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Fashion Theory-The Journal of Dress Body & Culture最新文献

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New Fashion Identity and the State in China: A Decolonial Interpretation 中国的新时尚认同与国家:一个非殖民化的解读
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-27 DOI: 10.1080/1362704X.2023.2166205
C. Fu
Abstract This study explores the intersections between state and fashion in China by examining the facilitation of a new fashion identity in a fashion edutainment program produced by national television. It argues that the state-sponsored (re)appraisal of traditional sartorial esthetics from which a decolonized fashion identity is expected to evolve is intimately interweaved with the state’s metanarrative of national revival. The study interprets the reversion back to native historical traditions to counter and offer an alternative to Western cultural episteme as an inherently decolonial effort. With an emancipated fashion identity, the state aims to reclaim cultural authorship from the dictates of colonialism and orientalism. The paper examines how sartorial nationalism is given new expressions and highlights the question of authenticity working within state-prescribed parameters. The desire for international recognition however undermines the decoloniality of this undertaking.
摘要:本研究通过考察国家电视台制作的一个时尚教育娱乐节目对新时尚身份的促进作用,探讨了中国国家与时尚之间的交集。它认为,国家支持的对传统服装美学的(重新)评价——一种非殖民化的时尚身份有望由此演变——与国家对民族复兴的元叙事密切相关。该研究将回归本土的历史传统解释为对抗和提供西方文化知识的替代方案,这是一种固有的非殖民化努力。以一种解放的时尚身份,国家旨在从殖民主义和东方主义的支配中收回文化自主权。本文探讨了服装民族主义如何被赋予新的表达方式,并强调了在国家规定的参数内工作的真实性问题。然而,要求国际承认的愿望破坏了这项事业的非殖民化。
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引用次数: 0
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory 持久的纽带:通过人际爱情理论理解穿着者与服装的关系
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-26 DOI: 10.1080/1362704x.2023.2170706
Ana Neto, J. Ferreira
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引用次数: 0
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam 巧妙的去殖民化:20世纪和21世纪越南的时尚政治艺术
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-09 DOI: 10.1080/1362704X.2022.2109690
M. Nguyen, Ann Marie Leshkowich
Abstract Drawing on two case studies of designers whose work centered on the Vietnamese aó dài, one from the 1930s and the other the 2010s–2020s, this article considers how desires to construe fashion as art and the designer as fine artist have been implicated in transnational circuits of symbolic and material value, as well as colonial and postcolonial power relations. While decolonial scholarship on fashion has called for attention to diverse dress practices that are external to modernity and coloniality, this article argues that artist-designers’ demands for recognition of Vietnamese dress within universalizing systems of fashion and art can also constitute a decolonial move because they highlight the plurality at the heart of fashion’s aesthetic and material regime. At the same time, the designers’ creative processes often grapple with internalized discourses of essentialized Vietnamese identities that have emerged within a patriarchal context and have tended to deploy the clothed bodies of women. In simultaneously positioning their fashion as art and asserting an essentialized national identity, Vietnamese designers in different temporal contexts have both constituted and challenged the ideological and material contours of the raced, gendered, and classed hierarchies of modernity, coloniality, and fashion.
摘要本文以20世纪30年代和2010年代至20世纪20年代的两个以越南aódài为中心的设计师案例研究为基础,思考了将时尚视为艺术和将设计师视为优秀艺术家的愿望如何与象征和物质价值的跨国循环以及殖民地和后殖民地的权力关系联系在一起。虽然非殖民化的时尚学术呼吁关注现代性和殖民主义之外的各种着装实践,这篇文章认为,艺术家和设计师要求在普遍的时尚和艺术体系中承认越南服装也可能构成一种非殖民化的举动,因为他们强调了时尚审美和物质制度的核心是多元性。与此同时,设计师的创作过程经常与在父权制背景下出现的本质化越南身份的内化话语作斗争,这些话语倾向于运用女性的衣装。越南设计师在不同的时间背景下,将时尚定位为艺术,并维护其本质化的民族身份,从而构成并挑战了现代性、殖民性和时尚的种族、性别和阶级等级的意识形态和物质轮廓。
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引用次数: 0
Letter from the Editors 编辑的信
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-02 DOI: 10.1080/1362704x.2023.2175963
Jonathan C. Kaplan, P. McNeil
The editorial introduces a Special Issue of Critical Studies in Men’s Fashion, ‘Fashion in the Age of AIDS’. Outlining the devastating impact of the emergence of Acquired Immunodeficiency Syndrome (AIDS) from the 1980s in the West on mainly gay men and minorities, the editors provide their rationale and introduce the contributors. As well as its effects on the fashion and styling industries, creating a ‘lost’ or ‘missing’ generation, AIDS and its rhetoric saw an array of new styles and looks developed by and for LGBTQI peoples in response to the crisis. Authors cover areas as diverse as fashion and music, fashion and intersectional homophobia, the fashion industry’s response to AIDS, ‘passing’ as straight, and fashion and body modification.
这篇社论介绍了《男性时尚批判研究》的一期特刊——“艾滋病时代的时尚”。从20世纪80年代开始,获得性免疫缺陷综合症(艾滋病)在西方的出现对主要是男同性恋者和少数民族造成了毁灭性的影响,编辑提供了他们的基本原理并介绍了贡献者。艾滋病不仅对时尚和造型行业产生了影响,造就了“迷失的”或“失踪的”一代,还催生了一系列由LGBTQI人群开发的新风格和新造型,以应对这场危机。作者涵盖了时尚和音乐、时尚和交叉同性恋恐惧症、时尚界对艾滋病的反应、“扮作异性恋”、时尚和身体修饰等多种领域。
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引用次数: 0
Material Lives: Women Makers and Consumer Culture in the 18th Century 物质生活:18世纪的女性制造者与消费文化
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-12-16 DOI: 10.1080/1362704X.2022.2151700
Kate Strasdin
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引用次数: 2
Samlingen 该系列
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-12-16 DOI: 10.1080/1362704X.2022.2155291
Johanna Zanon
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引用次数: 0
Fashion|Sense: On Philosophy and Fashion Fashion|Sense:论哲学与时尚
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-30 DOI: 10.1080/1362704X.2022.2151117
Jeffrey DeShell
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引用次数: 0
Elvis: Direct from Graceland 猫王:从雅园直接过来
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-11 DOI: 10.1080/1362704x.2022.2137292
Paola Di Trocchio
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引用次数: 0
Letter from the Editor 编辑来信
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-10 DOI: 10.1080/1362704X.2022.2154937
V. Steele
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引用次数: 0
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-19 低调——从必要到奢华:新冠肺炎期间面部遮盖物的演变
IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-10-25 DOI: 10.1080/1362704X.2022.2129138
Joshua M. Bluteau
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引用次数: 0
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