This article focuses on the taphonomy of inequality visible in within-church burials from the site of the Church of St. George at Đurđevac-Sošice, a Medieval church in Northern Croatia. Building on concepts of Whitehead’s Poetics model, the three-body model, and landscape archaeology, we examine the role of church architecture in the development and affirmation of social inequality though burial practices. Burial within church spaces was typically limited to those of higher social status (relative to the rest of the community). Here we examine how those practices acted both as leveling acts that promoted group identity at the same time as they highlighted social inequality. This theoretical model is then used to understand more about the use of the Church of St. George at Đurđevac-Sošice as a burial location. The Church of St. George was used as a place of worship from twelfth until the beginning of the nineteenth century, and as a place of burial (as far as the current research has shown) between the twelfth and first half of the sixteenth century. During excavations in 2017–2019, 243 graves were identified, many of which were disturbed or incomplete due to subsequent burial activity during the use of the church as a burial location. These disturbances resulted in a large amount of comingled remains from within the fill of the recognized graves, as well as from levels which resulted from overlapping of younger burial fills over older ones.
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