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Framing Under Fire: Navigating Environmental Activism on Social Media Amid Digital Repression 炮火之下的框架:在数字压抑的社会媒体上引导环境行动主义
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-09-24 DOI: 10.1177/20563051251380480
Dien Nguyen An Luong, Hong Tien Vu
Grounded in the conceptual frameworks of protest framing and digital repression, this study examines the adaptive messaging strategies employed by Vietnamese environmental activists in response to escalating repression, through physical coercion, across two key periods: before and after mid-2021. Our analysis of the Facebook content of one of Vietnam’s leading environmental groups indicates significant changes in the group’s adoption of protest frames, topical frames, and narrative roles, highlighting how activists balance public engagement with safety under authoritarian constraints. Specifically, after a wave of arrests of high-profile environmental activists, activists shifted their message framing strategies from motivational to diagnostic, focusing more on information provision rather than encouraging public engagement. In addition, after the arrests, activists increasingly shifted their narrative roles, increasing their blame on corporations as villains, while positioning the environment as a primary victim. This study enriches our understanding of digital activism in authoritarian contexts, offering theoretical insights and practical guidance for movements under similar constraints.
基于抗议框架和数字镇压的概念框架,本研究考察了越南环境活动家在两个关键时期(2021年中期之前和之后)通过人身胁迫应对不断升级的镇压所采用的适应性信息传递策略。我们对越南一个主要环保组织的Facebook内容的分析表明,该组织在采用抗议框架、话题框架和叙事角色方面发生了重大变化,突出了活动家如何在威权约束下平衡公众参与与安全。具体来说,在一批知名环保人士被捕之后,环保人士将他们的信息框架策略从激励转向诊断,更多地关注信息提供,而不是鼓励公众参与。此外,在逮捕事件发生后,活动人士越来越多地转变了他们的叙事角色,他们越来越多地指责企业是恶棍,同时将环境定位为主要受害者。本研究丰富了我们对威权背景下的数字行动主义的理解,为类似约束下的运动提供了理论见解和实践指导。
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引用次数: 0
Exploring #Diasporawars on Black Twitter 在黑人推特上探索#散居者#
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-09-20 DOI: 10.1177/20563051251352834
Tyler Musgrave, Yuning Ye, Kentaro Toyama, Sarita Schoenebeck, Megan Threats
Black Twitter, now operating on X (formerly Twitter), is a crucial online platform that shapes cultural production, political activism, and educational exchange within the global Black community. This study broadens the scope to examine the global influence of Black Twitter, with a focus on the hashtag #diasporawars. This hashtag serves as a lens through which we can observe the tensions and interactions across the global Black community. Black Twitter’s significance extends beyond the United States, deeply embedded in the historical and cultural contexts of Blackness, which inform global conversations on identity. By employing both quantitative and qualitative research methods to analyze #diasporawars, this study aims to shed light on the complexities of global Blackness and how social media platforms contribute to shaping these identities and connections. Our findings reveal that #diasporawars reflects broader dynamics within the global Black community, highlighting how platforms like X both facilitate positive engagement and exacerbate conflicts. This research underscores the multifaceted nature of Black digital spaces, illustrating how they serve as arenas for collaboration and contention, influenced by diverse experiences and perspectives within the global Black diaspora.
Black Twitter现在在X(以前的Twitter)上运营,是一个重要的在线平台,在全球黑人社区中塑造文化生产、政治活动和教育交流。这项研究扩大了研究黑人推特全球影响力的范围,重点关注#散居者#标签。这个标签是一个镜头,通过它我们可以观察到全球黑人社区的紧张关系和互动。黑色推特的重要性超越了美国,深深植根于黑人的历史和文化背景中,为全球关于身份的对话提供了信息。通过采用定量和定性的研究方法来分析#侨民#,本研究旨在揭示全球黑人的复杂性,以及社交媒体平台如何有助于塑造这些身份和联系。我们的研究结果表明,#散居者#反映了全球黑人社区内部更广泛的动态,突出了像X这样的平台是如何促进积极参与和加剧冲突的。这项研究强调了黑人数字空间的多面性,说明了它们如何成为合作和争论的舞台,受到全球黑人侨民不同经验和观点的影响。
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引用次数: 0
Black Twitter as “Master” Social Architects: Maintaining Online Community Boundaries Through the Production of Time and Place 黑推特作为“大师”的社会建筑师:通过时间和地点的生产来维护网络社区边界
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-09-20 DOI: 10.1177/20563051251374500
Cynthia N. McLeod
This study explores how Black Twitter, an online community of Black users, creates a place for itself online and how the historical positioning of Black populations worldwide informs the users’ placemaking practices. Using an online ethnography and Brock’s Critical Technocultural Discourse Analysis, I analyzed how Black Twitter users communicate to create a sense of place on the platform. Findings indicate that Black users experience time on social media in layered ways, such that they blend historical and contemporary cultural experiences to connect with one another and defend against outsiders. Extending previous work that examines Black Twitter as a cultural formation, this study explores two dimensions: (1) how Black users’ temporal practices challenge notions of digital behavior that reduce user agency and (2) how users perform boundary work by using the platform to defend themselves from outside influences. For example, #YourSlipisShowing enabled Black users to call attention to accounts posing as Black users, effectively turning a platform feature into a defense method. In addition, Black users often call on their collective memory to identify community members through shared cultural experiences and emotional connection. In some ways, Twitter supports the process of collective memory (re)production and engagement through platform features, such as retweets and non-chronological timelines. These observations offer additional frameworks for analyzing community maintenance and agency within hostile digital spaces.
本研究探讨了黑人用户的在线社区Black Twitter如何在网上为自己创造一个场所,以及全球黑人人口的历史定位如何影响用户的场所创建实践。使用在线人种学和布洛克的批判性技术文化话语分析,我分析了黑人Twitter用户如何在平台上交流以创造一种地方感。研究结果表明,黑人用户在社交媒体上体验时间的方式是分层的,他们将历史和当代文化体验融合在一起,相互联系,抵御外来者。本研究扩展了之前将黑人推特作为一种文化形态进行研究的工作,探讨了两个维度:(1)黑人用户的时间实践如何挑战减少用户代理的数字行为概念;(2)用户如何通过使用平台来保护自己免受外部影响来执行边界工作。例如,# yourslipisshow使黑人用户能够引起人们对冒充黑人用户的账户的注意,有效地将平台功能变成了一种防御方法。此外,黑人用户经常通过他们的集体记忆来通过共同的文化经历和情感联系来识别社区成员。在某种程度上,Twitter通过转发和非时间轴等平台功能支持集体记忆(再)生产和参与的过程。这些观察结果为分析社区维护和敌对数字空间中的代理提供了额外的框架。
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引用次数: 0
Religious Institutions’ Use of Social Media Platforms During COVID-19 in Kenya 肯尼亚宗教机构在COVID-19期间使用社交媒体平台的情况
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-09-13 DOI: 10.1177/20563051251372530
Raphael K. Birya, Mohammed Mwamzandi
This study investigates the communication dynamics within Kenyan religious institutions during the COVID-19 pandemic. It explores the role of diverse social media platforms, such as YouTube and Facebook, in offering emotional and spiritual support in Christian and Islamic institutions. Using a survey and resilience lens, the study analyzes social media usage, utility variations, and the influence of religious institutions on information sharing during lockdowns and pandemic easing. Descriptive statistics and analysis of variance (ANOVA) highlight the significant role of these platforms in crisis communication. This research addresses a gap in the limited literature on the role of social media in crisis communication within religious contexts during the COVID-19 era.
本研究调查了2019冠状病毒病大流行期间肯尼亚宗教机构内部的沟通动态。它探讨了各种社交媒体平台,如YouTube和Facebook,在基督教和伊斯兰教机构中提供情感和精神支持的作用。通过调查和弹性视角,该研究分析了社交媒体使用情况、效用变化以及宗教机构在封锁和疫情缓解期间对信息共享的影响。描述性统计和方差分析(ANOVA)强调了这些平台在危机沟通中的重要作用。本研究填补了关于2019冠状病毒病时代宗教背景下社交媒体在危机传播中的作用的有限文献中的空白。
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引用次数: 0
Putting Trust to the Test: Making Sense of Human–Machine Interactions on TikTok 测试信任:理解TikTok上的人机交互
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-09-09 DOI: 10.1177/20563051251370905
Andreas Schellewald
People’s interaction with online content is increasingly facilitated by intelligent user interfaces and artificial agents. In this article, I explore this shift by drawing on ethnographic fieldwork with users of the TikTok app. More specifically, I write on their interactions with the TikTok algorithm as a form of human–machine interaction and through the lens of trust. Along concrete ethnographic data, this article lays out the multifaceted process in which participants negotiated trust in the TikTok algorithm as an interaction partner in their everyday pursuits for relaxation and entertainment. Understanding trust as something deeply relational, mediating the position that one takes to another, this article outlines the constitutive embodied and affective dimensions of trust. It shows how participants dealt with feelings of their trust in the TikTok algorithm being put to the test, as well as how they negotiated their distance and closeness to it accordingly. By doing so, this article will demonstrate how trust functions a key mediator of meaningful human–machine interaction – shaping not just meaningful outcomes but also meaningful processes of interaction. From this angle, this article closes with an argument for research on the foundational role of trust in human–machine interaction, specifically in ways that look beyond the cognitive processes of judging trust and broadening the scope towards the material and cultural contexts in which people trust others.
智能用户界面和人工代理使人们与在线内容的互动日益便利。在这篇文章中,我通过与TikTok应用程序的用户进行人种学田野调查来探索这种转变。更具体地说,我通过信任的视角,将他们与TikTok算法的互动作为一种人机交互形式。根据具体的民族志数据,本文展示了参与者在日常放松和娱乐追求中对TikTok算法作为互动伙伴的信任谈判的多方面过程。将信任理解为一种深刻的关系,调解一个人对另一个人的立场,本文概述了信任的构成、体现和情感维度。它展示了参与者如何处理他们对TikTok算法的信任感,以及他们如何相应地调整与算法的距离和亲密度。通过这样做,本文将展示信任如何成为有意义的人机交互的关键中介-不仅塑造有意义的结果,而且塑造有意义的交互过程。从这个角度出发,本文以研究信任在人机交互中的基础作用为结束,特别是以超越判断信任的认知过程的方式,将范围扩大到人们信任他人的物质和文化背景。
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引用次数: 0
Imagined Democratic Affordances: Persistent Faith in the Democratic Power of the Internet among Sanders Supporters on Reddit 想象中的民主支持:Reddit上桑德斯支持者对互联网民主力量的坚定信念
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-09-06 DOI: 10.1177/20563051251363213
Omri Cohen
Research on digital democracy and online mobilization often focus on how technological design, affordances, organizing, or policy may influence online political behaviors. Less attention is paid to users’ imagination about their digital environments, the expectations, emotions, or values that are involved, and how these relate to users’ perceptions on the democratic opportunities afforded by digital media. This study conducts qualitative analysis of the perceptions of Bernie Sanders supporters on a large Reddit community of both digital media and mainstream media. The findings suggest that some users, who regard themselves as democratically populist, tend to regard digital media optimistically and display persistent faith in the democratizing capacity of online platforms. This study provides a deeper understanding of the power of users’ imagination and elucidates issues of the persistence of technological optimism, the appeal and motivational power of the democratic promise of the internet, and users’ association of democratic ideals with online activism.
对数字民主和在线动员的研究通常集中在技术设计、支持、组织或政策如何影响在线政治行为。用户对其数字环境的想象、所涉及的期望、情感或价值观,以及这些与用户对数字媒体提供的民主机会的看法之间的关系,受到的关注较少。本研究对数字媒体和主流媒体的大型Reddit社区中伯尼·桑德斯支持者的看法进行了定性分析。研究结果表明,一些认为自己是民主民粹主义者的用户倾向于乐观地看待数字媒体,并对在线平台的民主化能力表现出持久的信心。本研究对用户想象力的力量提供了更深入的理解,并阐明了技术乐观主义的持久性,互联网民主承诺的吸引力和激励力量,以及用户将民主理想与在线行动主义联系起来的问题。
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引用次数: 0
Expressions of Partisanship Among Young Political Supporters on TikTok in the United States 美国年轻政治支持者在TikTok上的党派之争
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-08-29 DOI: 10.1177/20563051251370914
Shohana Akter, Pnina Fichman
Distrust of young individuals in traditional political institutions, coupled with many youths’ heavy use of online platforms, raises questions about the nature of their online actions in light of mainstream political practices. Our study addresses this research gap by providing insights into the voices of these young individuals and their communities on TikTok, as they engage in partisan online political discourse. Using topic modeling, thematic content analysis, and sentiment analysis, we analyzed 124,963 audience comments and 100 video posts by young supporters of the Democratic and Republican parties in the United States. We found that the topics discussed in the young supporters’ video posts varied significantly between the two parties, as did the audience’s reactions to these posts. Young supporters often employ the platform to reinforce in-group solidarity and target ideological opponents, and their political messaging closely aligns with their respective parties’ ideologies. They leverage the platform’s socio-technical features to engage with their audiences in “politainment” by means of humor, sarcasm, and cultural references.
传统政治制度对年轻人的不信任,加上许多年轻人大量使用网络平台,引发了人们对他们在主流政治实践中网络行为本质的质疑。我们的研究通过深入了解这些年轻人及其在TikTok上的社区在参与党派在线政治话语时的声音,解决了这一研究差距。通过主题建模、主题内容分析和情感分析,我们分析了124963个观众评论和100个美国民主党和共和党年轻支持者的视频帖子。我们发现,两党在年轻支持者的视频帖子中讨论的话题差异很大,观众对这些帖子的反应也是如此。年轻的支持者经常利用这个平台来加强群体内的团结,瞄准意识形态上的对手,他们的政治信息与各自政党的意识形态密切相关。他们利用平台的社会技术特征,通过幽默、讽刺和文化参考与观众进行“政治娱乐”。
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引用次数: 0
TikTok as a Tool for Identity Work Among the Hoa Ethnic Community TikTok作为华族社区身份认同工作的工具
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-08-22 DOI: 10.1177/20563051251363215
Sarah Tran, Cindy Lin, Bryan Dosono, Kelley Cotter
Popular discourse around race tends to categorize people in static ethnic and racial categories, overlooking the complexity of people with multi-ethnicities. To understand how ethnic communities resist the described practice, this article explores how Hoa communities in English-speaking countries use TikTok for identity work purposes. Using an inductive approach to qualitative content analysis, we identified two prominent themes: hybridization of a multi-ethnic identity and counter-hegemonic identity. Although the findings are particular to the Hoa community, we believe they merit attention from scholars interested in studying intra-ethnic populations and their social media usage for identity work.
围绕种族的流行话语倾向于将人们划分为静态的民族和种族类别,而忽视了多民族人群的复杂性。为了了解少数民族社区如何抵制所描述的做法,本文探讨了英语国家的华族社区如何使用TikTok进行身份识别工作。使用归纳方法定性内容分析,我们确定了两个突出的主题:多民族身份的杂交和反霸权身份。虽然这一发现仅针对霍阿族,但我们认为它们值得那些对研究族群内部人口及其在身份识别工作中使用社交媒体感兴趣的学者关注。
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引用次数: 0
Social Media and Society: Platforms, Publics, and Anti-Publics 社交媒体与社会:平台、公众与反公众
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-08-20 DOI: 10.1177/20563051251368234
Zoetanya Sujon, Harry T. Dyer, Felipe Bonow Soares
The Special Issue on Platforms, publics, and anti-publics focused on the complex intersection of platforms, including issues around their ownership, datafication, business models, and algorithms; and the emergence of publics and anti-publics online, which has been increasingly impacted by platforms infrastructures and designs. This Special Issue underscores the need to understand how online publics are influenced by sociotechnical affordances and shaped by the political and ideological influence of platforms’ governances. The articles featured in this issue explore the role of digital platforms in relation to sociability and public discourse; and dive into the discussion of publics, marked by the emergence of online communities and sociability online, and anti-publics on social media, poisoned by political propaganda and online abuse. The articles included in the issue are extended versions of the research presented at the 2024 International Conference on Social Media and Society (#SMSociety).
《平台、公众和反公众专题》关注平台的复杂交集,包括其所有权、数据化、商业模式和算法等问题;网络上公众和反公众的出现,越来越多地受到平台基础设施和设计的影响。本期特刊强调有必要了解网络公众如何受到社会技术支持的影响,以及如何受到平台治理的政治和意识形态影响的影响。本期专题文章探讨了数字平台在社交性和公共话语方面的作用;深入到公众的讨论中,以网络社区和社交网络的出现为标志,以及社交媒体上的反公众,被政治宣传和网络滥用所毒害。这期杂志中的文章是在2024年社交媒体与社会国际会议(#SMSociety)上发表的研究的扩展版本。
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引用次数: 0
One Platform, Four Languages: Comparing English, Spanish, Hindi, and Russian YouTube 一个平台,四种语言:比较英语,西班牙语,印地语和俄语YouTube
IF 5.2 1区 文学 Q1 COMMUNICATION Pub Date : 2025-08-14 DOI: 10.1177/20563051251363216
Ryan McGrady, Kevin Zheng, Ethan Zuckerman
This study presents a comparative analysis of language-specific random samples of YouTube videos, focusing on English, Spanish, Hindi, and Russian. We produce a large random sample, retrieve metadata, calibrate and deploy language-detection software, and extract four high-confidence language samples. Through an analysis of upload dates, popularity, duration, and category metadata, we highlight patterns and anomalies among our samples. For example, English YouTube has the smallest proportion of videos categorized as “News & Politics,” and Spanish videos have a longer median duration. The most salient contrast, however, is between Hindi YouTube and the other three languages. Hindi videos are much shorter and much newer, with sharp growth since 2020 and more than half of the sample uploaded in 2023 alone. The Hindi sample also exhibits a different pattern of liking, with the lowest percentage of videos with just zero or one like even while it has the highest percentage of videos with just zero or one view. These findings may help to quantify the migration of India’s short-form video culture, based around TikTok, to YouTube when TikTok was banned in the country in 2020. This study underscores the necessity of multilingual and culturally specific approaches to platform research by drawing attention to the heterogeneity of YouTube. We propose this method as a starting point to understand linguistic communities on YouTube, surfacing trends and exceptions while providing cues for more content-focused study.
本研究对YouTube视频的特定语言随机样本进行了比较分析,重点是英语、西班牙语、印地语和俄语。我们产生了一个大的随机样本,检索元数据,校准和部署语言检测软件,并提取了四个高置信度的语言样本。通过对上传日期、流行程度、持续时间和类别元数据的分析,我们突出了样本中的模式和异常。例如,YouTube上的英语视频中,被归类为“新闻和政治”的视频比例最小,而西班牙语视频的平均时长更长。然而,最显著的对比是印地语YouTube和其他三种语言之间的对比。印地语视频短得多,更新得多,自2020年以来急剧增长,仅2023年就有一半以上的样本上传。印地语样本也显示出不同的点赞模式,只有0个或1个点赞的视频比例最低,而只有0个或1个点赞的视频比例最高。这些发现可能有助于量化2020年TikTok在印度被禁后,以TikTok为基础的印度短视频文化向YouTube的迁移。本研究通过关注YouTube的异质性,强调了在平台研究中采用多语言和文化特定方法的必要性。我们提出这种方法作为理解YouTube上的语言社区的起点,揭示趋势和例外,同时为更多以内容为中心的研究提供线索。
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引用次数: 0
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