Pub Date : 2022-12-05DOI: 10.1177/17496020221136727
Bethan Jones
{"title":"Book Review: Watching Game of Thrones: How Audiences Engage with Dark Television","authors":"Bethan Jones","doi":"10.1177/17496020221136727","DOIUrl":"https://doi.org/10.1177/17496020221136727","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"13 1","pages":"101 - 103"},"PeriodicalIF":1.0,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88070820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-05DOI: 10.1177/17496020221136714
Ipek A Celik Rappas
{"title":"Book Review: Down in Treme; Race, Place and New Orleans on Television","authors":"Ipek A Celik Rappas","doi":"10.1177/17496020221136714","DOIUrl":"https://doi.org/10.1177/17496020221136714","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"37 1","pages":"104 - 106"},"PeriodicalIF":1.0,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73850008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-24DOI: 10.1177/17496020221141625
Kristina Pietaryte, Ana Cristina Suzina
This article investigates the equality of female representation in 2019 Global Original Netflix drama series by identifying trends of female representation across 82 series sample, assessing the quality of female representation in the most watched 2019 drama series and comparing analysis across British, American and International series. Overall, female representation in 2019 Netflix drama series conforms the existing literature on television studies concluding that women are underrepresented on-screen and behind-the-scenes.
{"title":"Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series","authors":"Kristina Pietaryte, Ana Cristina Suzina","doi":"10.1177/17496020221141625","DOIUrl":"https://doi.org/10.1177/17496020221141625","url":null,"abstract":"This article investigates the equality of female representation in 2019 Global Original Netflix drama series by identifying trends of female representation across 82 series sample, assessing the quality of female representation in the most watched 2019 drama series and comparing analysis across British, American and International series. Overall, female representation in 2019 Netflix drama series conforms the existing literature on television studies concluding that women are underrepresented on-screen and behind-the-scenes.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"55 1","pages":"41 - 61"},"PeriodicalIF":1.0,"publicationDate":"2022-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81229896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-20DOI: 10.1177/17496020221092694
Sylwia Szostak
Television studies in Poland has not yet been recognized as an academic discipline in its own right. Despite this obvious omission in the institutional division of academic fields, Polish researchers have been studying television: its texts, audiences and history. This aerial review aims to present the main intellectual traditions that influenced academic writing of Polish scholars on the topic of television, both domestic and imported. This focus on research conducted by Polish scholars, and written mainly in Polish, allows for an examination of the body of work that is otherwise inaccessible to Anglo-American researchers due to the language barrier. Local academic debates are presented in a way that reflects the main disciplinary criteria of Anglo-American television studies, allowing for a clear organization of what is a substantial amount of literature. Additionally, this review aims to give a sense of what it is like to study television in an environment where TV criticism and analysis are not granted the status of an academic discipline. The consideration of the broader context for Polish studies on television allows for a thorough understanding of this academic field, its focus, main methodologies, challenges and its way forward.
{"title":"On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives","authors":"Sylwia Szostak","doi":"10.1177/17496020221092694","DOIUrl":"https://doi.org/10.1177/17496020221092694","url":null,"abstract":"Television studies in Poland has not yet been recognized as an academic discipline in its own right. Despite this obvious omission in the institutional division of academic fields, Polish researchers have been studying television: its texts, audiences and history. This aerial review aims to present the main intellectual traditions that influenced academic writing of Polish scholars on the topic of television, both domestic and imported. This focus on research conducted by Polish scholars, and written mainly in Polish, allows for an examination of the body of work that is otherwise inaccessible to Anglo-American researchers due to the language barrier. Local academic debates are presented in a way that reflects the main disciplinary criteria of Anglo-American television studies, allowing for a clear organization of what is a substantial amount of literature. Additionally, this review aims to give a sense of what it is like to study television in an environment where TV criticism and analysis are not granted the status of an academic discipline. The consideration of the broader context for Polish studies on television allows for a thorough understanding of this academic field, its focus, main methodologies, challenges and its way forward.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"71 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2022-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85884588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-18DOI: 10.1177/17496020221137661
Noa Lavie
This study investigates how the concept of ‘quality TV’ is evolving in the age of streaming video on demand (SVOD) platforms, using reviews of two Israeli TV series on Netflix – Fauda and Shtisel. In accordance with Pierre Bourdieu’s view of journalistic reviewers as social agents and intermediaries with the power to enshrine cultural artifacts in an artistic canon, the study is based on a qualitative analysis of reviews of these two series published on major Anglo-American journalistic platforms. The analysis shows how the reviewers take part in constructing the Netflix brand of ‘a ‘foreign-language quality TV’ series.
{"title":"The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel","authors":"Noa Lavie","doi":"10.1177/17496020221137661","DOIUrl":"https://doi.org/10.1177/17496020221137661","url":null,"abstract":"This study investigates how the concept of ‘quality TV’ is evolving in the age of streaming video on demand (SVOD) platforms, using reviews of two Israeli TV series on Netflix – Fauda and Shtisel. In accordance with Pierre Bourdieu’s view of journalistic reviewers as social agents and intermediaries with the power to enshrine cultural artifacts in an artistic canon, the study is based on a qualitative analysis of reviews of these two series published on major Anglo-American journalistic platforms. The analysis shows how the reviewers take part in constructing the Netflix brand of ‘a ‘foreign-language quality TV’ series.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"45 1","pages":"62 - 80"},"PeriodicalIF":1.0,"publicationDate":"2022-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86545118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-31DOI: 10.1177/17496020221135183
Sanna Wicks, Pietari Kääpä
This article discusses the ways locality and sense of place are used in the production and promotion of streaming media from small nations. We concentrate on location-related decisions behind Man in Room 301 (2019), a Finnish thriller series produced by VOD service Elisa Viihde Viaplay. While locality acts as a significant tool for Nordic Noir, a genre of film and TV characterised by a distinct ‘localised’ style, this article explores how the Finnish streaming industry is progressing towards a ‘post-Nordic-noir’ framework, a direction that focuses on an intense sense of place, both on the level of representation and production-related decisions.
本文探讨了地域感和地方感在小国流媒体制作和推广中的运用。我们专注于VOD服务Elisa Viihde Viaplay制作的芬兰惊悚剧《Man in Room 301》(2019)背后的位置相关决策。虽然地方性是北欧黑色电影(一种以独特的“本地化”风格为特征的电影和电视类型)的重要工具，但本文探讨了芬兰流媒体产业如何朝着“后北欧黑色”框架发展，这是一个专注于强烈的地方感的方向，无论是在表现层面还是与制作相关的决策上。
{"title":"Post-Nordic-Noir landscapes: Competition through localisation in Finnish streaming media","authors":"Sanna Wicks, Pietari Kääpä","doi":"10.1177/17496020221135183","DOIUrl":"https://doi.org/10.1177/17496020221135183","url":null,"abstract":"This article discusses the ways locality and sense of place are used in the production and promotion of streaming media from small nations. We concentrate on location-related decisions behind Man in Room 301 (2019), a Finnish thriller series produced by VOD service Elisa Viihde Viaplay. While locality acts as a significant tool for Nordic Noir, a genre of film and TV characterised by a distinct ‘localised’ style, this article explores how the Finnish streaming industry is progressing towards a ‘post-Nordic-noir’ framework, a direction that focuses on an intense sense of place, both on the level of representation and production-related decisions.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"373 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73447294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-15DOI: 10.1177/17496020221129969
Anders Grønlund
The Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an insight into current possibilities and challenges of production in the Nordic Arctic region and the involvement of the developing Greenlandic screen industry. By analysing both off- and on-screen elements through a broad screen industry and location-driven approach, the explorative case study illustrates both a region and a screen industry in development as well as changing production practices. Furthermore, the article highlights the perceived value of location and cultural specificity in high-end TV drama from the multi-ethnic and multi-lingual Arctic region.
{"title":"Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice","authors":"Anders Grønlund","doi":"10.1177/17496020221129969","DOIUrl":"https://doi.org/10.1177/17496020221129969","url":null,"abstract":"The Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an insight into current possibilities and challenges of production in the Nordic Arctic region and the involvement of the developing Greenlandic screen industry. By analysing both off- and on-screen elements through a broad screen industry and location-driven approach, the explorative case study illustrates both a region and a screen industry in development as well as changing production practices. Furthermore, the article highlights the perceived value of location and cultural specificity in high-end TV drama from the multi-ethnic and multi-lingual Arctic region.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"206 - 223"},"PeriodicalIF":1.0,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46791626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-13DOI: 10.1177/17496020221134014
Melissa Zimdars
On their surface, medicalised reality television series about food addiction and fatness seem to reinforce the same discourses of neoliberalism that have come to define our understanding of contemporary reality TV. However, this article considers how one of these shows, My 600 Pound Life (2012), negotiates and de-centres discourses of neoliberalism through medicalisation and spectacle. The bodies and behaviours on medicalised reality TV programmes can be engendering of sympathy as much or more than of discipline and shame, which reflects expanding and shifting narratives of the ‘obesity epidemic’.
{"title":"Medicalized reality weight-loss television and the negotiation of neoliberalism on my 600 Pound Life","authors":"Melissa Zimdars","doi":"10.1177/17496020221134014","DOIUrl":"https://doi.org/10.1177/17496020221134014","url":null,"abstract":"On their surface, medicalised reality television series about food addiction and fatness seem to reinforce the same discourses of neoliberalism that have come to define our understanding of contemporary reality TV. However, this article considers how one of these shows, My 600 Pound Life (2012), negotiates and de-centres discourses of neoliberalism through medicalisation and spectacle. The bodies and behaviours on medicalised reality TV programmes can be engendering of sympathy as much or more than of discipline and shame, which reflects expanding and shifting narratives of the ‘obesity epidemic’.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"59 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2022-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74462360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.1177/17496020221130256
Balázs Boross
Interventional reality programmes often give rise to speculations about how they treat their contributors. However, little is known about the actual production practices that lie behind these complex and often contradictory media texts. Based on in-depth interviews with crew members of a variety of popular formats, this article explores how ordinary people are turned into subjects of emancipation and spectacular transformations. By analysing the ideals, tactics and constraints characterising this process, I address how particular discursive and organisational mechanisms support or hinder morally viable compromises in situations where the imperative of ‘selling strong performances’ and personal standpoints come into conflict.
{"title":"Televisual transformations: The making of (media) citizens in interventional television productions","authors":"Balázs Boross","doi":"10.1177/17496020221130256","DOIUrl":"https://doi.org/10.1177/17496020221130256","url":null,"abstract":"Interventional reality programmes often give rise to speculations about how they treat their contributors. However, little is known about the actual production practices that lie behind these complex and often contradictory media texts. Based on in-depth interviews with crew members of a variety of popular formats, this article explores how ordinary people are turned into subjects of emancipation and spectacular transformations. By analysing the ideals, tactics and constraints characterising this process, I address how particular discursive and organisational mechanisms support or hinder morally viable compromises in situations where the imperative of ‘selling strong performances’ and personal standpoints come into conflict.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"8 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84506469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-25DOI: 10.1177/17496020221129048
Michael Waugh
The excess of mystery and ‘meaning’ in Twin Peaks: Season 3 (2017) reflects the post-truth ontological dissonance of information overload, tantalising the thirst for answers that dominates digital communication. Combining its clues and codes with payoffs for ‘long-term fan investments’ (Hills, 2020: 197) situates the series between two modes of fan participation: the curative puzzle-solving of complex ‘Quality TV’, and cult television’s ‘hyperdiegesis’. Season 3 is complex cult television, encouraging forensic and creative engagement. Replicating the polarisation of contemporary discourse while simultaneously promoting algorithmic literacy informs Mark Frost’s politicised vision for Twin Peaks, and David Lynch’s aesthetic experiments amplify this.
{"title":"‘Make sense of it’: Cult and complex TV fandoms, post-Truth discourse and an excess of meaning in Twin Peaks: Season 3","authors":"Michael Waugh","doi":"10.1177/17496020221129048","DOIUrl":"https://doi.org/10.1177/17496020221129048","url":null,"abstract":"The excess of mystery and ‘meaning’ in Twin Peaks: Season 3 (2017) reflects the post-truth ontological dissonance of information overload, tantalising the thirst for answers that dominates digital communication. Combining its clues and codes with payoffs for ‘long-term fan investments’ (Hills, 2020: 197) situates the series between two modes of fan participation: the curative puzzle-solving of complex ‘Quality TV’, and cult television’s ‘hyperdiegesis’. Season 3 is complex cult television, encouraging forensic and creative engagement. Replicating the polarisation of contemporary discourse while simultaneously promoting algorithmic literacy informs Mark Frost’s politicised vision for Twin Peaks, and David Lynch’s aesthetic experiments amplify this.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"143 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2022-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76157351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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