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Buddhist Historiography in China by John Kieschnick. Columbia University Press, 2022. 288 pages. Hardcover, $140.00 USD, ISBN: 9780231205627. Paperback, $35.00, ISBN: 9780231205634. E-book, $34.99, ISBN: 9780231556095. 《中国佛教史学》,作者:约翰·基斯尼克。哥伦比亚大学出版社,2022。288页。精装版,140.00美元,ISBN: 9780231205627。平装本,$35.00,ISBN: 9780231205634。电子书,34.99美元,ISBN: 9780231556095。
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-28 DOI: 10.1017/s1479591423000074
Mikiyasu Yanagi
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引用次数: 0
Searching the early lives of the Soong sisters in Macon, Georgia: three Chinese overseas students in the American South 寻找佐治亚州梅肯市宋氏姐妹的早期生活:三位在美国南部的中国留学生
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-07 DOI: 10.1017/S1479591423000049
Juanjuan Peng
Abstract This article uses local history approaches to reconstruct the early lives of the Soong sisters at Wesleyan Female College in Macon, Georgia at the beginning of the twentieth century. The sisters' experiences as Chinese overseas students were situated in the histories of American South and of Asian Americans. By examining the sisters' transition to Wesleyan, their everyday lives on campus, and their occasional off-campus encounters with Maconites, the article argues that the “Southernness” of Wesleyan and Macon distinguished the sisters' experiences from other Chinese overseas students that are more familiar to Chinese historians. Because of the relative absence of Chinese residents in this small Southern town, the girls were rarely categorized with Chinese laborers and hardly felt the strong anti-Chinese sentiments that were experienced by students who went to Western states and large cities. Similarly, the slow adoption of new utilitarian courses at this elite Southern female college also meant the sisters were neither trained as qualified homemakers nor as career women like many other American-educated Chinese women in their generation. They were taught to become housewives that played important, unpaid social roles – a path that they would later follow.
摘要本文运用地方史的方法,重构了20世纪初美国乔治亚州梅肯市卫斯理女子学院宋氏姐妹的早期生活。姐妹们作为中国留学生的经历被置于美国南部和亚裔美国人的历史中。通过研究姐妹们向卫斯理大学的过渡,她们在校园的日常生活,以及她们偶尔在校外与马孔会教徒的接触,文章认为,卫斯理大学和马孔会的“南方性”使姐妹们的经历与其他中国留学生的经历区别开来,而中国历史学家对这些经历更为熟悉。由于中国居民在这个南方小镇相对较少,这些女孩很少被归类为华工,也很少感受到去西部各州和大城市的学生所经历的强烈反华情绪。同样,在这所南方精英女子学院,新功利主义课程的缓慢采用也意味着姐妹们既没有被训练成合格的家庭主妇,也没有像同时代许多在美国受过教育的中国女性那样被训练成职业女性。她们被教导要成为家庭主妇,扮演重要的、无偿的社会角色——她们后来也走上了这条道路。
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引用次数: 0
Interweaving influences and adaptations: sartorial endeavors of Okakura Kakuzō and M. K. Gandhi 交织的影响和改编:冈仓角合和甘地的服装创作
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-06 DOI: 10.1017/S1479591423000013
Maumita Banerjee
Abstract Universalism, as a historical category, played an important ideological role in forging political solidarities beyond national boundaries in the modern period. The paper traces this idea in modern Asia through the sartorial styles of two intellectuals, Okakura Kakuzō and Mohandas Karamchand Gandhi. Clothing as a medium of inquiry offers a unique scholarly perspective to articulate the role of universalism vis-à-vis nationalism in colonial India and modern Japan. Since dress politics existed in Eastern and Western societies, it allows us to study lived experiences through a transregional dialog. Both men recognized clothing as an effective political lexicon to fashion the self and creatively include others within the ideological space. Due to their early exposure to various cultures, the clothing style adopted by Okakura and Gandhi was founded on notions of plurality and belonging to multiple places and people. Their positionality enabled them to establish a dialog with both national and imperial politics and dress in a style that was self-made and world-aware. The paper uses their photographs and writings from a period that engendered the practice of universalism and challenged the narratives of nationalism.
普遍主义作为一个历史范畴,在近代建立超越国界的政治团结中发挥了重要的思想作用。本文通过两位知识分子冈仓合宗和莫汉达斯•卡拉姆昌德•甘地(Mohandas Karamchand Gandhi)的服装风格,追溯了这一理念在现代亚洲的发展。服装作为一种研究媒介,提供了一个独特的学术视角来阐明普遍主义对-à-vis殖民印度和现代日本民族主义的作用。由于服饰政治存在于东方和西方社会,它使我们能够通过跨区域对话来研究生活经验。两人都认为服装是一种有效的政治词汇,可以塑造自我,并创造性地将他人纳入意识形态空间。由于早期接触到各种文化,冈仓和甘地所采用的服装风格是建立在多元化和属于多个地方和人的概念之上的。他们的地位使他们能够与国家和帝国政治建立对话,并以一种自制和世界意识的风格穿着。这篇论文使用了他们的照片和文字,这些照片和文字来自一个产生普遍主义实践并挑战民族主义叙事的时期。
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引用次数: 0
The Filipino migration experience: global agents of change By Mina Roces. Cornell University Press, 2021. 264 pages. Hardback, $49.95, ISBN: 9781501760402. Ebook, $32.99, ISBN: 9781501760419. 菲律宾移民经验:全球变革的推动者米娜·罗塞斯著。康奈尔大学出版社,2021年。264页。精装本,49.95美元,ISBN: 9781501760402。电子书,32.99美元,ISBN: 9781501760419。
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-02-10 DOI: 10.1017/s1479591423000025
Naomi Hosoda
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引用次数: 1
Making Place for Muslims in Contemporary India By Kalyani Menon. Cornell University Press, 2022. 304 pages. Hardback, $125.00 USD, ISBN: 9781501760587. Paperback, $27.95, ISBN: 9781501760617. Ebook, $18.99, ISBN: 9781501760600. Kalyani Menon在当代印度为穆斯林创造空间。康奈尔大学出版社,2022年。304页。精装本,125美元,ISBN: 9781501760587。平装本,27.95美元,ISBN: 9781501760617。电子书,18.99美元,ISBN: 9781501760600。
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-23 DOI: 10.1017/s1479591422000432
T. Sunier
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引用次数: 0
Remembering Ezra Vogel Edited by Martin K. Whyte and Mary C. Brinton. Harvard University Press, 2022. 327 pages. Paperback, $25.00 USD, ISBN 9780674278271. 马丁·k·怀特和玛丽·c·布林顿编辑。哈佛大学出版社,2022年。327页。平装本,25美元,ISBN 9780674278271。
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-23 DOI: 10.1017/s147959142200050x
Thomas Gold
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引用次数: 0
Ruminations on the meaning and nature of ritual in the historical context of China–A theoretical attempt to understand the tribute system as a ritual in East Asia 对中国历史语境中仪式意义与本质的反思——从理论上理解东亚贡品制度作为一种仪式的尝试
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-16 DOI: 10.1017/S1479591421000693
Shaoyang Lin
Abstract The mainstream studies of the East Asian tributary system have been exhibiting a stance that tends to stress the importance of Confucianism in forming and sustaining the tributary system throughout its long history. However, there are still several questions (especially those of a theoretical nature) that historians have yet to answer: How could Confucianism have contributed to the formation and sustenance of this tributary system? Why could this Confucian-based tributary system be recognized and employed in relations with non-Confucian frontier tribes? Why could this system have worked with both the nomadic tribes on the northern frontier and the South-East Asian countries that were neither Confucian nor nomadic? Drawing on the results of ritual studies in anthropology, Chinese historiography and Chinese philosophy, this author seeks a broader methodology that can be used to conceptualize the tributary ritual and its constitutive power structure, which forms the foundation of the central part of the East Asian world order. This paper is a theoretical attempt to find a non-Sinocentric way to interpret the formally Sinocentric tribute system in premodern East Asia.
东亚朝贡制度的主流研究一直表现出一种倾向于强调儒家思想在其漫长历史中形成和维持朝贡制度的重要性的立场。然而,仍有几个问题(特别是理论性的问题)是历史学家尚未回答的:儒学如何促成了这一朝贡制度的形成和维持?为什么这种以儒家为基础的朝贡制度能够在与非儒家的边疆部落的关系中得到认可和运用?为什么这一体系能同时适用于北方边境的游牧部落和既非儒家也非游牧的东南亚国家?在人类学、中国史学和中国哲学的仪式研究成果的基础上,作者寻求一种更广泛的方法论,可以用来概念化朝贡仪式及其构成东亚世界秩序中心部分的权力结构。本文试图从理论上寻找一种非中国中心主义的方式来解释前现代东亚形式上的中国中心主义朝贡制度。
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引用次数: 0
Language and cultural capital in the discursive maintenance of Japanese identity 语言与文化资本在日本身份认同话语维护中的作用
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-11 DOI: 10.1017/S1479591422000468
Paul M. Capobianco
Abstract This paper explains how the possession of linguistic and cultural capital, real and imagined, works to “make” people Japanese and reify the boundary of Japanese identity. Drawing on case studies of celebrities with multiple heritage and ethnographic data, this paper shows how discursive associations with possessing cultural capital (re)create boundaries of Japanese identity, incorporating potential out-group members and excluding ostensible in-group members. The paper argues that the possession of native-level cultural capital will become an important way of differentiating “Japanese” from Others henceforth. These discursive processes apply old hegemonic ideologies in novel ways, allowing for the perpetuation of extant identity discourses and cultural institutions to be reproduced with new faces. It also argues that cultural capital is a more practical way of categorizing Japanese people from Others than identity constructions such as race and ethnicity. In doing so, it also demonstrates how Japanese people possess multiple understandings of Japanese authenticity, which both facilitates and hinders the absorption of potential Others into the collective.
摘要本文阐述了语言和文化资本的占有,无论是真实的还是想象的,是如何使人“成为”日本人,并使日本身份的边界具体化的。通过对具有多重遗产和民族志数据的名人的案例研究,本文展示了拥有文化资本的话语关联如何(重新)创造了日本身份的边界,包括潜在的外群体成员和排除表面上的内群体成员。本文认为,拥有本土文化资本将成为今后区分“日本人”与“他者”的重要方式。这些话语过程以新颖的方式应用旧的霸权意识形态,允许现存的身份话语和文化制度以新的面貌再现。它还认为,与种族和民族等身份结构相比,文化资本是一种更实用的将日本人和其他人分类的方法。在此过程中,它也展示了日本人如何对日本的真实性有多种理解,这既促进又阻碍了潜在的他者被吸收到集体中。
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引用次数: 0
Kim Chae-gyu syndrome: South Korean politics and divergent filmic portrayals of the assassination of Park Chung Hee 金采圭综合症:韩国政治和朴正熙遇刺的不同电影描绘
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-11 DOI: 10.1017/s1479591422000511
Sungik Yang
The assassination of the dictator Park Chung Hee by his intelligence chief Kim Chae-gyu was a momentous events in South Korean history, which garnered two feature-length filmic depictions released fifteen years apart in the first two decades of the twenty-first century. The President's Last Bang, released in 2005, was an irreverent black comedy in which all those involved that fateful evening were villains in their own right. The Man Standing Next, from 2020, took a much different tack. Kim gained a righteousness and revolutionary motivation that had been absent in the portrayal in the earlier film, in which Kim's intentions remained open to interpretation. This article analyzes the changes in Kim's depiction in the context of shifting respective political contexts, particularly the impeachment of Park's daughter Park Geun-hye in 2016, and the shadow cast by the legacies of authoritarianism, the specter of which seemed to loom over Korea again during the younger Park's administration. Consequently, the outpouring of public fervor in the ensuing candlelight vigils reaffirmed societal support for democracy and consequently elevated Kim Chae-gyu, Park's bane, to the role of champion of Korean democracy when it seemed under threat once again.
独裁者朴正熙(Park Chung Hee)被情报部长金蔡圭(Kim chai -gyu)暗杀是韩国历史上的重大事件,在21世纪的头20年里,相隔15年上映了两部长篇电影。2005年上映的《总统的最后一次爆炸》是一部不敬的黑色喜剧,在这部喜剧中,那个命运之夜的所有参与者都是各自为害的恶棍。2020年的《站在旁边的人》则采取了截然不同的策略。金正日获得了一种正义和革命的动机,这在早期的电影中是没有的,金正日的意图仍然是开放的解释。本文分析了在各自政治背景不断变化的背景下,尤其是2016年朴槿惠的女儿朴槿惠(Park Geun-hye)遭到弹劾,以及威权主义遗留的阴影下,金泳三的描述发生了变化。在朴槿惠执政期间,威权主义的幽灵似乎再次笼罩着韩国。因此,在烛光集会中,国民的热情再次确认了社会对民主主义的支持,在民主主义面临威胁的时候,朴槿惠的祸根金才圭再次被推上了民主主义捍卫者的位置。
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引用次数: 0
Sipping tea, plastics performing: representational and materialist politics of boba tea consumption in contemporary China 品茶,塑料表演:当代中国奶茶消费的具象与唯物主义政治
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-09 DOI: 10.1017/S1479591422000328
Ka-ming Wu
Abstract In a single serving of boba tea, the non-human actors of the tall plastic cups, plastic dome lids, and the giant plastic straws dominate, but receive little attention. This article uses recent theories and discussions of new materialism to bring together cultural analysis of the boba tea consumption phenomenon that could be relevant for reflecting on a sustainable future. The article contributes to social research of waste by focusing on the mediating functions of plastic before it becomes waste. My central argument is that plastic is not merely a physical and impartial container in the contemporary food and beverage industry. It plays an indispensable role in the visualization, mass mediation, and consumption of the boba tea beverage. While current waste research often focuses on the “afterlife” of plastic waste as it relates to underclass waste workers, recycling economy and global waste trade, this article highlights the performative function of plastic as it changes the way we imagine time, gender, and waste. I show it is the plastic cup that enables boba tea to be so visually and gastronomically satisfying in an age when the photogenicity and “Instagrammability” of food and beverage have become more relevant to taste and distinctions.
在一杯波巴茶中,高大的塑料杯、塑料圆顶盖和巨大的塑料吸管等非人类角色占据了主导地位,但却很少受到关注。本文利用新唯物主义的最新理论和讨论,将波巴茶消费现象的文化分析结合在一起,这可能与反思可持续的未来有关。本文通过关注塑料在成为废物之前的中介作用,为废物的社会研究做出贡献。我的中心论点是,在当代食品和饮料行业中,塑料不仅仅是一种物理的、公正的容器。它在波巴茶饮料的可视化、大众媒介和消费中起着不可或缺的作用。虽然目前的垃圾研究通常关注塑料垃圾的“来世”,因为它与底层垃圾工人、循环经济和全球垃圾贸易有关,但这篇文章强调了塑料的表演功能,因为它改变了我们对时间、性别和垃圾的看法。我展示的是,在一个食品和饮料的上镜性和“instagram上的可分享性”与味道和区别越来越相关的时代,正是塑料杯让波巴茶在视觉和美食上如此令人满意。
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引用次数: 0
期刊
International Journal of Asian Studies
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