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Phantomgrenzen. Räume und Akteure in der Zeit neu denken Phantomgrenzen .空间和时代行动者的思维
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/soeu-2016-0049
Sabine Rutar
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引用次数: 0
Motives for Remittances Change During the Financial Crisis in Bosnia and Herzegovina 波黑金融危机期间汇款变化的动机
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/SOEU-2016-0003
Oruč Nermin, Tabakovič Amina
Bosnia and Herzegovina (BiH), a country that relies on a significant amount of remittance inflows, has experienced a drop in these inflows as a consequence of the global economic crisis. This paper aims to analyse whether and how this decrease is related to a change in motives for sending remittances. The change in motives will be analysed by exploring the interaction between social transfers and remittances using two household datasets, from 2007 (before the crisis) and 2011 (during the crisis), respectively. The analysis is based on the estimation of two model specifications, one that controls for the motives’ non-monotonicity and another that does not. Compared to previous studies, this paper estimates the non-monotonic ‘crowding-out’ effect via an innovative empirical model specification. Its findings suggest that the predominant motive for sending remittances to BiH before the crisis was exchange, while during the crisis the senders of remittances were more altruistic. In addition, the results from the model on non-monotonicity of motives support the hypothesis that as a consequence of the economic crisis, transfer motives are changing in ways that are different for poor and non-poor recipients of remittances.
波斯尼亚-黑塞哥维那(波黑)是一个依赖大量汇款流入的国家,由于全球经济危机,汇款流入有所下降。本文旨在分析这种减少是否以及如何与汇款动机的变化有关。动机的变化将通过分别使用2007年(危机前)和2011年(危机期间)的两个家庭数据集,探索社会转移和汇款之间的相互作用来分析。分析是基于对两个模型规格的估计,一个控制动机的非单调性,另一个不控制。与以往的研究相比,本文通过创新的实证模型规范来估计非单调的“挤出”效应。其调查结果表明,危机前向波黑汇款的主要动机是交换,而在危机期间汇款的发件人则更加无私。此外,关于动机非单调性的模型的结果支持这样一种假设,即由于经济危机,汇款的贫穷和非贫穷收款人的转移动机正在以不同的方式发生变化。
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引用次数: 1
Remembering and forgetting the SFR Yugoslavia. Historiography and history textbooks in the Republic of Macedonia 记住和忘记前南斯拉夫联盟共和国。马其顿共和国的史学和历史教科书
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/soeu-2016-0016
Irena Stefoska, D. Stojanov
Abstract This article analyses the interpretations and symbolic markers of the ‘new’ memory created in the Republic of Macedonia in the past few years. The question the authors raise concerns how images of the Socialist Federal Republic of Yugoslavia have been thematized or, likely, left to disappear into oblivion. Analysis of post-1991 historiography and history textbooks in Macedonia suggests that the main waves of change in the historical narrative have all followed the same general lines although not simultaneously. There have been other, minor factors, but the major changes in both domains have been related to the independence of the country, its aspirations to join the EU, and the rise of nationalism.
本文分析了过去几年在马其顿共和国创造的“新”记忆的解释和象征标志。发件人提出的问题是,南斯拉夫社会主义联邦共和国的形象如何成为主题,或者很可能被遗忘。对1991年后马其顿的史学和历史教科书的分析表明,历史叙事的主要变化浪潮都遵循着相同的总体路线,尽管不是同时发生的。还有其他的小因素,但这两个领域的主要变化都与国家的独立、加入欧盟的愿望和民族主义的兴起有关。
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引用次数: 1
‘Project 1990’ as an Anti-Monument in Bucharest and the Aestheticisation of Memory “1990计划”作为布加勒斯特的反纪念碑和记忆的审美化
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/soeu-2016-0027
Caterina Preda
Abstract This article analyses ‘Project 1990’ (2010–2014) as an example of ‘art of memorialisation’. The project included twenty temporary artistic interventions on the empty pedestal of the former statue of Lenin in Bucharest. The author compares this example of art of memorialisation to other memory strategies found in the Romanian public space after 1990. Building on James Young’s concept of anti-monument, ‘Project 1990’ questioned the ways in which communism is remembered in Romania, and how the transition to democracy, in the opinion of many of the exhibiting artists, failed. This curatorial project is a good example of the aestheticisation of memory—that is the anti-nostalgic and ironic treatment of symbols of the past, among which Lenin himself.
本文以“纪念艺术”为例,分析了“1990计划”(2010-2014)。该项目包括在布加勒斯特前列宁雕像的空基座上进行20个临时艺术干预。作者将这个纪念艺术的例子与1990年后罗马尼亚公共空间中发现的其他记忆策略进行了比较。“1990计划”以詹姆斯·杨(James Young)的反纪念碑概念为基础,质疑罗马尼亚人对共产主义的记忆方式,以及在许多参展艺术家看来,向民主的过渡是如何失败的。这个策展项目是记忆审美化的一个很好的例子——这是对过去象征的反怀旧和讽刺的处理,其中包括列宁本人。
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引用次数: 2
‘The Song Has Kept Us’: Soundscape of Belgrade during the NATO Bombing “这首歌一直陪伴着我们”:北约轰炸期间贝尔格莱德的音景
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/soeu-2016-0043
Srđan Atanasovski
Abstract In this article I explore the sonic and music practices in the experience of the NATO bombing of Belgrade, focusing particularly on their role in the governmental apparatuses both of the NATO forces and of Miloševic’s regime. Drawing on affect studies, I discuss sound and music not only as text, but as sheer intensity, as a vibrational body and force. I argue that the sonic element of the experience of NATO bombing proved important as it provided the surface area, the somatic layer of the war machine, on which the apparatuses of governance could operate and effectuate the production of meaning.
在本文中,我探讨了北约轰炸贝尔格莱德的经验中的声音和音乐实践,特别关注它们在北约部队和Miloševic政权的政府机构中的作用。在情感研究的基础上,我不仅把声音和音乐作为文本来讨论,而且把它们作为纯粹的强度,作为一种振动的身体和力量来讨论。我认为北约轰炸经验的声音元素被证明是重要的,因为它提供了表面区域,战争机器的躯体层,在这个层面上,治理机构可以运作并实现意义的产生。
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引用次数: 20
Strategies of Symbolic Nation-Building in South Eastern Europe 东南欧的象征性国家建设策略
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/soeu-2016-0051
P. Reef
fi nally, Gaarmann shows how German history could be, and was, used both for and against interventionist policies. Her discussion and exposition of the development of the historical argument from the beginning of the Bosnian War to intervention in the Kosovo War is one of the most interesting parts of the study. Unfortunately, here as well when it comes to the wider aspects, the study remains on the surface and off ers readers litt le that is new.
最后,Gaarmann展示了德国历史是如何被用来支持和反对干涉主义政策的。她对从波斯尼亚战争开始到科索沃战争干预的历史争论的发展的讨论和阐述是该研究中最有趣的部分之一。不幸的是,当涉及到更广泛的方面时,这项研究仍然停留在表面上,并没有给读者带来什么新的东西。
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引用次数: 2
Integrating victims, externalising guilt? commemorating the Holocaust in Hungary 整合受害者,将罪恶感外化?纪念匈牙利的大屠杀
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/soeu-2016-0014
F. Laczó
Abstract Since its rightward political shift, questions concerning how Hungarian society has reflected on the role the country played during the Second World War and how it has confronted its co-responsibility for the Holocaust in particular have been raised with new urgency. After introducing some of the central divisive issues in the interpretation and commemoration of the Holocaust in Hungary, the author analyses current trends based on a case study of the Holocaust’s 70th anniversary. The article assesses the sustained attempts of reinterpreting the recent past of the country in the name of a renewed national canon.
自从匈牙利政治向右转变以来,有关匈牙利社会如何反思该国在第二次世界大战期间所扮演的角色以及它如何面对其对大屠杀的共同责任的问题已经被提出了新的紧迫性。在介绍了匈牙利对大屠杀的解释和纪念中的一些主要分歧问题之后,作者基于对大屠杀70周年的案例研究分析了当前的趋势。这篇文章评估了以更新的国家准则的名义重新解释该国最近的历史的持续尝试。
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引用次数: 1
Disrupted Landscapes. State, Peasants and the Politics of Land in Postsocialist Romania 破坏风景。后社会主义罗马尼亚的国家、农民与土地政治
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/SOEU-2016-0036
Meurs Wim van
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引用次数: 0
The War in Our Backyard. The Bosnia and Kosovo Wars through the Lens of the German Print Media 后院的战争。德国纸媒镜头下的波斯尼亚和科索沃战争
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/soeu-2016-0050
Stefan Ihrig
questions.1 Here is, therefore, my moment of regret with regard to this volume: it could have communicated more with the companion-of-mind, slightly earlier works that have just barely opened up new paths of investigation, much in analogy to the one under scrutiny here. And coincidentally, these too have been greatly and explicitly infl uenced both by Reinhart Koselleck and by the debate between Holm Sundhaussen and Maria Todorova. If this plea to get together reads like a harbinger of what I see as the potential for a more coordinated and eff ective establishment of a renewed trope of research, it is intentional.
questions.1因此,在这里,我对这本书感到遗憾:它本可以与心灵伴侣进行更多的交流,稍微早一点的作品刚刚开辟了新的研究途径,与这里的审查非常相似。巧合的是,他们也受到了莱因哈特·科塞莱克和霍尔姆·桑德豪森与玛丽亚·托多诺娃之间的辩论的巨大而明确的影响。如果这篇呼吁大家聚在一起的文章读起来像是一种预兆,在我看来,这预示着一种更协调、更有效地建立一种新的研究模式的潜力,那么这是有意为之。
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引用次数: 0
Remittances, Spending, and Political Instability in Ukraine 乌克兰的汇款、支出和政治不稳定
IF 1 Q1 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1515/soeu-2016-0004
Iuliia Kuntsevych
Abstract This paper offers an analysis of remitt ances sent by Ukrainian emigrants to their country of origin. It explores how far the expenditure on remitt ances by individual Ukrainians and the total amount of all remitt ances received from abroad has been dependent on the political situation of the Orange Revolution and Presidential Elections in Ukraine in 2004. The author then investigated what effect the political instability in Ukraine had on how households there used such remittances. She used the results of a nationally representative survey of households in Ukraine to compare individual decisions to invest money received from remittances, and how those decisions depended on individual political views and future expectations. Changes in emigrants’ expectations might increase emigrants’ willingness to offer financial support to relatives remaining in Ukraine.
摘要本文对乌克兰移民向原籍国的汇款进行了分析。它探讨了乌克兰个人的汇款支出和从国外收到的所有汇款总额在多大程度上取决于2004年乌克兰橙色革命和总统选举的政治局势。作者随后调查了乌克兰的政治不稳定对那里的家庭如何使用这种汇款的影响。她利用对乌克兰家庭进行的一项具有全国代表性的调查结果,比较了从汇款中获得资金的个人投资决定,以及这些决定如何取决于个人的政治观点和未来预期。移民期望的变化可能会增加移民向留在乌克兰的亲属提供经济支持的意愿。
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Sudosteuropa
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