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Plato in Therapy: A Cognitivist Reassessment of the Republic's Idea of Mimesis 柏拉图在治疗中:对理想国拟态思想的认知主义再评价
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-05-18 DOI: 10.1111/jaac.12716
JONAS GRETHLEIN

The Republic’s ban on poetry is a major reason for the prominent place that liberal critics assign to Plato among the enemies of the open society, Friedrich Nietzsche's description of Plato as “the greatest enemy of art Europe has yet produced” being often cited. In this article, I argue that, while Plato's ethical stance remains unacceptable for most readers today, his understanding of aesthetic experience in the Republic appears highly perceptive when seen in the light of cognitive studies and can be thought-provoking for current debates. As I try to show in the first half of the article, Plato's assessment of responses to poetry and theater resonate with embodied and enactive views of cognition. To corroborate this thesis, I point out in the second half that while theory has been blind to the significance of Plato's aesthetics, its major ideas are substantiated in practice. Contemporary psychotherapy and its increasing deployment of virtual reality unknowingly and with the opposite intent realize Plato's approach to the cognitive dynamics and ethical potential of aesthetic experience.

《理想国》对诗歌的禁止是自由主义批评家将柏拉图列为开放社会敌人的主要原因，弗里德里希·尼采(Friedrich Nietzsche)对柏拉图的描述是“欧洲迄今为止艺术的最大敌人”，这一点经常被引用。在这篇文章中，我认为，虽然柏拉图的伦理立场对今天的大多数读者来说仍然是不可接受的，但从认知研究的角度来看，他对《理想国》中审美经验的理解似乎非常敏锐，可以引发当前的辩论。正如我在文章的前半部分试图展示的那样，柏拉图对诗歌和戏剧的反应的评估与认知的具体化和行动观点产生了共鸣。为了证实这一论点，我在后半部分指出，虽然理论对柏拉图美学的意义视而不见，但其主要思想在实践中得到了证实。当代心理治疗及其越来越多的虚拟现实的部署在不知不觉中以相反的意图实现了柏拉图对审美经验的认知动态和伦理潜力的方法。
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引用次数: 2
Wes, Hill. How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics. New York: Routledge, 2016, 182 pp., $160.00 cloth. 韦斯,希尔。民俗学如何塑造现代艺术:一种后批判的美学史。纽约:劳特利奇出版社，2016年，182页，160.00美元。
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-05-18 DOI: 10.1111/jaac.12725
mu li
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引用次数: 0
Rothfarb, , , Lee and Christoph Landerer. Eduard Hanslick's on the Musically Beautiful: A New Translation. Oxford University Press, 2018, 224 pp., $24.95 cloth. Rothfarb, Lee和Christoph Landerer。爱德华·汉斯立克的《音乐之美:一个新的翻译》牛津大学出版社，2018年，224页，24.95美元。
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-02-04 DOI: 10.1111/jaac.12693
LYDIA GOEHR
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引用次数: 0
Baer, Nicholas , Maggie Hennefeld, Laura Horak, and Gunnar Iversen, eds. Unwatchable. Rutgers University Press, 2019, 412 pp., 51 b&w illus., $29.95 paper. 拜尔，尼古拉斯，玛吉·亨尼菲尔德，劳拉·霍拉克和加纳·艾弗森编。禁止公映。罗格斯大学出版社，2019年，412页，51页。， 29.95美元。
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-02-04 DOI: 10.1111/jaac.12697
KRISTIN HREHOR
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引用次数: 0
Waltonian Perceptualism
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-02-04 DOI: 10.1111/jaac.12685
MADELEINE RANSOM
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引用次数: 7
Cox, , , Christoph. Sonic Flux: Sound, Art, and Metaphysics. University of Chicago Press, 2018, viii + 272 pp., 41 b&w illus., $100.00 cloth. 考克斯，克里斯托弗。《声音的流动:声音、艺术和形而上学》芝加哥大学出版社，2018年，8 + 272页，41页。， 100美元布料。
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-02-04 DOI: 10.1111/jaac.12695
WESLEY D. CRAY
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引用次数: 0
Why Trompe l'oeils Deceive Our Visual Experience 为什么错视画欺骗我们的视觉体验
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-02-04 DOI: 10.1111/jaac.12688
GABRIELE FERRETTI

Philosophers suggested that usual picture perception requires the simultaneous occurrence of the perception of the surface and of the depicted object. However, there are special cases of picture perception, such as trompe l'oeil perception, in which, unlike in usual picture perception, the object looks like a real, present object we can interact with, of the kind we are usually acquainted with in face-to-face perception. While philosophers suggested that usual picture perception and trompe l'oeil perception must differ with respect to the perception of the surface, nobody has ever proposed a final explanatory account for such a difference. Here, I propose such an account. I consider the two possible options as candidates for the explanation of the illusory power of trompe l'oeil perception. The first is that, with trompe l'oeils, we perceive the surface unconsciously. The second is that, with trompe l'oeils, we cannot perceive the surface at all, that is, we cannot perceive it either consciously or unconsciously. I show that the second option is the unique plausible option, as it is in line with vision science, and with our received view about the nature of usual picture perception.

哲学家们认为，通常的图像感知需要同时出现对表面和被描绘对象的感知。然而，也有一些特殊的图片感知，比如错视感知，在这种情况下，与通常的图片感知不同，物体看起来像一个真实的、我们可以与之互动的、我们通常在面对面感知中熟悉的物体。虽然哲学家们认为，通常的图像感知和错视感知在对表面的感知方面一定是不同的，但从来没有人对这种差异提出过最终的解释。在这里，我提出这样一种说法。我认为这两种可能的选择是解释错视错觉的虚幻力量的候选人。第一个是，使用错视画，我们无意识地感知表面。第二个是，使用错视法，我们根本无法感知表面，也就是说，我们无法有意识或无意识地感知它。我认为第二种选择是唯一可行的选择，因为它符合视觉科学，也符合我们所接受的关于通常图像感知本质的观点。
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引用次数: 9
Aesthetics and the Containment of Grief 美学与悲伤的遏制
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-02-04 DOI: 10.1111/jaac.12686
KATHLEEN MARIE HIGGINS

My point of departure is the observation that people ubiquitously turn to aesthetic practices in response to the loss of a loved one. I argue that profound loss catapults the bereaved person into an alternate “world” that differs in marked ways from the world we usually occupy, an alternate world lacking even the basic coherence we need to function. Aesthetic practices facilitate restoration of coherence to our experience, as well as reconnection with the social world and recovery from the breakdown that profound loss involves. While the aesthetic notion of closure is frequently invoked in connection with the needs of the bereaved, I suggest that while containing the emotions experienced in connection with loss is vital if they are to be processed, unrealistic aspirations toward closure can encourage expectations that harm the bereaved. By contrast, I suggest that the aims of aesthetically punctuating experience and communicating through aesthetic gestures are beneficial for helping the bereaved adjust to their new circumstances.

我的出发点是观察到人们无处不在地转向审美实践，以回应失去亲人。我认为，巨大的损失会将失去亲人的人推入另一个“世界”，这个世界与我们通常所处的世界有明显的不同，这个世界甚至缺乏我们运作所需的基本连贯性。美学实践有助于恢复我们经验的一致性，以及与社会世界的重新联系，并从深刻的损失所涉及的崩溃中恢复过来。虽然关闭的美学概念经常与失去亲人的需求联系在一起，但我认为，如果要处理与失去亲人有关的情感，那么包含与失去亲人有关的情感是至关重要的，对关闭的不切实际的愿望会鼓励伤害失去亲人的期望。相比之下，我认为通过美学手势来打断经验和交流的目的有利于帮助失去亲人的人适应他们的新环境。
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引用次数: 5
Guay, Robert , ed. Dostoevsky's Crime and Punishment: Philosophical Perspectives. Oxford University Press, 2019, xi + 230 pp., $24.95 paper. 罗伯特·盖伊编:《陀思妥耶夫斯基的罪与罚:哲学视角》。牛津大学出版社，2019,xi + 230页，24.95美元。
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-02-04 DOI: 10.1111/jaac.12700
JOHN GIBSON
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引用次数: 0
Contributors 贡献者
IF 0.8 2区 艺术学 0 ART
JOURNAL OF AESTHETICS AND ART CRITICISM
Pub Date : 2020-02-04 DOI: 10.1111/jaac.12689
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引用次数: 0
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