Pub Date : 2024-10-08DOI: 10.1177/20563051241286700
Alysia De Melo
BookTok, a TikTok community where creators discuss and review books, influences the publishing industry as books that gain popularity on TikTok have seen mainstream success. BookTok is believed to be a diverse space where stories about marginalized identities are celebrated. This is in opposition to the traditional publishing world that is dominated by White, heterosexual, cis-gendered men. However, despite misconceptions, online spaces are notably homogeneous, and TikTok does not appear to diverge from these patterns. By analyzing 55 TikTok videos collected from the BookTok community, this study analyzes the race, gender, and sexual orientation of TikTok creators, authors, and main characters of BookTok books. This article aims to understand the effects social media applications such as TikTok have on the publishing world and to understand BookTok’s relation to diversity. While there is more gender equity among the authors of BookTok than in the traditional publishing world, there continues to be a deficiency in the prevalence of marginalized authors on the platform. Although women creators and women authors are popular on the app, most of these women are White. In addition, the authors who are most discussed on BookTok do not typically include persons of color or members of the LGBTQ+ community. The tendency for authors to write about their own experiences results in there being few characters of color and few books about members of the LGBTQ+ community. Publishing houses should prioritize increased collaboration with authors of color and LGBTQ+ authors, while also using BookTok to promote and advertise their work.
{"title":"The Influence of BookTok on Literary Criticisms and Diversity","authors":"Alysia De Melo","doi":"10.1177/20563051241286700","DOIUrl":"https://doi.org/10.1177/20563051241286700","url":null,"abstract":"BookTok, a TikTok community where creators discuss and review books, influences the publishing industry as books that gain popularity on TikTok have seen mainstream success. BookTok is believed to be a diverse space where stories about marginalized identities are celebrated. This is in opposition to the traditional publishing world that is dominated by White, heterosexual, cis-gendered men. However, despite misconceptions, online spaces are notably homogeneous, and TikTok does not appear to diverge from these patterns. By analyzing 55 TikTok videos collected from the BookTok community, this study analyzes the race, gender, and sexual orientation of TikTok creators, authors, and main characters of BookTok books. This article aims to understand the effects social media applications such as TikTok have on the publishing world and to understand BookTok’s relation to diversity. While there is more gender equity among the authors of BookTok than in the traditional publishing world, there continues to be a deficiency in the prevalence of marginalized authors on the platform. Although women creators and women authors are popular on the app, most of these women are White. In addition, the authors who are most discussed on BookTok do not typically include persons of color or members of the LGBTQ+ community. The tendency for authors to write about their own experiences results in there being few characters of color and few books about members of the LGBTQ+ community. Publishing houses should prioritize increased collaboration with authors of color and LGBTQ+ authors, while also using BookTok to promote and advertise their work.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"7 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142384665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-10-08DOI: 10.1177/20563051241287284
Paula Saukko, Helen Malson, Anna Brown
Recent media studies conversations on disconnection or reducing mainly the quantity of engagement with social media so as to enhance well-being have suggested that these practices articulate a contemporary spirit focused on self-care and performance (productivity) that does not consider others or collective solutions. Drawing on and pushing forward disconnection research, we put forward a Foucauldian inspired concept of ethos that draws attention to qualitatively different principles and values characterizing social media socialities which users seek to foster and avoid. Interviews with people ( n = 31) with eating disorders (EDs) featured what we call digital cocooning; that is, interaction with trusted real-life friends and family afforded by messaging apps characterized by mutual responsiveness, acceptance, and belonging. However, what we term entrepreneurial networking with wider acquaintances mostly on traditional social media was experienced as evaluative and competitive and fuelled a sense of non-belonging, prompting unfriending. Disconnection research has highlighted how social media (dis)connections are often underpinned by contemporary possessive individualism, obscured by the dominant research on ostensibly universal psychological processes. The concept of ethos pushes this research beyond criticism toward also highlighting alternatives or how social relations in social media and society could be imagined otherwise.
{"title":"The Ethoses of (Dis)Connecting with Friends on Social Media: Digital Cocooning and Entrepreneurial Networking among People with Eating Disorders","authors":"Paula Saukko, Helen Malson, Anna Brown","doi":"10.1177/20563051241287284","DOIUrl":"https://doi.org/10.1177/20563051241287284","url":null,"abstract":"Recent media studies conversations on disconnection or reducing mainly the quantity of engagement with social media so as to enhance well-being have suggested that these practices articulate a contemporary spirit focused on self-care and performance (productivity) that does not consider others or collective solutions. Drawing on and pushing forward disconnection research, we put forward a Foucauldian inspired concept of ethos that draws attention to qualitatively different principles and values characterizing social media socialities which users seek to foster and avoid. Interviews with people ( n = 31) with eating disorders (EDs) featured what we call digital cocooning; that is, interaction with trusted real-life friends and family afforded by messaging apps characterized by mutual responsiveness, acceptance, and belonging. However, what we term entrepreneurial networking with wider acquaintances mostly on traditional social media was experienced as evaluative and competitive and fuelled a sense of non-belonging, prompting unfriending. Disconnection research has highlighted how social media (dis)connections are often underpinned by contemporary possessive individualism, obscured by the dominant research on ostensibly universal psychological processes. The concept of ethos pushes this research beyond criticism toward also highlighting alternatives or how social relations in social media and society could be imagined otherwise.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"55 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142386292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-09-30DOI: 10.1177/20563051241285777
Pranav Malhotra
This study focuses on the affordances of bounded social media places (BSMPs), low visibility places within social media platforms like private messaging and private groups. While researchers have focused on BSMPs within specific platforms, this study presents a systematic examination of BSMPs across multiple platforms to facilitate theoretical durability. Interviews with users of BSMPs across diverse platforms ( N = 35) reveal that BSMPs discourage the affordance of visibility as they are considered private due to visibility management mechanisms and trust in known audiences. They encourage personalization as users believe they receive relevant content from and can send relevant content to specific audiences, in the absence of algorithms. BSMPs also encourage synchronicity by facilitating continuous conversations. The strength of encouragement or discouragement of these affordances varies across different BSMPs and is informed by users’ social positions. This study therefore contributes a framework and shared terminology for future research on BSMPs across social media.
{"title":"“What You Post in the Group Stays in the Group”: Examining the Affordances of Bounded Social Media Places","authors":"Pranav Malhotra","doi":"10.1177/20563051241285777","DOIUrl":"https://doi.org/10.1177/20563051241285777","url":null,"abstract":"This study focuses on the affordances of bounded social media places (BSMPs), low visibility places within social media platforms like private messaging and private groups. While researchers have focused on BSMPs within specific platforms, this study presents a systematic examination of BSMPs across multiple platforms to facilitate theoretical durability. Interviews with users of BSMPs across diverse platforms ( N = 35) reveal that BSMPs discourage the affordance of visibility as they are considered private due to visibility management mechanisms and trust in known audiences. They encourage personalization as users believe they receive relevant content from and can send relevant content to specific audiences, in the absence of algorithms. BSMPs also encourage synchronicity by facilitating continuous conversations. The strength of encouragement or discouragement of these affordances varies across different BSMPs and is informed by users’ social positions. This study therefore contributes a framework and shared terminology for future research on BSMPs across social media.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"44 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142360515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
After the Dobbs decision ended federal abortion protection in the United States, experts raised concerns about digital data collected from people seeking abortions. U.S. technology corporations—Google, Apple, Microsoft, Meta, and Amazon—were conspicuously silent. Instead, GAMMA (Google, Apple, Microsoft, Meta, and Amazon) released statements and/or policies surrounding commitments to data privacy seemingly incongruous with surveillance-based business models. We examine GAMMA’s policies, statements, and associated news coverage post-Roe through commodity activism and politics of care. We reveal recurring discourses that cast technical privacy features as sufficiently protective alongside scrupulous data practices by users and that constrain the purview of company responsibility to full-time employees. A focus on responsible data management sidesteps critiques of data collection, framing GAMMA’s policy changes as corporate care but furthering commodification of individual privacy, reproducing the neoliberal subject, and upholding surveillance capitalism.
{"title":"My Data, My Choice? Privacy, Commodity Activism, and Big Tech’s Corporatization of Care in the Post-Roe Era","authors":"Zelly Martin, Dominique Montiel Valle, Samantha Shorey","doi":"10.1177/20563051241279552","DOIUrl":"https://doi.org/10.1177/20563051241279552","url":null,"abstract":"After the Dobbs decision ended federal abortion protection in the United States, experts raised concerns about digital data collected from people seeking abortions. U.S. technology corporations—Google, Apple, Microsoft, Meta, and Amazon—were conspicuously silent. Instead, GAMMA (Google, Apple, Microsoft, Meta, and Amazon) released statements and/or policies surrounding commitments to data privacy seemingly incongruous with surveillance-based business models. We examine GAMMA’s policies, statements, and associated news coverage post-Roe through commodity activism and politics of care. We reveal recurring discourses that cast technical privacy features as sufficiently protective alongside scrupulous data practices by users and that constrain the purview of company responsibility to full-time employees. A focus on responsible data management sidesteps critiques of data collection, framing GAMMA’s policy changes as corporate care but furthering commodification of individual privacy, reproducing the neoliberal subject, and upholding surveillance capitalism.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"39 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142360517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-09-30DOI: 10.1177/20563051241285774
Fernando Ruiz-Dodobara, Karla A. Uribe-Bravo, Luis Miguel Escurra Mayaute
This research aims to analyze the chain-mediated effect of the different types of psychological distances (social, temporal, spatial, and probability) and the variables of the Social Identity Model of Collective Action (SIMCA) on the relationship between the use of social media and violent environmental collective action. The study sample consisted of 650 university students ( M = 20.8, SD = 2.74) aged 18–35 years from Lima. Analyses were conducted by means of structural equation modeling (SEM) using the AMOS SPSS software, where a statistical model was performed for each type of psychological distance. The findings revealed two statistically significant paths that go from social media to violent environmental collective action, mediated, first, by each of the psychological distances and, second, by social identity and negative emotions (anger and fear). In addition, it was observed that only probability distance on its own acted as a mediator in the relationship between social media and violent environmental collective action. It was also observed that a path from social media to violent environmental collective action was mediated, first, by three types of distances (probability, spatial, and temporal) and, second, by participative efficacy.
{"title":"Social Media, Psychological Distance, and Environmental Collective Action in Peru","authors":"Fernando Ruiz-Dodobara, Karla A. Uribe-Bravo, Luis Miguel Escurra Mayaute","doi":"10.1177/20563051241285774","DOIUrl":"https://doi.org/10.1177/20563051241285774","url":null,"abstract":"This research aims to analyze the chain-mediated effect of the different types of psychological distances (social, temporal, spatial, and probability) and the variables of the Social Identity Model of Collective Action (SIMCA) on the relationship between the use of social media and violent environmental collective action. The study sample consisted of 650 university students ( M = 20.8, SD = 2.74) aged 18–35 years from Lima. Analyses were conducted by means of structural equation modeling (SEM) using the AMOS SPSS software, where a statistical model was performed for each type of psychological distance. The findings revealed two statistically significant paths that go from social media to violent environmental collective action, mediated, first, by each of the psychological distances and, second, by social identity and negative emotions (anger and fear). In addition, it was observed that only probability distance on its own acted as a mediator in the relationship between social media and violent environmental collective action. It was also observed that a path from social media to violent environmental collective action was mediated, first, by three types of distances (probability, spatial, and temporal) and, second, by participative efficacy.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"1 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142360220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-09-28DOI: 10.1177/20563051241279253
Sophie Minihold, Sophie Lecheler, Claes de Vreese, Sanne Kruikemeier
Data-driven political campaigning strategies often remain a black box for citizens; however, educational interventions provide a means to enhance understanding, conscious evaluations, and skills. In this context, we term this combination digital campaign competence (DCC). We conducted an online pre-registered experiment in Austria ( N = 553) using a 2 × 2 between-subject design to compare intervention formats (reading a voter guide vs. playing a campaign game) and content framing (emphasizing risks vs. benefits of data-driven campaigning) plus a control condition. Results show no significant differences in framing on DCC. However, variations are observed among different formats, with the non-interactive voter guide proving to be the most effective one. Contrary to our expectations, the voter guide emphasizing the risks of data-driven political campaigning enhanced conceptual understanding levels, influenced evaluative perceptions, and aided skill development to detect highly targeted ads. We argue that innovative interventions do not always guarantee success in enhancing competencies.
{"title":"Game Over? Using (Not So) Innovative Interventions to Increase Digital Campaign Competence","authors":"Sophie Minihold, Sophie Lecheler, Claes de Vreese, Sanne Kruikemeier","doi":"10.1177/20563051241279253","DOIUrl":"https://doi.org/10.1177/20563051241279253","url":null,"abstract":"Data-driven political campaigning strategies often remain a black box for citizens; however, educational interventions provide a means to enhance understanding, conscious evaluations, and skills. In this context, we term this combination digital campaign competence (DCC). We conducted an online pre-registered experiment in Austria ( N = 553) using a 2 × 2 between-subject design to compare intervention formats (reading a voter guide vs. playing a campaign game) and content framing (emphasizing risks vs. benefits of data-driven campaigning) plus a control condition. Results show no significant differences in framing on DCC. However, variations are observed among different formats, with the non-interactive voter guide proving to be the most effective one. Contrary to our expectations, the voter guide emphasizing the risks of data-driven political campaigning enhanced conceptual understanding levels, influenced evaluative perceptions, and aided skill development to detect highly targeted ads. We argue that innovative interventions do not always guarantee success in enhancing competencies.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"22 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142329249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
With the rapid growth of TikTok in the last few years, we have seen the emergence of global influencers from diverse backgrounds, whose popularity is enhanced by TikTok’s specific content-based algorithm. In North America, the meta-hashtag #NativeTikTok has become a sharing space for a diverse Indigenous online community. Among these, several young Inuit women have acquired a large fanbase, allowing them to display their culture to a vast public, as well as to bring awareness to issues relating to the Arctic. In this article, we analyze how TikTok became a scale-shifting media for contemporary self-affirmation and displaying of Inuit culture. Drawing data from a case study of six Inuit influencers and an online thematic analysis of their content, we discuss definitions of Inuit authenticity on digital screenscapes, before presenting an analysis of content shared by young Inuit influencers to better understand specific forms of storytelling on TikTok and tensions pertaining to authentic cultural self-presentation. We argue that the TikTok platform provides an efficient tool for young Inuit women to engage with, learn about, and display their culture in their own terms, self-presenting as diverse and modern, in contrast with colonial Inuit imageries.
{"title":"Out With the Hero: How TikTok Everyday Stories Are Re-writing the Arctic","authors":"Arielle Frenette, Mélanie Millette, Caroline Desbiens","doi":"10.1177/20563051241283426","DOIUrl":"https://doi.org/10.1177/20563051241283426","url":null,"abstract":"With the rapid growth of TikTok in the last few years, we have seen the emergence of global influencers from diverse backgrounds, whose popularity is enhanced by TikTok’s specific content-based algorithm. In North America, the meta-hashtag #NativeTikTok has become a sharing space for a diverse Indigenous online community. Among these, several young Inuit women have acquired a large fanbase, allowing them to display their culture to a vast public, as well as to bring awareness to issues relating to the Arctic. In this article, we analyze how TikTok became a scale-shifting media for contemporary self-affirmation and displaying of Inuit culture. Drawing data from a case study of six Inuit influencers and an online thematic analysis of their content, we discuss definitions of Inuit authenticity on digital screenscapes, before presenting an analysis of content shared by young Inuit influencers to better understand specific forms of storytelling on TikTok and tensions pertaining to authentic cultural self-presentation. We argue that the TikTok platform provides an efficient tool for young Inuit women to engage with, learn about, and display their culture in their own terms, self-presenting as diverse and modern, in contrast with colonial Inuit imageries.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"17 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142325477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-09-25DOI: 10.1177/20563051241279258
Afsane Danesh, Seyyed Hossein Athari
One of the most obvious characteristics of Iran’s protests in September 2022 is the emergence of a type of cyber activism that, unlike mass activism, is formed first in cyberspace. Networks have redefined social action and structure in our societies and have important consequences on production processes, power, and culture, challenging political systems, and creating legitimacy crises. The subject of the present research is important because cyber activism has an external aspect and has changed the shape of Iran’s social movements. This article is based on the Twitter data analysis method and using MAXQDA. Referring to Castells’ network society theory, it addresses this question: What role did the Twitter play in September 2022 in Mahsa Amini’s social movement? This article shows that the Twitter, in the context of existing dissatisfactions and in the absence of active organizations and parties, has led to an increase in cyberactivism in Iran. This cyberactivism encompasses mass self-communication, occupation of urban space, horizontal leadership, globalization of messages, mobilization and guidance of public opinion, nationalism, the subjectivity of women, and their identification has been its external manifestation.
{"title":"Cyber Activism in Iran: A Case Study","authors":"Afsane Danesh, Seyyed Hossein Athari","doi":"10.1177/20563051241279258","DOIUrl":"https://doi.org/10.1177/20563051241279258","url":null,"abstract":"One of the most obvious characteristics of Iran’s protests in September 2022 is the emergence of a type of cyber activism that, unlike mass activism, is formed first in cyberspace. Networks have redefined social action and structure in our societies and have important consequences on production processes, power, and culture, challenging political systems, and creating legitimacy crises. The subject of the present research is important because cyber activism has an external aspect and has changed the shape of Iran’s social movements. This article is based on the Twitter data analysis method and using MAXQDA. Referring to Castells’ network society theory, it addresses this question: What role did the Twitter play in September 2022 in Mahsa Amini’s social movement? This article shows that the Twitter, in the context of existing dissatisfactions and in the absence of active organizations and parties, has led to an increase in cyberactivism in Iran. This cyberactivism encompasses mass self-communication, occupation of urban space, horizontal leadership, globalization of messages, mobilization and guidance of public opinion, nationalism, the subjectivity of women, and their identification has been its external manifestation.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"103 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-09-23DOI: 10.1177/20563051241277607
Alexandria C. Onuoha, Sara Matsuzaka, Alexis G. Stanton, Vanessa V. Volpe, Lanice R. Avery
Despite young Black women’s high rates of social media use and risks for victimization at the nexus of sexism and racism, the relationship between these variables remains under researched in this segment. We surveyed 354 Black American women aged 18–30 to explore the associations between two aspects of social media use—time spent daily on social media platforms (i.e., Facebook, Instagram, Snapchat, TikTok, Tumblr, Twitter, and YouTube) and type of social media engagement (i.e., active social use, active non-social use, and passive use)—with four different types of online victimization (i.e., general online victimization [GOV], online sexual victimization [OSV], online individual racial victimization [OIRV], and online vicarious racial victimization [OVRV]). Results indicate that more time spent daily on Tumblr was significantly associated with more experiences of GOV, OSV, and OIRV. More time spent daily on Instagram was significantly associated with more experiences of OVRV, while more time spent daily on Facebook was significantly associated with fewer experiences of OVRV. Active non-social use was significantly associated with more experiences of GOV and OIRV. Snapchat, TikTok, Twitter, and YouTube use, active social use, and passive use were not significantly associated with any categories of online victimization. We provide implications for researchers as well as mental and behavioral health practitioners seeking to enhance Black women’s safety and well-being on social media platforms.
{"title":"Young Black American Women’s Social Media Use and Online Victimization","authors":"Alexandria C. Onuoha, Sara Matsuzaka, Alexis G. Stanton, Vanessa V. Volpe, Lanice R. Avery","doi":"10.1177/20563051241277607","DOIUrl":"https://doi.org/10.1177/20563051241277607","url":null,"abstract":"Despite young Black women’s high rates of social media use and risks for victimization at the nexus of sexism and racism, the relationship between these variables remains under researched in this segment. We surveyed 354 Black American women aged 18–30 to explore the associations between two aspects of social media use—time spent daily on social media platforms (i.e., Facebook, Instagram, Snapchat, TikTok, Tumblr, Twitter, and YouTube) and type of social media engagement (i.e., active social use, active non-social use, and passive use)—with four different types of online victimization (i.e., general online victimization [GOV], online sexual victimization [OSV], online individual racial victimization [OIRV], and online vicarious racial victimization [OVRV]). Results indicate that more time spent daily on Tumblr was significantly associated with more experiences of GOV, OSV, and OIRV. More time spent daily on Instagram was significantly associated with more experiences of OVRV, while more time spent daily on Facebook was significantly associated with fewer experiences of OVRV. Active non-social use was significantly associated with more experiences of GOV and OIRV. Snapchat, TikTok, Twitter, and YouTube use, active social use, and passive use were not significantly associated with any categories of online victimization. We provide implications for researchers as well as mental and behavioral health practitioners seeking to enhance Black women’s safety and well-being on social media platforms.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"21 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142313810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-09-23DOI: 10.1177/20563051241274658
Loïc Riom
While the literature on music digital platforms has focused mainly on the consequences of production and consumption, few works have looked at platformization from the perspective of companies active in the music business. Drawing on an ethnographic inquiry of Sofar Sounds—a London-based company that organizes intimate and secret concerts in unconventional spaces—I introduce platform work to explore the kinds of practices in which platforms engage. I identify three operations in Sofar Sounds’ platform work: the incorporation of Sofar Sounds concerts into digital devices; its financing by venture capital (VCs) funds; and the activation and generification of its global community. In conclusion, I argue that being a platform involves organizational practices and that studying these practices shifts our attention beyond a few limited successful companies. I propose that light-tech capitalism accounts for this mundane and unsophisticated aspect of platform work.
{"title":"Being a “Global Music Platform”: Platform Work in Light-Tech Capitalism","authors":"Loïc Riom","doi":"10.1177/20563051241274658","DOIUrl":"https://doi.org/10.1177/20563051241274658","url":null,"abstract":"While the literature on music digital platforms has focused mainly on the consequences of production and consumption, few works have looked at platformization from the perspective of companies active in the music business. Drawing on an ethnographic inquiry of Sofar Sounds—a London-based company that organizes intimate and secret concerts in unconventional spaces—I introduce platform work to explore the kinds of practices in which platforms engage. I identify three operations in Sofar Sounds’ platform work: the incorporation of Sofar Sounds concerts into digital devices; its financing by venture capital (VCs) funds; and the activation and generification of its global community. In conclusion, I argue that being a platform involves organizational practices and that studying these practices shifts our attention beyond a few limited successful companies. I propose that light-tech capitalism accounts for this mundane and unsophisticated aspect of platform work.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"1 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142313809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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