Pub Date : 2019-02-26DOI: 10.37389/ABEI.V20I2.3201
G. Wolkoff
How can we go beyond historically constructed gender differences, as we read literary genres in the contemporary Irish context? In order to start finding responses to these questions, we aim at looking into how selves are constructed and identities represented as we read Celia de Fréine’s works. Indeed, concepts of identity in postmodernity, represented selves and literary genres, particularly related to the recent Irish literary context are fundamental points of convergence in the understanding of feminisms and literature today. Therefore, this article intends to show how fixed concepts of gender identity and literary genres are, in fact, unstable in contemporaneity. The paralleled, theoretical notions (of gender and genres) matter in the Irish context, because, apart from a few exceptions, women have been excluded from the public literary scene and many of the poets that appeared after the 1970’s account for their condition as women in a patriarchal society. Moreover, it matters due to the proximity of both cases’ unstable condition in our times.Keywords: Contemporary Irish poetry; literary genres; gender; contemporaneity.
当我们在当代爱尔兰语境中阅读文学体裁时，我们如何才能超越历史建构的性别差异?为了开始寻找这些问题的答案，我们的目标是在阅读Celia de fracimine的作品时，研究自我是如何构建的，身份是如何表现的。事实上，在后现代性中的身份概念，代表的自我和文学流派，特别是与最近爱尔兰文学背景相关的概念，是当今理解女权主义和文学的基本趋同点。因此，本文试图说明，固定的性别认同和文学体裁概念在当代性中是如何不稳定的。这种平行的理论概念(关于性别和体裁)在爱尔兰语境中很重要，因为除了少数例外，女性一直被排除在公共文学舞台之外，20世纪70年代以后出现的许多诗人都说明了她们作为女性在父权社会中的状况。更重要的是，在我们这个时代，两国的不稳定局势都很接近。关键词:当代爱尔兰诗歌;文学体裁;性别;
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{"title":"Irishness on the Margins: Minority and Dissident Identities","authors":"José Carregal-Romero","doi":"10.37389/ABEI.V20I2.3224","DOIUrl":"https://doi.org/10.37389/ABEI.V20I2.3224","url":null,"abstract":"Villar-Argáiz, Pilar (ed). Irishness on the Margins: Minority and Dissident Identities. London: Palgrave Mcmillan, 2018. 290p.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"353 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76472455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-26DOI: 10.37389/ABEI.V20I2.3225
Mariana Bolfarine
Costello-Sullivan, Kathleen, Trauma and Recovery in the Twenty-Century Irish Novel. Syracuse: Syracuse University Press, 2018.
《二十世纪爱尔兰小说中的创伤与恢复》，凯瑟琳·科斯特洛-沙利文著。雪城:雪城大学出版社，2018。
{"title":"Trauma and Recovery in the Twenty-Century Irish Novel","authors":"Mariana Bolfarine","doi":"10.37389/ABEI.V20I2.3225","DOIUrl":"https://doi.org/10.37389/ABEI.V20I2.3225","url":null,"abstract":"Costello-Sullivan, Kathleen, Trauma and Recovery in the Twenty-Century Irish Novel. Syracuse: Syracuse University Press, 2018.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90817980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-26DOI: 10.37389/ABEI.V20I2.3222
Divanize Carbonieri
{"title":"Poems by Mary O'Donnelll","authors":"Divanize Carbonieri","doi":"10.37389/ABEI.V20I2.3222","DOIUrl":"https://doi.org/10.37389/ABEI.V20I2.3222","url":null,"abstract":"","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78977551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-26DOI: 10.37389/ABEI.V20I2.3202
H. Schwall
As an arch-migrant, Roisín O’Donnell moves between mental, spatial and verbal homes, between teaching and writing. In “How to be a Billionaire” and “Crushed”, two short stories which wrap her volume Wild Quiet (2016) she develops a “narratology of otherness”, using a combination of empathy and translation to convey her new Irish schoolchildren’s “tussles with identities” into complex and colourful texts, allowing the reader glimpses of the ways in which her protagonists shift between affects and emotions, phantasms and memories, confusion and trauma. Fed by the theories of Jacques Lacan, Christopher Bollas, René Anzieu and Giorgio Agamben this article will perform a close reading of the formal ingenuities in O’Donnell’s style, devised to represent the “crowded nature of contemporary selfhood”. More specifically this reading focuses on six kinds of communication: body language, dress code, gestural idiom (in “Gestalten”), impact of spatial factors, verbal abilities, and finally emotional and mental images which form a kind of “pellicular” diary.Keywords: Roisín O’Donnell; Wild Quiet; “How to be a Billionaire”; “Crushed”; new Irish; Gestalt; RIS system; the good enough parent.
作为一名主要的移民，Roisín O 'Donnell游走于精神、空间和语言的家园之间，游走于教学和写作之间。在《如何成为亿万富翁》和《被碾碎》这两篇短篇小说中，她发展了一种“他者叙事”，运用移情和翻译的结合，将她的新爱尔兰学童“与身份的斗争”传达到复杂而丰富多彩的文本中，让读者瞥见她的主人公在情感和情感、幻觉和记忆、困惑和创伤之间转换的方式。本文将以雅克·拉康、克里斯托弗·博拉斯、雷纳尔·安齐厄和乔治·阿甘本的理论为基础，对奥唐纳风格中的形式天才进行仔细解读，这些天才旨在表现“当代自我的拥挤本质”。更具体地说，这篇阅读着重于六种交流:肢体语言、着装规范、手势习语(在“格式塔”中)、空间因素的影响、语言能力，最后是形成一种“膜状”日记的情感和心理形象。关键词:Roisín O 'Donnell; Wild Quiet;《如何成为亿万富翁》;
{"title":"Stylizing Life: Empathy and Translation in Roisín O'Donnell's Transcultural Writing","authors":"H. Schwall","doi":"10.37389/ABEI.V20I2.3202","DOIUrl":"https://doi.org/10.37389/ABEI.V20I2.3202","url":null,"abstract":"As an arch-migrant, Roisín O’Donnell moves between mental, spatial and verbal homes, between teaching and writing. In “How to be a Billionaire” and “Crushed”, two short stories which wrap her volume Wild Quiet (2016) she develops a “narratology of otherness”, using a combination of empathy and translation to convey her new Irish schoolchildren’s “tussles with identities” into complex and colourful texts, allowing the reader glimpses of the ways in which her protagonists shift between affects and emotions, phantasms and memories, confusion and trauma. Fed by the theories of Jacques Lacan, Christopher Bollas, René Anzieu and Giorgio Agamben this article will perform a close reading of the formal ingenuities in O’Donnell’s style, devised to represent the “crowded nature of contemporary selfhood”. More specifically this reading focuses on six kinds of communication: body language, dress code, gestural idiom (in “Gestalten”), impact of spatial factors, verbal abilities, and finally emotional and mental images which form a kind of “pellicular” diary.Keywords: Roisín O’Donnell; Wild Quiet; “How to be a Billionaire”; “Crushed”; new Irish; Gestalt; RIS system; the good enough parent.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74361706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-26DOI: 10.37389/ABEI.V20I2.3203
María Isabel Arriaga
The Light of Evening explores the difficult relationship between two Irish mothers and their daughters: Dilly Macready and Eleanora, a writer whose life shares many common features with that of Edna O’Brien’s, on the one hand, and young Dilly’s previous relationship with her own mother, Bridget, on the other hand. Both relationships are depicted through a succession of daily letters, usually not sent. These conflictive bonds resemble those of Irish people with their motherland throughout the twentieth century.This tension emerges, in all cases, when expected roles assigned to women by a patriarchal culture clash with the desire of emancipation and selfdevelopment. The purpose of this article is to explore mother-daughter representations in O’Brien’s novel in order to analyse the author’s own conflictive relationship with Ireland in her early development as a creative writer. Immigration, tradition, memory and fragmented identity, all constituitive elements of Irish history, are present in this paper.Keywords: Mothers; conflict; exile; tradition; motherland.
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Pub Date : 2019-02-26DOI: 10.37389/ABEI.V20I2.3226
Patrícia de Aquino Prudente
Gonzáles-Arias, Luz Mar (ed.). National Identities and Imperfection in Contemporary Irish Literature: Unbecoming Irishness. London; Palgrave Macmillan, 2017. 248pp.
{"title":"National Identities and Imperfection in Contemporary Irish Literature: Unbecoming Irishness","authors":"Patrícia de Aquino Prudente","doi":"10.37389/ABEI.V20I2.3226","DOIUrl":"https://doi.org/10.37389/ABEI.V20I2.3226","url":null,"abstract":"Gonzáles-Arias, Luz Mar (ed.). National Identities and Imperfection in Contemporary Irish Literature: Unbecoming Irishness. London; Palgrave Macmillan, 2017. 248pp.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"84 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78693975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-26DOI: 10.37389/ABEI.V20I2.3204
Pilar Villar-Argáiz
This essay looks at the interconnections between the cultural industry of popular romance and best-selling novels set in an Irish historical context. In particular, it examines two best-selling novels by North American author Karen Robards, which have not yet been examined in academia: Dark of the Moon (1988) and Forbidden Love (2013; originally published in 1983). Although this small selection constitutes only a preliminary study of an expanding popular genre, it is my hope that it will serve as a relevant example of how Ireland is exoticised in the transnational cultural industry of romance. Drawing on several studies on popular romance (Radway 1984; Strehle and Carden 2009; and Roach 2016), and on specific sources devoted to the study of historical romance, in particular when set in exotic locations (Hughes 2005; Philips 2011; Teo 2012; 2016), I intend to demonstrate how these novels by Karen Robards follow the clichés and conventions of the typical romances produced in the 1980s. As I show, the popularity that Robards’ novels still enjoy reflects the supremacy of the genre and the wide reception of this kind of fiction in the global market.Keywords: Cultural industry; popular romance; Irish context; market.
{"title":"Ireland and the Popular Genre of Historical Romance: The Novels of Karen Robards","authors":"Pilar Villar-Argáiz","doi":"10.37389/ABEI.V20I2.3204","DOIUrl":"https://doi.org/10.37389/ABEI.V20I2.3204","url":null,"abstract":"This essay looks at the interconnections between the cultural industry of popular romance and best-selling novels set in an Irish historical context. In particular, it examines two best-selling novels by North American author Karen Robards, which have not yet been examined in academia: Dark of the Moon (1988) and Forbidden Love (2013; originally published in 1983). Although this small selection constitutes only a preliminary study of an expanding popular genre, it is my hope that it will serve as a relevant example of how Ireland is exoticised in the transnational cultural industry of romance. Drawing on several studies on popular romance (Radway 1984; Strehle and Carden 2009; and Roach 2016), and on specific sources devoted to the study of historical romance, in particular when set in exotic locations (Hughes 2005; Philips 2011; Teo 2012; 2016), I intend to demonstrate how these novels by Karen Robards follow the clichés and conventions of the typical romances produced in the 1980s. As I show, the popularity that Robards’ novels still enjoy reflects the supremacy of the genre and the wide reception of this kind of fiction in the global market.Keywords: Cultural industry; popular romance; Irish context; market.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79097530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-23DOI: 10.37389/ABEI.V20I1.3093
D. M. Glynn
A community is principally characterized by the collectivity of its members and is defined spatially in terms of arbitrary boundaries that consistently separate its inhabitants from ‘Others’ and the “otherness” of the external world. For a number of centuries the diasporic Irish community has been able to forge communal spaces in Caribbean and Latin American nations, most prominently in Argentina. Nonetheless, these Irish communities in Argentine literature are often represented as insular and, therefore, disruptive to the monolithic national discourse of the host country. The portrayal of the diasporic Irish figure, which deviates from patterns of social normativity, constitutes an important facet of these individuals that permits an analysis of the ways in which their presence interrupts the Argentine literary imaginary. As Hellen Kelly observes, “‘deviancy’ in its variant forms has become, therefore, the most accessible and fruitful approach to assessing levels of integration amongst Irish immigrant communities” (128). In order to examine and comment on the various forms of deviations and, at the same time, the levels of integration of the immigrant Irish community, I offer my readings of the three short stories which comprise the “Irish series” by Rodolfo Walsh and Juan José Delaney’s novel Moira Sullivan. I look to interrogate the elements of the diasporic Irish experience which have informed and given shape to representations of diasporic Irish individuals and the spaces they occupy. I also seek to problematize previous readings of the selected texts that have, in general, omitted any critical consideration of and reflection upon their imbued ‘Irishness’ within the context of Argentine literary imaginaries.Keywords: Rodolfo Walsh; Juan José Delaney; Irishness; Irish immigration.
{"title":"Disruptive Community: The Irish in Argentina. Readings of Rodolfo Walsh and Juan José Delaney","authors":"D. M. Glynn","doi":"10.37389/ABEI.V20I1.3093","DOIUrl":"https://doi.org/10.37389/ABEI.V20I1.3093","url":null,"abstract":"A community is principally characterized by the collectivity of its members and is defined spatially in terms of arbitrary boundaries that consistently separate its inhabitants from ‘Others’ and the “otherness” of the external world. For a number of centuries the diasporic Irish community has been able to forge communal spaces in Caribbean and Latin American nations, most prominently in Argentina. Nonetheless, these Irish communities in Argentine literature are often represented as insular and, therefore, disruptive to the monolithic national discourse of the host country. The portrayal of the diasporic Irish figure, which deviates from patterns of social normativity, constitutes an important facet of these individuals that permits an analysis of the ways in which their presence interrupts the Argentine literary imaginary. As Hellen Kelly observes, “‘deviancy’ in its variant forms has become, therefore, the most accessible and fruitful approach to assessing levels of integration amongst Irish immigrant communities” (128). In order to examine and comment on the various forms of deviations and, at the same time, the levels of integration of the immigrant Irish community, I offer my readings of the three short stories which comprise the “Irish series” by Rodolfo Walsh and Juan José Delaney’s novel Moira Sullivan. I look to interrogate the elements of the diasporic Irish experience which have informed and given shape to representations of diasporic Irish individuals and the spaces they occupy. I also seek to problematize previous readings of the selected texts that have, in general, omitted any critical consideration of and reflection upon their imbued ‘Irishness’ within the context of Argentine literary imaginaries.Keywords: Rodolfo Walsh; Juan José Delaney; Irishness; Irish immigration.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"56 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73543613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-23DOI: 10.37389/ABEI.V20I1.3100
G. McEvoy
Through the study of a variety of primary sources such as letters, wills, birth, marriage, and death certificates, the author examines Irish immigration to Peru in mid nineteenth century. In this sense, McEvoy focuses on some of the most representative examples of Irish immigrants. That is, both workers and peasants who were part of one of the first migration projects to Peru and to successful immigrants such as John Patrick Gallagher O'Connor and William Russell Grace, who shortly after reaching Peru, became businessmen and prestigious professionals. By recovering Irish immigrant voices, this book reconstructs part of the story of men and women that printed their culture in Peru and contributed with the construction of modern Peru.Keywords: Irish diaspora; immigration projects; mobilized and proletariat diaspora; assimilation; transnationalism.
{"title":"Reflections on The Invisible Experience. Irish Immigrants in Peru","authors":"G. McEvoy","doi":"10.37389/ABEI.V20I1.3100","DOIUrl":"https://doi.org/10.37389/ABEI.V20I1.3100","url":null,"abstract":"Through the study of a variety of primary sources such as letters, wills, birth, marriage, and death certificates, the author examines Irish immigration to Peru in mid nineteenth century. In this sense, McEvoy focuses on some of the most representative examples of Irish immigrants. That is, both workers and peasants who were part of one of the first migration projects to Peru and to successful immigrants such as John Patrick Gallagher O'Connor and William Russell Grace, who shortly after reaching Peru, became businessmen and prestigious professionals. By recovering Irish immigrant voices, this book reconstructs part of the story of men and women that printed their culture in Peru and contributed with the construction of modern Peru.Keywords: Irish diaspora; immigration projects; mobilized and proletariat diaspora; assimilation; transnationalism.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81500937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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