Abstract This article proposes an ethno‐phenomenographic essay combining writing and photography to examine the contemporary atmosphere in Taichung, Taiwan. It explores the atmospheric effect of painted powerboxes. A selection of situations and atmospheric characteristics is described from different angles, and the history of the painting of these boxes is reflected upon, while themes and colorization of their peinture (painted image, my translation) are presented. Combined methods of photography and commented walk show an overall picture of this effect. The photographs illustrate how these boxes are present as people pass them by in their daily lives. Our comments sketch how these boxes and their environments weave themselves in and out of the perception of passers‐by to create a certain city atmosphere. We use photographs and writing in this way to support each other through dialogue. We contribute to the discussion of the phenomenology of the atmosphere through the use of visual anthropology.
{"title":"Catching the Urban Atmosphere of Taichung, Taiwan","authors":"Theodoor A. M. Richard, Hui‐Chuan Pai","doi":"10.1111/var.12309","DOIUrl":"https://doi.org/10.1111/var.12309","url":null,"abstract":"Abstract This article proposes an ethno‐phenomenographic essay combining writing and photography to examine the contemporary atmosphere in Taichung, Taiwan. It explores the atmospheric effect of painted powerboxes. A selection of situations and atmospheric characteristics is described from different angles, and the history of the painting of these boxes is reflected upon, while themes and colorization of their peinture (painted image, my translation) are presented. Combined methods of photography and commented walk show an overall picture of this effect. The photographs illustrate how these boxes are present as people pass them by in their daily lives. Our comments sketch how these boxes and their environments weave themselves in and out of the perception of passers‐by to create a certain city atmosphere. We use photographs and writing in this way to support each other through dialogue. We contribute to the discussion of the phenomenology of the atmosphere through the use of visual anthropology.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135759461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-13DOI: 10.37467/revvisual.v13.4531
Teresa Martín Muñoz
La Princesa Prometida es una producción cinematográfica de culto repleta de elementos simbólicos y contenidos mitológicos. Este estudio sigue la línea de trabajos que afirman que la ficción proyectada en las películas tiene el potencial de ayudar en el camino de la individuación y a crecer en autoconciencia a través de hacer conscientes los elementos simbólicos. (Hauke, 2009; Izod,2000). Partiendo de la noción de inconsciente colectivo de C. G. Jung y «el viaje del héroe» de J. Campbell, se realiza un análisis de los contenidos mitológicos y arquetípicos para aproximarnos a lectura del quinto arte desde una perspectiva psicológica profunda.
{"title":"Elementos mitológicos y arquetipales en el cine","authors":"Teresa Martín Muñoz","doi":"10.37467/revvisual.v13.4531","DOIUrl":"https://doi.org/10.37467/revvisual.v13.4531","url":null,"abstract":"La Princesa Prometida es una producción cinematográfica de culto repleta de elementos simbólicos y contenidos mitológicos. Este estudio sigue la línea de trabajos que afirman que la ficción proyectada en las películas tiene el potencial de ayudar en el camino de la individuación y a crecer en autoconciencia a través de hacer conscientes los elementos simbólicos. (Hauke, 2009; Izod,2000). Partiendo de la noción de inconsciente colectivo de C. G. Jung y «el viaje del héroe» de J. Campbell, se realiza un análisis de los contenidos mitológicos y arquetípicos para aproximarnos a lectura del quinto arte desde una perspectiva psicológica profunda.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135853176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-11DOI: 10.37467/revvisual.v13.3256
Rodrigo Flechoso Fernández
Nos proponemos comparar la experiencia del individuo frente al espejo con la mantenida por el usuario con las plataformas virtuales con las que interactúa diariamente (como la web 2.0 o las redes sociales). Ambos dispositivos cumplen un papel intermediario en la imagen que nos devuelven y que tiene un gran peso la construcción identitaria de cada uno. Analizando las características tanto simbólicas como morfológicas que comparten, advertimos hasta qué punto son determinantes para con el carácter del reflejo que emiten, evidenciando la preocupante pérdida de control que el individuo tiene sobre su propia subjetividad.
{"title":"Espejos y autorrepresentación en la era de la híper-mediación digital","authors":"Rodrigo Flechoso Fernández","doi":"10.37467/revvisual.v13.3256","DOIUrl":"https://doi.org/10.37467/revvisual.v13.3256","url":null,"abstract":"Nos proponemos comparar la experiencia del individuo frente al espejo con la mantenida por el usuario con las plataformas virtuales con las que interactúa diariamente (como la web 2.0 o las redes sociales). Ambos dispositivos cumplen un papel intermediario en la imagen que nos devuelven y que tiene un gran peso la construcción identitaria de cada uno. Analizando las características tanto simbólicas como morfológicas que comparten, advertimos hasta qué punto son determinantes para con el carácter del reflejo que emiten, evidenciando la preocupante pérdida de control que el individuo tiene sobre su propia subjetividad.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136209199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Visual Anthropology ReviewEarly View Critique Madayin: Eight Decades of Australian Aboriginal Bark Paintings from Yirrkala Curated by Wukun Wanambi, Djambawa Marawili, Henry Skerritt, Kade McDonald, and the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia in partnership with the Buku-Larrŋgay Mulka Centre, February 4 – May 14, 2023, American University Museum, Katzen Arts Center, Washington, D.C. (February 3 – July 21, 2024 on display at The Fralin Museum of Art in Charlottesville, VA). Fred Myers, Corresponding Author Fred Myers [email protected] orcid.org/0000-0001-5910-2392 New York UniversitySearch for more papers by this author Fred Myers, Corresponding Author Fred Myers [email protected] orcid.org/0000-0001-5910-2392 New York UniversitySearch for more papers by this author First published: 10 October 2023 https://doi.org/10.1111/var.12307Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat References Aikman, Amos. 2022. “Finding A Path to Keep Stories Alive.” The Australian, August 20, 2022, page 4. Lévi-Strauss, Claude. [1962] 1966. In The Savage Mind, edited by George Weidenfeld. Chicago, IL: University of Chicago Press. Morphy, Frances. 2022. “ When Two Worlds Meet: ‘Translation’ and its Dilemmas.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 59–64. New York, NY: Delmonico Books/Kluge-Ruhe. Morphy, Howard, Naminapu Maymuru-White, and Frances Morphy. 2022. “ Milngiyawuy/The Milky Way.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 168–176. New York, NY: Delmonico Books/Kluge-Ruhe. Skerritt, Henry. 2018. “ The Country Speaks through her.” In Noŋgirrŋa Marawili: From my Heart and Mind, edited by Cara Pinchbeck, 34–45. Sydney, NSW: Art Gallery of New South Wales. Smith, Margo. 2022. “ Director's Foreword.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 14–20. New York, NY: Delmonico Books/Kluge-Ruhe. Wanambi, Wukun, Henry Skerritt, and Kade McDonald. 2022. “ Madayin: The Sacred and the Beautiful.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 21–30. New York, NY: Delmonico Books/Kluge-Ruhe. Early ViewOnline Version of Record before inclusion in an issue ReferencesRelatedInformation
{"title":"Madayin: Eight Decades of Australian Aboriginal Bark Paintings from Yirrkala","authors":"Fred Myers","doi":"10.1111/var.12307","DOIUrl":"https://doi.org/10.1111/var.12307","url":null,"abstract":"Visual Anthropology ReviewEarly View Critique Madayin: Eight Decades of Australian Aboriginal Bark Paintings from Yirrkala Curated by Wukun Wanambi, Djambawa Marawili, Henry Skerritt, Kade McDonald, and the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia in partnership with the Buku-Larrŋgay Mulka Centre, February 4 – May 14, 2023, American University Museum, Katzen Arts Center, Washington, D.C. (February 3 – July 21, 2024 on display at The Fralin Museum of Art in Charlottesville, VA). Fred Myers, Corresponding Author Fred Myers [email protected] orcid.org/0000-0001-5910-2392 New York UniversitySearch for more papers by this author Fred Myers, Corresponding Author Fred Myers [email protected] orcid.org/0000-0001-5910-2392 New York UniversitySearch for more papers by this author First published: 10 October 2023 https://doi.org/10.1111/var.12307Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat References Aikman, Amos. 2022. “Finding A Path to Keep Stories Alive.” The Australian, August 20, 2022, page 4. Lévi-Strauss, Claude. [1962] 1966. In The Savage Mind, edited by George Weidenfeld. Chicago, IL: University of Chicago Press. Morphy, Frances. 2022. “ When Two Worlds Meet: ‘Translation’ and its Dilemmas.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 59–64. New York, NY: Delmonico Books/Kluge-Ruhe. Morphy, Howard, Naminapu Maymuru-White, and Frances Morphy. 2022. “ Milngiyawuy/The Milky Way.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 168–176. New York, NY: Delmonico Books/Kluge-Ruhe. Skerritt, Henry. 2018. “ The Country Speaks through her.” In Noŋgirrŋa Marawili: From my Heart and Mind, edited by Cara Pinchbeck, 34–45. Sydney, NSW: Art Gallery of New South Wales. Smith, Margo. 2022. “ Director's Foreword.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 14–20. New York, NY: Delmonico Books/Kluge-Ruhe. Wanambi, Wukun, Henry Skerritt, and Kade McDonald. 2022. “ Madayin: The Sacred and the Beautiful.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 21–30. New York, NY: Delmonico Books/Kluge-Ruhe. Early ViewOnline Version of Record before inclusion in an issue ReferencesRelatedInformation","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136358357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This Dialogues contribution reviews the work Hshouma: Corps et Sexualité au Maroc ( Hshouma: Body and Sexuality in Morocco ) by Zainab Fasiki and includes an interview of the author. Hshouma is a graphic novel comic book that has received great acclaim for its direct confrontation of shame and taboos in Morocco. However, the book and the author have also received a lot of criticism for Fasiki's use of nudity and her secular approach. What follows is background of the author and discussion of the word hshouma , a review of the work, and a transcription of the May 2022 interview.
本文回顾了Zainab Fasiki的著作《Hshouma: Corps et sexualit au Maroc》(Hshouma: Body and Sexuality in Morocco)，并对作者进行了采访。《Hshouma》是一本漫画小说，因直接面对摩洛哥的羞耻和禁忌而广受好评。然而，这本书和作者也因为法斯基对裸体的使用和她的世俗方法而受到了很多批评。以下是作者的背景和对“呼马”一词的讨论、作品回顾和2022年5月的采访记录。
{"title":"Hshouma: Corps et sexualité au Maroc (Shame: Body and Sexuality in Morocco)","authors":"Gwyneth Talley, Zainab Fasiki","doi":"10.1111/var.12306","DOIUrl":"https://doi.org/10.1111/var.12306","url":null,"abstract":"Abstract This Dialogues contribution reviews the work Hshouma: Corps et Sexualité au Maroc ( Hshouma: Body and Sexuality in Morocco ) by Zainab Fasiki and includes an interview of the author. Hshouma is a graphic novel comic book that has received great acclaim for its direct confrontation of shame and taboos in Morocco. However, the book and the author have also received a lot of criticism for Fasiki's use of nudity and her secular approach. What follows is background of the author and discussion of the word hshouma , a review of the work, and a transcription of the May 2022 interview.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"247 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136295589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Visual Anthropology ReviewEarly View Critique Swarm Season Directed by Sarah Christman. Grasshopper Film, 2019. 86 minutes, color. Martin Gruber, Corresponding Author Martin Gruber [email protected] orcid.org/0000-0001-7243-2556 University of BremenSearch for more papers by this author Martin Gruber, Corresponding Author Martin Gruber [email protected] orcid.org/0000-0001-7243-2556 University of BremenSearch for more papers by this author First published: 04 October 2023 https://doi.org/10.1111/var.12305Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat No abstract is available for this article. Reference Haraway, Donna. 2003. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago, IL: Prickly Paradigm Press. Early ViewOnline Version of Record before inclusion in an issue ReferencesRelatedInformation
视觉人类学评论早期评论蜂群季节由莎拉·克里斯特曼执导。蚱蜢电影，2019年。86分钟，颜色。Martin Gruber，通讯作者Martin Gruber [email protected] orcid.org/0000-0001-7243-2556不来梅大学(University of bremen)查询本文作者Martin Gruber，通讯作者Martin Gruber [email protected] orcid.org/0000-0001-7243-2556不来梅大学(University of bremen)查询本文作者更多论文首次发表:2023年10月4日https://doi.org/10.1111/var.12305Read全文taboutpdf ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare给予accessShare全文accessShare全文accessShare请查看我们的使用条款和条件，并勾选下面的复选框共享文章的全文版本。我已经阅读并接受了Wiley在线图书馆使用共享链接的条款和条件，请使用下面的链接与您的朋友和同事分享本文的全文版本。学习更多的知识。复制URL共享链接共享一个emailfacebooktwitterlinkedinreddit微信本文无摘要唐娜·哈拉威，2003。伴侣物种宣言:狗，人类和重要的他者。芝加哥，伊利诺伊州:多刺范式出版社。在问题包含之前的早期视图在线版本的记录参考信息
{"title":"Swarm Season","authors":"Martin Gruber","doi":"10.1111/var.12305","DOIUrl":"https://doi.org/10.1111/var.12305","url":null,"abstract":"Visual Anthropology ReviewEarly View Critique Swarm Season Directed by Sarah Christman. Grasshopper Film, 2019. 86 minutes, color. Martin Gruber, Corresponding Author Martin Gruber [email protected] orcid.org/0000-0001-7243-2556 University of BremenSearch for more papers by this author Martin Gruber, Corresponding Author Martin Gruber [email protected] orcid.org/0000-0001-7243-2556 University of BremenSearch for more papers by this author First published: 04 October 2023 https://doi.org/10.1111/var.12305Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat No abstract is available for this article. Reference Haraway, Donna. 2003. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago, IL: Prickly Paradigm Press. Early ViewOnline Version of Record before inclusion in an issue ReferencesRelatedInformation","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Visual Anthropology ReviewEarly View Critique The Weight of a Bird Review of the Migrant Ecologies Project. https://migrantecologies.org.Created by Lucy Davis, 2009, Accessed February 10, 2023 Xinyue Liu, Corresponding Author Xinyue Liu [email protected] University of Oxford – Ruskin School of ArtSearch for more papers by this author Xinyue Liu, Corresponding Author Xinyue Liu [email protected] University of Oxford – Ruskin School of ArtSearch for more papers by this author First published: 04 October 2023 https://doi.org/10.1111/var.12308Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat References Albrecht, Glenn. 2017. “ Solastalgia and the New Mourning.” In Mourning Nature: Hope at the Heart of Ecological Loss and Grief, edited by Ashlee Cunsolo and Karen Landman, 295–315. Montreal: McGill-Queen's University Press. Bould, Mark. 2021. The Anthropocene Unconscious: Climate Catastrophe Culture. New York: Verso Books. Boym, Svetlana. 2001. The Future of Nostalgia. New York: Basic Books. Butler, Judith, and George Yancy. 2020. “Interview: Mourning Is a Political Act amid the Pandemic and its Disparities (Republication).” Journal of Bioethical Inquiry 17(4): 483–487. https://doi.org/10.1007/s11673-020-10043-6. Craps, Stef. 2020. “Introduction: Ecological Grief.” The American Imago 77(1): 1–7. https://doi.org/10.1353/aim.2020.0000. Cunsolo, Ashlee, and Karen Landman, eds. 2017. Mourning Nature: Hope at the Heart of Ecological Loss and Grief. Montreal: McGill-Queen's University Press. Davis, Lucy. 2016. “Everyday Animisms.” Migrant Ecologies. https://migrantecologies.org/EVERYDAY-ANIMISMS-Migrant-Ecologies-pop-up-exhibition. Davis, Lucy. 2018. “Roosting Post 1.” Migrant Ecologies. https://migrantecologies.org/ROOSTING-POST-1-Tanglin-Halt-2018. Davis, Lucy. 2022. “About.” Migrant Ecologies. https://migrantecologies.org/About. Dillon, Teresa. 2019. “Liquid Loss: Learning to Mourn our Companion Species and Landscapes.” Screen City Biennial Journal, October 16, 2019. https://journal.screencitybiennial.org/2019/10/16/liquid-loss. Ingawanij, May Adadol. 2021. “Cinematic Animism and Contemporary Southeast Asian Artists' Moving-Image Practices.” Screen 62(4): 549–558. https://doi.org/10.1093/screen/hjab056. Islam, S. N., and John Winkel. 2017. “Climate Change and Social Inequality.” UN Department of Economic and Social Affairs (DESA) Working Papers, No. 152, UN, New York. https://doi.org/10.18356/2c62335d-en Leopold, Aldo. 1984. “ The Round River.” In A Sand County Almanac: With Essay
视觉人类学评论早期观点批评鸟类的权重对移民生态项目的评论。https://migrantecologies.org.Created作者:Lucy Davis, 2009，访问日期:2023年2月10日刘欣悦，通讯作者刘欣悦[email protected]牛津大学-罗斯金艺术学院查询本文作者更多论文，通讯作者刘欣悦[email protected]牛津大学-罗斯金艺术学院查询本文作者更多论文首次发表:2023年10月4日https://doi.org/10.1111/var.12308Read全文taboutpdf ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare给予accessShare全文accessShare全文accessShare请查看我们的使用条款和条件，并勾选下面的复选框共享文章的全文版本。我已经阅读并接受了Wiley在线图书馆使用共享链接的条款和条件，请使用下面的链接与您的朋友和同事分享本文的全文版本。学习更多的知识。复制链接分享链接分享一个emailfacebooktwitterlinkedinreddit微信参考资料Albrecht, Glenn. 2017。"太阳痛和新丧"《哀悼自然:生态丧失和悲伤的核心希望》，阿什利·康索罗和凯伦·兰德曼编辑，295-315页。蒙特利尔:麦吉尔-皇后大学出版社。马克·博尔德，2021。无意识的人类世:气候灾难文化。纽约:Verso Books。斯维特拉娜·博伊姆2001。怀旧的未来。纽约:基础书籍。巴特勒，朱迪思和乔治·杨西，2020。“采访:哀悼是流行病及其差异中的政治行为”(再版)生物伦理学报，17(4):483-487。https://doi.org/10.1007/s11673 - 020 - 10043 - 6。糟了，Stef, 2020。“引言:生态悲伤。”《美国意象》77(1):1 - 7。https://doi.org/10.1353/aim.2020.0000。康索洛、阿什莉和卡伦·兰德曼编。2017. 哀悼的自然:生态丧失和悲伤的核心希望。蒙特利尔:麦吉尔-皇后大学出版社。露西·戴维斯，2016。“每天的万物有灵论”。移民生态。https://migrantecologies.org/EVERYDAY-ANIMISMS-Migrant-Ecologies-pop-up-exhibition。露西·戴维斯，2018。“栖息柱1号。”移民生态。https://migrantecologies.org/roosting post - 1 -唐林-停止- 2018。露西·戴维斯，2022。“对。”移民生态。https://migrantecologies.org/About。特蕾莎·狄龙，2019。“液体流失:学会哀悼我们的同伴物种和景观。”影城双年展杂志，2019年10月16日。https://journal.screencitybiennial.org/2019/10/16/liquid-loss。Ingawanij, May Adadol, 2021。“电影万物有灵论与当代东南亚艺术家的动态影像实践”画面62(4):549-558。https://doi.org/10.1093/screen/hjab056。Islam, s.n和John Winkel, 2017。“气候变化和社会不平等。”联合国经济和社会事务部工作文件，第152号，联合国，纽约。https://doi.org/10.18356/2c62335d-en Aldo Leopold 1984。“圆河。”《沙县年鉴:与圆河保护随笔》。纽约:百龄坛图书公司。Thom Van Dooren, 2014。飞行方式:濒临灭绝的生命与损失。纽约:哥伦比亚大学出版社。艾玛·威尔逊，2003。电影院的失踪儿童。伦敦:壁花出版社。在问题包含之前的早期视图在线版本的记录参考信息
{"title":"The Weight of a Bird","authors":"Xinyue Liu","doi":"10.1111/var.12308","DOIUrl":"https://doi.org/10.1111/var.12308","url":null,"abstract":"Visual Anthropology ReviewEarly View Critique The Weight of a Bird Review of the Migrant Ecologies Project. https://migrantecologies.org.Created by Lucy Davis, 2009, Accessed February 10, 2023 Xinyue Liu, Corresponding Author Xinyue Liu [email protected] University of Oxford – Ruskin School of ArtSearch for more papers by this author Xinyue Liu, Corresponding Author Xinyue Liu [email protected] University of Oxford – Ruskin School of ArtSearch for more papers by this author First published: 04 October 2023 https://doi.org/10.1111/var.12308Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat References Albrecht, Glenn. 2017. “ Solastalgia and the New Mourning.” In Mourning Nature: Hope at the Heart of Ecological Loss and Grief, edited by Ashlee Cunsolo and Karen Landman, 295–315. Montreal: McGill-Queen's University Press. Bould, Mark. 2021. The Anthropocene Unconscious: Climate Catastrophe Culture. New York: Verso Books. Boym, Svetlana. 2001. The Future of Nostalgia. New York: Basic Books. Butler, Judith, and George Yancy. 2020. “Interview: Mourning Is a Political Act amid the Pandemic and its Disparities (Republication).” Journal of Bioethical Inquiry 17(4): 483–487. https://doi.org/10.1007/s11673-020-10043-6. Craps, Stef. 2020. “Introduction: Ecological Grief.” The American Imago 77(1): 1–7. https://doi.org/10.1353/aim.2020.0000. Cunsolo, Ashlee, and Karen Landman, eds. 2017. Mourning Nature: Hope at the Heart of Ecological Loss and Grief. Montreal: McGill-Queen's University Press. Davis, Lucy. 2016. “Everyday Animisms.” Migrant Ecologies. https://migrantecologies.org/EVERYDAY-ANIMISMS-Migrant-Ecologies-pop-up-exhibition. Davis, Lucy. 2018. “Roosting Post 1.” Migrant Ecologies. https://migrantecologies.org/ROOSTING-POST-1-Tanglin-Halt-2018. Davis, Lucy. 2022. “About.” Migrant Ecologies. https://migrantecologies.org/About. Dillon, Teresa. 2019. “Liquid Loss: Learning to Mourn our Companion Species and Landscapes.” Screen City Biennial Journal, October 16, 2019. https://journal.screencitybiennial.org/2019/10/16/liquid-loss. Ingawanij, May Adadol. 2021. “Cinematic Animism and Contemporary Southeast Asian Artists' Moving-Image Practices.” Screen 62(4): 549–558. https://doi.org/10.1093/screen/hjab056. Islam, S. N., and John Winkel. 2017. “Climate Change and Social Inequality.” UN Department of Economic and Social Affairs (DESA) Working Papers, No. 152, UN, New York. https://doi.org/10.18356/2c62335d-en Leopold, Aldo. 1984. “ The Round River.” In A Sand County Almanac: With Essay","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-18DOI: 10.37467/revvisual.v13.5114
Gema Bonales Daimiel, Sheila Liberal Ormaechea, Raquel Ávila Muñoz
La creciente popularidad del metaverso ligado a la industria del entretenimiento ha llevado a la aparición de influencers que han logrado un aumento significativo en su base de seguidores en X/Twitter. El presente estudio aplica una metodología de investigación mixta sobre las interacciones en X/Twitter. La principal conclusión es que está creciendo muy rápidamente, principalmente en comunidades específicas de usuarios con conocimientos avanzados y muy especializados, como los entusiastas de las criptomonedas o los aficionados a los juegos en línea. Para que el metaverso se convierta en un fenómeno de masas, deberá simplificar su experiencia de uso.
{"title":"Comunidades en torno al Metaverso en X/Twitter","authors":"Gema Bonales Daimiel, Sheila Liberal Ormaechea, Raquel Ávila Muñoz","doi":"10.37467/revvisual.v13.5114","DOIUrl":"https://doi.org/10.37467/revvisual.v13.5114","url":null,"abstract":"La creciente popularidad del metaverso ligado a la industria del entretenimiento ha llevado a la aparición de influencers que han logrado un aumento significativo en su base de seguidores en X/Twitter. El presente estudio aplica una metodología de investigación mixta sobre las interacciones en X/Twitter. La principal conclusión es que está creciendo muy rápidamente, principalmente en comunidades específicas de usuarios con conocimientos avanzados y muy especializados, como los entusiastas de las criptomonedas o los aficionados a los juegos en línea. Para que el metaverso se convierta en un fenómeno de masas, deberá simplificar su experiencia de uso.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135203159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores ways to foster reflexivity within a co‐creative research project so as to “activate” images beyond the ethnographic encounter. Drawing on a multimodal research project centered on exploring autobiographical HIV storytelling in Chile, I explore reflexivity as a shared practice from the outset of fieldwork rather than an ex‐post activity, as it has historically been conceived. This reflexive practice led to unexpected outcomes which emerged through co‐creative engagement with a multiplicity of mediums and formats. I argue that image‐making and storytelling became devices for actively disrupting HIV stigma, thus making it possible to engage in forms of worlding and self‐making that extend beyond HIV representations and across different temporalities.
{"title":"Co‐Creative Multimodal Storytelling on HIV: Activating Images through Reflexive Authorship","authors":"Angélica Cabezas‐Pino","doi":"10.1111/var.12304","DOIUrl":"https://doi.org/10.1111/var.12304","url":null,"abstract":"This article explores ways to foster reflexivity within a co‐creative research project so as to “activate” images beyond the ethnographic encounter. Drawing on a multimodal research project centered on exploring autobiographical HIV storytelling in Chile, I explore reflexivity as a shared practice from the outset of fieldwork rather than an ex‐post activity, as it has historically been conceived. This reflexive practice led to unexpected outcomes which emerged through co‐creative engagement with a multiplicity of mediums and formats. I argue that image‐making and storytelling became devices for actively disrupting HIV stigma, thus making it possible to engage in forms of worlding and self‐making that extend beyond HIV representations and across different temporalities.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"30 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86420999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Expanded Visions: A New Anthropology of the Moving Image","authors":"Arthur Ivan Bravo","doi":"10.1111/var.12303","DOIUrl":"https://doi.org/10.1111/var.12303","url":null,"abstract":"","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"41 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77938402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：