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La imagen y las ideas de José Enrique Rodó en el espacio público montevideano. Análisis del monumento localizado en el Parque Rodó de Montevideo jose Enrique的形象和想法在蒙得维的亚的公共空间拍摄。分析位于蒙得维的亚rodo公园的纪念碑
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.4
Cecilia Arias
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引用次数: 0
Discursos del jardín 花园演讲
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.5
William Rey Ashfield
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引用次数: 0
Tempus. Los emblemas de Alciato y su pervivencia hasta nuestros días 时间的。阿尔西亚托的象征及其延续至今
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.8
Martín Soteiro
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引用次数: 0
Onetti, entre Lavanda y Montevideo. (La construcción análoga de la ciudad) 奥内蒂,在拉凡达和蒙得维的亚之间。(城市的模拟建筑)
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.7
Aarón Lubelski
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引用次数: 0
Tres tiempos de un patrimonio dinámico entrevista a William Rey Ashfield. Entrevista por Daniela Kaplan 《动态遗产的三个时代》采访威廉·雷·阿什菲尔德。Daniela Kaplan的采访
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.11
Daniela Kaplan
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引用次数: 0
Un verano difícil en la historia del Partido Nacional uruguayo (1931) 乌拉圭国家党历史上艰难的夏天(1931年)
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.9
Carolina Cerrano, J. Saravia
: This article investigates a temporary limited period, the summer of 1931, but with great significance to the Uruguayan National Party, since it would define its rupture and field of action during the next three decades. The active media participation in the nationalist debate of its most popular leader, Luis Alberto de Herrera, constitutes one of the main points of analysis. Herrera had been the defeated candidate in the last three presidential campaigns (1922, 1926 and 1930) and was constituted for part of the leadership as the symbol of party failure. On the contrary, he cautiously showed that the adherence of most of the party mass insisted on him as a «guide». During those months, nationalism witnessed a tense division that surprised itself and its adversaries, so in this work, a meticulous reconstruction of the discussions is carried out that allows to understand why the wounds of that internal battle, product of the unexpected electoral defeat of November 1930, would be very difficult to heal.
本文调查了一个暂时的有限时期,即1931年夏天,但对乌拉圭国民党具有重要意义,因为它将确定其在接下来的三十年中的分裂和行动领域。媒体积极参与其最受欢迎的领导人路易斯·阿尔贝托·德·埃雷拉(Luis Alberto de Herrera)的民族主义辩论,构成了分析的主要观点之一。埃雷拉在过去的三次总统竞选(1922年、1926年和1930年)中都是落选的候选人,他被认为是党内失败的象征。相反,他谨慎地表明,党内大多数人坚持把他当作“向导”。在那几个月里,民族主义见证了一场令自己和对手都感到惊讶的紧张分裂,因此在这本书中,作者对讨论进行了细致的重建,以便理解为什么1930年11月意外选举失败所造成的内部斗争的创伤将很难愈合。
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引用次数: 0
Paula BRUNO, Alexandra PITA y Marina ALVARADO. Embajadoras culturales. Mujeres latinoamericanas y vida diplomática, 1860-1960. Rosario, Prohistoria ediciones, 2021, 166 pp. Paula BRUNO, Alexandra PITA和Marina ALVARADO。文化大使。拉丁美洲妇女与外交生活,1860-1960。罗萨里奥,Prohistoria ediciones, 2021年,166页。
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.10
Laura Cabezas
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引用次数: 0
Memoria, espacio y arte público en el siglo XX 20世纪的记忆、空间与公共艺术
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.1
Damiano Tieri Marino, Nataly Andrea Caceres Santacruz
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引用次数: 0
«El Congo no era un lugar, el Congo éramos nosotros». Literatura y otredad en Pandora en el Congo de Albert Sánchez Piñol “刚果不是一个地方,刚果就是我们”。《刚果潘多拉的文学与其他》作者:Albert sanchez pinol
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.6
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引用次数: 0
Revolución, arte público mexicano y la Liga de Escritores y Artistas Revolucionarios (1934-1938) 革命、墨西哥公共艺术和革命作家和艺术家联盟(1934-1938)
Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.25185/11.3
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引用次数: 0
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Humanidades
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