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Celebrating Imperial Education: The 2001 Thomasite Centennial in the Philippines 庆祝帝国教育:2001年菲律宾托马斯派百年庆典
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-30 DOI: 10.1353/aq.2022.0064
M. Schueller
Abstract:This essay examines the 2001 Thomasite Centennial in the Philippines, marking the arrival of American teachers who came to the colony aboard the US Army Transport Thomas in 1901 as a site of contemporary negotiations of US colonial history for the needs of the present. As representatives of colonial love, the Thomasites were both admired and criticized by Filipinos and used by the US as exemplifications of American benevolence. Although the centennial, billed as a commemoration of the Thomasites by American diplomats, was demonstrably an instance of soft power led by the US embassy, the Filipinos recruited for the event were multiply positioned subjects, constrained as well as empowered by the situated yet mutable sites they occupied. Analyzing the centennial through its circulation in different discursive registers—journalistic, promotional, historical, diplomatic, and literary—the essay reveals the contested nature of present-day memory-making of US sentimental colonialism in the Philippines, with different state and nonstate actors struggling to claim historical record. Tony Perez's play "A Hundred Songs of Mary Helen Fee," written for the occasion, simultaneously memorializes Fee and instantiates a critique of the centennial by putting the Thomasite memoir on which it was based in conversation with the colonial archive. The essay illustrates the complexities of postcolonial commemoration and shows how the centennial functioned as a contested site of American and Filipino diplomacy, critical interrogation, and a strategic rerouting of Thomasite history by Filipinos.
摘要:本文考察了2001年菲律宾托马西特百年纪念活动,纪念1901年美国教师乘坐美国陆军运输托马斯号来到殖民地,作为当代美国殖民历史谈判的场所。作为殖民爱情的代表,托马斯派既受到菲律宾人的钦佩和批评,也被美国视为美国仁爱的典范。尽管被美国外交官宣传为纪念托马派的百年庆典显然是美国大使馆领导的软实力的一个例子,但被招募参加该活动的菲律宾人是处于多重地位的主体,他们所占据的位置虽然多变,但却受到了限制和授权。这篇文章通过在新闻、宣传、历史、外交和文学等不同话语领域的传播来分析百年纪念,揭示了当今美国在菲律宾的情感殖民主义记忆的争议性,不同的国家和非国家行为者都在努力争取历史记录。托尼·佩雷斯(Tony Perez)为这一时刻创作的戏剧《玛丽·海伦·费的一百首歌》(A Baidu Songs of Mary Helen Fee)同时纪念了费,并通过将其所依据的托马西特回忆录与殖民档案馆对话,来实例化对百年的批判。这篇文章阐述了后殖民纪念活动的复杂性,并展示了百年纪念活动是如何成为美国和菲律宾外交、批判性审讯以及菲律宾人对托马斯派历史进行战略性重新安排的一个有争议的场所。
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引用次数: 0
Between Destruction and Beauty: Exhibiting Photographs of Militarized Landscapes 在毁灭与美丽之间:军事化景观照片展
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-30 DOI: 10.1353/aq.2022.0075
Charlotte Hecht
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引用次数: 0
Situating J. C. Leyendecker within the Conflicting Narratives of the Gay and Lesbian Past 将j·c·莱恩德克尔置于男女同性恋过去的冲突叙事中
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-30 DOI: 10.1353/aq.2022.0074
M. J. Murphy
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引用次数: 0
Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes 未解决的土地:土著预言、地质幻想和新马德里地震
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-30 DOI: 10.1353/aq.2022.0059
Dana Luciano
Abstract:This essay explores the differing relations to land, time, and history—human and planetary—that organized responses to the New Madrid Earthquakes of 1811–12 and that now characterize responses to the Anthropocene. Indigenous and settler accounts connected the earthquakes to a catastrophic rupture in time, but they located that catastrophe differently. For the US, the disaster was seismic, a geological revelation of human powerlessness. Federal intervention sought to restore the region to the future-oriented time of the nation, while Romantic history and geological fantasy supplemented the inscription of settler-national time on the land by identifying the "Indian" with cultural and geological pasts. Indigenous interpretations connected the quakes to the ongoing rupture that colonialism instantiated. Circulated through the pan-Indigenous revival, the polychronicity of anticolonial assessments of the quakes drew on the energy of prophecy, reflecting what Mark Rifkin identifies as prophecy's ability to gather other-than-chronological possibilities as they interwove the earth's past and the land's present state to make Indigenous futures possible again. Recent approaches to the Anthropocene replicate this division, alternately perpetuating the necropolitics of geological fantasy and embracing a reparative adaptation of what Kyle Powys Whyte (Citizen Potawatomi) describes as "kinship time."
摘要:本文探讨了人类与土地、时间和历史(人类和行星)的不同关系,这些关系组织了对1811-12年新马德里地震的反应,现在又成为对人类世的反应的特征。土著居民和定居者的说法将地震与灾难性的破裂联系在一起,但他们对灾难的定位不同。对美国来说,这场灾难是一场地震,是人类无能为力的地质启示。联邦政府的干预试图将该地区恢复到民族面向未来的时代,而浪漫主义历史和地质幻想则通过将“印第安人”与文化和地质的过去联系起来,补充了定居者-民族时间在土地上的铭文。当地的解释将地震与殖民主义所造成的持续破裂联系在一起。在泛土著复兴运动中流传,对地震的多时间性反殖民评估利用了预言的能量,反映了马克·里夫金(Mark Rifkin)所说的预言的能力,即收集超越时间的可能性,因为它们将地球的过去和土地的现状交织在一起,使土著的未来再次成为可能。最近研究人类世的方法复制了这种划分,要么延续地质幻想的死亡政治,要么接受凯尔·波伊斯·怀特(《公民波塔瓦托米》)所描述的“亲属时间”的修复性改编。
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引用次数: 0
The Reactionary Romance of American Slave Revolt: Scripting the Unthinkable in the Archive of the 1811 German Coast Uprising 美国奴隶起义的反动浪漫:在1811年德国海岸起义的档案中描述不可思议的事情
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-30 DOI: 10.1353/aq.2022.0060
Nicolas Farrell Bloom
Abstract:Enslavers and their allies wrote in terrified, apocalyptic terms about slave revolts, particularly in the late eighteenth- and early nineteenth-century US. This essay suggests that by consistently framing slave revolt in these ways, proslavery white Americans constructed and reproduced a dominant, normative narrative about the meaning of Black self-determination, which this essay calls a "reactionary romance." This "romance" deemed Black self-determination an apocalypse-signaling antagonist against which the privileged body politic must continually and violently struggle in order to reproduce itself. It perversely drew on the rebellious actions of Black people as a way to enclose the prospect of Black freedom in a shroud of terror, rendering the suppression of Black self-determination an esteemed civic duty for the American citizen. This essay critically and historically analyzes this romance as it functions in archival documentation of the 1811 German Coast Uprising in southeastern Louisiana, the largest slave revolt in US history. The way that Louisiana planters told the story of the 1811 Uprising weaponized the reactionary romance to compel an expanding American empire (and its citizens) to protect and expand both the social and material structures of plantation slavery and the limits on moral and political imagination that attended these structures.
摘要:奴役者及其盟友用恐惧的、世界末日的语言写下了奴隶起义,尤其是在18世纪末和19世纪初的美国。这篇文章表明,通过不断以这些方式构建奴隶起义,反奴隶制的美国白人构建并再现了一种关于黑人自决意义的主导性规范叙事,这篇文章称之为“反动的浪漫主义”。这种“浪漫主义”认为黑人自决是一种启示录信号的反对者,特权政治体必须不断地与之进行暴力斗争才能自我复制。它反常地利用黑人的反叛行为,将黑人自由的前景笼罩在恐怖的阴影中,使压制黑人自决成为美国公民受人尊敬的公民义务。这篇文章对这段浪漫故事进行了批判性和历史性的分析,因为它在1811年路易斯安那州东南部德国海岸起义的档案文件中发挥了作用,这是美国历史上最大的奴隶起义。路易斯安那州种植园主讲述1811年起义故事的方式将反动浪漫主义武器化,迫使不断扩张的美国帝国(及其公民)保护和扩大种植园奴隶制的社会和物质结构,以及这些结构对道德和政治想象力的限制。
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引用次数: 0
A Technology of Family: Photography and Kinship Formation in Transnational Adoption from Asia 家庭技术:摄影与亚洲跨国收养中的亲属关系形成
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-30 DOI: 10.1353/aq.2022.0063
L. Johnson
Abstract:This essay theorizes the role of referral photography, photographs sent to prospective adoptive parents upon assignment of a child, in the formation and racialization of kinship within transnational adoption from Asia. Because the practice is used across domestic and transnational adoption, adoption from Asia offers a case study for which to understand how systems like photography can function as, what I call, a technology of family that has the potential not only to record or represent kinship but also to actively participate in its construction in new and racializing ways. Using archival accounts of adoption from China alongside Korean adoptee Deann Borshay Liem's film In the Matter of Cha Jung Hee, this essay analyzes referral photographs as narrative objects that perform a particular role in the kinship formation process, one that facilitates the affective inclusion of the child into the family while racializing the child within a system of interchangeability. I also show how these photographs can be used beyond their initial function to discover new forms of "adoptive" kinship.
摘要:本文从理论上阐述了转介摄影在亚洲跨国收养中亲属关系的形成和种族化中的作用。由于这种做法在国内和跨国收养中都有使用,来自亚洲的收养提供了一个案例研究,可以了解像摄影这样的系统如何发挥作用,我称之为一种家庭技术,它不仅有潜力记录或代表亲属关系,而且有潜力以新的种族化方式积极参与其构建。本文利用来自中国的收养档案,以及韩国被收养人Deann Borshay Liem的电影《Cha Jung Hee的事》,分析了在亲属关系形成过程中扮演特殊角色的推荐照片,这种角色有助于孩子在情感上融入家庭,同时在可交换的体系中对孩子进行种族化。我还展示了这些照片是如何超越最初的功能来发现新形式的“收养”亲属关系的。
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引用次数: 0
Editor's Note 编者按
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-09-24 DOI: 10.1353/aq.2022.0030
M. Yoshihara
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引用次数: 0
Imperial Dis-ease: Trump's Border Wall, Obama's Sea Wall, and Settler Colonial Failure 帝国的不安:特朗普的边境墙、奥巴马的海堤和定居者的殖民失败
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/aq.2022.0051
Judy Rohrer
Abstract:Developing a fuller understanding of US imperialism requires engagement with settler colonial and Indigenous studies. I expand Amy Kaplan's analysis of US empire as "riddled with instability, ambiguity and disorder" to consider how settler colonialism is fortified via walls. Walls stake settler claims and scale from individual property (home) to national borders (homeland). Examining Donald Trump's US-Mexico border wall and a sea wall in front of beachfront property Barack Obama has purchased in Hawai'i reveals the inherent instability and impermanence of settler colonialism, and thus this particular form of imperialism. That instability manifests in three ways: (1) settler colonial anxious, repetitive insistence on its dominion, its claims, especially via the law and physical intervention; (2) the multiple ways human and other-than-human actors resist the walls, refuse capture/containment, call out the fiction/myth of the border and sea wall's power to divide; and (3) the way "once and future ghosts" haunt settler claims, unsettle territorial and temporal assertions of possession/domination/belonging. Based on this finding and analysis drawn from Indigenous and settler colonial studies, I argue that settler colonialism, and thus US imperialism, ultimately fails because of its inherent unsustainability and the myriad of ways it is resisted. What succeeds instead is Indigenous resilience and radical resurgence.
摘要:要更全面地理解美帝国主义,就需要参与定居者殖民和土著研究。我扩展了艾米·卡普兰(Amy Kaplan)对美国帝国“充满不稳定、模糊和混乱”的分析,以考虑定居者殖民主义是如何通过围墙加强的。从个人财产(家园)到国家边界(家园),围墙代表着定居者的主张和规模。检查唐纳德·特朗普的美墨边境墙和巴拉克·奥巴马在夏威夷购买的海滨房产前的海堤,可以发现定居者殖民主义固有的不稳定和短暂性,从而揭示这种特殊形式的帝国主义。这种不稳定表现在三个方面:(1)定居者殖民焦虑,反复坚持其统治权和主张,特别是通过法律和实际干预;(2) 人类和非人类行动者抵抗海堤、拒绝捕获/遏制、唤起边界和海堤分裂力量的虚构/神话的多种方式;以及(3)“曾经和未来的幽灵”困扰着定居者的主张,扰乱了对占有/统治/归属的领土和时间主张。基于这一发现和从土著和定居者殖民研究中得出的分析,我认为定居者殖民主义,以及美帝国主义,最终失败是因为其固有的不可持续性和无数种抵制方式。相反,成功的是土著人的复原力和激进的复兴。
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引用次数: 0
The Power of Truth: Why Some Fear Histories of the US-Mexico Border 真相的力量:为什么有些人害怕美墨边境的历史
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/aq.2022.0052
Monica Martinez
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引用次数: 0
Representing Muslims, One Crisis at a Time 代表穆斯林,一次一个危机
IF 0.7 4区 社会学 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/aq.2022.0034
Evelyn Alsultany
the logic of and
和的逻辑
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引用次数: 0
期刊
AMERICAN QUARTERLY
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