Pub Date : 2023-09-12DOI: 10.1177/17496020231198596
Cathrin Bengesser
{"title":"Book Review: A European television fiction renaissance: Premium production models and transnational circulation","authors":"Cathrin Bengesser","doi":"10.1177/17496020231198596","DOIUrl":"https://doi.org/10.1177/17496020231198596","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135879500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-12DOI: 10.1177/17496020231198595
Abigail Jenkins
{"title":"Book Review: TV snapshots: An archive of everyday life","authors":"Abigail Jenkins","doi":"10.1177/17496020231198595","DOIUrl":"https://doi.org/10.1177/17496020231198595","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135825929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-12DOI: 10.1177/17496020231198598
Jamie Medhurst
{"title":"Book review: Television before TV: New media and exhibition culture in Europe and the USA, 1928–1939","authors":"Jamie Medhurst","doi":"10.1177/17496020231198598","DOIUrl":"https://doi.org/10.1177/17496020231198598","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135826225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-12DOI: 10.1177/17496020231198597
Ruth A Deller
{"title":"Book Review: Special Issue of Journal of Popular Television on ‘Histories and new directions: Soap opera/serial narrative research’","authors":"Ruth A Deller","doi":"10.1177/17496020231198597","DOIUrl":"https://doi.org/10.1177/17496020231198597","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135878817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-18DOI: 10.1177/17496020231196422
Hanne Bruun, Julie Münter Lassen
This article addresses the development of new scheduling practices within public service media (PSM) in the Nordic, focusing on DR and TV 2 in Denmark. These practices relate to in-house broadcaster-video-on-demand-services (BVoDs). Our findings show, first, that television’s time-structured identity and liveness are re-configured for a mainstream audience as opposed to the segmented audiences approach of the earlier multi-channel era. Second, we find that the public service identity and the benefits of being PSM natives are harnessed to help the survivability of PSM companies in the digital era.
{"title":"New scheduling strategies and production culture in public service television in the digital era: The case of DR and TV 2 in Denmark","authors":"Hanne Bruun, Julie Münter Lassen","doi":"10.1177/17496020231196422","DOIUrl":"https://doi.org/10.1177/17496020231196422","url":null,"abstract":"This article addresses the development of new scheduling practices within public service media (PSM) in the Nordic, focusing on DR and TV 2 in Denmark. These practices relate to in-house broadcaster-video-on-demand-services (BVoDs). Our findings show, first, that television’s time-structured identity and liveness are re-configured for a mainstream audience as opposed to the segmented audiences approach of the earlier multi-channel era. Second, we find that the public service identity and the benefits of being PSM natives are harnessed to help the survivability of PSM companies in the digital era.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"17 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2023-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80170495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-12DOI: 10.1177/17496020231194465
Reina-Marie Loader
This aerial review concentrates on the development of the South African television industry as chronicled and analysed by scholarship. Academic reflections on the evolution of television are categorised into three main periods: First, the advent of South African television, second, the transitional period, and third, a period of stocktaking. The overview aims to provide readers with key academic discussions during these periods and the historical context within which they took shape. Looking at issues ranging from censorship, nation-building, restructuring and globalisation, to event television, edutainment programming and community TV, the South African television environment is shown to be in constant transition.
{"title":"Broadcasting change: An aerial overview of South African television debates in an age of constant transition","authors":"Reina-Marie Loader","doi":"10.1177/17496020231194465","DOIUrl":"https://doi.org/10.1177/17496020231194465","url":null,"abstract":"This aerial review concentrates on the development of the South African television industry as chronicled and analysed by scholarship. Academic reflections on the evolution of television are categorised into three main periods: First, the advent of South African television, second, the transitional period, and third, a period of stocktaking. The overview aims to provide readers with key academic discussions during these periods and the historical context within which they took shape. Looking at issues ranging from censorship, nation-building, restructuring and globalisation, to event television, edutainment programming and community TV, the South African television environment is shown to be in constant transition.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"34 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2023-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89871995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-15DOI: 10.1177/17496020231185103
Sean Brayton
This paper is interested in representations of mass surveillance in Hunted, Channel 4’s reality tv series in which ‘ordinary British citizens’ roleplay as ‘fugitives’ that must evade surveillance and capture by ‘the state.’ Here contentious powers of state surveillance are mitigated by (a) the programme’s deployment of a myth of surveillance ‘symmetry’ and a ‘fugitive fantasy’ that obfuscate the racial politics of ‘being watched’ in a post-9/11 climate; (b) personal stories of contestants or ‘fugitives’ that enable a ‘therapeutic self’ that situates the mass surveillance experience as productive and transformative; and (c) the ‘gamification’ of surveillance itself.
{"title":"Reality television and the politics of mass surveillance in channel 4’s hunted","authors":"Sean Brayton","doi":"10.1177/17496020231185103","DOIUrl":"https://doi.org/10.1177/17496020231185103","url":null,"abstract":"This paper is interested in representations of mass surveillance in Hunted, Channel 4’s reality tv series in which ‘ordinary British citizens’ roleplay as ‘fugitives’ that must evade surveillance and capture by ‘the state.’ Here contentious powers of state surveillance are mitigated by (a) the programme’s deployment of a myth of surveillance ‘symmetry’ and a ‘fugitive fantasy’ that obfuscate the racial politics of ‘being watched’ in a post-9/11 climate; (b) personal stories of contestants or ‘fugitives’ that enable a ‘therapeutic self’ that situates the mass surveillance experience as productive and transformative; and (c) the ‘gamification’ of surveillance itself.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"22 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2023-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80349871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-18DOI: 10.1177/17496020231183883
P. Rajcsányi
This study tracks the activities of Hungarian Television’s Executive Committee, elected during the October 1956 revolution, which played a key role in the establishment of said television. The work of the Executive Committee included the development of a new television programme policy and structure, as well as the first transmissions of sports events, operas and theatrical performances, the renewal of newscasts and the introduction of entertainment and scientific programmes. It had a long-lasting impact and provided a solid basis for the future operation of Hungarian television.
{"title":"The endeavour for political and professional freedom in Hungarian television during the 1956 October revolution","authors":"P. Rajcsányi","doi":"10.1177/17496020231183883","DOIUrl":"https://doi.org/10.1177/17496020231183883","url":null,"abstract":"This study tracks the activities of Hungarian Television’s Executive Committee, elected during the October 1956 revolution, which played a key role in the establishment of said television. The work of the Executive Committee included the development of a new television programme policy and structure, as well as the first transmissions of sports events, operas and theatrical performances, the renewal of newscasts and the introduction of entertainment and scientific programmes. It had a long-lasting impact and provided a solid basis for the future operation of Hungarian television.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"24 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82063088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-06DOI: 10.1177/17496020231177826
Janna Houwen
reflection and analysis triggered by the narratives animating them. The ability to interpret the contemporary world through the mirror of fiction is seen as a necessity regarding the opportunities that the future may unfold. Behind this practice, Lynch shows us a path of thinking taking shape and arising from an in-depth study of serials, accompanied by the voices of the many philosophers that are mentioned in the various chapters of the book; it is a path that moves under the surface of the texts and much of the sense of a story is produced through the many layers of meaning that are summoned through the ongoing exercise of thinking itself. Only in this way is it possible to produce unprecedented connections between features of the stories and the scenarios of reality. Although Between Habit and Thought undoubtedly presents elements of interest and originality, at times the philosophical speculation runs the risk of prevailing over the ability to bring out the specificities and intrinsic qualities of the serial as a television phenomenon. This is, nevertheless, a book which will be of much interest to those already engaged with philosophical approaches to television analysis.
{"title":"Book Review: Figures of Time: Affect and the Television of Preemption","authors":"Janna Houwen","doi":"10.1177/17496020231177826","DOIUrl":"https://doi.org/10.1177/17496020231177826","url":null,"abstract":"reflection and analysis triggered by the narratives animating them. The ability to interpret the contemporary world through the mirror of fiction is seen as a necessity regarding the opportunities that the future may unfold. Behind this practice, Lynch shows us a path of thinking taking shape and arising from an in-depth study of serials, accompanied by the voices of the many philosophers that are mentioned in the various chapters of the book; it is a path that moves under the surface of the texts and much of the sense of a story is produced through the many layers of meaning that are summoned through the ongoing exercise of thinking itself. Only in this way is it possible to produce unprecedented connections between features of the stories and the scenarios of reality. Although Between Habit and Thought undoubtedly presents elements of interest and originality, at times the philosophical speculation runs the risk of prevailing over the ability to bring out the specificities and intrinsic qualities of the serial as a television phenomenon. This is, nevertheless, a book which will be of much interest to those already engaged with philosophical approaches to television analysis.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"338 - 341"},"PeriodicalIF":1.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47431112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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