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DID EURIPIDES’ ANDROMACHE PREMIERE OUTSIDE ATHENS? 欧里庇得斯的《安德洛玛克》是在雅典之外首演的吗?
Pub Date : 2024-03-01 DOI: 10.1017/s0009838823000861
Chiara Meccariello
This article re-examines the scholium on Euripides, Andromache 445, which several scholars have used to support the claim that Andromache premiered outside Athens, and concludes that both the scholium itself and a remark in the play's hypothesis rather suggest that the play was produced in Athens as part of a dramatic competition.
这篇文章重新审视了欧里庇得斯《安德洛玛克》(Andromache 445)的学术论文,几位学者用它来支持 "安德洛玛克 "在雅典之外首演的说法,并得出结论认为,学术论文本身和该剧假设中的一句话都表明,该剧是作为戏剧比赛的一部分在雅典上演的。
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引用次数: 0
LUCAN'S SILVAE IN THE VITA VACCAE: A PREDECESSOR OF STATIUS’ OCCASIONAL POEMS? Vita vaccae》中卢坎的《Silvae》:斯塔提乌斯偶发诗歌的前身?
Pub Date : 2024-03-01 DOI: 10.1017/s0009838823000563
Ana Lóio
An anonymous biography of Lucan known as the Life of Vacca attributes to the poet the composition of a work called Siluae. This information has been accepted by scholars with regard to both Lucan and Statius, thus transforming Lucan into a predecessor of Statius’ Siluae. This article seeks to demonstrate that neither the manuscript tradition of Lucan's biography nor alleged references to Lucan's Siluae in Statius’ collection substantiate the affirmation that Lucan composed a work called Siluae. It is argued that the Life of Vacca is most probably late and its very long catalogue of works (mostly problematic or otherwise unknown) aggrandizes Lucan in response to the need for a commendatory biography of the poet when he became a school author. Pomponio Leto is responsible for perpetuating the mention of Lucan's Siluae by including it in his influential biography of Lucan (the first to reach the printed press). It is further argued that the circumstances of the tradition of Statius’ Siluae explain Leto's acceptance of Lucan's work of the same title. Leto was working on a commentary on the recently rediscovered Siluae, which explains his inclusion of a work called Siluae in his biography of Lucan, a great poet who had preceded Statius. Finally, this article deconstructs the theories that find references to Lucan's Siluae in Statius’ Siluae or that justify Statius’ silence about Lucan's Siluae with its political motifs.
一部名为《瓦卡的一生》的卢坎佚名传记将一部名为《Siluae》的作品的创作归功于这位诗人。关于卢坎和斯塔提乌斯,学者们都接受了这一信息,从而将卢坎转化为斯塔提乌斯的《Siluae》的前身。本文试图证明,无论是卢坎传记的手稿传统,还是据称斯塔提乌斯的文集中提到卢坎的《Siluae》,都不能证明卢坎创作了一部名为《Siluae》的作品。有观点认为,《瓦卡的一生》很可能是晚期作品,其中很长的作品目录(大多是有问题或不为人知的作品)将卢坎夸大其词,以满足诗人成为学校作家后对褒扬性传记的需求。庞波尼奥-莱托(Pomponio Leto)在其影响深远的《卢康传》(第一部印刷出版的传记)中提到了卢康的《西吕埃》(Siluae),从而将其永久化。还有人认为,斯塔提乌斯的《Siluae》的传统环境解释了莱托接受卢坎同名作品的原因。莱托当时正在为最近重新发现的《西吕埃》撰写评论,这也解释了他为何会将一部名为《西吕埃》的作品纳入他的卢坎传记中,卢坎是斯塔提乌斯之前的一位伟大诗人。最后,本文解构了一些理论,这些理论认为斯塔提乌斯的《西吕埃》中提到了卢坎的《西吕埃》,或认为斯塔提乌斯对卢坎的《西吕埃》及其政治主题保持沉默是合理的。
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引用次数: 0
NEW LIGHT IN CHRISTODORUS: AN ACROSTIC AT ANTH. PAL. 2.72–6 克里斯托多鲁斯的新视角:《宫廷诗选》2.72-6 的咏叹调
Pub Date : 2024-03-01 DOI: 10.1017/s0009838823001040
Max Leventhal
This note identifies a new acrostic in Christodorus’ sixth century c.e.Ekphrasis of the Baths of Zeuxippus (Anth. Pal. 2) and explains its significance.
本注释指出了克里斯托多鲁斯 (Christodorus) 在公元前 6 世纪创作的《Zeuxippus 浴场的咏叹调》(Anth. Pal. 2)中的一个新的咏叹调,并解释了其意义。
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引用次数: 0
CAERULEAN HOUNDS AND PUPPY-LIKE VOICES: THE CANINE ASPECTS OF ANCIENT SEA MONSTERS 凯鲁莱猎犬和小狗般的声音:古代海怪的犬科动物
Pub Date : 2024-03-01 DOI: 10.1017/s0009838823000915
Ryan Denson
This article examines the dog-like aspects and associations of two marine monsters of Graeco-Roman antiquity: Scylla and the κῆτος. Both harbour recognizably canine features in their depictions in ancient art, as well as being referenced as dogs or possessing dog-like attributes in ancient texts. The article argues that such distinctly canine elements are related to, and probably an extension of, the conceptualization of certain marine animals, most prominently sharks, as ‘sea dogs’. Accordingly, we should understand these two sea monsters and the sea dogs as being interrelated in the ancient imagination. Such a canine resonance to certain sea creatures offers a valuable insight into the Graeco-Roman imagination of the marine element as being the abode of creatures reminiscent of terrestrial dogs.
本文探讨了古希腊罗马时期两只海洋怪兽类似狗的一面及其关联:Scylla 和 κῆτος。在古代艺术作品的描绘中,这两种动物都具有明显的犬科动物特征,在古代文献中也被称为狗或具有类似狗的属性。文章认为,这些明显的犬科动物元素与某些海洋动物(最突出的是鲨鱼)被视为 "海狗 "的概念有关,而且很可能是这种概念的延伸。因此,我们应该将这两种海怪和海狗理解为在古代想象中是相互关联的。对某些海洋生物的这种犬类共鸣提供了一个宝贵的视角,让我们了解古希腊罗马人对海洋元素的想象,即海洋是让人联想到陆地犬类的生物的栖息地。
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引用次数: 0
GROUP MINDS IN THE ANCIENT GREEK NOVEL: HERODIAN'S HISTORY AND CHARITON'S CALLIRHOE 古希腊小说中的群体意识:赫拉迪安的《历史》和查里顿的《卡里霍》
Pub Date : 2024-03-01 DOI: 10.1017/s0009838823000903
Chrysanthos S. Chrysanthou
This article explores Herodian's History of the Roman Empire alongside Chariton's novel Callirhoe with an eye to how the minds of collective entities are represented and function in the two narratives. It argues that Chariton, unlike Herodian, elaborates on the diversity of emotions that characterizes a specific collective experience and has groups use direct speech throughout. These choices add vividness to the narrative and intensify the fictional sensationalism and dramatic character of the novel. It also shows that, whereas collectives in Chariton's narrative are primarily designed to highlight a specific characteristic of a hero, dramatize an event and enhance suspense, in Herodian's historiography they are an integral part of the plot and central to his historical analysis of contemporary political and social world. This article offers a new analytical tool geared towards the development of a poetics of the collective in ancient narrative as well as a poetics of fictional and factual narration in antiquity, and advances our understanding of the complex relationship between ancient historiography and novelistic writing.
本文探讨了希罗迪安的《罗马帝国史》和查里顿的小说《卡里霍》,着眼于集体实体的思想在这两部叙事中是如何表现和发挥作用的。该书认为,与希罗多德不同,查里顿详细描述了特定集体经历所特有的情感多样性,并让群体自始至终使用直接言语。这些选择增加了叙事的生动性,强化了小说的虚构煽情性和戏剧性。文章还表明,在查里顿的叙事中,集体主要是为了突出英雄的特定特征、渲染事件和增强悬念,而在希罗迪安的历史学中,集体则是情节不可分割的一部分,是他对当代政治和社会世界进行历史分析的核心。本文提供了一种新的分析工具,旨在发展古代叙事中的集体诗学以及古代虚构和事实叙事的诗学,并推进我们对古代历史学和小说写作之间复杂关系的理解。
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引用次数: 0
PARA PROSDOKIAN AND THE COMIC BIT IN ARISTOPHANES 阿里斯托芳斯》中的 "Para prosdokian "和 "喜剧 "部分
Pub Date : 2024-02-28 DOI: 10.1017/s0009838823000885
Craig Jendza
This article bridges a gap in the study of Aristophanic humour by better demonstrating how individual jokes (in this case, the para prosdokian ‘contrary to expectation’ joke) contribute to the wider comic scenes in which they are embedded. After analysing ancient and modern explanations and examples of para prosdokian jokes, this paper introduces the concept of ‘comic bit’, a discrete unit of comedy that builds humour around a central premise, and establishes how para prosdokian jokes contribute to comic bits in a way that recent theories of para prosdokian cannot account for.
本文弥补了亚里士多德幽默研究中的一个空白,更好地展示了单个笑话(本例中为 "与预期相反 "的旁白笑话)如何为其所处的更广泛的喜剧场景做出贡献。在分析了古今中外对 "旁氏笑话 "的解释和实例之后,本文引入了 "喜剧段落 "的概念--一种围绕中心前提构建幽默的离散喜剧单元--并确定了 "旁氏笑话 "如何以一种近代 "旁氏笑话 "理论无法解释的方式为喜剧段落做出贡献。
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引用次数: 0
POSIDONIUS ON VIRTUE AND THE GOOD 波西多尼关于美德与善
Pub Date : 2024-02-27 DOI: 10.1017/s0009838823000897
Severin Gotz
This paper argues that despite recent tendencies to minimize the differences between Posidonius and the Early Stoics, there are some important aspects of Stoic ethics in which Posidonius deviated from the orthodox doctrine. According to two passages in Diogenes Laertius, Posidonius counted health and wealth among the goods and held that virtue alone is insufficient for happiness. While Kidd in his commentary dismissed this report as spurious, there are good reasons to take Diogenes’ remarks seriously. Through a careful analysis of the sources, in particular of Galen's De placitis Hippocratis et Platonis, this article offers a new interpretation of Posidonius’ ethics. It sheds light on Posidonius’ theory of virtues and shows that Posidonius must have granted a special status to things like health and wealth even if he did not regard them as genuine goods.
本文认为,尽管近来有将波西多尼乌斯与早期斯多葛学派之间的差异最小化的倾向,但波西多尼乌斯在斯多葛伦理学的一些重要方面偏离了正统学说。根据《第欧根尼-拉尔提乌斯》中的两段话,波西多尼把健康和财富也算作物品,并认为仅有美德不足以获得幸福。虽然基德在他的评注中认为这一报道是虚假的,但我们有充分的理由认真对待第欧根尼的言论。通过仔细分析资料来源,特别是盖伦的《希波克拉底与柏拉图的胎盘》,本文对波西多尼的伦理学提出了新的解释。文章揭示了波西多尼乌斯的美德理论,并说明波西多尼乌斯即使不把健康和财富视为真正的物品,也一定赋予了它们特殊的地位。
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引用次数: 0
ERICHTHO THE DOCTOR? MEDICAL OBSERVATIONS ON LUCAN'S NECROMANTIC EPISODE 医生埃里克索?对卢肯死灵事件的医学观察
Pub Date : 2024-02-26 DOI: 10.1017/s0009838823000587
Gabriel A.F. Silva
This article aims to offer a fresh analysis of two passages in the extensive necromancy episode in Lucan's Bellum Ciuile: the ritual to reanimate the dead soldier's corpse (6.667–73), and the surgical procedure Erichtho then proceeds to undertake (6.750–7), resembling the practice of a vivisection. The study will focus mostly on the strong connection of magic to medical traditions in antiquity, with a commentary on, and analysis of, these verses through the lenses of medical vocabulary, themes and motifs. It ultimately concludes that Lucan was familiar with the language and characteristics of the medical tradition, enriched his report with them, and was playing with his audience's knowledge of the same.
本文旨在对卢坎的《亡灵法术》(Bellum Ciuile)中大量亡灵法术情节中的两个段落进行全新的分析:让死去士兵的尸体复活的仪式(6.667-73),以及埃里希托随后进行的类似活体解剖的外科手术(6.750-7)。本研究将主要关注古代魔法与医学传统之间的紧密联系,并通过医学词汇、主题和图案对这些诗句进行评论和分析。研究最终得出结论,卢坎熟悉医学传统的语言和特点,并用它们丰富了他的报告,同时也在利用他的读者对医学的了解。
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引用次数: 0
EMENDATIONES TIBVLLIANAE I ibvllianae一书修订本
Pub Date : 2024-02-26 DOI: 10.1017/s0009838823000599
Maxwell Hardy
Conjectures are made on the text of three passages in Tibullus, Books 1–2: 1.4.26 hastam … suam for crines … suos, 2.1.56 membra for bache, 2.4.60 aliis rebus for alias herbas.
对《提布勒斯全集》第 1-2 卷中的三段文字进行了猜测:1.4.26 hastam ... suam 为 crines ... suos,2.1.56 membra 为 bache,2.4.60 aliis rebus 为 alias herbas。
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引用次数: 0
LEGAL DEATH AND ODYSSEUS’ KINGSHIP 合法死亡与奥德修斯的王权
Pub Date : 2024-02-26 DOI: 10.1017/s0009838823000873
Itamar Levin
The paper proposes a solution to the problem with Odysseus’ kingship in the Odyssey by maintaining that Odysseus is not officially considered dead. Consequently, Telemachus cannot inherit the position of king and Penelope must leave Odysseus’ household before remarrying. After discussing the modern concept of legal death and previous interpretations of the Ithacan situation, the paper focusses on Athena's speech at 1.275–92. A close reading demonstrates that erecting a cenotaph to Odysseus would be tantamount to a modern declaration of death in absentia, since it will render Penelope a widow and Telemachus the head of the household. This legal convention chimes with the Homeric depiction of Hades.
本文就《奥德赛》中奥德修斯的王权问题提出了一个解决方案,认为奥德修斯并没有被正式视为死亡。因此,忒勒马科斯不能继承王位,珀涅罗珀在再婚之前必须离开奥德修斯的家。在讨论了现代的法定死亡概念和以往对伊萨卡情况的解释之后,本文重点讨论了雅典娜在 1.275-92 节的讲话。细读后发现,为奥德修斯竖立墓碑等同于现代的缺席死亡宣告,因为这将使珀涅罗珀成为寡妇,而忒勒马科斯成为一家之主。这一法律惯例与荷马史诗中对哈迪斯的描述不谋而合。
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引用次数: 1
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The Classical Quarterly
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