Pub Date : 2023-01-23DOI: 10.1017/s1479591422000432
T. Sunier
{"title":"Making Place for Muslims in Contemporary India By Kalyani Menon. Cornell University Press, 2022. 304 pages. Hardback, $125.00 USD, ISBN: 9781501760587. Paperback, $27.95, ISBN: 9781501760617. Ebook, $18.99, ISBN: 9781501760600.","authors":"T. Sunier","doi":"10.1017/s1479591422000432","DOIUrl":"https://doi.org/10.1017/s1479591422000432","url":null,"abstract":"","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":"55 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78916012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-23DOI: 10.1017/s147959142200050x
Thomas Gold
{"title":"Remembering Ezra Vogel Edited by Martin K. Whyte and Mary C. Brinton. Harvard University Press, 2022. 327 pages. Paperback, $25.00 USD, ISBN 9780674278271.","authors":"Thomas Gold","doi":"10.1017/s147959142200050x","DOIUrl":"https://doi.org/10.1017/s147959142200050x","url":null,"abstract":"","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":"12 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76699491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-16DOI: 10.1017/S1479591421000693
Shaoyang Lin
Abstract The mainstream studies of the East Asian tributary system have been exhibiting a stance that tends to stress the importance of Confucianism in forming and sustaining the tributary system throughout its long history. However, there are still several questions (especially those of a theoretical nature) that historians have yet to answer: How could Confucianism have contributed to the formation and sustenance of this tributary system? Why could this Confucian-based tributary system be recognized and employed in relations with non-Confucian frontier tribes? Why could this system have worked with both the nomadic tribes on the northern frontier and the South-East Asian countries that were neither Confucian nor nomadic? Drawing on the results of ritual studies in anthropology, Chinese historiography and Chinese philosophy, this author seeks a broader methodology that can be used to conceptualize the tributary ritual and its constitutive power structure, which forms the foundation of the central part of the East Asian world order. This paper is a theoretical attempt to find a non-Sinocentric way to interpret the formally Sinocentric tribute system in premodern East Asia.
{"title":"Ruminations on the meaning and nature of ritual in the historical context of China–A theoretical attempt to understand the tribute system as a ritual in East Asia","authors":"Shaoyang Lin","doi":"10.1017/S1479591421000693","DOIUrl":"https://doi.org/10.1017/S1479591421000693","url":null,"abstract":"Abstract The mainstream studies of the East Asian tributary system have been exhibiting a stance that tends to stress the importance of Confucianism in forming and sustaining the tributary system throughout its long history. However, there are still several questions (especially those of a theoretical nature) that historians have yet to answer: How could Confucianism have contributed to the formation and sustenance of this tributary system? Why could this Confucian-based tributary system be recognized and employed in relations with non-Confucian frontier tribes? Why could this system have worked with both the nomadic tribes on the northern frontier and the South-East Asian countries that were neither Confucian nor nomadic? Drawing on the results of ritual studies in anthropology, Chinese historiography and Chinese philosophy, this author seeks a broader methodology that can be used to conceptualize the tributary ritual and its constitutive power structure, which forms the foundation of the central part of the East Asian world order. This paper is a theoretical attempt to find a non-Sinocentric way to interpret the formally Sinocentric tribute system in premodern East Asia.","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":"28 1","pages":"703 - 719"},"PeriodicalIF":0.6,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82594124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-11DOI: 10.1017/S1479591422000468
Paul M. Capobianco
Abstract This paper explains how the possession of linguistic and cultural capital, real and imagined, works to “make” people Japanese and reify the boundary of Japanese identity. Drawing on case studies of celebrities with multiple heritage and ethnographic data, this paper shows how discursive associations with possessing cultural capital (re)create boundaries of Japanese identity, incorporating potential out-group members and excluding ostensible in-group members. The paper argues that the possession of native-level cultural capital will become an important way of differentiating “Japanese” from Others henceforth. These discursive processes apply old hegemonic ideologies in novel ways, allowing for the perpetuation of extant identity discourses and cultural institutions to be reproduced with new faces. It also argues that cultural capital is a more practical way of categorizing Japanese people from Others than identity constructions such as race and ethnicity. In doing so, it also demonstrates how Japanese people possess multiple understandings of Japanese authenticity, which both facilitates and hinders the absorption of potential Others into the collective.
{"title":"Language and cultural capital in the discursive maintenance of Japanese identity","authors":"Paul M. Capobianco","doi":"10.1017/S1479591422000468","DOIUrl":"https://doi.org/10.1017/S1479591422000468","url":null,"abstract":"Abstract This paper explains how the possession of linguistic and cultural capital, real and imagined, works to “make” people Japanese and reify the boundary of Japanese identity. Drawing on case studies of celebrities with multiple heritage and ethnographic data, this paper shows how discursive associations with possessing cultural capital (re)create boundaries of Japanese identity, incorporating potential out-group members and excluding ostensible in-group members. The paper argues that the possession of native-level cultural capital will become an important way of differentiating “Japanese” from Others henceforth. These discursive processes apply old hegemonic ideologies in novel ways, allowing for the perpetuation of extant identity discourses and cultural institutions to be reproduced with new faces. It also argues that cultural capital is a more practical way of categorizing Japanese people from Others than identity constructions such as race and ethnicity. In doing so, it also demonstrates how Japanese people possess multiple understandings of Japanese authenticity, which both facilitates and hinders the absorption of potential Others into the collective.","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":"55 1","pages":"739 - 756"},"PeriodicalIF":0.6,"publicationDate":"2023-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86813829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-11DOI: 10.1017/s1479591422000511
Sungik Yang
The assassination of the dictator Park Chung Hee by his intelligence chief Kim Chae-gyu was a momentous events in South Korean history, which garnered two feature-length filmic depictions released fifteen years apart in the first two decades of the twenty-first century. The President's Last Bang, released in 2005, was an irreverent black comedy in which all those involved that fateful evening were villains in their own right. The Man Standing Next, from 2020, took a much different tack. Kim gained a righteousness and revolutionary motivation that had been absent in the portrayal in the earlier film, in which Kim's intentions remained open to interpretation. This article analyzes the changes in Kim's depiction in the context of shifting respective political contexts, particularly the impeachment of Park's daughter Park Geun-hye in 2016, and the shadow cast by the legacies of authoritarianism, the specter of which seemed to loom over Korea again during the younger Park's administration. Consequently, the outpouring of public fervor in the ensuing candlelight vigils reaffirmed societal support for democracy and consequently elevated Kim Chae-gyu, Park's bane, to the role of champion of Korean democracy when it seemed under threat once again.
{"title":"Kim Chae-gyu syndrome: South Korean politics and divergent filmic portrayals of the assassination of Park Chung Hee","authors":"Sungik Yang","doi":"10.1017/s1479591422000511","DOIUrl":"https://doi.org/10.1017/s1479591422000511","url":null,"abstract":"\u0000 The assassination of the dictator Park Chung Hee by his intelligence chief Kim Chae-gyu was a momentous events in South Korean history, which garnered two feature-length filmic depictions released fifteen years apart in the first two decades of the twenty-first century. The President's Last Bang, released in 2005, was an irreverent black comedy in which all those involved that fateful evening were villains in their own right. The Man Standing Next, from 2020, took a much different tack. Kim gained a righteousness and revolutionary motivation that had been absent in the portrayal in the earlier film, in which Kim's intentions remained open to interpretation. This article analyzes the changes in Kim's depiction in the context of shifting respective political contexts, particularly the impeachment of Park's daughter Park Geun-hye in 2016, and the shadow cast by the legacies of authoritarianism, the specter of which seemed to loom over Korea again during the younger Park's administration. Consequently, the outpouring of public fervor in the ensuing candlelight vigils reaffirmed societal support for democracy and consequently elevated Kim Chae-gyu, Park's bane, to the role of champion of Korean democracy when it seemed under threat once again.","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":"42 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88868549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-09DOI: 10.1017/S1479591422000328
Ka-ming Wu
Abstract In a single serving of boba tea, the non-human actors of the tall plastic cups, plastic dome lids, and the giant plastic straws dominate, but receive little attention. This article uses recent theories and discussions of new materialism to bring together cultural analysis of the boba tea consumption phenomenon that could be relevant for reflecting on a sustainable future. The article contributes to social research of waste by focusing on the mediating functions of plastic before it becomes waste. My central argument is that plastic is not merely a physical and impartial container in the contemporary food and beverage industry. It plays an indispensable role in the visualization, mass mediation, and consumption of the boba tea beverage. While current waste research often focuses on the “afterlife” of plastic waste as it relates to underclass waste workers, recycling economy and global waste trade, this article highlights the performative function of plastic as it changes the way we imagine time, gender, and waste. I show it is the plastic cup that enables boba tea to be so visually and gastronomically satisfying in an age when the photogenicity and “Instagrammability” of food and beverage have become more relevant to taste and distinctions.
{"title":"Sipping tea, plastics performing: representational and materialist politics of boba tea consumption in contemporary China","authors":"Ka-ming Wu","doi":"10.1017/S1479591422000328","DOIUrl":"https://doi.org/10.1017/S1479591422000328","url":null,"abstract":"Abstract In a single serving of boba tea, the non-human actors of the tall plastic cups, plastic dome lids, and the giant plastic straws dominate, but receive little attention. This article uses recent theories and discussions of new materialism to bring together cultural analysis of the boba tea consumption phenomenon that could be relevant for reflecting on a sustainable future. The article contributes to social research of waste by focusing on the mediating functions of plastic before it becomes waste. My central argument is that plastic is not merely a physical and impartial container in the contemporary food and beverage industry. It plays an indispensable role in the visualization, mass mediation, and consumption of the boba tea beverage. While current waste research often focuses on the “afterlife” of plastic waste as it relates to underclass waste workers, recycling economy and global waste trade, this article highlights the performative function of plastic as it changes the way we imagine time, gender, and waste. I show it is the plastic cup that enables boba tea to be so visually and gastronomically satisfying in an age when the photogenicity and “Instagrammability” of food and beverage have become more relevant to taste and distinctions.","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":"17 1","pages":"353 - 365"},"PeriodicalIF":0.6,"publicationDate":"2023-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81214272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1017/S1479591421000383
Yuting Dong 董钰婷
Abstract This article revisits Japan's empire-building in Northeast China through the construction of and reactions to the Daidō hiroba 大同広場 (Plaza of Great Unity) in Shinkyō, showing how Chinese and Japanese challenged the top-down attempt for building a totalitarian empire. These re-interpretations and definitions of Hiroba unveiled the diversity, dynamics, and complexity of Manchukuo society that cannot be fully grasped in a nation-state framework. Moreover, their voices challenged the previous depiction of such imperial monumental space as the physical materialization of imperial governmentality but a contested site where individuals challenged the official vision of Manchukuo. This article examines documents ranging from governmental documents to works of literature in both Chinese and Japanese. Compared to Japanese planners' vision of the Hiroba as a site of governmentality, visitors and local residents held differing interpretations of this space: some Japanese disapproved the attempt to reframe the urban space by a totalitarian regime, and many Chinese redefined the meaning of this “utopian” urban space to accord with their own tradition and everyday life.
{"title":"Manchukuo voices: re-interpreting a monumental space in Northeast China (1932–1945)","authors":"Yuting Dong 董钰婷","doi":"10.1017/S1479591421000383","DOIUrl":"https://doi.org/10.1017/S1479591421000383","url":null,"abstract":"Abstract This article revisits Japan's empire-building in Northeast China through the construction of and reactions to the Daidō hiroba 大同広場 (Plaza of Great Unity) in Shinkyō, showing how Chinese and Japanese challenged the top-down attempt for building a totalitarian empire. These re-interpretations and definitions of Hiroba unveiled the diversity, dynamics, and complexity of Manchukuo society that cannot be fully grasped in a nation-state framework. Moreover, their voices challenged the previous depiction of such imperial monumental space as the physical materialization of imperial governmentality but a contested site where individuals challenged the official vision of Manchukuo. This article examines documents ranging from governmental documents to works of literature in both Chinese and Japanese. Compared to Japanese planners' vision of the Hiroba as a site of governmentality, visitors and local residents held differing interpretations of this space: some Japanese disapproved the attempt to reframe the urban space by a totalitarian regime, and many Chinese redefined the meaning of this “utopian” urban space to accord with their own tradition and everyday life.","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":"53 1","pages":"39 - 56"},"PeriodicalIF":0.6,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81947598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-20DOI: 10.1017/s1479591422000481
{"title":"ASI volume 20 issue 1 Cover and Front matter","authors":"","doi":"10.1017/s1479591422000481","DOIUrl":"https://doi.org/10.1017/s1479591422000481","url":null,"abstract":"","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":"138 1","pages":"f1 - f5"},"PeriodicalIF":0.6,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79238367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-20DOI: 10.1017/s1479591422000493
{"title":"ASI volume 20 issue 1 Cover and Back matter","authors":"","doi":"10.1017/s1479591422000493","DOIUrl":"https://doi.org/10.1017/s1479591422000493","url":null,"abstract":"","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":"135 1","pages":"b1 - b2"},"PeriodicalIF":0.6,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76863166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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