This paper presents the material evidence from two neighbouring Early Iron Age sites at Xobourgo on Tenos, identified as sacred places, and comments on their religious character and evolution. The first, conventionally named the Pro-Cyclopean Sanctuary, has a purely mortuary character. It starts in the Late Protogeometric period with an ancestral cult on a pebble platform over an empty grave, continues with a number of pyre pits inside enclosure walls, and ends up with a chthonic cult at an eschara in the Late Geometric period to be replaced by a small sacred oikos in the 7th century. The second starts as an open-air shrine, named the Pre-Thesmophorion Shrine, with an eschara and a protected place for storing pithoi, and it is turned into a Demeter sanctuary, a Thesmophorion, with a small temple in the Classical period. After considering the development and phases of both sites, it is claimed that they have similar, though not identical, cultic roles. Their different architectural and religious evolution is considered as largely dependent on social changes and historical conditions. They are compared and discussed against contemporary archaeological evidence for ancestral and chthonic cults focusing on such evidence from Tenos.
{"title":"Ancestral and chthonic cults at Tenos","authors":"N. Kourou","doi":"10.30549/opathrom-14-14","DOIUrl":"https://doi.org/10.30549/opathrom-14-14","url":null,"abstract":"This paper presents the material evidence from two neighbouring Early Iron Age sites at Xobourgo on Tenos, identified as sacred places, and comments on their religious character and evolution. The first, conventionally named the Pro-Cyclopean Sanctuary, has a purely mortuary character. It starts in the Late Protogeometric period with an ancestral cult on a pebble platform over an empty grave, continues with a number of pyre pits inside enclosure walls, and ends up with a chthonic cult at an eschara in the Late Geometric period to be replaced by a small sacred oikos in the 7th century. The second starts as an open-air shrine, named the Pre-Thesmophorion Shrine, with an eschara and a protected place for storing pithoi, and it is turned into a Demeter sanctuary, a Thesmophorion, with a small temple in the Classical period. After considering the development and phases of both sites, it is claimed that they have similar, though not identical, cultic roles. Their different architectural and religious evolution is considered as largely dependent on social changes and historical conditions. They are compared and discussed against contemporary archaeological evidence for ancestral and chthonic cults focusing on such evidence from Tenos.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"53 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90827172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article provides a brief introduction to the area of the Hermionid and the research that has been carried out in ancient Hermione. The main textual sources are presented, as are the still-visible archaeological remains and the results of important rescue excavations. The contribution outlines the scientific framework of the project that has generated the five articles that follow, and closes with an agenda for future development for the exploration and preservation of ancient Hermione.
{"title":"An ancient cityscape and its people: A study of ancient Hermione. Introductory remarks on historical sources and visible remains, archaeological research and prospects","authors":"Alcestis Papadimitriou","doi":"10.30549/opathrom-14-05","DOIUrl":"https://doi.org/10.30549/opathrom-14-05","url":null,"abstract":"This article provides a brief introduction to the area of the Hermionid and the research that has been carried out in ancient Hermione. The main textual sources are presented, as are the still-visible archaeological remains and the results of important rescue excavations. The contribution outlines the scientific framework of the project that has generated the five articles that follow, and closes with an agenda for future development for the exploration and preservation of ancient Hermione.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"8 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88314442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
According to received history, the Karyatid Temple on the Acropolis of Athens (commonly known as the “Erechtheion”) was, in the city’s first Ottoman period (1456–1687), converted into a Turkish harem. In this article, I investigate the story by scrutinizing sources from this period. I argue that the notion of the harem, although historically suspect, found fertile ground in an orientalist worldview that has been prevalent among western visitors and scholars. I propose that the tale may have been inspired by the temple’s conspicuous Karyatid statues. I close by considering the story of the harem as part of a phenomenon of “antagonistic narratives” (stories that concern the desecration or destruction of monuments by enemies) in history and archaeology. The article offers new perspectives on later uses of and stories about the Karyatid Temple, on western attitudes towards the presence of Turks in Greece, and on the role that material remains can play in the creation of narratives about the past.
{"title":"The Turkish harem in the Karyatid Temple and antagonistic narratives on the Athenian Acropolis","authors":"J. Z. van Rookhuijzen","doi":"10.30549/opathrom-14-16","DOIUrl":"https://doi.org/10.30549/opathrom-14-16","url":null,"abstract":"According to received history, the Karyatid Temple on the Acropolis of Athens (commonly known as the “Erechtheion”) was, in the city’s first Ottoman period (1456–1687), converted into a Turkish harem. In this article, I investigate the story by scrutinizing sources from this period. I argue that the notion of the harem, although historically suspect, found fertile ground in an orientalist worldview that has been prevalent among western visitors and scholars. I propose that the tale may have been inspired by the temple’s conspicuous Karyatid statues. I close by considering the story of the harem as part of a phenomenon of “antagonistic narratives” (stories that concern the desecration or destruction of monuments by enemies) in history and archaeology. The article offers new perspectives on later uses of and stories about the Karyatid Temple, on western attitudes towards the presence of Turks in Greece, and on the role that material remains can play in the creation of narratives about the past.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"44 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75007891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
With its original manifestation generally dated to c. 150 BC, the Invitation to the Dance is a textbook example of Hellenistic sculpture. But despite much scholarly attention there is still no consensus as to what motif the sculpture group depicts. Inspired by intertextual theory, this study catalogues and re-examines 35 sculptures of the female figure and 34 sculptures of the satyr. The article focuses on preserved sculptures, rather than a reconstructed model image. Variations of the repeated forms are highlighted as significant for the interpretation of the types. The reading of the Invitation to the Dance thus put forward suggests that the group composition displays the moment after the satyr has pulled the female’s garment down from her upper body. It is furthermore emphasized that both satyr and female figure were at times—perhaps even predominately—displayed as solitary figures. The satyr’s foot-clapper is suggested to have been included primarily in instances where the satyr was displayed on his own. Sculptures of the female figure fending off —though not touching—an intrusive companion could have been paired with other Dionysian figures as well, a practice that might be reflected in sculptures that show this female type in other group compositions.
{"title":"The Invitation to the Dance. An intertextual reassessment","authors":"Julia Habetzeder","doi":"10.30549/opathrom-14-19","DOIUrl":"https://doi.org/10.30549/opathrom-14-19","url":null,"abstract":"With its original manifestation generally dated to c. 150 BC, the Invitation to the Dance is a textbook example of Hellenistic sculpture. But despite much scholarly attention there is still no consensus as to what motif the sculpture group depicts. Inspired by intertextual theory, this study catalogues and re-examines 35 sculptures of the female figure and 34 sculptures of the satyr. The article focuses on preserved sculptures, rather than a reconstructed model image. Variations of the repeated forms are highlighted as significant for the interpretation of the types. The reading of the Invitation to the Dance thus put forward suggests that the group composition displays the moment after the satyr has pulled the female’s garment down from her upper body. It is furthermore emphasized that both satyr and female figure were at times—perhaps even predominately—displayed as solitary figures. The satyr’s foot-clapper is suggested to have been included primarily in instances where the satyr was displayed on his own. Sculptures of the female figure fending off —though not touching—an intrusive companion could have been paired with other Dionysian figures as well, a practice that might be reflected in sculptures that show this female type in other group compositions.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"5 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82141067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Temple of Zeus Basileus at Lebadea rests almost unknown. Its physical remains and date (not systematically explored so far) pose a riddle, as regards not only the circumstances which entailed its presumed incompletion but also the historic context in which the commencement of construction can be embedded. The dimensions of the krepis alone render this edifice highly interesting in the history of temple-building. The in situ preserved architectural elements suggest that here was begun the erection of what was at the time the largest peristasis in Mainland Greece. The temple stylobate measures 200 feet/podes in length, with a lower column diameter equal to just over two metres, and the longest interaxial spacings and corresponding architraves of its time. By increasing the length and height of the structure, the architects achieved its qualification as colossal. This qualification is revealed from the uniquefor-the-Classical-period length of 14 columns along the peristasis, with visible euthynteria and hypeuthynteria courses. As shown in this paper, this colossal structure abided by the rules of Doric design. Ascribing the unfinished state of the temple probably to financial shortcoming and/or military adventures, Pausanias did comment on its ambitious, gigantic size. The level of construction eventually reached is another focal point of our investigation. The study of the Temple of Zeus Basileus brings out the multifaceted notion of the term “monumentality”, tightly related to visual impact. One of the aims of its commissioners would have been to establish a landmark on the summit where Zeus was probably co-worshipped with Trophonios, the Boeotian hero-prophet. Since the temple in question, as we propose, most probably commemorated both a grandiose military victory in the 3rd century BC and the contemporary political situation, its imposing volume, along with the aesthetic effect of bichromy, were meant to perpetuate the overtone of these events within the ambience of the sacred Lebadea. Another facet of monumentality involves the respective building programme, and it derives from epigraphical sources, namely a contract specifying construction details, with particular instructions already at the orthostate level, denoting that accuracy in execution safeguarded the high quality of ancient Greek architecture.
{"title":"The Temple of Zeus at Lebadea. The architecture and the semantics of a colossus","authors":"Chrysanthos Kanellopoulos, E. Partida","doi":"10.30549/opathrom-14-17","DOIUrl":"https://doi.org/10.30549/opathrom-14-17","url":null,"abstract":"The Temple of Zeus Basileus at Lebadea rests almost unknown. Its physical remains and date (not systematically explored so far) pose a riddle, as regards not only the circumstances which entailed its presumed incompletion but also the historic context in which the commencement of construction can be embedded. The dimensions of the krepis alone render this edifice highly interesting in the history of temple-building. The in situ preserved architectural elements suggest that here was begun the erection of what was at the time the largest peristasis in Mainland Greece. The temple stylobate measures 200 feet/podes in length, with a lower column diameter equal to just over two metres, and the longest interaxial spacings and corresponding architraves of its time. By increasing the length and height of the structure, the architects achieved its qualification as colossal. This qualification is revealed from the uniquefor-the-Classical-period length of 14 columns along the peristasis, with visible euthynteria and hypeuthynteria courses. As shown in this paper, this colossal structure abided by the rules of Doric design. Ascribing the unfinished state of the temple probably to financial shortcoming and/or military adventures, Pausanias did comment on its ambitious, gigantic size. The level of construction eventually reached is another focal point of our investigation. The study of the Temple of Zeus Basileus brings out the multifaceted notion of the term “monumentality”, tightly related to visual impact. One of the aims of its commissioners would have been to establish a landmark on the summit where Zeus was probably co-worshipped with Trophonios, the Boeotian hero-prophet. Since the temple in question, as we propose, most probably commemorated both a grandiose military victory in the 3rd century BC and the contemporary political situation, its imposing volume, along with the aesthetic effect of bichromy, were meant to perpetuate the overtone of these events within the ambience of the sacred Lebadea. Another facet of monumentality involves the respective building programme, and it derives from epigraphical sources, namely a contract specifying construction details, with particular instructions already at the orthostate level, denoting that accuracy in execution safeguarded the high quality of ancient Greek architecture.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"4 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86041829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article discusses an inscribed monument found during rescue excavations in the ancient city of Hermione. It provides an editio princeps for the one-word inscription and discusses the symbolism of its relief depiction of a temple key. The examination of the monument is followed by a discussion proposing a new perspective on how to approach the religious milieu of ancient Hermione.
{"title":"The key to Hermione? Notes on an inscribed monument","authors":"Jenny Wallensten","doi":"10.30549/opathrom-14-10","DOIUrl":"https://doi.org/10.30549/opathrom-14-10","url":null,"abstract":"This article discusses an inscribed monument found during rescue excavations in the ancient city of Hermione. It provides an editio princeps for the one-word inscription and discusses the symbolism of its relief depiction of a temple key. The examination of the monument is followed by a discussion proposing a new perspective on how to approach the religious milieu of ancient Hermione.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79853973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores Roman freedmen’s masculine positions expressed as virtues, qualities, and ideals in the recommendation letters of Cicero and Pliny the Younger. It discusses whether there were specific freedman virtues, qualities, and ideals and what consequences their existence or absence had for freedmen’s constructions of masculinity. A critical close reading of the texts is applied, combined with theories of masculinity, where hegemonic masculinity is a key concept. It is concluded that there were no virtues or qualities that were specific or exclusive to freedmen. A distinct set of virtues for freedmen did not exist in Late Republican and Early Imperial Rome, since much the same behaviour and qualities are seen as manly and desirable for freedmen as for freeborn male citizens of high birth. However, freedmen cannot comply with the hegemonic masculinity in full, since they cannot embody the Roman masculine ideal of the vir bonus and cannot be associated with the Roman cardinal virtue virtus, which was central in the construction of masculinity in the Roman world. This illustrates the complex Roman gender discourse and, on the whole, the social complexity of Roman society.
{"title":"Commending a freedman. Virtues and masculinities in the recommendation letters of Cicero and Pliny the Younger","authors":"Lisa Hagelin","doi":"10.30549/opathrom-14-18","DOIUrl":"https://doi.org/10.30549/opathrom-14-18","url":null,"abstract":"This article explores Roman freedmen’s masculine positions expressed as virtues, qualities, and ideals in the recommendation letters of Cicero and Pliny the Younger. It discusses whether there were specific freedman virtues, qualities, and ideals and what consequences their existence or absence had for freedmen’s constructions of masculinity. A critical close reading of the texts is applied, combined with theories of masculinity, where hegemonic masculinity is a key concept. It is concluded that there were no virtues or qualities that were specific or exclusive to freedmen. A distinct set of virtues for freedmen did not exist in Late Republican and Early Imperial Rome, since much the same behaviour and qualities are seen as manly and desirable for freedmen as for freeborn male citizens of high birth. However, freedmen cannot comply with the hegemonic masculinity in full, since they cannot embody the Roman masculine ideal of the vir bonus and cannot be associated with the Roman cardinal virtue virtus, which was central in the construction of masculinity in the Roman world. This illustrates the complex Roman gender discourse and, on the whole, the social complexity of Roman society.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"2 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78905785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ž. Tankosić, F. Mavridis, Paschalis Zafeiriadis, A. Psoma
The Norwegian Institute at Athens received a permit from the Greek Ministry of Culture and Sports in 2018 to conduct a five-year excavation project at the site of Gourimadi in southern Euboea. The first field season, conducted in June 2018, lasted for four weeks during which two trenches were opened at the site and partially excavated by a Norwegian-Greek team of researchers and students. The aim of the project is to understand the transition from the Neolithic to the Bronze Age in this part of the Aegean in the light of emerging regional maritime interaction networks and lasting settlement of the Cycladic islands. In addition, data collected from both the surface and excavation indicate that Gourimadi can contribute potentially crucial information needed for examining the Aegean prehistoric obsidian exchange and the introduction of metallurgy in the same region. Finally, the project is the first systematic (i.e. non-rescue) excavation of a prehistoric site in southern Euboea. The 2018 excavation confirmed our expectations about the importance of the site and has added to our understanding of prehistoric Euboea and the Aegean. The paper contains a brief preliminary but comprehensive report of the 2018 Gourimadi Archaeological Project results.
{"title":"Gourimadi Archaeological Project. The results from the first excavation season","authors":"Ž. Tankosić, F. Mavridis, Paschalis Zafeiriadis, A. Psoma","doi":"10.30549/opathrom-14-02","DOIUrl":"https://doi.org/10.30549/opathrom-14-02","url":null,"abstract":"The Norwegian Institute at Athens received a permit from the Greek Ministry of Culture and Sports in 2018 to conduct a five-year excavation project at the site of Gourimadi in southern Euboea. The first field season, conducted in June 2018, lasted for four weeks during which two trenches were opened at the site and partially excavated by a Norwegian-Greek team of researchers and students. The aim of the project is to understand the transition from the Neolithic to the Bronze Age in this part of the Aegean in the light of emerging regional maritime interaction networks and lasting settlement of the Cycladic islands. In addition, data collected from both the surface and excavation indicate that Gourimadi can contribute potentially crucial information needed for examining the Aegean prehistoric obsidian exchange and the introduction of metallurgy in the same region. Finally, the project is the first systematic (i.e. non-rescue) excavation of a prehistoric site in southern Euboea. The 2018 excavation confirmed our expectations about the importance of the site and has added to our understanding of prehistoric Euboea and the Aegean. The paper contains a brief preliminary but comprehensive report of the 2018 Gourimadi Archaeological Project results.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"21 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86495430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of N. Chiarenza, A. Haug & U. Müller, eds., The power of urban water, 2020","authors":"Patrik Klingborg","doi":"10.30549/opathrom-14-24","DOIUrl":"https://doi.org/10.30549/opathrom-14-24","url":null,"abstract":"","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"76 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86532529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The earliest literary reference to animal sacrifice in Athens is the passage in Homer’s Iliad (2.550–551) that mentions Athenian youths propitiating their legendary king Erechtheus with bulls and rams. It is surprising that this passage has not been associated with the north frieze of the Parthenon, where twelve young men are leading four bovines and four sheep to sacrifice, in contrast with the ten cows on the south frieze which clearly represent the hecatomb for Athena Polias at the Panathenaia. While it is difficult to ascertain the sex of these eight animals, the horns and size of the sheep suggest that they are male. Given the prominence of the cult of the hero Erechtheus on the north side of the Acropolis, it is reasonable to identify these sacrificial animals as an offering to the pater patriae of the Athenians.
{"title":"Bulls and rams. The sacrifice to Erechtheus","authors":"J. Neils","doi":"10.30549/opathrom-14-15","DOIUrl":"https://doi.org/10.30549/opathrom-14-15","url":null,"abstract":"The earliest literary reference to animal sacrifice in Athens is the passage in Homer’s Iliad (2.550–551) that mentions Athenian youths propitiating their legendary king Erechtheus with bulls and rams. It is surprising that this passage has not been associated with the north frieze of the Parthenon, where twelve young men are leading four bovines and four sheep to sacrifice, in contrast with the ten cows on the south frieze which clearly represent the hecatomb for Athena Polias at the Panathenaia. While it is difficult to ascertain the sex of these eight animals, the horns and size of the sheep suggest that they are male. Given the prominence of the cult of the hero Erechtheus on the north side of the Acropolis, it is reasonable to identify these sacrificial animals as an offering to the pater patriae of the Athenians.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"59 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77912028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：