Pub Date : 2023-06-05DOI: 10.1177/17496020231177839
A. Mascio
in China and the West should learn from each other. Documentaries and China’s National Image makes us realise that, although the communication strategies of the national image in Chinese documentaries have undergone various changes over time, the national agenda has always constrained the creation of documentaries within its own framework. The book is rich in case studies within a certain theoretical framework, and this is the first time the book has been translated into English, which opens a window for international readers to understand Chinese documentary creation.
{"title":"Book Review: Between Habit and Thought in the New Serial Drama","authors":"A. Mascio","doi":"10.1177/17496020231177839","DOIUrl":"https://doi.org/10.1177/17496020231177839","url":null,"abstract":"in China and the West should learn from each other. Documentaries and China’s National Image makes us realise that, although the communication strategies of the national image in Chinese documentaries have undergone various changes over time, the national agenda has always constrained the creation of documentaries within its own framework. The book is rich in case studies within a certain theoretical framework, and this is the first time the book has been translated into English, which opens a window for international readers to understand Chinese documentary creation.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"336 - 338"},"PeriodicalIF":1.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48121993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1177/17496020231160816
Catalina Iordache
television exists for everyone. By attending to the diversity of television and the experiences of those watching, Holdsworth breaks down hierarchies of value and challenges the dominance of “quality” television within television studies. A landmark book that will undoubtedly be a foundational text and a catalyst for further research, On Living with Television offers its reader a much-needed alternate perspective on what it means to watch and live with television.
{"title":"Book Review: Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars","authors":"Catalina Iordache","doi":"10.1177/17496020231160816","DOIUrl":"https://doi.org/10.1177/17496020231160816","url":null,"abstract":"television exists for everyone. By attending to the diversity of television and the experiences of those watching, Holdsworth breaks down hierarchies of value and challenges the dominance of “quality” television within television studies. A landmark book that will undoubtedly be a foundational text and a catalyst for further research, On Living with Television offers its reader a much-needed alternate perspective on what it means to watch and live with television.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"227 - 229"},"PeriodicalIF":1.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41400275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1177/17496020231160854
L. Weston
{"title":"Book Review: On Living with Television","authors":"L. Weston","doi":"10.1177/17496020231160854","DOIUrl":"https://doi.org/10.1177/17496020231160854","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"224 - 226"},"PeriodicalIF":1.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46530586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1177/17496020231160853
A. Salichs
{"title":"Book Review: From Telenovelas to Netflix: Transnational, Transverse Television in Latin America","authors":"A. Salichs","doi":"10.1177/17496020231160853","DOIUrl":"https://doi.org/10.1177/17496020231160853","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"230 - 232"},"PeriodicalIF":1.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42103349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-25DOI: 10.1177/17496020231177825
K. Geddes
Nick Hall is a lecturer in film and television studies at Royal Holloway, University of London. His research focuses on post-war British television technology and production. His publications include The Zoom: Drama at the Touch of a Lever (Rutgers University Press, 2018) and, together with John Ellis, the edited collection Hands on Media History: A New Methodology in the Arts and Social Sciences (Routledge, 2019). Most recently, he has completed a history of the independent producers lobbying organisation, Pact.
{"title":"Book Review: Celebrity Chefs, Food Media and the Politics of Eating","authors":"K. Geddes","doi":"10.1177/17496020231177825","DOIUrl":"https://doi.org/10.1177/17496020231177825","url":null,"abstract":"Nick Hall is a lecturer in film and television studies at Royal Holloway, University of London. His research focuses on post-war British television technology and production. His publications include The Zoom: Drama at the Touch of a Lever (Rutgers University Press, 2018) and, together with John Ellis, the edited collection Hands on Media History: A New Methodology in the Arts and Social Sciences (Routledge, 2019). Most recently, he has completed a history of the independent producers lobbying organisation, Pact.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"330 - 333"},"PeriodicalIF":1.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46376978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-25DOI: 10.1177/17496020231177828
Nick Hall
{"title":"Book Review: The Early Years of Television and the BBC","authors":"Nick Hall","doi":"10.1177/17496020231177828","DOIUrl":"https://doi.org/10.1177/17496020231177828","url":null,"abstract":"","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"328 - 330"},"PeriodicalIF":1.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41539617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-27DOI: 10.1177/17496020231170266
A. Potter
This is a case study of 40 years of policy approaches in Australian children’s television during which the children’s television production ecology was profoundly altered by new distribution technologies. For decades Australia used quotas, subsidies and screen organisation The Australian Children’s Television Foundation to safeguard supplies of children’s television including drama. Digitisation has caused enormous industrial disruption while delivering abundant children’s content on demand. The article calls for new approaches to supporting local children’s screen content through increased funding of public service media rather than the ad hoc distribution of resources to an organisation without direct pathways to audiences.
{"title":"Supporting children’s drama in the on demand age: Assessing the efficacy of forty years of Australian policy frameworks and funding schemes","authors":"A. Potter","doi":"10.1177/17496020231170266","DOIUrl":"https://doi.org/10.1177/17496020231170266","url":null,"abstract":"This is a case study of 40 years of policy approaches in Australian children’s television during which the children’s television production ecology was profoundly altered by new distribution technologies. For decades Australia used quotas, subsidies and screen organisation The Australian Children’s Television Foundation to safeguard supplies of children’s television including drama. Digitisation has caused enormous industrial disruption while delivering abundant children’s content on demand. The article calls for new approaches to supporting local children’s screen content through increased funding of public service media rather than the ad hoc distribution of resources to an organisation without direct pathways to audiences.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"45 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83824736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-05DOI: 10.1177/17496020231168067
M. Beattie
Despite critical and popular acclaim, the travel/food television series of Anthony Bourdain have not received much academic attention. This paper examines the negotiations required of the series’ production team with regard to industry and ethics, including engagement with multiple forms of ‘quality’ to acquire audience share, which can exist in tension with the ethical requirements of veracity and protecting factual media subjects from harm. Ultimately, this paper shows that, while the series did negotiate both industrial and ethical requirements with regard to the places and cultures they represented, they were prone to ethical slippage with regard to practitioner/subject Bourdain himself.
{"title":"‘That’s good’: An industrial, ethics-focused analysis of the televised works of Anthony Bourdain","authors":"M. Beattie","doi":"10.1177/17496020231168067","DOIUrl":"https://doi.org/10.1177/17496020231168067","url":null,"abstract":"Despite critical and popular acclaim, the travel/food television series of Anthony Bourdain have not received much academic attention. This paper examines the negotiations required of the series’ production team with regard to industry and ethics, including engagement with multiple forms of ‘quality’ to acquire audience share, which can exist in tension with the ethical requirements of veracity and protecting factual media subjects from harm. Ultimately, this paper shows that, while the series did negotiate both industrial and ethical requirements with regard to the places and cultures they represented, they were prone to ethical slippage with regard to practitioner/subject Bourdain himself.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"4 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2023-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84393277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-15DOI: 10.1177/17496020231160827
K. Gorton
Alexandra James Salichs is an HSF Scholar and Ph.D. student at the University of California, Los Angeles. Her research includes Latinx and Latin American representation with a focus on Puerto Rico. She has presented in past conferences such as Visible Evidence, Society for Cinema and Media Studies, Northeast Modern Language Association, and the Midwest Popular Culture Association. She has received awards which include the Roland Wood Fellowship, the Amherst Memorial Fellowship and the Plitt Southern Theatres Employees Fellowship.
Alexandra James Salichs是加州大学洛杉矶分校的HSF学者和博士生。她的研究包括拉丁裔和拉丁美洲代表，重点关注波多黎各。她曾在过去的会议上发表演讲，如视觉证据、电影和媒体研究学会、东北现代语言协会和中西部流行文化协会。她获得了包括罗兰·伍德奖学金、阿默斯特纪念奖学金和普利特南方剧院员工奖学金在内的奖项。
{"title":"Book Review: Woman Up: Invoking Feminism in Quality Television","authors":"K. Gorton","doi":"10.1177/17496020231160827","DOIUrl":"https://doi.org/10.1177/17496020231160827","url":null,"abstract":"Alexandra James Salichs is an HSF Scholar and Ph.D. student at the University of California, Los Angeles. Her research includes Latinx and Latin American representation with a focus on Puerto Rico. She has presented in past conferences such as Visible Evidence, Society for Cinema and Media Studies, Northeast Modern Language Association, and the Midwest Popular Culture Association. She has received awards which include the Roland Wood Fellowship, the Amherst Memorial Fellowship and the Plitt Southern Theatres Employees Fellowship.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"18 1","pages":"233 - 235"},"PeriodicalIF":1.0,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41533562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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