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Essay Review 论文评论
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-03-10 DOI: 10.1080/00026980.2023.2186576
Tillmann Taape
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引用次数: 0
A Cultural History of Chemistry in the Eighteenth Century (vol. 4) 《十八世纪化学文化史》(第四卷)
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-03-10 DOI: 10.1080/00026980.2023.2186583
Georgette Taylor
as well as in Dutch genre painting, showing, for instance, how “alchemy’s impact on family life offered painters an outlet for humour as well as pathos” (p. 215). A painting by Hendrick Heerschop (ca. 1660–1680), The Alchemist’s Experiment Takes Fire, depicts an experiment gone badly wrong: a flask exploding, the alchemist in tattered clothing reacting with terror. His wife in the background, however, is engaged in more prosaic but necessary activities, wiping a child’s soiled bottom. Whilst the scatology in this painting was certainly part of a larger message about the futility of alchemy and Dutch moral topoi, as Drago indicates, it may have also been a satiric comment about the use of faeces in alchemical preparations. As Agnieszka Rec noted, there was a lot of dung in the early modern laboratory; dried horse manure was used for heating; dung was mixed with clay for luting; the philosopher Morienus even described dung as the starting material for the Philosopher’s Stone. “Faeces” could describe distillation dregs. We may well ask, as the artist intended, where the true “gold” was in this alchemist’s life and practice. Needless to say, alchemy in the visual arts is a very fertile area of research (sorry), and any facetiousness aside, Drago’s chapter excels at demonstrating the art-alchemy connections, unearthing true intellectual gold in her erudite assessment of visual culture. This latest production in the Bloomsbury series is similarly golden. It is a nicely produced hardcover book, with attractive illustrations and very fine analyses. It provides an enjoyable introduction to early modern chymistry, whilst also offering something to specialists. I highly commend the volume authors and editors, as well as the series editors for creating a reference source of lasting value to the field.
以及在荷兰风格绘画中,例如,展示了“炼金术对家庭生活的影响为画家提供了幽默和悲情的出口”(第215页)。Hendrick Heershop(约1660–1680年)的一幅画《炼金术士的实验着火了》描绘了一个严重错误的实验:一个烧瓶爆炸,穿着破烂衣服的炼金术士惊恐地做出反应。然而,他的妻子在幕后从事着更平淡但必要的活动,擦拭着孩子的脏屁股。正如德拉戈所指出的,虽然这幅画中的粪便学无疑是关于炼金术和荷兰道德拓扑徒劳的更大信息的一部分,但它也可能是对在炼金术制剂中使用粪便的讽刺评论。正如Agnieszka Rec所指出的,早期的现代实验室里有很多粪便;干燥的马粪用于加热;将粪便与粘土混合以进行洗脱;哲学家莫里恩努斯甚至将粪便描述为哲学家之石的起始材料。“粪便”可以用来形容蒸馏残渣。正如艺术家所想的那样,我们很可能会问,这位炼金术士的生活和实践中真正的“黄金”在哪里。不用说,视觉艺术中的炼金术是一个非常丰富的研究领域(对不起),抛开任何玩笑不谈,德拉戈的章节擅长于展示艺术与炼金术的联系,在她对视觉文化的博学评估中挖掘出真正的智力黄金。Bloomsbury系列的这部最新作品同样是金色的。这是一本制作精美的精装书,插图精美,分析精细。它为早期现代食糜学提供了一个愉快的介绍,同时也为专家们提供了一些东西。我高度赞扬该卷的作者和编辑,以及系列编辑为该领域创造了具有持久价值的参考来源。
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引用次数: 0
March of the Pigments: Color History, Science and Impact 颜料进行曲:色彩历史、科学与影响
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-03-03 DOI: 10.1080/00026980.2023.2175959
J. Kirby
tant practical knowledge was to rulers and statecraft as part of a princely collection or Kunstkammer. In the fourth and final part, the book moves most explicitly beyond The Body of the Artisan as it reflects Smith’s experience of collaborative research in laboratory reconstruction of instructions fromMs. Fr. 640, a Frenchmanuscript of art and craft practices that forms the core of Smith’s Making and Knowing Project at Columbia University. Here she distills the core insight that the anonymous author-practitioner of this sixteenth-century collection was primarily interested in the categorisation of materials by manipulating, hypothesising, and testing them – a working method that goes well beyond the trial and error typically identified as the artisanalmodus operandi. This may also be the part of the book that speaks most to the interests of the readers of this journal, as it reveals an epistemically productive fascination with material transformation that was the core business of alchemy in the early modern period. This part concludes with a search for alternative formulations to Kunst to describe this cognitive activity, culminating in the final sentence of the book where it is called “material imaginary,” “fundamental structuring categories,” “artisanal epistemology,” and a “mode of work,” among other things. Confronted with the same limitations of language that vexed early modern artisans, Smith is on a similar quest for creative descriptions and translations. Indeed, at its most basic level, the book tries to grasp and make explicit in words what practical knowledge is; and herein lies the most significant difference with Smith’s previous monograph. As the subtitle of The Body of the Artisan: Art and Experience in the Scientific Revolution suggests, it situated artisanal epistemology in relation to science. Traces of this approach remain, but From Lived Experience to the Written Word primarily defines practical knowledge on its own terms. Characteristically, the book ends with an epilogue on “Global Routes of Practical Knowledge” in which Smith starts to undo the Eurocentric assumptions of the concept of the Scientific Revolution. There are books which close the discussion by offering the final word, and others which open fields by drastically altering the terms of discussion. From Lived Experience to the Written Word is a perfectly crafted book belonging to the latter category.
对于统治者和治国方略来说,重要的实用知识是王子收藏或Kunstkammer的一部分。在第四部分也是最后一部分,这本书最明确地超越了《艺术家的身体》,因为它反映了史密斯在实验室重建Ms指令方面的合作研究经验。Fr.640,一个关于艺术和工艺实践的法国手稿,构成了哥伦比亚大学史密斯制作和了解项目的核心。在这里,她提炼出了一个核心见解,即这本16世纪作品集的匿名作者从业者主要对材料的分类感兴趣,通过操纵、假设和测试这些材料——这种工作方法远远超出了通常被认为是手工操作的试错。这也可能是本书中最符合本杂志读者兴趣的部分,因为它揭示了对物质变革的认识上的富有成效的迷恋,而物质变革是现代早期炼金术的核心业务。这一部分的结尾是寻找昆斯特的替代表述来描述这种认知活动,最终在书的最后一句中被称为“物质想象”、“基本结构类别”、“手工认识论”和“工作模式”等。面对困扰早期现代工匠的语言限制,史密斯也在寻求创造性的描述和翻译。事实上,在最基本的层面上,这本书试图抓住并用语言明确什么是实践知识;这与史密斯以前的专著有着最显著的区别。正如《艺术家的身体:科学革命中的艺术与经验》的副标题所表明的那样,它将艺术认识论与科学联系起来。这种方法的痕迹仍然存在,但《从生活经验到书面文字》主要根据自己的条件定义实践知识。具有特色的是,这本书以“全球实践知识之路”的结语结尾,史密斯在结语中开始推翻科学革命概念的以欧洲为中心的假设。有些书通过提供最后的话语来结束讨论,还有一些书通过大幅改变讨论条件来打开领域。《从生活经验到文字》是一本精心制作的书,属于后一类。
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引用次数: 1
Living Then and Now with Gold and Mercury. 生活在过去和现在与黄金和水星。
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-02-01 DOI: 10.1080/00026980.2023.2192590
Donna Bilak
250 Water Street in New York City marks the location of a former 48,000-squarefoot parking lot in Lower Manhattan currently under construction by the Howard Hughes Corporation, a Texas real estate development agency. Since its purchase in 2018, however, the Howard Hughes Corporation’s massive redevelopment scheme for this lot has experienced continuous setbacks. One problem stems from the construction zone itself. It encompasses the site of the thermometer factory that Giuseppe Tagliabue (1812–1878), an Italian-born, London-trained scientific instrument maker established in 1834. Tagliabue’s first place of business was 240 Water Street. By 1848, he had relocated to nearby 298 Pearl Street where he continued to manufacture thermometers, barometers, and hydrometers on a large scale, and in 1868 Tagliabue purchased and “fitted up” a five-story building at 302 Pearl Street. These addresses lie within a quarter mile of each other. Not only is the ground beneath the Howard Hughes Corporation’s construction site contaminated with mercury, but mercury pollutes the ground beneath and the air above the surrounding neighbourhood as well.
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引用次数: 1
Society for the History of Alchemy and Chemistry Award Scheme 2023. 炼金术与化学史学会2023年奖励计划。
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-02-01 DOI: 10.1080/00026980.2023.2180223
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引用次数: 0
Amalgamated Histories: Tracing Quicksilver's Legacy Through Environmental and Political Bodies in Andean and Amazonian Gold Mining. 合并的历史:通过安第斯和亚马逊金矿的环境和政治机构追踪水银的遗产。
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-02-01 DOI: 10.1080/00026980.2023.2189387
Sebastián Rubiano-Galvis, Jimena Diaz Leiva, Ruth Goldstein

This article argues that the centuries-long history of mercury-gold amalgamation is crucial to contemporary debates surrounding global mercury pollution from artisanal and small-scale gold mining. Drawing on historical findings that examine Spanish colonial and Indigenous metallurgical knowledge as well as ethnographic and scientific research, we resituate the history of mercury amalgamation in Latin America, focusing on the Colombian Andes and the Peruvian Amazon - two regions where mercury pollution from artisanal and small-scale gold mining provokes international concern. We identify the policy pitfalls caused by overlooking the untold histories of the amalgamation process along with the European contribution to global mercury emissions rooted in these histories. By critically examining the curation of presentist narratives in UNESCO's memorialisation of Almadén's mercury mines as a World Heritage Site, narratives that also underpin initiatives by the United Nations to bring about a "mercury-free world," we demonstrate how such ahistorical framings contribute to the criminalisation of artisanal and small-scale gold miners, not only in Perú and Colombia but also worldwide. Our findings present an important first step in highlighting the histories of mercury and gold in the hands of artisanal and small-scale gold miners in Latin America.

本文认为,汞金合并的数百年历史对当代围绕手工和小规模金矿开采造成的全球汞污染的辩论至关重要。根据对西班牙殖民时期和土著冶金知识以及人种学和科学研究的历史发现,我们重新审视了拉丁美洲汞汞合并的历史,重点关注哥伦比亚安第斯山脉和秘鲁亚马逊河——这两个地区的手工和小规模金矿开采造成的汞污染引起了国际关注。我们确定了由于忽视了合并过程中不为人知的历史以及欧洲对植根于这些历史的全球汞排放的贡献而造成的政策陷阱。通过批判性地审视联合国教科文组织纪念阿尔马德海姆汞矿为世界遗产的现代主义叙事的策划,这些叙事也是联合国实现“无汞世界”倡议的基础,我们展示了这种非历史框架如何导致手工和小规模淘金者被定罪,不仅在Perú和哥伦比亚,而且在全世界。我们的发现为突出拉丁美洲手工和小规模金矿工人手中的汞和黄金的历史迈出了重要的第一步。
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引用次数: 0
Environmental Alchemy: Mercury-Gold Amalgamation Mining and the Transformation of the Earth. 环境炼金术:汞金混合开采和地球的转变。
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-02-01 DOI: 10.1080/00026980.2023.2192131
Donna Bilak, George Vrtis

Wherever mercury-gold amalgamation mining unfolds, alchemical processes abound. They are there as catalytic agents forming amalgams at atomic levels. They are there as cultural agents transforming rocks into cell phones and all kinds of consumer goods. And they are there as ideological agents mutually translating human understandings across whole worlds we describe as the sciences, humanities, and social sciences. These processes, we argue, are made more legible - more readily perceived and conceptualised - by peering through the lens of environmental alchemy, a new critical framework in which we apply the historical use of alchemical terms to investigations of environmental change, and to understand the extraordinary complexity that gold and mercury set in motion when mining entangles nature and culture.

无论在哪里开采汞金,炼金术都随处可见。它们作为催化剂在原子水平上形成汞合金。他们作为文化代理人在那里把石头变成手机和各种各样的消费品。他们作为意识形态的代理人在整个世界中相互翻译人类的理解我们称之为科学,人文科学和社会科学。我们认为,通过环境炼金术的视角,这些过程变得更加清晰——更容易被感知和概念化。环境炼金术是一个新的关键框架,在这个框架中,我们将炼金术术语的历史用途应用于环境变化的调查,并理解当采矿与自然和文化纠缠在一起时,黄金和汞所引发的非凡复杂性。
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引用次数: 1
Metals as Living Bodies. Founts of Mercury, Amalgams, and Chrysocolla. 作为生命体的金属。水银、汞合金和金水银的喷泉。
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-02-01 DOI: 10.1080/00026980.2023.2173833
Vincenzo Carlotta, Matteo Martelli

Ancient and medieval alchemical works include several comparisons between the generation and development of metals and those of plants, animals, and living beings. These comparisons could refer to adopt physiological models in the explanation of the natural formation of metals and their artificial transformation, to justify the place occupied by alchemy within the broader study of the natural world, and to stand as metaphorical descriptions of specific alchemical procedures. This article analyses these features by focusing on the relationship between mercury and gold, the latter being the "perfect" metal that constituted both an ambitious goal of alchemical practice and one of its key ingredients. The interrelationship between gold and mercury emerges in complex myths about metallic rivers, in the use of gold-mercury amalgams in ancient technology, and in the discussion that alchemists developed around the enigmatic chrysocolla (literally "gold solder"). These three foci are discussed in relation to a variety of ancient sources - from Aristotle and the Stoics to late antique, Byzantine, and Syriac alchemical texts - to explore the different forms of conceptualising metals as living bodies and the interactions of these models with ancient theories on the formation of metals and the alchemical practices aimed at their transformation.

古代和中世纪的炼金术著作中有几部将金属的产生和发展与植物、动物和生物的产生和发展进行了比较。这些比较可以指采用生理学模型来解释金属的自然形成及其人工转化,证明炼金术在更广泛的自然世界研究中所占据的地位,并作为对特定炼金术过程的隐喻性描述。本文通过关注汞和黄金之间的关系来分析这些特征,后者是“完美”的金属,既是炼金术实践的宏伟目标,也是其关键成分之一。黄金和汞之间的相互关系出现在关于金属河流的复杂神话中,在古代技术中使用金汞合金中,以及炼金术士围绕神秘的金焊料(字面意思是“金焊料”)展开的讨论中。这三个重点与各种古代来源有关-从亚里士多德和斯多葛学派到古代晚期,拜占庭和叙利亚炼金术文本-进行讨论,以探索将金属概念化为生命体的不同形式,以及这些模型与古代金属形成理论和炼金术实践的相互作用。
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引用次数: 0
Making Mercury's Histories: Mercury in Gold Mining's Past and Present. 创造水星的历史:黄金开采中的汞的过去和现在。
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-02-01 DOI: 10.1080/00026980.2023.2192125
Peter Oakley

This article considers the presence and absence of mercury, and why in different social arenas where gold features, mercury can become either pervasive or elusive. To substantiate this argument, the article offers two contrasting examples: (1) presentation strategies at Pacific Seaboard gold rush heritage sites, and (2) the background to the Minamata Bay tragedy and the Minamata Convention's subsequent framing of mercury use in artisanal and small-scale gold mining in the Global South. By unpacking these divergent social histories of mercury use and its consequences, the article identifies the current disconnect between different histories of mercury, and the problematic consequences of this disengagement.

本文考虑了汞的存在和不存在,以及为什么在黄金特征的不同社会领域,汞可以变得普遍或难以捉摸。为了证实这一论点,本文提供了两个对比鲜明的例子:(1)太平洋沿岸淘金热遗址的展示策略;(2)水俣湾悲剧的背景和《水俣公约》随后对全球南方手工和小规模金矿开采中汞使用的框架。通过拆解这些不同的汞使用社会历史及其后果,本文确定了目前不同的汞使用历史之间的脱节,以及这种脱节的问题后果。
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引用次数: 1
From Lived Experience to the Written Word: Reconstructing Practical Knowledge in the Early Modern World 从生活经验到文字:重建近代早期的实践知识
IF 0.5 3区 哲学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2023-01-27 DOI: 10.1080/00026980.2023.2170541
S. Dupré
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引用次数: 2
期刊
Ambix
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