Pub Date : 2024-03-06DOI: 10.1177/03057356231220943
Johanna N Dasovich-Wilson, Marc Thompson, Suvi Saarikallio
Music videos are a popular method of consuming music; however, the characteristics of these experiences and their effects on music perception are poorly understood. An online survey ( N = 155) was designed using theoretical insight from Dasovich-Wilson et al.’s (2022) Intention Attention Reaction and Retention (IARR) framework. The survey consisted of two parts: the first explored the key characteristics of music video experiences, and the second explored their effects on subsequent listening outcomes. Separate principal component analyses (PCAs) were performed on each part to differentiate between the experience itself (Experience components) and the effects on subsequent listens (Retention outcomes). Relationships between Experience components and Retention outcomes were explored using correlation and regression analyses. The results suggest that music video experiences characterized by performance gestures and narratives have the strongest influence on music perception. These findings shed light on how extramusical information from music videos influences mechanisms related to visual imagery and personal associations.
{"title":"The characteristics of music video experiences and their relationship to future listening outcomes","authors":"Johanna N Dasovich-Wilson, Marc Thompson, Suvi Saarikallio","doi":"10.1177/03057356231220943","DOIUrl":"https://doi.org/10.1177/03057356231220943","url":null,"abstract":"Music videos are a popular method of consuming music; however, the characteristics of these experiences and their effects on music perception are poorly understood. An online survey ( N = 155) was designed using theoretical insight from Dasovich-Wilson et al.’s (2022) Intention Attention Reaction and Retention (IARR) framework. The survey consisted of two parts: the first explored the key characteristics of music video experiences, and the second explored their effects on subsequent listening outcomes. Separate principal component analyses (PCAs) were performed on each part to differentiate between the experience itself (Experience components) and the effects on subsequent listens (Retention outcomes). Relationships between Experience components and Retention outcomes were explored using correlation and regression analyses. The results suggest that music video experiences characterized by performance gestures and narratives have the strongest influence on music perception. These findings shed light on how extramusical information from music videos influences mechanisms related to visual imagery and personal associations.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"38 1","pages":""},"PeriodicalIF":1.7,"publicationDate":"2024-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140057773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-04DOI: 10.1177/03057356241230447
Brian McGoldrick, Aaron Bradetich, Kris Chesky
The purpose of this study was to examine the relationship between perceived social support (PSS) and general mental health in collegiate music students during the COVID-19 pandemic. Furthermore, perception of access to academic resources and stability of living was analyzed as a moderator in the relationship between PSS and general mental health. Participants completed a survey that included the Mental Health Inventory-5 (MHI-5), the Multidimensional Scale of Perceived Social Support (MSPSS), and questions adapted from the “access to necessary resources” and “stability of living” section of the National Collegiate Athletics Association (NCAA) COVID Survey. In the final sample, PSS explained a statistically significant amount of the variance in general mental health. Moderation analysis was conducted using PSS as the predictor variable, mental health as the criterion variable, and access to resources and stability of living as a composite variable as the moderator. The interaction between PSS and the composite variable was statistically significant. Access to resources and stability of living proved a positive moderator between PSS and general mental health. PSS positively predicted general mental health in collegiate music students during the COVID-19 pandemic. In addition, access to resources and stability of living (composite variable) were positive moderators, with a higher perception of both creating a stronger positive relationship between PSS and general mental health.
{"title":"College music students during COVID-19: Examining the moderating effect of access to resources and stability of living on the relationship between perceived social support and mental health","authors":"Brian McGoldrick, Aaron Bradetich, Kris Chesky","doi":"10.1177/03057356241230447","DOIUrl":"https://doi.org/10.1177/03057356241230447","url":null,"abstract":"The purpose of this study was to examine the relationship between perceived social support (PSS) and general mental health in collegiate music students during the COVID-19 pandemic. Furthermore, perception of access to academic resources and stability of living was analyzed as a moderator in the relationship between PSS and general mental health. Participants completed a survey that included the Mental Health Inventory-5 (MHI-5), the Multidimensional Scale of Perceived Social Support (MSPSS), and questions adapted from the “access to necessary resources” and “stability of living” section of the National Collegiate Athletics Association (NCAA) COVID Survey. In the final sample, PSS explained a statistically significant amount of the variance in general mental health. Moderation analysis was conducted using PSS as the predictor variable, mental health as the criterion variable, and access to resources and stability of living as a composite variable as the moderator. The interaction between PSS and the composite variable was statistically significant. Access to resources and stability of living proved a positive moderator between PSS and general mental health. PSS positively predicted general mental health in collegiate music students during the COVID-19 pandemic. In addition, access to resources and stability of living (composite variable) were positive moderators, with a higher perception of both creating a stronger positive relationship between PSS and general mental health.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"223 1","pages":""},"PeriodicalIF":1.7,"publicationDate":"2024-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140032373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-27DOI: 10.1177/03057356241229439
Daniel Healy, Daniel J. Albert
The past few decades have seen formal jazz degrees become more established in university music programs in the United States. As these universities strive to provide an exemplary education experience for jazz degree majors, it is especially important to thoughtfully inquire into the personal and environmental elements that led students to pursue a jazz degree. The purpose of this multiple case study is to examine the identities of four undergraduate jazz performance majors and the factors that guided their selection of major upon matriculation. Data collection included six interviews with each participant, reflective practice journals, and university small group jazz rehearsal field notes. The theoretical framework of music performer identity as framed by Davidson was used as the basis for this study. Cross-case themes that emerged as part of this theoretical framework include (1) the importance of aural music learning; (2) environments that promoted creative music-making; (3) the crucial importance of jazz recordings; (4) music as a social or communal activity; (5) attraction toward musical experimentation and variation. Study results suggest that both universities and K–12 music programs can actively prepare and engage students who are interested in jazz.
{"title":"Undergraduate jazz majors’ music identities: A multiple case study","authors":"Daniel Healy, Daniel J. Albert","doi":"10.1177/03057356241229439","DOIUrl":"https://doi.org/10.1177/03057356241229439","url":null,"abstract":"The past few decades have seen formal jazz degrees become more established in university music programs in the United States. As these universities strive to provide an exemplary education experience for jazz degree majors, it is especially important to thoughtfully inquire into the personal and environmental elements that led students to pursue a jazz degree. The purpose of this multiple case study is to examine the identities of four undergraduate jazz performance majors and the factors that guided their selection of major upon matriculation. Data collection included six interviews with each participant, reflective practice journals, and university small group jazz rehearsal field notes. The theoretical framework of music performer identity as framed by Davidson was used as the basis for this study. Cross-case themes that emerged as part of this theoretical framework include (1) the importance of aural music learning; (2) environments that promoted creative music-making; (3) the crucial importance of jazz recordings; (4) music as a social or communal activity; (5) attraction toward musical experimentation and variation. Study results suggest that both universities and K–12 music programs can actively prepare and engage students who are interested in jazz.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"42 1","pages":""},"PeriodicalIF":1.7,"publicationDate":"2024-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139988581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-27DOI: 10.1177/03057356231225670
Katherine Zhang, Rina A Tabuchi, Kevin Zhang, Rachael Finnerty
The coronavirus disease 2019 (COVID-19) pandemic has caused heightened mental distress globally. The purpose of this systematic review is to investigate the impact of music engagement on stress and anxiety in adults during COVID-19. Thirteen articles were included, encompassing 9,893 adults and reporting on seven forms of music engagement: music listening, singing, playing an instrument, watching music videos or virtual performances, dancing to music, composing, and externally-facilitated music interventions. The majority of articles concluded a beneficial impact of music on stress and anxiety among adults during the COVID-19 pandemic. Of the seven studies that investigated stress, four (57.1%) reported that music had a positive impact on stress and, of the nine studies that investigated anxiety, six (66.7%) reported a positive impact on anxiety. A higher proportion of externally-facilitated music studies reported reductions in stress and anxiety compared to studies with participant-facilitated music interventions. Our systematic review demonstrates the potential feasibility of music to improve mental health outcomes during times of heightened psychological distress. However, given the limited quality of included articles and the high proportion of observational studies, further research is required to better elucidate the effect of music on stress and anxiety among adults during the COVID-19 pandemic.
{"title":"Music engagement for stress and anxiety in adults during the COVID-19 pandemic: A systematic review","authors":"Katherine Zhang, Rina A Tabuchi, Kevin Zhang, Rachael Finnerty","doi":"10.1177/03057356231225670","DOIUrl":"https://doi.org/10.1177/03057356231225670","url":null,"abstract":"The coronavirus disease 2019 (COVID-19) pandemic has caused heightened mental distress globally. The purpose of this systematic review is to investigate the impact of music engagement on stress and anxiety in adults during COVID-19. Thirteen articles were included, encompassing 9,893 adults and reporting on seven forms of music engagement: music listening, singing, playing an instrument, watching music videos or virtual performances, dancing to music, composing, and externally-facilitated music interventions. The majority of articles concluded a beneficial impact of music on stress and anxiety among adults during the COVID-19 pandemic. Of the seven studies that investigated stress, four (57.1%) reported that music had a positive impact on stress and, of the nine studies that investigated anxiety, six (66.7%) reported a positive impact on anxiety. A higher proportion of externally-facilitated music studies reported reductions in stress and anxiety compared to studies with participant-facilitated music interventions. Our systematic review demonstrates the potential feasibility of music to improve mental health outcomes during times of heightened psychological distress. However, given the limited quality of included articles and the high proportion of observational studies, further research is required to better elucidate the effect of music on stress and anxiety among adults during the COVID-19 pandemic.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"83 1","pages":""},"PeriodicalIF":1.7,"publicationDate":"2024-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139988559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-31DOI: 10.1177/03057356231222293
Karolina Kowalewska, Rafał Lawendowski, Karol Karasiewicz
Music preferences are molded with numerous personality variables, yet, this relation, as assumed in the study, may be mediated by functions of music expressing the psychological needs of the listener. Not many studies are devoted to the music preferences of listeners with personality disorders, whereas, none investigate this topic among people with Borderline Personality Disorder (BPD). A correlational study that was conducted among 549 individuals (274 displayed BPD symptoms). The main goal was to examine the extent to which the severity of BPD symptoms directly interacts with the following: (a) music preferences and (b) music function formation, and whether the functions of music can explain the mechanism through which BPD symptoms interact with music preference formation. Using structural equation modeling (SEM), we demonstrated that the severity of BPD-spectrum symptoms is closely related to types of music preferred. In addition, BPD symptoms severity is substantially linked to the perception of the social relatedness and self-awareness functions of music, whereas emotional function seems to be independent of the BPD symptoms aggravation. Finally, the functions of music can partly act as a mediator in shaping the mechanism of forming music preferences based on personality predispositions. Further music preference analyses among individuals with BPD is highly warranted.
{"title":"Borderline personality disorder symptoms relationship with music use: Investigating the role of music preferences and functions of music","authors":"Karolina Kowalewska, Rafał Lawendowski, Karol Karasiewicz","doi":"10.1177/03057356231222293","DOIUrl":"https://doi.org/10.1177/03057356231222293","url":null,"abstract":"Music preferences are molded with numerous personality variables, yet, this relation, as assumed in the study, may be mediated by functions of music expressing the psychological needs of the listener. Not many studies are devoted to the music preferences of listeners with personality disorders, whereas, none investigate this topic among people with Borderline Personality Disorder (BPD). A correlational study that was conducted among 549 individuals (274 displayed BPD symptoms). The main goal was to examine the extent to which the severity of BPD symptoms directly interacts with the following: (a) music preferences and (b) music function formation, and whether the functions of music can explain the mechanism through which BPD symptoms interact with music preference formation. Using structural equation modeling (SEM), we demonstrated that the severity of BPD-spectrum symptoms is closely related to types of music preferred. In addition, BPD symptoms severity is substantially linked to the perception of the social relatedness and self-awareness functions of music, whereas emotional function seems to be independent of the BPD symptoms aggravation. Finally, the functions of music can partly act as a mediator in shaping the mechanism of forming music preferences based on personality predispositions. Further music preference analyses among individuals with BPD is highly warranted.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"48 1","pages":""},"PeriodicalIF":1.7,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139938950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-31DOI: 10.1177/03057356231183873
Laura Cuervo, Emilia Campayo
This study examines the effect on students’ empathy of using group music activities based on composition and improvisation strategies. The research was carried out over a 9-month period using a pre–posttest control group quasi-experimental design. Sixty-three students took part in the study: 32 in the experimental group and 31 in the control group. The Interpersonal Reactivity Index scale was used to provide a multidimensional approach to measure empathy. The scale’s cognitive components, perspective taking and fantasy, and its emotional components, empathic concern and personal distress, were adopted in the study. The research design used was quasi-experimental, as it was not possible to randomize the sample. Results show significant differences in empathy and cooperation skills between secondary students after implementing the music composition and improvisation activities in the experimental group. These students enhanced their ability to break with routine and place themselves in an imaginary situation that they associated with their musical creations. Moreover, helping them to understand others through the translation of personal emotions and moods into musical sequences contributed to the development of consideration of others’ viewpoints and helped to reduce confrontation in the classroom. This way, musical activities in groups based on creative strategies had potential to improve students’ empathy.
{"title":"The potential of group music education for developing empathy: An empirical study","authors":"Laura Cuervo, Emilia Campayo","doi":"10.1177/03057356231183873","DOIUrl":"https://doi.org/10.1177/03057356231183873","url":null,"abstract":"This study examines the effect on students’ empathy of using group music activities based on composition and improvisation strategies. The research was carried out over a 9-month period using a pre–posttest control group quasi-experimental design. Sixty-three students took part in the study: 32 in the experimental group and 31 in the control group. The Interpersonal Reactivity Index scale was used to provide a multidimensional approach to measure empathy. The scale’s cognitive components, perspective taking and fantasy, and its emotional components, empathic concern and personal distress, were adopted in the study. The research design used was quasi-experimental, as it was not possible to randomize the sample. Results show significant differences in empathy and cooperation skills between secondary students after implementing the music composition and improvisation activities in the experimental group. These students enhanced their ability to break with routine and place themselves in an imaginary situation that they associated with their musical creations. Moreover, helping them to understand others through the translation of personal emotions and moods into musical sequences contributed to the development of consideration of others’ viewpoints and helped to reduce confrontation in the classroom. This way, musical activities in groups based on creative strategies had potential to improve students’ empathy.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"26 4 1","pages":""},"PeriodicalIF":1.7,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139939057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-29DOI: 10.1177/03057356231218516
{"title":"Corrigendum to Goldsmiths Musical Sophistication Index (Gold-MSI): Portuguese version and associations with socio-demographic factors, personality and music preferences","authors":"","doi":"10.1177/03057356231218516","DOIUrl":"https://doi.org/10.1177/03057356231218516","url":null,"abstract":"","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":" 3","pages":""},"PeriodicalIF":1.7,"publicationDate":"2023-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139142848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.1177/03057356231216876
Sarah Chardonnens
In the context of instrumental teaching, developing student autonomy is a major goal of teachers in addition to transmitting knowledge and fostering musical learning. This research, which consists of two successive studies, focused on the development of student autonomy from the teacher’s perspective. In the first study, I conducted a qualitative analysis of 21 teachers’ beliefs and intentions with regard to the development of student autonomy and their roles in this process. The results showed that teachers considered themselves somewhat at the periphery of the process in which students attain autonomy. In the second study, I analyzed in depth the joint action of three teachers with their students during two successive lessons. My analysis of the film recordings revealed that teachers performed many pedagogical actions to develop student autonomy, albeit unconsciously and without verbalization. The results of this second study suggest that there are four possible teaching stances that make it possible to develop autonomy. Based on a synthesis of the two studies, I propose a model that helps teachers to develop student autonomy through the understanding and clarification of the four key phases of the self-regulation process.
{"title":"Music teachers’ stance in action to develop student autonomy","authors":"Sarah Chardonnens","doi":"10.1177/03057356231216876","DOIUrl":"https://doi.org/10.1177/03057356231216876","url":null,"abstract":"In the context of instrumental teaching, developing student autonomy is a major goal of teachers in addition to transmitting knowledge and fostering musical learning. This research, which consists of two successive studies, focused on the development of student autonomy from the teacher’s perspective. In the first study, I conducted a qualitative analysis of 21 teachers’ beliefs and intentions with regard to the development of student autonomy and their roles in this process. The results showed that teachers considered themselves somewhat at the periphery of the process in which students attain autonomy. In the second study, I analyzed in depth the joint action of three teachers with their students during two successive lessons. My analysis of the film recordings revealed that teachers performed many pedagogical actions to develop student autonomy, albeit unconsciously and without verbalization. The results of this second study suggest that there are four possible teaching stances that make it possible to develop autonomy. Based on a synthesis of the two studies, I propose a model that helps teachers to develop student autonomy through the understanding and clarification of the four key phases of the self-regulation process.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"122 1","pages":""},"PeriodicalIF":1.7,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138998419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Music plays a key role in our evolution and contributes to the promotion of interpersonal relationships as well as enhancement of group cohesiveness. In this study, 29 five- to six-year-old preschool children were examined to explore the influence of passive music listening and active music engagement on their helping and sharing behaviors, compared with coloring activities. The results revealed that children’s prosocial behaviors were significantly different under the three conditions, and as compared with passive listening and coloring conditions, children’s prosocial behavior (including helping behavior and sharing behavior) in the active music engagement condition was significantly enhanced. Our research revealed that even short-duration active music engagement can improve children’s prosocial behavior, and the potential benefit of active engagement musical training for the development of preschool children should be recognized.
{"title":"Influence of musical activities on the prosocial behaviors of preschool children","authors":"Xie Ma, Si-Qi Xiong, Xinyue Zhang, Qijun Hu, Shang Li, Ya-Chen Tao","doi":"10.1177/03057356231213800","DOIUrl":"https://doi.org/10.1177/03057356231213800","url":null,"abstract":"Music plays a key role in our evolution and contributes to the promotion of interpersonal relationships as well as enhancement of group cohesiveness. In this study, 29 five- to six-year-old preschool children were examined to explore the influence of passive music listening and active music engagement on their helping and sharing behaviors, compared with coloring activities. The results revealed that children’s prosocial behaviors were significantly different under the three conditions, and as compared with passive listening and coloring conditions, children’s prosocial behavior (including helping behavior and sharing behavior) in the active music engagement condition was significantly enhanced. Our research revealed that even short-duration active music engagement can improve children’s prosocial behavior, and the potential benefit of active engagement musical training for the development of preschool children should be recognized.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"8 9","pages":""},"PeriodicalIF":1.7,"publicationDate":"2023-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138972750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The ability to regulate one’s emotions is integral to well-being and recent studies have documented the relationship between music and emotion regulation strategies. The purpose of this meta-analysis was to examine the impact of musicking on emotion regulation. To achieve this objective, a systematic database search for randomized control trial (RCT) studies was conducted. Eight studies that met the inclusion criteria were selected, involving 441 participants, and employing a diversity of musicking intervention strategies including listening, playing, and creating. The overall effect size was d = 0.45; p < .01. Moderator analyses were conducted. The discussion focuses on perspectives for music education, prevention programs, and public policies for the general population and music as a potential resource contributing to well-being.
调节情绪的能力与幸福感密不可分，最近的研究记录了音乐与情绪调节策略之间的关系。本荟萃分析旨在研究音乐对情绪调节的影响。为了实现这一目标，我们对随机对照试验（RCT）研究进行了系统的数据库搜索。研究选取了八项符合纳入标准的研究，涉及 441 名参与者，采用了多种音乐干预策略，包括聆听、演奏和创作。总体效应大小为 d = 0.45; p < .01。进行了调节分析。讨论的重点是对音乐教育、预防计划和针对普通人群的公共政策的看法，以及音乐作为促进幸福的潜在资源。
{"title":"The impact of musicking on emotion regulation: A systematic review and meta-analysis","authors":"Valerie Peters, Josiane Bissonnette, Danielle Nadeau, Audrey Gauthier-Légaré, Marie-Audrey Noël","doi":"10.1177/03057356231212362","DOIUrl":"https://doi.org/10.1177/03057356231212362","url":null,"abstract":"The ability to regulate one’s emotions is integral to well-being and recent studies have documented the relationship between music and emotion regulation strategies. The purpose of this meta-analysis was to examine the impact of musicking on emotion regulation. To achieve this objective, a systematic database search for randomized control trial (RCT) studies was conducted. Eight studies that met the inclusion criteria were selected, involving 441 participants, and employing a diversity of musicking intervention strategies including listening, playing, and creating. The overall effect size was d = 0.45; p < .01. Moderator analyses were conducted. The discussion focuses on perspectives for music education, prevention programs, and public policies for the general population and music as a potential resource contributing to well-being.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"192 1","pages":""},"PeriodicalIF":1.7,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139003475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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