Pub Date : 2022-01-01DOI: 10.1177/17540739211072803
K. Diconne, G. Kountouriotis, A. Paltoglou, Andrew Parker, T. Hostler
Emotional stimuli such as images, words, or video clips are often used in studies researching emotion. New sets are continuously being published, creating an immense number of available sets and complicating the task for researchers who are looking for suitable stimuli. This paper presents the KAPODI-database of emotional stimuli sets that are freely available or available upon request. Over 45 aspects including over 25 key set characteristics have been extracted and listed for each set. The database facilitates finding of and comparison between individual sets. It currently contains sets published between 1963 and 2020. A searchable online version (https://airtable.com/shrnVoUZrwu6riP9b) allows users to select specific set characteristics and to find matching sets accordingly, as well as to add new published sets.
{"title":"Presenting KAPODI – The Searchable Database of Emotional Stimuli Sets","authors":"K. Diconne, G. Kountouriotis, A. Paltoglou, Andrew Parker, T. Hostler","doi":"10.1177/17540739211072803","DOIUrl":"https://doi.org/10.1177/17540739211072803","url":null,"abstract":"Emotional stimuli such as images, words, or video clips are often used in studies researching emotion. New sets are continuously being published, creating an immense number of available sets and complicating the task for researchers who are looking for suitable stimuli. This paper presents the KAPODI-database of emotional stimuli sets that are freely available or available upon request. Over 45 aspects including over 25 key set characteristics have been extracted and listed for each set. The database facilitates finding of and comparison between individual sets. It currently contains sets published between 1963 and 2020. A searchable online version (https://airtable.com/shrnVoUZrwu6riP9b) allows users to select specific set characteristics and to find matching sets accordingly, as well as to add new published sets.","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"14 1","pages":"84 - 95"},"PeriodicalIF":5.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44096854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1177/17540739211071027
Jordan C. V. Taylor
This article reviews literature in composition studies since affective science's emergence in the 1980s. It focuses on composition studies’ history of adopting findings and theories from affective science, and distinguishes trends in how the field applies those elements in theoretical versus pedagogical contexts. While composition studies’ adoption of affective science in its theorizing has helped the field progress toward a “complete psychology of writing,” affective science's influence on classroom practices has not been so clear cut or direct. However, affective science is a fast-growing, liberal, and multidisciplinary field. As it progresses, composition studies continues to embrace its concepts and theories. This review notes the expectations and limitations developing through this dynamic interdisciplinary relationship.
{"title":"Adopting Affective Science in Composition Studies: A Literature Review","authors":"Jordan C. V. Taylor","doi":"10.1177/17540739211071027","DOIUrl":"https://doi.org/10.1177/17540739211071027","url":null,"abstract":"This article reviews literature in composition studies since affective science's emergence in the 1980s. It focuses on composition studies’ history of adopting findings and theories from affective science, and distinguishes trends in how the field applies those elements in theoretical versus pedagogical contexts. While composition studies’ adoption of affective science in its theorizing has helped the field progress toward a “complete psychology of writing,” affective science's influence on classroom practices has not been so clear cut or direct. However, affective science is a fast-growing, liberal, and multidisciplinary field. As it progresses, composition studies continues to embrace its concepts and theories. This review notes the expectations and limitations developing through this dynamic interdisciplinary relationship.","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"14 1","pages":"43 - 54"},"PeriodicalIF":5.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45439061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1177/17540739211068036
Juhyun Park, Xinyi Zhan, Kristin Gainey
To better define the boundaries of conceptually overlapping constructs of intrapersonal emotion knowledge (EK), we examined meta-analytic correlations among five intrapersonal EK-related constructs (affect labelling, alexithymia, emotional awareness, emotional clarity, emotion differentiation) and attention to emotion. Affect labelling, alexithymia, and emotional clarity were strongly associated, and they were moderately associated with attention to emotion. Alexithymia and emotional awareness were weakly associated, and emotion differentiation was unrelated with emotional clarity. Sample characteristics and measures moderated some of the associations. Publication bias was not found, except for the alexithymia-emotional awareness association. This study helped to clarify the extent to which similarly defined constructs overlap or are distinct, which can inform our decision to adequately label important constructs and employ corresponding measures.
{"title":"Meta-Analysis of the Associations Among Constructs of Intrapersonal Emotion Knowledge","authors":"Juhyun Park, Xinyi Zhan, Kristin Gainey","doi":"10.1177/17540739211068036","DOIUrl":"https://doi.org/10.1177/17540739211068036","url":null,"abstract":"To better define the boundaries of conceptually overlapping constructs of intrapersonal emotion knowledge (EK), we examined meta-analytic correlations among five intrapersonal EK-related constructs (affect labelling, alexithymia, emotional awareness, emotional clarity, emotion differentiation) and attention to emotion. Affect labelling, alexithymia, and emotional clarity were strongly associated, and they were moderately associated with attention to emotion. Alexithymia and emotional awareness were weakly associated, and emotion differentiation was unrelated with emotional clarity. Sample characteristics and measures moderated some of the associations. Publication bias was not found, except for the alexithymia-emotional awareness association. This study helped to clarify the extent to which similarly defined constructs overlap or are distinct, which can inform our decision to adequately label important constructs and employ corresponding measures.","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"29 1","pages":"66 - 83"},"PeriodicalIF":5.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65511789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-29DOI: 10.1177/17540739211063851
Mark Miller, J. Kiverstein, Erik Rietveld
We offer an account of mental health and well-being using the predictive processing framework (PPF). According to this framework, the difference between mental health and psychopathology can be located in the goodness of the predictive model as a regulator of action. What is crucial for avoiding the rigid patterns of thinking, feeling and acting associated with psychopathology is the regulation of action based on the valence of affective states. In PPF, valence is modelled as error dynamics—the change in prediction errors over time. Our aim in this paper is to show how error dynamics can account for both momentary happiness and longer term well-being. What will emerge is a new neurocomputational framework for making sense of human flourishing.
{"title":"The Predictive Dynamics of Happiness and Well-Being","authors":"Mark Miller, J. Kiverstein, Erik Rietveld","doi":"10.1177/17540739211063851","DOIUrl":"https://doi.org/10.1177/17540739211063851","url":null,"abstract":"We offer an account of mental health and well-being using the predictive processing framework (PPF). According to this framework, the difference between mental health and psychopathology can be located in the goodness of the predictive model as a regulator of action. What is crucial for avoiding the rigid patterns of thinking, feeling and acting associated with psychopathology is the regulation of action based on the valence of affective states. In PPF, valence is modelled as error dynamics—the change in prediction errors over time. Our aim in this paper is to show how error dynamics can account for both momentary happiness and longer term well-being. What will emerge is a new neurocomputational framework for making sense of human flourishing.","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"14 1","pages":"15 - 30"},"PeriodicalIF":5.4,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47361419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-08DOI: 10.1177/17540739211057846
Güler Cansu Ağören
Phenomenologists define social impairments as key aspects of depression and argue that depression is irreducible to the individual. In this article I aim to further elaborate this non-reductionist notion of depression by claiming that depression not only corresponds to an impaired experience of social relations, but also arises from a socially impaired world. To pursue this goal, I will challenge the understanding of depression as an affective disorder blocking the affective communication between individual and environment. I will redefine feelings of depression as situated affections, and hence suggest that (1) they are products of the individual's situatedness in a depressogenic environment and (2) they function in initiating an active withdrawal from such environment.
{"title":"Understanding Depressive Feelings as Situated Affections","authors":"Güler Cansu Ağören","doi":"10.1177/17540739211057846","DOIUrl":"https://doi.org/10.1177/17540739211057846","url":null,"abstract":"Phenomenologists define social impairments as key aspects of depression and argue that depression is irreducible to the individual. In this article I aim to further elaborate this non-reductionist notion of depression by claiming that depression not only corresponds to an impaired experience of social relations, but also arises from a socially impaired world. To pursue this goal, I will challenge the understanding of depression as an affective disorder blocking the affective communication between individual and environment. I will redefine feelings of depression as situated affections, and hence suggest that (1) they are products of the individual's situatedness in a depressogenic environment and (2) they function in initiating an active withdrawal from such environment.","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"14 1","pages":"55 - 65"},"PeriodicalIF":5.4,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42909432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-24DOI: 10.1177/17540739211058715
P. Zachar
Advocates for the psychological construction of emotion view themselves as articulating a non-essentialist alternative to basic emotion theory's essentialist notion of affect programs. Psychological constructionists have also argued that holding essentialist assumptions about emotions engenders misconceptions about the psychological constructionist viewpoint. If so, it is important to understand what psychological constructionists mean by “essentialism” and “non-essentialism.” To advance the debate, I take a deeper dive into non-essentialism, comparing the non-essentialist views of the early empiricists with those of the psychological constructionists, focusing on the theories of James Russell and Lisa Barrett. Using Lakatos’ notion of scientific research programs, I also describe how Russell's and Barrett's views have evolved into different and potentially competing research programs under the psychological constructionist banner.
{"title":"The Psychological Construction of Emotion – A Non-Essentialist Philosophy of Science","authors":"P. Zachar","doi":"10.1177/17540739211058715","DOIUrl":"https://doi.org/10.1177/17540739211058715","url":null,"abstract":"Advocates for the psychological construction of emotion view themselves as articulating a non-essentialist alternative to basic emotion theory's essentialist notion of affect programs. Psychological constructionists have also argued that holding essentialist assumptions about emotions engenders misconceptions about the psychological constructionist viewpoint. If so, it is important to understand what psychological constructionists mean by “essentialism” and “non-essentialism.” To advance the debate, I take a deeper dive into non-essentialism, comparing the non-essentialist views of the early empiricists with those of the psychological constructionists, focusing on the theories of James Russell and Lisa Barrett. Using Lakatos’ notion of scientific research programs, I also describe how Russell's and Barrett's views have evolved into different and potentially competing research programs under the psychological constructionist banner.","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"14 1","pages":"3 - 14"},"PeriodicalIF":5.4,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45090075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.1177/17540739211040178
Aglae Pizzone
This paper takes its cue from the recent interest in materiality and “things” in the field of Byzantine studies, to explore the role of objects in evoking being moved. First, it advances a new model to explain the relationship between being moved and affordances. Second, it focuses on a specific case study, that is Michael Psellos’ funeral oration for his daughter Styliane (1054), who died of smallpox at the age of 9 years old. The paper sheds light on how affective affordances of an object contribute to the evocation of being moved in literary texts, working within and affecting narrative patterns. While building on the experience of ethical and spiritual principles clearly recognizable by the audience, such affordances point toward the activation of broader core values.
{"title":"“A Hand of Ivory”: Moving Objects in Psellos’ Oration for his Daughter Styliane. A Case-Study","authors":"Aglae Pizzone","doi":"10.1177/17540739211040178","DOIUrl":"https://doi.org/10.1177/17540739211040178","url":null,"abstract":"This paper takes its cue from the recent interest in materiality and “things” in the field of Byzantine studies, to explore the role of objects in evoking being moved. First, it advances a new model to explain the relationship between being moved and affordances. Second, it focuses on a specific case study, that is Michael Psellos’ funeral oration for his daughter Styliane (1054), who died of smallpox at the age of 9 years old. The paper sheds light on how affective affordances of an object contribute to the evocation of being moved in literary texts, working within and affecting narrative patterns. While building on the experience of ethical and spiritual principles clearly recognizable by the audience, such affordances point toward the activation of broader core values.","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"13 1","pages":"289 - 298"},"PeriodicalIF":5.4,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49634338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-27DOI: 10.1177/17540739211040080
D. Konstan
Efforts to identify in the expression “being moved” a new emotion have found a hospitable environment in the recent turn to the body in emotion and cognitive studies, exemplified herein affect theory, with a particular focus on the effects of music. Although classical Greek and Latin had comparable expressions, however, they did not single out a specific emotion. Given that music played an important role in ancient educational theories, and was imagined as having arousing powerful reactions, this might seem a curious absence. The reason, at least in part, maybe the strong cognitive conception of emotions characteristic of classical theories. But this should not discourage the search for emotions that are not included in the ancient canons.
{"title":"Being Moved: Motion and Emotion in Classical Antiquity and Today","authors":"D. Konstan","doi":"10.1177/17540739211040080","DOIUrl":"https://doi.org/10.1177/17540739211040080","url":null,"abstract":"Efforts to identify in the expression “being moved” a new emotion have found a hospitable environment in the recent turn to the body in emotion and cognitive studies, exemplified herein affect theory, with a particular focus on the effects of music. Although classical Greek and Latin had comparable expressions, however, they did not single out a specific emotion. Given that music played an important role in ancient educational theories, and was imagined as having arousing powerful reactions, this might seem a curious absence. The reason, at least in part, maybe the strong cognitive conception of emotions characteristic of classical theories. But this should not discourage the search for emotions that are not included in the ancient canons.","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"13 1","pages":"282 - 288"},"PeriodicalIF":5.4,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46231550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-20DOI: 10.1177/17540739211040081
Pia Campeggiani
At first blush, “being moved” is nothing more than a generic expression we use to account for states of emotional arousal. These can be as diverse as joy and sorrow, or pity and admiration, and are often generic themselves, which is why we do not need nor care to be more specific when we talk about them. On closer inspection, however, things are not so simple. For a start, there seem to be some emotional experiences (e.g., shame, envy, jealousy, or hate, as well as, on the positive side, cheerfulness or gaiety) that speakers of English would not normally describe in terms of “being moved.” Besides, if we were to render the phrase “to be moved” in another language – Italian, for example – we would be faced with two options: stick to its generic meaning of “feeling emotional” (emozionarsi) or further qualify it by translating it as commuoversi, therefore denoting a quite specific, bittersweet way of feeling that we typically experience “when something very dear to [us] makes it appearance” (Tan, 2009, p. 74). This would also be the case if we were translating the phrase into Spanish, German, French, Swedish, Russian, or Japanese, just to give some examples. To be able to differentiate between the generic and the specific sense of the phrase, a good translator would need to consider the larger narrative in which it is embedded and, looking for cues, she would ask questions such as “What is the emoter moved about?”, “Why is she moved?,” and “How does this experience make her feel and act?” Over the past few years, scholars in philosophy and psychology have taken up the challenge of conceptualizing being moved as a distinct emotion and by specifying its intentional, phenomenological, and action-related features they have provided us with interesting insights into just the narrative cues we are looking for. As for the physiology and the phenomenology of the experience, scholars mostly agree on the ambivalence of being moved as a mixed emotion that brings about heart rate acceleration and piloerection, often gives us a sensation of warmth in the chest and a lump in the throat, and makes us smile through tears. However, the intentionality of being moved is more controversial and different theories diverge on the definition of its formal object. According to Cova and Deonna (2014), the emotion of being moved is triggered when “positive values are brought to the fore and manifest themselves in a particularly salient way” (p. 453). The positive values specific to being moved are further qualified as those “that are important enough to make human life meaningful” (Cova, Deonna, & Sander, 2017, p. 362). At a psychological level, they belong to the category of “core values” and, as such, resist comparisons and trade-offs. Interpreted in this way, core values cannot be defined extensionally and vary across individuals and cultures. More specifically, however, it is not a core value as such, but its positivity or goodness that we experience when we are moved. So
{"title":"Introduction to Special Section: On Being Moved. A Cross-Cultural Approach","authors":"Pia Campeggiani","doi":"10.1177/17540739211040081","DOIUrl":"https://doi.org/10.1177/17540739211040081","url":null,"abstract":"At first blush, “being moved” is nothing more than a generic expression we use to account for states of emotional arousal. These can be as diverse as joy and sorrow, or pity and admiration, and are often generic themselves, which is why we do not need nor care to be more specific when we talk about them. On closer inspection, however, things are not so simple. For a start, there seem to be some emotional experiences (e.g., shame, envy, jealousy, or hate, as well as, on the positive side, cheerfulness or gaiety) that speakers of English would not normally describe in terms of “being moved.” Besides, if we were to render the phrase “to be moved” in another language – Italian, for example – we would be faced with two options: stick to its generic meaning of “feeling emotional” (emozionarsi) or further qualify it by translating it as commuoversi, therefore denoting a quite specific, bittersweet way of feeling that we typically experience “when something very dear to [us] makes it appearance” (Tan, 2009, p. 74). This would also be the case if we were translating the phrase into Spanish, German, French, Swedish, Russian, or Japanese, just to give some examples. To be able to differentiate between the generic and the specific sense of the phrase, a good translator would need to consider the larger narrative in which it is embedded and, looking for cues, she would ask questions such as “What is the emoter moved about?”, “Why is she moved?,” and “How does this experience make her feel and act?” Over the past few years, scholars in philosophy and psychology have taken up the challenge of conceptualizing being moved as a distinct emotion and by specifying its intentional, phenomenological, and action-related features they have provided us with interesting insights into just the narrative cues we are looking for. As for the physiology and the phenomenology of the experience, scholars mostly agree on the ambivalence of being moved as a mixed emotion that brings about heart rate acceleration and piloerection, often gives us a sensation of warmth in the chest and a lump in the throat, and makes us smile through tears. However, the intentionality of being moved is more controversial and different theories diverge on the definition of its formal object. According to Cova and Deonna (2014), the emotion of being moved is triggered when “positive values are brought to the fore and manifest themselves in a particularly salient way” (p. 453). The positive values specific to being moved are further qualified as those “that are important enough to make human life meaningful” (Cova, Deonna, & Sander, 2017, p. 362). At a psychological level, they belong to the category of “core values” and, as such, resist comparisons and trade-offs. Interpreted in this way, core values cannot be defined extensionally and vary across individuals and cultures. More specifically, however, it is not a core value as such, but its positivity or goodness that we experience when we are moved. So","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"13 1","pages":"277 - 281"},"PeriodicalIF":5.4,"publicationDate":"2021-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48600236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-13DOI: 10.1177/17540739211040079
Marco Caracciolo
According to recent accounts, we experience the emotion of “being moved” when a situation brings into play our core values. What are the core values evoked by nonhuman landscapes, however, particularly as the distinction between man-made and natural environments becomes increasingly blurry in the so-called Anthropocene? That is the central question tackled by this article. I start by rethinking the sublime as an affect that, since Romanticism, has shaped Western attitudes toward nature. I argue that today's climate crisis calls for an expansion of our affective engagement with the nonhuman: the sublime can be part of our emotional repertoire, but only if it is complicated by feelings that point to constitutive human–nonhuman entanglement.
{"title":"Being Moved by Nature in the Anthropocene: On the Limits of the Ecological Sublime","authors":"Marco Caracciolo","doi":"10.1177/17540739211040079","DOIUrl":"https://doi.org/10.1177/17540739211040079","url":null,"abstract":"According to recent accounts, we experience the emotion of “being moved” when a situation brings into play our core values. What are the core values evoked by nonhuman landscapes, however, particularly as the distinction between man-made and natural environments becomes increasingly blurry in the so-called Anthropocene? That is the central question tackled by this article. I start by rethinking the sublime as an affect that, since Romanticism, has shaped Western attitudes toward nature. I argue that today's climate crisis calls for an expansion of our affective engagement with the nonhuman: the sublime can be part of our emotional repertoire, but only if it is complicated by feelings that point to constitutive human–nonhuman entanglement.","PeriodicalId":48064,"journal":{"name":"Emotion Review","volume":"13 1","pages":"299 - 305"},"PeriodicalIF":5.4,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49081313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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