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Moderation and authority-building process: the dynamics of knowledge creation on history subreddits 节制和权威建设过程:历史子版块上知识创造的动态
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-08-16 DOI: 10.1080/24701475.2022.2110564
Daniela Linkevicius de Andrade, Demival Vasques Filho
Abstract For the last 30 years, the web has been used as a space of debate and knowledge creation, including historical knowledge. The digital space has the potential to provide a more democratic history that relies on the inclusion of different voices. However, it also raises questions about editing and authority. When attempting to understand authority relations on the web, moderation gains special prominence as it involves actions of exclusion, organisation, and establishment of norms; moderators heavily influence the content created by web users. Here, we investigate knowledge creation considering moderation bias. We address the effects of different moderation practices in history subreddits by analysing how moderators establish authority relations with other users. For that, we use a mixed-methods approach by interpreting the subreddits’ rules and performing network analysis based on the subreddits’ dialogues (2011–2020). The study indicates that the rules have become progressively extensive and stricter over the years, creating appropriate ways for posting submissions and commenting but also affecting broad participation. As central authority figures, moderators engage in processes of sharing authority, rather than shared authority, tending to dominate knowledge creation.
在过去的30年里,网络一直被用作辩论和知识创造的空间,包括历史知识。数字空间有可能提供一种更民主的历史,这种历史依赖于包容不同的声音。然而,这也引发了关于编辑和权威的问题。当试图理解网络上的权威关系时,适度获得了特别突出的地位,因为它涉及排斥、组织和建立规范的行为;版主对网络用户创建的内容影响很大。在这里,我们研究了考虑适度偏见的知识创造。我们通过分析版主如何与其他用户建立权威关系,来解决历史子版块中不同版主实践的影响。为此,我们使用混合方法,通过解释子reddit的规则并基于子reddit的对话(2011-2020)执行网络分析。研究表明,这些规则多年来逐渐变得广泛和严格,为发表意见和评论创造了适当的方式,但也影响了广泛的参与。作为中心权威人物,版主参与分享权威的过程,而不是共享权威,倾向于主导知识创造。
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引用次数: 0
“Do female anime fans exist?” The impact of women-exclusionary discourses on rec.arts.anime “有女性动漫迷吗?”排斥女性的话语对当代艺术、动漫的影响
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-08-11 DOI: 10.1080/24701475.2022.2109265
Aurélie Petit
Abstract This paper examines women-exclusionary discourses on the popular anime Usenet newsgroup, rec.arts.anime. By going back to pre-2000 online anime histories, this paper proposes to understand how women-exclusionary discursive practices on rec.arts.anime have contributed to shaping contemporary toxic technocultures’ discursive identities, as it is admitted that forum 4chan originated from online anime fandom. By using a data set of 252 messages related to gender issues posted from 1992 to 1996, I identify 7 discursive practices that I am theorizing here under the name of negative networking: 1. Blaming female anime fans for their lack of visibility; 2. Doubting the authentic interest of women in anime; 3. Mystifying the female anime fan; 4. Harassing female anime fans; 5. Criticizing the association of feminism with anime, both as interpretive practices and as scholarship; 6. Belittling female anime fans’ concerns; and 7. Denying or ignoring the challenges faced by female anime fans. I argue that the impact of these discourses must be understood as determinant in the establishment of the online anime hegemonic fan identity and its prediscourses, especially as they relate to the long-lasting marginalization of women and gender diverse anime fans.
摘要本文考察了流行动漫Usenet新闻组rec.arts.anime上的女性排斥性话语。通过回顾2000年前的网络动漫历史,本文试图了解女性在rec.arts.anim上的排斥性话语实践如何有助于塑造当代有毒技术文化的话语身份,众所周知,4chan论坛起源于网络动漫迷。通过使用1992年至1996年发布的252条与性别问题有关的信息的数据集,我确定了我在这里以负面网络的名义理论化的7种话语实践:1。指责女性动漫迷缺乏知名度;2.怀疑女性对动漫的真实兴趣;3.神秘化女动漫迷;4.骚扰女性动漫迷;5.批评女权主义与动漫的联系,既是解释实践,也是学术研究;6.贬低女性动漫迷的关注;和7。否认或忽视女性动漫迷所面临的挑战。我认为,这些话语的影响必须被理解为建立网络动漫霸权粉丝身份及其偏好的决定因素,尤其是当它们与女性和性别多样的动漫粉丝的长期边缘化有关时。
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引用次数: 3
From healthy communities to toxic debates: Disqus’ changing ideas about comment moderation 从健康的社区到有毒的辩论:迪斯关于评论节制的观念转变
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-07-29 DOI: 10.1080/24701475.2022.2105123
J. Paßmann, Anne Helmond, R. Jansma
Abstract This article examines how the commenting platform Disqus changed the way it speaks about commenting and moderation over time. To understand this evolving self-presentation, we used the Internet Archive Wayback Machine to analyse the company’s website and blog between 2007 and 2021. By combining interpretative close-reading approaches with computerised distant-reading procedures, we examined how Disqus tried to advance online discussion and dealt with moderation over time. Our findings show that in the mid-2000s, commenting systems were supposed to help filter and surface valuable contributions to public discourse, while ten years later their focus had shifted to the proclaimed goal of protecting public discourse from contamination with potentially harmful (“toxic”) communication. To achieve this, the company developed new tools and features to keep communities “healthy” and to facilitate and semi-automate active and interventive forms of moderation. This rise of platform interventionism was fostered by a turn towards semantics of urgency in the company’s language to legitimise its actions.
摘要本文考察了评论平台Disqus是如何随着时间的推移改变其评论和节制的方式的。为了理解这种不断发展的自我展示,我们使用互联网档案Wayback Machine分析了该公司在2007年至2021年间的网站和博客。通过将解释性的近距离阅读方法与计算机化的远距离阅读程序相结合,我们研究了Disqus如何试图推进在线讨论,并随着时间的推移处理适度问题。我们的研究结果表明,在2000年代中期,评论系统本应帮助过滤和展示对公共话语的宝贵贡献,而十年后,它们的重点已转移到保护公共话语免受潜在有害(“有毒”)传播污染的宣称目标上。为了实现这一点,该公司开发了新的工具和功能,以保持社区的“健康”,并促进和半自动化主动和干预形式的节制。平台干预主义的兴起是由公司语言中的紧迫语义转变而来的,以使其行为合法化。
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引用次数: 1
Imagining networked scholarly communication: self-archiving, academic labour, and the early internet 想象网络学术交流:自我存档、学术劳动和早期互联网
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-07-27 DOI: 10.1080/24701475.2022.2103987
Corina MacDonald
Abstract This essay explores the emergence of self-archiving practices in the 1990s as a form of academic labour that is intimately tied to the popularisation of the Internet. It argues that self-archiving is part of a sociotechnical imaginary of networked scholarly communication that has helped to shape understandings of digital scholarship and dissemination over the past three decades. Focussing on influential texts written by open access archivangelist Stevan Harnad in 1990 and 1994, the essay analyzes the language and discursive strategies used to promote self-archiving as form of collective scholarly exchange. Through these writings, Harnad helped to articulate scholars to the Internet as a medium of publication, with impacts still seen today in policy discussions around open access and the public good that shape relations of knowledge production under contemporary forms of capitalism.
本文探讨了20世纪90年代出现的自我存档实践,作为一种与互联网普及密切相关的学术劳动形式。它认为,自我存档是网络学术交流的社会技术想象的一部分,在过去三十年中,它帮助塑造了对数字学术和传播的理解。本文以开放获取档案学家steven Harnad于1990年和1994年撰写的有影响力的文本为重点,分析了用于促进自我存档作为集体学术交流形式的语言和话语策略。通过这些著作,哈纳德帮助学者们将互联网作为一种出版媒介,其影响在今天仍然可以在围绕开放获取和公共利益的政策讨论中看到,这些政策讨论塑造了当代资本主义形式下的知识生产关系。
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引用次数: 0
The invention of the archived web: tracing the influence of library frameworks on web archiving infrastructure 归档web的发明:跟踪库框架对web归档基础设施的影响
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-07-25 DOI: 10.1080/24701475.2022.2103988
Kieran Hegarty
Abstract Web archives are increasingly considered key infrastructure for web histories, yet the story of their initial development is often overlooked. Paying attention to the period between the emergence of the web and the first web archives, this article asks: how was the archived web conceived as an object of knowledge? And how have its conceptual origins shaped web archives as a window into the web’s past? Drawing on ethnographic and historical research at one of the first web archiving institutions, the National Library of Australia, it details how systems, standards, and skills in use at the library were applied to a nascent web. It shows how archiving the web became both conceivable and actionable by library workers as they came to understand and act on various web-based materials as types of publications. Reflecting on this history, this article argues that present-day web archives have inherited both strengths and limitations from the older knowledge infrastructures from which they emerged. By detailing the messy, incremental path of infrastructural development, this article extends recent STS-inflected work on web archives as epistemic agents, adding a historical dimension to our understanding of how web archives enable and constrain particular ways of knowing the web’s past.
摘要Web档案越来越被认为是Web历史的关键基础设施,但其最初发展的故事往往被忽视。关注网络出现和第一批网络档案之间的时期,本文提出了一个问题:存档的网络是如何被视为知识对象的?它的概念起源是如何将网络档案塑造成了解网络过去的窗口的?它借鉴了最早的网络档案机构之一澳大利亚国家图书馆的民族志和历史研究,详细介绍了图书馆使用的系统、标准和技能是如何应用于一个新生的网络的。它展示了图书馆工作人员在理解和处理作为出版物类型的各种基于网络的材料时,如何将网络归档变得既可想象又可操作。回顾这段历史,本文认为,当今的网络档案既继承了它们产生的旧知识基础设施的优势,也继承了它们的局限性。通过详细描述基础设施开发的混乱、渐进的路径,本文扩展了最近STS影响的网络档案作为认知代理的工作,为我们理解网络档案如何启用和限制了解网络过去的特定方式增加了历史维度。
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引用次数: 5
Archives in the making: documenting the January 6 capitol riot on Reddit 正在制作的档案:在Reddit上记录1月6日的国会骚乱
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-07-25 DOI: 10.1080/24701475.2022.2103989
Terri Lee Harel
Abstract Through a case study of the January 6 U.S. Capitol riot, this paper looks at how Reddit users came together to document what they perceived as a significant historical event in United States history. By comparing how three subreddits selected content for archiving and the discussions they sparked, this paper contributes a perspective about how archiving efforts are carried out by everyday internet users and how researchers might put these efforts to use in the future. Studying everyday internet users’ compulsion to document reveals not only their approaches to archiving, but also how they are experiencing a historical event. “Rogue archiving” has saved what might otherwise be lost to content removals and overnight website closures. But even rogue archiving groups have set processes and structures which enable them to produce web and digital archives. What about archiving efforts that are even more informal and spontaneous? On Reddit, people responded to January 6 by self-organising archiving efforts, thereby revealing logics to and motivations for archiving—and their reactions to the day’s events.
摘要通过1月6日的案例研究 美国国会骚乱,本文着眼于Reddit用户如何聚集在一起,记录他们认为是美国历史上一个重要的历史事件。通过比较三个子版块如何选择存档内容及其引发的讨论,本文对日常互联网用户如何进行存档工作以及研究人员未来如何使用这些工作提供了一个视角。研究日常互联网用户记录的冲动不仅揭示了他们的归档方法,还揭示了他们是如何经历历史事件的。“流氓归档”挽救了原本可能因内容删除和一夜之间网站关闭而丢失的东西。但即使是流氓档案组织也制定了流程和结构,使他们能够制作网络和数字档案。那些更加非正式和自发的归档工作呢?在Reddit上,人们通过自我组织归档工作来回应1月6日,从而揭示了归档的逻辑和动机,以及他们对当天事件的反应。
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引用次数: 1
The mainstreamisation of web related vocabulary: “Buzz” and “Trolls” in French media archives 网络相关词汇的主流化:法国媒体档案中的“Buzz”和“Trolls”
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-06-24 DOI: 10.1080/24701475.2022.2089835
Gustavo Gomez-Mejia
Abstract This article analyses the French mainstreamisation process of web related vocabularies through the lens of a collection of archived fragments from national and regional media outlets. A cultural materialist approach is chosen to question the “naturalisation” of a so-called “web language” (langage web) and highlights the role of mediations which help turn once-marginal “jargon” terms into popular digital keywords. This perspective is explored through a diptych of case studies on the discursive journeys of “Buzz” and “Trolls” (1999–2021) using texts and screenshots from Europresse and Internet Archive.
摘要本文以国家和地区媒体的档案片段为视角,分析了法国网络相关词汇的主流化进程。作者选择了一种文化唯物主义的方法来质疑所谓的“网络语言”(语言网络)的“归化”,并强调了中介的作用,它有助于将曾经边缘化的“行话”术语变成流行的数字关键词。通过对“Buzz”和“Trolls”(1999-2021)的话语旅程的双联案例研究,使用来自欧洲出版社和互联网档案馆的文本和截图来探索这一观点。
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引用次数: 0
Let’s play something awful: a historical analysis of 14 years of threads 让我们玩一些可怕的游戏:对14年线程的历史分析
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-06-09 DOI: 10.1080/24701475.2022.2084823
Brian McKitrick, Martin Gibbs, Melissa J. Rogerson, Bjørn Nansen, Charlotte Pierce
Abstract The Something Awful Let’s Play subforum is widely acknowledged as the birthplace of the Let’s Play (LP) media phenomenon. LPs typically involve people recording themselves playing games while providing commentary. LPs are an important media form in themselves as well as being an important antecedent to many contemporary and popular media forms such as live streaming, esports and speed-running. An examination of the Something Awful LP subforum can contribute to an understanding of the origins of LPs and the community that created them. In this paper, we report on a study of the Something Awful LP subforum and describe the kinds of engagement the community participates in the top threads, as well as looking to see if there are specific individuals responsible for guiding the subforum overall. We collected data from the thousands of public threads posted in the LP subforum, from its inception in 2007 to the end of 2020. The analysis of these postings presented in this paper draws on previous understandings of the behavioral roles, forms of engagement, and policing of practices that often occur on internet forums as part of the regulation and organization of associated online communities. Our results show that the LP subforum was not dominated by a small minority of users that dictated the community’s LP posting, recording and commentary practices, and that the content of the specific threads was much more important in determining what forms of LPs became popular.
摘要The Something Aweful Let's Play subforum被广泛认为是Let's Play(LP)媒体现象的发源地。LP通常包括人们在提供解说的同时记录自己玩游戏的过程。LP本身就是一种重要的媒体形式,也是许多当代流行媒体形式(如直播、电子竞技和速跑)的重要前身。对Something Awful LP子论坛的研究有助于理解LP的起源和创造它们的社区。在这篇论文中,我们报告了对Something Awful LP子论坛的研究,并描述了社区参与顶级话题的类型,并希望了解是否有特定的个人负责指导整个子论坛。我们从LP子论坛上发布的数千个公共帖子中收集了数据,从2007年成立到2020年底。本文对这些帖子的分析借鉴了之前对行为角色、参与形式和行为监管的理解,这些行为角色、形式和监管通常发生在互联网论坛上,作为相关在线社区监管和组织的一部分。我们的研究结果表明,LP子论坛并不是由少数用户主导的,这些用户决定了社区的LP发布、录制和评论实践,并且特定帖子的内容在决定什么形式的LP变得流行方面要重要得多。
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引用次数: 0
Tumblr 汤博乐
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-05-31 DOI: 10.1080/24701475.2022.2082060
A. Gekker
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引用次数: 0
The New Laws of Love: Online Dating and the Privatization of Intimacy 爱情的新法则:在线约会和亲密关系的私人化
IF 1.3 Q1 Arts and Humanities Pub Date : 2022-05-11 DOI: 10.1080/24701475.2022.2075156
Ben T. Pettis
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引用次数: 3
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