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Critical Studies in Television最新文献

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Victim behaviour and trauma recovery: Representing black British femininity through fantasy in Michaela Coel’s I May Destroy You 受害者行为与创伤恢复:通过米凯拉-科尔的《我可能会毁掉你》中的幻想表现英国黑人的女性特质
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-11-14 DOI: 10.1177/17496020241298777
Richard Bramwell
This paper examines the representation of trauma recovery in the television series I May Destroy You ( 2020 ). Research on rape in fictional television programmes overwhelmingly focus on rape myths or how rape is represented. There is scant research on recovery from rape trauma in television drama. This paper contributes to scholarship on rape in fictional television, through a focus on the process of trauma recovery. Michaela Coel’s portrayal of the struggle to recover from the traumatic experience of sexual assault, makes a nuanced contribution to debates on sexual violence, victim behaviour, and black British identity.
本文探讨了电视剧《我可能会毁掉你》(2020 年)中对创伤恢复的表现。有关虚构电视节目中强奸的研究绝大多数集中在强奸神话或如何表现强奸。关于电视剧中强奸创伤恢复的研究却很少。本文通过对创伤恢复过程的关注,为虚构电视节目中强奸问题的研究做出了贡献。Michaela Coel 描绘了从性侵犯的创伤经历中恢复的过程,为有关性暴力、受害者行为和英国黑人身份的讨论做出了细致入微的贡献。
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引用次数: 0
Exploring Netflix myths: Towards more media industry studies and empirical research in studying video-on-demand 探索 Netflix 的神话:在研究视频点播时开展更多媒体行业研究和实证研究
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-11-11 DOI: 10.1177/17496020241297618
Karin van Es
Using Netflix as a lens, this article identifies and unpacks three central interrelated myths – binge-watching, on-demand, and big data – surrounding global video-on-demand services. These myths are problematic because they make certain ideas about these services seem natural and self-evident, restricting our understanding of their role in culture and society. Moreover, these services provide little transparency and data access to evaluate their claims leading to a call for more media industry studies and empirical research. This article points to valuable avenues of inquiry, emerging from recent studies, that can serve as a source of inspiration for future research in this field.
本文以 Netflix 为视角,指出并解读了围绕全球视频点播服务的三个相互关联的核心神话--狂欢观看、按需点播和大数据。这些神话是有问题的,因为它们使关于这些服务的某些想法显得自然而然、不言自明,限制了我们对其在文化和社会中的作用的理解。此外,这些服务提供的透明度和数据访问很少,无法对其主张进行评估,因此呼吁开展更多的媒体行业研究和实证研究。本文指出了近期研究中出现的有价值的探索途径,这些途径可为该领域未来的研究提供灵感。
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引用次数: 0
Book Review: Audiovisual content for children and adolescents in Scandinavia: Production, distribution, and reception in a multiplatform era 书评:斯堪的纳维亚儿童和青少年视听内容:多平台时代的制作、发行和接收
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-11-01 DOI: 10.1177/17496020241280439
Ruchi Kher Jaggi
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引用次数: 0
Is prompt engineering the future of screenwriting? Views of professional screenwriters and commissioners about the impact of AI technologies on their profession 提示工程是编剧的未来吗?专业编剧和专员对人工智能技术对其职业影响的看法
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-10-28 DOI: 10.1177/17496020241269277
Eliisa Vainikka, Anne Soronen, Saara-Maija Kallio
This article presents a qualitative interview study of Finnish screenwriters and commissioners about the impact of generative artificial intelligence on the profession of screenwriting. We ask how screenwriters and commissioners see the benefits and risks of AI tools in screenwriting and how screenwriters see their changing profession in the future. We identify three stances towards AI-driven work practices in screenwriting. The functional, critical and curious stance reflect the ways in which the writers position themselves against AI technologies. Prompt engineering has emerged as a new skill in commanding AI and will become a conventional part of creative work.
本文介绍了一项对芬兰编剧和委托人的定性访谈研究,内容涉及生成式人工智能对编剧职业的影响。我们询问编剧和委托人如何看待人工智能工具在编剧工作中的益处和风险,以及编剧如何看待他们未来职业的变化。对于人工智能驱动的编剧工作实践,我们确定了三种立场。功能性立场、批判性立场和好奇心立场反映了编剧对人工智能技术的自我定位。及时工程已成为指挥人工智能的一项新技能,并将成为创作工作的常规组成部分。
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引用次数: 0
Book Review: Monsters on Maple Street: The Twilight Zone and the Postwar American Dream 书评:枫树街的怪物:阴阳魔界》与战后美国梦
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-10-21 DOI: 10.1177/17496020241280449
Mehdi Achouche
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引用次数: 0
Book Review: Transmedia/Genre: Rethinking Genre in a Multiplatform Culture 书评:跨媒体/流派:多平台文化中的流派反思
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-10-18 DOI: 10.1177/17496020241280440
Marta F Suarez
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引用次数: 0
Book Review: TV drama in the multiplatform era: Transnational coproduction and cultural specificity 书评:多平台时代的电视剧:跨国共同制作与文化特殊性
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-10-17 DOI: 10.1177/17496020241280438
Max Sexton
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引用次数: 0
Landscapes in the frame: Anthropocene screens 画框中的风景人类世屏幕
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-10-17 DOI: 10.1177/17496020241259277
Irina Souch, Robert A Saunders, Anne Marit Risum Waade
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引用次数: 0
Book Review: Screen plays: Theatre plays on British television 书评:银幕戏剧:英国电视上的戏剧
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-10-17 DOI: 10.1177/17496020241280450
Tom May
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引用次数: 0
Gay as cute: Unpacking cuteness in contemporary gay teen drama series 同性恋的可爱解读当代同性恋青春剧中的可爱之处
IF 1 2区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2024-09-20 DOI: 10.1177/17496020241286786
Frederik Dhaenens, Ben De Smet
Since the late 2010s, there has been a surge in gay teen drama series that portray their gay male protagonists as cute. This article focuses on four series ( Heartstopper, Young Royals, Love, Victor, and wtFOCK) and examines which formal and narrative practices are used to convey cuteness. It argues that, first, each series participates in the creation of the cute gay boy archetype; second, each series represents cuteness as vulnerable in an ambiguous and, at times, resistant manner; third, cute aesthetics are used to soften the blow when tackling heavy or disturbing issues or to amplify positive emotions.
自 2010 年代末以来,将男同性恋主人公描绘成可爱形象的同性恋青春剧激增。本文聚焦于四部剧集(《心跳停止》、《年轻的皇家》、《爱》、《维克多》和《wtFOCK》),探讨了哪些形式和叙事手法被用来传达可爱。文章认为,首先,每个系列都参与了可爱男同性恋原型的创造;其次,每个系列都以一种模棱两可、有时甚至是抵触的方式将可爱表现为脆弱;第三,在处理沉重或令人不安的问题时,可爱美学被用来缓和打击,或放大积极情绪。
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引用次数: 0
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Critical Studies in Television
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