennifer Atchison
This paper develops cultural geographic understandings of more-than-human comfort and conviviality by analysing emails sent to trees living in the City of Melbourne, Australia. The emails arrive from near and far, sharing personal dilemmas, jokes, poetry, confessions, political concerns, and more. These messages provide a unique opportunity to consider how trees become foregrounded in people’s everyday lives. Working through the geographies of comfort expressed in these emails, the paper develops understanding about the politics of dis/comfort by examining how it is generative of conviviality. In doing so, the paper builds on a small body of work exploring more-than-human conviviality by bringing comfort into these discussions. The paper argues this sensibility provides insights into: how and why attachments between humans and other-than-humans are fostered and maintained; how trees shape and are shaped by urban places; and, how comfort, as an overlooked element of more-than-human conviviality, can be politically generative, assisting in the re-imagining of human and tree togetherness.
本文通过分析发给生活在澳大利亚墨尔本市的树木的电子邮件,发展了对超越人类舒适和欢乐的文化地理理解。这些邮件来自四面八方,分享个人困境、笑话、诗歌、自白、政治关切等等。这些信息提供了一个独特的机会来思考树木如何成为人们日常生活的前景。通过这些电子邮件中表达的舒适地理,本文通过研究它是如何产生欢愉的,发展了对不适/舒适政治的理解。在这样做的过程中,本文建立在一小部分研究的基础上,通过将舒适带入这些讨论,探索超越人类的欢乐。论文认为,这种敏感性提供了以下方面的见解:人类与非人类之间的依恋是如何以及为什么被培养和维持的;树木是如何塑造和被城市塑造的;此外,舒适,作为一种被忽视的超越人类的欢乐元素,如何在政治上产生,帮助重新想象人类和树木的团结。
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引用次数: 2
Living in the skin of dictatorship: an encounter with the Belarus Free Theatre 生活在独裁统治下:与白俄罗斯自由剧院的邂逅
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2022-11-14 DOI: 10.1177/14744740221134124
Noah Birksted-Breen
On 12 March 2022, I attended Dogs of Europe, a performance by Belarus Free Theatre (BFT) at London’s Barbican Theatre. Adapted from the novel by Belarusian writer Alhierd Bacharevič, the play imagines a dystopian future in which Russia’s imperial expansion swallows up swathes of eastern Europe to create a ‘Russian Reich’. The timing of the work is uncanny and unsettling – it unintentionally (but astutely) coincided with the horrifying Russian invasion of Ukraine. The novel and stage adaptation depict a Europe that has become a fragmented European League of States with little unifying purpose or moral compass (‘people in Europe no longer read’, as one character announces). My encounter with Dogs of Europe considers how the BFT uses performance techniques to offer an affecting and intimate geopolitics, with the aspiration of motivating audiences towards an activist stance.
2022年3月12日,我在伦敦巴比肯剧院观看了白俄罗斯自由剧院(BFT)的《欧洲之犬》演出。该剧改编自白俄罗斯作家Alhierd bacharevije的小说,该剧想象了一个反乌托邦的未来,在那里俄罗斯帝国的扩张吞噬了东欧的大片地区,建立了一个“俄罗斯帝国”。这部作品的创作时间既离奇又令人不安——它无意中(但很精明地)与俄罗斯入侵乌克兰的恐怖事件相吻合。小说和舞台剧改编描绘了一个支离破碎的欧洲国家联盟,没有统一的目标或道德指南针(正如一个角色所说,“欧洲人不再读书”)。我与《欧洲之狗》的邂逅考虑了BFT如何利用表演技巧来提供一种感人而亲密的地缘政治,并希望激励观众采取积极的立场。
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引用次数: 0
Collaging to find river connections and stimulate new meanings 拼贴寻找河流的联系,激发新的意义
IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES Pub Date : 2022-11-11 DOI: 10.1177/14744740221136411
I. Giannoulatou, S. Januchowski‐Hartley, Asha Sahni, Sayali K. Pawar, James C White, J. Lockheart, Nina Baranduin, Doryn Herbst, Benjamin Whittaker, S. Thackeray, R. Shooter, Judy Darley, Merryn Thomas
This article contributes to work in creative geographies through the lens of river spaces and a multimodal practice among an ensemble of artists/poets/scientists. The collaboration created two collage series with both planned and unplanned visual, textual, and audio-visual media. Orchestrated in a time of global pandemic, learnings from the ensemble’s online creative practice are shared and discussed, including: the methodological possibilities of online collaboration and the Internet’s ability to facilitate distanced and sustained co-creation, as well as the potential of collage and poetry to reimagine relationships with rivers.
本文通过河流空间的视角和艺术家/诗人/科学家群体的多模式实践,为创造性地理研究做出了贡献。合作创建了两个拼贴系列,既有计划的,也有计划外的视觉、文本和视听媒体。在全球疫情期间,我们分享和讨论了乐团在线创作实践的经验教训,包括:在线合作的方法论可能性和互联网促进远距离和持续共同创作的能力,以及拼贴和诗歌重新想象与河流关系的潜力。
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引用次数: 0
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Cultural Geographies
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