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Analogical Interference in Constructionalization: The Emergence of the Hebrew Desiderative ba le-X Y 构筑化中的类比干涉:希伯来语渴望语的出现
Q2 Arts and Humanities Pub Date : 2022-05-11 DOI: 10.1163/23526416-bja10017
Einat Kuzai, Hava Bat-Zeev Shyldkrot
This paper investigates the constructionalization of the Hebrew desiderative ba le-X Y (‘X feels like Y’; lit. ‘come.prs.m.sg to-X Y’), which exemplifies the less frequent pathway from motion to desire. Drawing on Diachronic Construction Grammar framework, we provide an account that considers both the construction’s ancestor and similar desiderative constructions existing at the time of emergence. Based on qualitative and quantitative analyses, we suggest ba le-X Y evolved via partial realization of a metaphoric construction conceptualizing experiencers as the goals of emotional forces, e.g. desires and urges. We further argue that this deviation in realization was modeled after a semantically similar, superficially resembling, desiderative construction which is more syntactically compacted. The motivation for this analogical interference is explained by the production and comprehension advantages of the resulting target construction. This paper then provides support for analogy-based interference effects in the formation of form-meaning pairings.
本文研究了希伯来语desideive ba le-X Y(“X感觉像Y”;lit.“come.prs.m.sg to X Y”)的结构化,它举例说明了从运动到欲望的不太频繁的途径。在历时结构语法框架的基础上,我们提供了一个既考虑了结构的祖先又考虑了出现时存在的类似的预期结构的描述。基于定性和定量分析,我们认为ba le-X Y是通过隐喻结构的部分实现而进化的,隐喻结构将体验者概念化为情感力量的目标,例如欲望和冲动。我们进一步认为,这种实现上的偏差是在语义相似、表面相似、有意构建的基础上建模的,这种构建在语法上更加紧凑。这种类比干扰的动机是由由此产生的目标结构的产生和理解优势来解释的。然后,本文为形义配对形成中基于类比的干扰效应提供了支持。
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引用次数: 0
Semantic Parameters, Cognitive Models, and Mental Units 语义参数、认知模型和心理单位
Q2 Arts and Humanities Pub Date : 2022-05-11 DOI: 10.1163/23526416-bja10021
J. Morrás
The paper explores the relationship between the linguistic and the conceptual system. The author argues for two main types of information that are vital for linguistically mediated communication. These are cognitive models and frames, and semantic parameters. Cognitive models and frames are rich coherent non-linguistic bodies of knowledge that are generally associated with open-class items. On the other hand, semantic parameters are bundles of schematic information that constitute part of the semantic pole of a symbolic unit and might be divided into conceptual and linguistic. The paper illustrates the two main types of information and seeks a unified account of their conceptual relations.
本文探讨了语言学与概念系统之间的关系。作者认为两种主要类型的信息对语言中介的交流至关重要。这些是认知模型和框架,以及语义参数。认知模型和框架是丰富连贯的非语言知识体,通常与开放类项目相关。另一方面,语义参数是构成符号单元语义极点的一部分的示意信息束,可以分为概念和语言。本文阐述了这两种主要类型的信息,并寻求对其概念关系的统一解释。
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引用次数: 1
Thematic Roles in Image Schemas: A Missing Link Between Mind and Language 意象图式中的主位角色:心灵与语言之间缺失的纽带
Q2 Arts and Humanities Pub Date : 2022-05-11 DOI: 10.1163/23526416-bja10024
A. Szwedek
As early as 1968, Fillmore suggested that deep cases could be sets “of universal, presumably innate, concepts” human beings form to describe reality. Langacker’s (1991) role archetypes highlight the “primal status and nonlinguistic origin” of Thematic roles. I argue that Thematic roles have their “nonlinguistic” origin in image schemas and link the image schemas with language structures. The thesis is based on my description of the object schema (Szwedek, 2018), the definition of the image schema (Szwedek, 2019), and major works on Thematic roles. The object schema is fundamental in that all physical objects are experienceable by the senses (Szwedek, 2011, 2018). In contrast to relational schemas, it is also conceptually independent, while “[r]elations are conceptually dependent, i.e. one cannot conceptualize interconnections without conceptualizing the entities they interconnect” (Langacker, 1987). I posit that Thematic roles are a link between image schemas (mind) and language, constituting a stable scaffolding for various syntactic structures.
早在1968年,菲尔莫尔就提出,深层案例可能是人类为描述现实而形成的“普遍的、可能是天生的概念”。Langacker(1991)的角色原型突出了主位角色的“原始地位和非语言起源”。我认为主位角色的“非语言”起源于意象图式,并将意象图式与语言结构联系起来。本文基于我对客体图式的描述(Szwedek,2018)、意象图式的定义(Szwedek,2019)以及关于主位角色的主要著作。物体图式的基础在于,所有物理物体都可以通过感官体验(Szwedek,20112018)。与关系模式相反,它在概念上也是独立的,而“关系在概念上是依赖的,即如果不概念化它们互连的实体,就无法概念化互连”(Langacker,1987)。我认为主位角色是意象图式(思维)和语言之间的纽带,构成了各种句法结构的稳定支架。
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引用次数: 0
Two Ways to Blend: The Hidden Complexities of Simplex Networks 两种混合方法:单纯形网络的隐藏复杂性
Q2 Arts and Humanities Pub Date : 2022-05-11 DOI: 10.1163/23526416-bja10023
Žolt Papišta
The notion of simplex networks refers to a type of conceptual blending, by means of which empty roles of a frame (such as the frame of human kinship) are combined with values from the other semantic field (such as individuals who may be conceived of as kin). The current paper argues that there are two main ways in which simplex networks can be constructed: top-down and bottom-up. The construction of top-down simplex networks is prompted by linguistic cues, and in line with those, structure from the roles is projected onto the values in the blended space. The construction of bottom-up simplex networks, on the other hand, is not prompted by linguistic cues but by pattern recognition, and the perceived structure of the values determines which frames and roles may be chosen for the purposes of blending.
单纯形网络的概念是指一种概念融合,通过这种融合,一个框架(如人类亲属关系的框架)的空角色与其他语义领域(如可能被视为亲属的个人)的价值观相结合。本文认为,单纯形网络的构建主要有两种方式:自上而下和自下而上。自上而下的单纯形网络的构建是由语言线索推动的,与这些线索相一致,来自角色的结构被投影到混合空间中的值上。另一方面,自下而上的单纯形网络的构建不是由语言线索引起的,而是由模式识别引起的,并且感知的价值观结构决定了可以选择哪些框架和角色来进行混合。
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引用次数: 0
Before: Unimodal Linguistics, After: Multimodal Linguistics. A Parallel Architecture Account of a Multimodal Construction 之前:单模态语言学,之后:多模态语言学。多模态结构的平行结构描述
Q2 Arts and Humanities Pub Date : 2022-05-11 DOI: 10.1163/23526416-bja10025
J. Schilperoord, Neil Cohn
This paper adopts a construction-grammar approach to multimodal meaning. We provide a detailed analysis of the Before-After-construction used frequently in advertisements, cartoons and Internet memes. We demonstrate that parts of its generic ‘caused-change’ meaning is compositional, and rendered independently from what is overtly expressed by concrete instances of the pattern. The latter hence build on an abstract multimodal construction whose form elements are paired idiosyncratically with meaning, just like linguistic constructions proper. We show that non-standard instances of the Before-After-construction represent deviations based on a systematized standard Before-After-construction. Finally, we argue that the Before-After-construction belongs to a broader inheritance hierarchy of two-image multimodal construction types, while also providing one amongst several options to convey caused-change. Altogether, we demonstrate that multimodal expressions instantiate similar properties as unimodal expressions both across form and meaning.
本文采用构造语法的方法研究多模态意义。我们对广告、漫画和网络表情包中经常使用的前后结构进行了详细分析。我们证明了其通用的“引起的变化”含义的一部分是组成的,并且独立于模式的具体实例公开表达的内容来呈现。因此,后者建立在一种抽象的多模态结构之上,其形式元素与意义特殊地配对,就像语言结构本身一样。我们表明,前后构造的非标准实例代表基于系统化标准前后构造的偏差。最后,我们认为前后结构属于两种图像多模式结构类型的更广泛的继承层次,同时也提供了几个选项中的一个来传达引起的变化。总之,我们证明了多模态表达式在形式和意义上都实例化了与单峰表达式相似的属性。
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引用次数: 1
Liquid Gold Down the Drain: Measuring Perceptions of Creativity Associated with Figurative Language and Play 流金如土:衡量与具象语言和游戏相关的创造力
Q2 Arts and Humanities Pub Date : 2022-05-11 DOI: 10.1163/23526416-bja10018
S. Skalicky
The purpose of this study is to examine layperson perceptions of creativity associated with figurative language and language play. To do so, participants wrote attention-grabbing responses for two news stories and rated whether their responses were less, equally, or more creative when compared to preconstructed responses containing different combinations of metaphor and sarcasm. Participants’ answers were also analyzed for the presence of figurative language or language play. Results demonstrated participants were less likely to self-rate their answers as more creative when compared to preconstructed responses containing figurative language, but only for specific instances of metaphor and sarcasm. Moreover, participants who included figurative language or language play in their responses were significantly more likely to self-rate their answers as more creative. These results suggest layperson perceptions of creativity are influenced by figurative language and language play in a manner which supports scholarly understandings of the relationship between language and creativity.
本研究的目的是考察外行人对比喻语言和语言游戏相关的创造力的感知。为了做到这一点,参与者为两个新闻故事写了引人注目的回答,并对他们的回答与包含不同隐喻和讽刺组合的预先构建的回答相比,是更少、一样还是更有创意进行打分。参与者的回答也被分析比喻语言或语言游戏的存在。结果表明,与包含比喻性语言的预先构建的回答相比,参与者不太可能将自己的答案自我评价为更具创造性,但仅限于隐喻和讽刺的特定实例。此外,在回答中使用比喻语言或语言游戏的参与者更有可能自认为他们的回答更具创造性。这些结果表明,外行人对创造力的感知受到比喻语言和语言游戏的影响,这在某种程度上支持了对语言和创造力之间关系的学术理解。
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引用次数: 0
Structure within Morphemic Meaning 语素意义中的结构
Q2 Arts and Humanities Pub Date : 2021-10-25 DOI: 10.1163/23526416-07020003
L. Talmy
The entire conceptual content represented by a single morpheme—its plenary meaning—is in general both copious and structured. This structuring consists of both the patterning of its content and the distribution of attention over that pattern. With respect to the patterning of its content, a morpheme’s plenary meaning can be divided into a core meaning and an associated meaning. In turn, its associated meaning can be subdivided into five sectors: the holistic, infrastructure, collateral, disposition, and attitude sectors. And with respect to its distribution of attention, eight specific attentional factors and three general attentional principles are cited. The main attentional factor is that a morpheme’s core meaning is generally more salient than its associated meaning or any of the sectors therein. But another attentional factor holds that the attitude sector, especially its expletivity type, can challenge or exceed the core meaning in salience.
由一个词素表示的整个概念内容——它的全部含义——通常既丰富又结构化。这种结构包括内容的模式化和注意力在该模式上的分布。从内容模式上看,语素的整体意义可分为核心意义和关联意义。反过来,其相关含义可以细分为五个部门:整体、基础设施、抵押品、处置和态度部门。关于它的注意分布,列举了八个特定的注意因素和三个一般的注意原则。主要的注意因素是语素的核心含义通常比其相关含义或其中的任何部分都更突出。但另一个注意因素认为,态度部分,尤其是其脏话类型,可以挑战或超越显著性的核心含义。
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引用次数: 2
One of a Kind 独一无二的
Q2 Arts and Humanities Pub Date : 2021-10-25 DOI: 10.1163/23526416-07020001
A. Aikhenvald
Noun categorization devices, or classifiers, of all types are a means of classifying referents in terms of basic cognitively salient parameters. These include humanness, animacy, sex, shape, direction and orientation, consistency, and function. In large systems of classifiers, one finds additional terms whose application is restricted to a limited set of referents, or even just to a single referent. For instance, numerous languages of Mainland Southeast Asia have elaborate sets of specific classifiers in the domain of social hierarchies and human interactions. Languages with multiple classifier systems spoken in riverine environment will be likely to have a special classifier for ‘canoe’. Rather than categorizing entities in terms of general features, such classifiers with specific meanings serve to highlight items important for the socio-cultural environment of the speakers and their means of subsistence. Specific classifiers are likely to be lost if a practice or a hierarchy they reflect undergoes attrition. They occupy a singular place in language acquisition and the history of development of classifier systems.
所有类型的名词分类装置或分类器都是根据基本的认知显著参数对指称物进行分类的一种手段。这些包括人性、动物性、性别、形状、方向和方向、一致性和功能。在大型的分类器系统中,人们会发现附加的术语,它们的应用仅限于有限的一组指涉,甚至仅限于单个指涉。例如,东南亚大陆的许多语言在社会等级和人类互动方面都有一套详细的特定分类器。在河流环境中使用的具有多个分类器系统的语言可能会有一个用于“canoe”的特殊分类器。这种具有特定含义的分类词不是根据一般特征对实体进行分类,而是突出对说话者的社会文化环境及其生存手段重要的项目。如果特定的分类器反映的实践或层次结构经历损耗,则它们可能会丢失。它们在语言习得和分类器系统发展史上占有独特的地位。
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引用次数: 3
Contents 内容
Q2 Arts and Humanities Pub Date : 2021-10-25 DOI: 10.1163/23526416-00702004
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引用次数: 0
How Many Moods Are There in Polish? The Case of the Polish Subjunctive 波兰语有多少种语气?波兰语虚拟语气的例子
Q2 Arts and Humanities Pub Date : 2021-10-25 DOI: 10.1163/23526416-07020002
A. Kaleta
The present paper is concerned with the Polish construction introduced with the subordinating complementizer żeby. The construction is interesting for its mood properties, which have been subject of a long-standing debate in Polish linguistics. The paper explores the semantic range of the construction and illuminates its mood properties. More specifically, it argues that żeby clauses represent a subjunctive mood and as such should be distinguished from indicative and conditional constructions. This distinction is described in terms of Langacker’s model of control and Givón’s theory of semantic binding. It is argued that the żeby construction constitutes an intermediate category between indicative mood, which grants the speaker a high degree of control over a proposition described in the complement clause, on the one hand, and conditional mood, which situates a proposition outside the conceptualizer’s dominion of control, on the other. The paper also highlights the iconic and metonymic motivation behind the distribution of żeby clauses in present-day Polish.
本文讨论了用从属补语żeby引入的波兰语结构。这个结构很有趣,因为它的情绪属性,这在波兰语言学中一直是一个长期争论的话题。本文探讨了该构式的语义范围,阐明了其语气特征。更具体地说,它认为żeby从句代表一种虚拟语气,因此应该与指示性和条件性结构区分开来。这种区别用Langacker的控制模型和Givón的语义绑定理论来描述。有人认为żeby结构构成了一个介于指示语气和条件语气之间的中间范畴,指示语气一方面使说话人对补语从句中描述的命题有高度的控制,另一方面使命题处于概念化者的控制范围之外。本文还强调了在现代波兰语中żeby条款分布背后的象征和转喻动机。
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引用次数: 0
期刊
Cognitive Semantics
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