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PSEUDO-SACRIFICIAL ALLUSIONS IN HOSIDIUS GETA'S MEDEA 霍西迪乌斯-格塔《美狄亚》中的伪祭祀典故
Pub Date : 2024-02-05 DOI: 10.1017/s0009838823000745
James Parkhouse
This article explores the allusive strategy of the late second-century cento-tragedy Medea attributed to Hosidius Geta, which recounts Medea's revenge against Jason using verses from the works of Virgil. It argues that the text's author recognized a consistent strand of characterization in earlier treatments of the Medea myth, whereby the heroine's filicide is presented as a corrupted sacrifice. Geta selectively uses verses from thematically significant episodes in the Aeneid—the lying tale of Sinon and the death of Laocoön; the murder of Priam; the suicide of Dido—at key points to foreground the theme of pseudo-sacrificial violence. Geta's use of Virgil evinces a keen appreciation both of the symbolism of the broader mythic tradition in which his text is situated and of the original narrative contexts of the verses he recycles. The article's findings contribute to a growing recognition of the creative potential afforded by the cento technique.
本文探讨了归功于霍西迪乌斯-格塔(Hosidius Geta)的二世纪末半悲剧《美狄亚》的暗喻策略,该剧使用维吉尔作品中的诗句叙述了美狄亚对杰森的复仇。该书认为,该文本的作者认识到了美狄亚神话早期作品中对人物性格的一贯描写,即女主角的弑父行为是一种堕落的牺牲。格塔选择性地使用了《埃涅伊特》中主题重要情节的诗句--西农的谎言故事和拉奥孔之死、普里阿姆的谋杀、狄多的自杀,在关键之处突出了伪牺牲暴力的主题。格塔对维吉尔的使用表明,他对其文本所处的更广泛神话传统的象征意义以及他重复使用的诗句的原始叙事背景有着敏锐的鉴赏力。文章的研究结果有助于人们进一步认识到 cento 技术所带来的创造潜力。
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引用次数: 0
THE PROBLEM OF LANGUAGE IN ENNODIUS OF PAVIA 帕维亚的恩诺迪乌斯的语言问题
Pub Date : 2024-02-05 DOI: 10.1017/s0009838823000782
Jesús Hernández Lobato
This paper analyses the metaliterary statements that pervade the oeuvre of Ennodius of Pavia (a.d. 474–521) in order to reconstruct his underlying conception of language: its nature, power, function, limitations, and dangers. This new perspective provides a more nuanced insight into the paradoxical poetics of the author as well as his final renunciation to literature after his appointment as bishop of Pavia.
本文分析了帕维亚的埃诺迪乌斯(公元 474-521 年)作品中随处可见的金属文学语句,以重建他对语言的基本概念:语言的性质、力量、功能、局限和危险。这一新视角为我们提供了一个更加细致入微的视角,让我们了解作者自相矛盾的诗学,以及他在被任命为帕维亚主教后最终放弃文学创作的原因。
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引用次数: 0
THE PROBLEM OF LANGUAGE IN ENNODIUS OF PAVIA 帕维亚的恩诺迪乌斯的语言问题
Pub Date : 2024-02-05 DOI: 10.1017/s0009838823000782
Jesús Hernández Lobato
This paper analyses the metaliterary statements that pervade the oeuvre of Ennodius of Pavia (a.d. 474–521) in order to reconstruct his underlying conception of language: its nature, power, function, limitations, and dangers. This new perspective provides a more nuanced insight into the paradoxical poetics of the author as well as his final renunciation to literature after his appointment as bishop of Pavia.
本文分析了帕维亚的埃诺迪乌斯(公元 474-521 年)作品中随处可见的金属文学语句,以重建他对语言的基本概念:语言的性质、力量、功能、局限和危险。这一新视角为我们提供了一个更加细致入微的视角,让我们了解作者自相矛盾的诗学,以及他在被任命为帕维亚主教后最终放弃文学创作的原因。
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引用次数: 0
HELLENISTIC POETRY, MAGICAL GEMS AND ‘THE SWORD OF DARDANUS’ IN APULEIUS’ CUPID AND PSYCHE 阿普列乌斯的《丘比特与赛琪》中的希腊诗歌、魔法宝石和 "达达努斯之剑
Pub Date : 2024-02-01 DOI: 10.1017/s0009838823000800
Regine May
Apuleius’ tale of Cupid and Psyche is shown to feature detailed knowledge of ancient magic integrated into the plot, especially the magic of the so-called ‘Sword of Dardanus’ spell and of other papyri with Middle Platonic content. A recently published gemstone from Perugia testifies to the wide distribution of the ‘Sword’. Apuleius’ allusion to the erotic spell involves both Cupid and Venus torturing Psyche. Although Venus’ intentions are to prevent the bond between the lovers, her actions inadvertently echo those depicted in the ‘Sword’ and contribute to the couple's eternal union. Ancient magic is therefore shown to be potent and effective, despite Venus’ plans. This is a methodology Apuleius is known to use widely, for example in his obvious allusions to, and adaptations of, Hellenistic poetry in the story. Magic joins poetry and philosophy as a category of texts shown to be playfully integrated into Apuleius’ construction of the plot of Cupid and Psyche.
阿普列乌斯的丘比特与赛琪的故事显示,故事情节中融入了古代魔法的详细知识,特别是所谓的 "达达诺斯之剑 "咒语和其他具有中柏拉图内容的纸莎草纸的魔法。最近出版的佩鲁贾宝石证明了 "达达努斯之剑 "的广泛流传。阿普列乌斯关于情欲咒语的典故涉及丘比特和维纳斯对普赛琪的折磨。虽然维纳斯的意图是阻止这对恋人之间的结合,但她的行为无意间与 "宝剑 "中的描述相呼应,促成了这对恋人的永恒结合。因此,尽管维纳斯有所图谋,但古老的魔法还是显示出了它的威力和效力。众所周知,阿普列乌斯广泛使用这种方法,例如他在故事中对希腊诗歌的明显影射和改编。在阿普列乌斯构建《丘比特与赛琪》情节的过程中,魔法与诗歌、哲学等文本被巧妙地结合在一起。
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引用次数: 0
HELLENISTIC POETRY, MAGICAL GEMS AND ‘THE SWORD OF DARDANUS’ IN APULEIUS’ CUPID AND PSYCHE 阿普列乌斯的《丘比特与赛琪》中的希腊诗歌、魔法宝石和 "达达努斯之剑
Pub Date : 2024-02-01 DOI: 10.1017/s0009838823000800
Regine May
Apuleius’ tale of Cupid and Psyche is shown to feature detailed knowledge of ancient magic integrated into the plot, especially the magic of the so-called ‘Sword of Dardanus’ spell and of other papyri with Middle Platonic content. A recently published gemstone from Perugia testifies to the wide distribution of the ‘Sword’. Apuleius’ allusion to the erotic spell involves both Cupid and Venus torturing Psyche. Although Venus’ intentions are to prevent the bond between the lovers, her actions inadvertently echo those depicted in the ‘Sword’ and contribute to the couple's eternal union. Ancient magic is therefore shown to be potent and effective, despite Venus’ plans. This is a methodology Apuleius is known to use widely, for example in his obvious allusions to, and adaptations of, Hellenistic poetry in the story. Magic joins poetry and philosophy as a category of texts shown to be playfully integrated into Apuleius’ construction of the plot of Cupid and Psyche.
阿普列乌斯的丘比特与赛琪的故事显示,故事情节中融入了古代魔法的详细知识,特别是所谓的 "达达诺斯之剑 "咒语和其他具有中柏拉图内容的纸莎草纸的魔法。最近出版的佩鲁贾宝石证明了 "达达努斯之剑 "的广泛流传。阿普列乌斯关于情欲咒语的典故涉及丘比特和维纳斯对普赛琪的折磨。虽然维纳斯的意图是阻止这对恋人之间的结合,但她的行为无意间与 "宝剑 "中的描述相呼应,促成了这对恋人的永恒结合。因此,尽管维纳斯有所图谋,但古老的魔法还是显示出了它的威力和效力。众所周知,阿普列乌斯广泛使用这种方法,例如他在故事中对希腊诗歌的明显影射和改编。在阿普列乌斯构建《丘比特与赛琪》情节的过程中,魔法与诗歌、哲学等文本被巧妙地结合在一起。
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引用次数: 0
PRISCE, IVBES (PLINY, EP. 6.15) prisce,ivbes(《普林尼全集》,第 6.15 卷)
Pub Date : 2024-01-15 DOI: 10.1017/s000983882300099x
Konstantine Panegyres
In the famous exchange between Passennus Paulus and Javolenus Priscus at Plin. Ep. 6.15, it has not been previously recognized that Priscus’ reply is metrical and carries on the hexameter begun by Paulus. This opens up some interesting new possibilities for the interpretation of the letter.
在 Plin.Ep. 6.15 中帕森努斯-保罗斯和贾沃伦努斯-普里斯库斯之间的著名对话中,普里斯库斯的回答是韵律性的,并延续了保罗斯开始的六音节,这一点以前没有得到承认。这为解释这封信提供了一些有趣的新可能性。
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引用次数: 0
TWO ‘ALSO-RANS’, 132–129 b.c.e. 两个 "ALSO-RANS",公元前 132-129 年
Pub Date : 2024-01-15 DOI: 10.1017/s0009838823000812
J. Beness, T. Hillard
The electoral scene in the period from 133 to 129 b.c.e. was doubtless unpredictable, even in the centuriate assembly, and any prosopographical modelling based on the available data would be adventurous. The report that Appius Claudius Pulcher (cos. 143 and bitter opponent to Scipio Aemilianus) ran in 133 for a second consulship is not implausible, and the possibility of a thwarted candidature, whatever its duration and the reason for its termination, should be registered. The successful candidates were P. Popillius Laenas and P. Rupilius, the latter a close associate of Scipio. The unsuccessful consular candidacy of Rupilius’ brother Lucius should be dated to 132, 131 or 130. The elimination of the first of those options by F.X. Ryan (CQ 45 [1995], 263–5) is challenged.
从公元前 133 年到公元前 129 年期间的选举情况无疑是难以预料的,即使是在百人议会中也是如此,根据现有数据进行的任何选区划分都是冒险的。阿皮乌斯-克劳狄乌斯-普尔切(Appius Claudius Pulcher,约 143 年,西庇阿-埃米利安努斯的劲敌)在 133 年竞选第二个执政官职位的报道并非不可信,而且无论竞选时间长短和终止原因如何,都应该记录下竞选受挫的可能性。成功的候选人是 P. Popillius Laenas 和 P. Rupilius,后者是西庇阿的亲密助手。鲁皮利乌斯的兄弟卢西乌斯竞选执政官失败的时间应为 132 年、131 年或 130 年。F.X. Ryan(CQ 45 [1995],263-5)排除了其中的第一个选项,这一点受到了质疑。
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引用次数: 0
FULVIA AND THE CHEEKY RHETOR (SUET. RHET. 5) 富尔维亚和厚颜无耻的修辞者(suet. rhet.)
Pub Date : 2024-01-12 DOI: 10.1017/s0009838823000976
J. Beness, T. Hillard
This paper concerns the translation and interpretation of a succinct quip of Sextus Clodius, a rhetorician in Antony's entourage, on the subject of Fulvia's swollen cheek. The jest is often interpreted as having suggested that she tempted Clodius’ pen, and various double meanings have been proposed. Contextualization may supply a key. The remark could mean that Fulvia seemed to be testing the point of her stylus, and the dark allusion might then be to reports of the manner in which Fulvia had allegedly mistreated the severed head of Cicero.
本文涉及安东尼的随从、修辞学家塞克斯图斯-克洛狄乌斯(Sextus Clodius)关于富尔维亚(Fulvia)脸颊肿胀的简洁调侃的翻译和解释。这句调侃通常被解释为她引诱了克洛迪乌斯的笔,也有人提出了各种双重含义。根据上下文可以找到答案。这句话的意思可能是富尔维亚似乎在试探她的笔尖,而暗指的可能是关于富尔维亚虐待西塞罗头颅的报道。
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引用次数: 0
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The Classical Quarterly
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