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William J. Prior. Socrates. 威廉J.普赖尔。苏格拉底。
IF 0.4 0 CLASSICS Pub Date : 2023-04-27 DOI: 10.3138/mous.19.2.05
Doug Al-Maini
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引用次数: 0
Front Matter 前页
0 CLASSICS Pub Date : 2023-04-27 DOI: 10.3138/mous.19.2.fm
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引用次数: 0
A Judgment of Parodies? ‘Momus’ on a Black-Figure Hydria in Chicago 对恶搞的评判?芝加哥黑影海德里亚上的“Momus”
IF 0.4 0 CLASSICS Pub Date : 2023-04-27 DOI: 10.3138/mous.19.2.02
L. Coo
Abstract:A Judgment of Paris scene on a black-figure hydria of ca. 510–500 bc includes a mysterious winged man among its characters. In 1980, Erika Simon identified the figure as Momus, which would make this the only plausible example of the god’s depiction to survive in ancient art. This article re-examines Simon’s argument through both a reconsideration of the ancient literary sources for Momus and a new visual analysis of the scene on the hydria. By drawing attention to the previously underappreciated parodic elements of the vase painting, it proposes a new interpretation of both the picture’s comic tone and the question of the winged figure’s identity.Résumé:Une scène du Jugement de Pâris représentée sur une hydrie à figure noire d’environ 510-500 av. J.-C. inclut un mystérieux homme ailé parmi ses personnages. En 1980, Erika Simon a identifié ce personnage comme étant Momus, ce qui en ferait le seul exemple plausible de représentation du dieu à survivre dans l’art ancien. Cet article réexamine l’argumentation de Simon en reconsidérant à la fois les sources littéraires anciennes traitant de Momus et une nouvelle analyse visuelle de la scène représentée sur l’hydrie. En attirant l’attention sur les éléments parodiques auparavant sousestimés de la peinture du vase, cet article propose une nouvelle interprétation de l’aspect comique de l’image et de la question de l’identité du personnage ailé.
摘要:公元前510-500年的一幅黑色水螅画《审判巴黎》中的人物中有一个神秘的长着翅膀的人。1980年,埃里卡·西蒙(Erika Simon)确认了这个人物是莫莫斯(Momus),这将使它成为唯一一个在古代艺术中幸存下来的神的描绘的可信例子。本文通过对《莫摩斯》的古代文学来源的重新思考和对海德里亚河上的场景的新的视觉分析,重新审视西蒙的论点。通过引起人们对花瓶绘画中先前被低估的模仿元素的关注,它提出了一种新的解释,既可以解释这幅画的喜剧基调,也可以解释翅膀人物的身份问题。[j] . 交换与交换:交换与交换与交换:交换与交换:交换与交换:交换与交换:交换与交换:包括联合国首席执行官、首席执行官和首席执行官在内的人士。1980年,埃里卡·西蒙(Erika Simon)是一名知名人士,他被称为“莫莫斯”(Momus),这是一个令人信服的例子,可以证明,在过去的一年里,人类的生存状况是不可避免的。这篇文章回顾了西蒙的论点,重新考虑了他的论点,从他的论点出发,重新考虑了他的论点,从他的论点出发,从他的论点出发,从他的论点出发。在此基础上,本文提出了一种新的关于“形象方面的解释”和“身份方面的问题”的解释,即关于“个人身份”的解释。
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引用次数: 0
Vayos Liapis and Avra Sidiropoulou (eds.). Adapting Greek Tragedy: Contemporary Contexts for Ancient Texts. Vayos Liapis和Avra Sidiropoulou(编)。改编希腊悲剧:古代文本的当代语境。
IF 0.4 0 CLASSICS Pub Date : 2023-04-27 DOI: 10.3138/mous.19.2.06
H. Marshall
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引用次数: 2
Exploring Gender Diversity in the Ancient World ed. by Allison Surtees and Jennifer Dyer (review) 《探索古代世界的性别多样性》艾莉森·瑟蒂斯和詹妮弗·戴尔主编(回顾)
IF 0.4 0 CLASSICS Pub Date : 2022-11-01 DOI: 10.3138/mous.19.1.10
M. Lambert
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引用次数: 0
Yves Duhoux et Anna Morpurgo Davies (dirs.). A companion to Linear B. Mycenaean Greek Texts and their World, Volume 3 伊夫·杜豪和安娜·莫珀戈·戴维斯(导演)。线性b的同伴迈锡尼希腊文本和他们的世界,第3卷
IF 0.4 0 CLASSICS Pub Date : 2022-11-01 DOI: 10.3138/mous.19.1.05
Helen Perdicoyianni-Paleologou
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引用次数: 0
Tamen chez Plaute 普罗特的选美
IF 0.4 0 CLASSICS Pub Date : 2022-11-01 DOI: 10.3138/mous.19.1.02
H. Perdicoyianni-Paléologou
Ce travail vise à étudier les propriétés syntaxiques et sémantico-pragmatiques de tamen chez Plaute. Sur le plan syntaxique, les emplois intraphrastiques de tamen peuvent fonctionner comme un corrélatif, être postposés à un participe, figurer dans des subordonnées ou encore être précédés d’un coordonnant additif ou négatif. En revanche, les emplois transphrastiques sont attestés dans des énoncés affirmatifs et interrogatifs ainsi que dans des phrases elliptiques, et sont associés aux connecteurs de type coordonnant. Sur le plan sémantico-pragmatique, tamen remplit ordinairement la fonction de dénégation et celle de l’opposition directe. Dans le cadre du déroulement du discours, tamen fait office de marqueur de retour sur le « dit » et de marqueur de transition, assurant ainsi la cohérence logique du discours.
本文旨在研究普劳图斯选美的句法和语义-语用特性。从句法的角度来看,tamen的内在用法可以作为相关的,可以放在分词后面,可以出现在从句中,也可以在前面加或负坐标。另一方面,跨句使用在肯定句、疑问句和椭圆句中得到证实,并与协调型连接器有关。在语义-语用层面上,tamen通常具有否定和直接反对的功能。在话语过程中,tamen作为“说”的反馈标记和过渡标记,从而确保话语的逻辑一致性。
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引用次数: 0
Theocritus, Idyll 11.13–18: Galatea as Thetis Manquée
IF 0.4 0 CLASSICS Pub Date : 2022-11-01 DOI: 10.3138/mous.19.1.01
R. D. Griffith
Abstract:The figure of Polyphemus’ mother in Theocritus, Idyll 11 calls to mind the wooing of another reluctant sea-nymph, Thetis, by Peleus. While in that story ἔρις is cast down from heaven to earth, in Polyphemus’ affair with Galatea he sublimates the ἔρως he cannot consummate from procreation into creating art. Echoes of Pindar and Empedocles help to connect these two stories.Résumé:La figure de la mère de Polyphème chez Théocrite (Idyll. 11) rappelle la courtisanerie par Pélée d’une autre nymphe marine, Thétis. Tandis que dans cette histoire ἔρις est précipitée sur terre, Polyphème sublime par les arts l’ἔρως qu’il ne peut vivre avec Galatée. Des échos de Pindare et d’Empédocle aident à relier ces deux histoires.
文摘:图》Polyphemus’mother in Theocritus Idyll 11呼叫,to mind The wooing of another勉强sea-nymph、Thetis by Peleus。While in that storyἔριςis down to earth from·天堂,cast Polyphemus’恋情with Galatea贺sublimates in theἔρως贺从别处(consummate from医疗into创作艺术。= =地理= =根据美国人口普查,这个县的面积为。概要:theocrite(牧歌11)中波吕斐摩斯母亲的形象让人想起另一个海洋仙女忒提斯的求爱。而故事中ἔρις地球上很仓促,波吕斐摩斯那样崇高的艺术ἔρως,他不能忍受主席团。品达和恩培多克勒斯的回声有助于将这两个故事联系起来。
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引用次数: 0
Peter J. Rhodes. Herodotus: Histories Book V 彼得·j·罗兹。希罗多德:历史第五卷
IF 0.4 0 CLASSICS Pub Date : 2022-11-01 DOI: 10.3138/mous.19.1.07
F. Pownall
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引用次数: 0
Sarah A. James. Hellenistic Pottery: The Fine Wares 莎拉·a·詹姆斯。希腊陶器:精美的器皿
IF 0.4 0 CLASSICS Pub Date : 2022-11-01 DOI: 10.3138/mous.19.1.08
Alexandros Laftsidis
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引用次数: 0
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Mouseion-Journal of the Classical Association of Canada
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