{"title":"Francisco Romero una filosofía personalista para las discusiones políticas del siglo XX","authors":"Lucas Dominguez","doi":"10.25185/10.9","DOIUrl":"https://doi.org/10.25185/10.9","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90884418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Between the end of the 19th Century and the beginning of the 20th, a group of journalist and writers proceeding of Uruguay decide to trespass the Rio de la Plata frontier and search an opportunity in the Argentinian cultural field. First, they stay in Buenos Aires, and then, they settle down in different points of the Country. The provinces Misiones, Entre Rios and Tucuman become the geographic spaces that show the desired opportunity for itself growth and definitive residence. In the city of San Miguel de Tucuman, in the Argentinian Northwest, stay the brothers Alberto and German Garcia Hamilton. In the present paper we try to identify the cultural traces of this Uruguayans brothers in the Argentinian literary field. They do their first contributions from the El Orden, a newspaper from Tucuman, between 1898 and 1900. Our hypothesis is that Garcia Hamilton brothers make important contributions to the culture of that time thanks to a parental and friendship net marked by their own cultural trajectory. As conclusion, we can say that this parental and friendship micro-net reproduce in low scale the existent net between the interior of Uruguay and the interior of Argentina stablished in parallel to the intellectual life development of port cultural metropolis from both riversides of River Plate.
{"title":"Aportes culturales de los hermanos García Hamilton en Argentina (1898-1900)","authors":"A. Risco","doi":"10.25185/8.8","DOIUrl":"https://doi.org/10.25185/8.8","url":null,"abstract":"Between the end of the 19th Century and the beginning of the 20th, a group of journalist and writers proceeding of Uruguay decide to trespass the Rio de la Plata frontier and search an opportunity in the Argentinian cultural field. First, they stay in Buenos Aires, and then, they settle down in different points of the Country. The provinces Misiones, Entre Rios and Tucuman become the geographic spaces that show the desired opportunity for itself growth and definitive residence. In the city of San Miguel de Tucuman, in the Argentinian Northwest, stay the brothers Alberto and German Garcia Hamilton. In the present paper we try to identify the cultural traces of this Uruguayans brothers in the Argentinian literary field. They do their first contributions from the El Orden, a newspaper from Tucuman, between 1898 and 1900. Our hypothesis is that Garcia Hamilton brothers make important contributions to the culture of that time thanks to a parental and friendship net marked by their own cultural trajectory. As conclusion, we can say that this parental and friendship micro-net reproduce in low scale the existent net between the interior of Uruguay and the interior of Argentina stablished in parallel to the intellectual life development of port cultural metropolis from both riversides of River Plate.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80816115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The description of the West world in decline, typical of the first postwar period, is interpreted along with the perception of America as a new scenario in history. However, this means various things. Many of the diagnosis about the West world was based on Spengler’s paradigm, which arrived in Argentina through Ernesto Quesada. His reading of German, the dissemination of these ideas in courses, conferences, books and articles, and his signaling of America as a replacement for that world decline helped him to be recognized as a promoter of “Americanism”. However, those readings raised criticism on theoretically and politically controversial aspects. In the article we deal with these debates, reading the critics that appeared in the Revista de Filosofia since 1923. If many of Quesada’s articles were published there, several of the sharpest comments also appeared from the pen of its director and frequent authors. We go through the arguments, reading Quesada and his critics, to notice the conceptual axes through which the debate took place. The objective is to advance in the recognition of some pertinent distinctions when defining the “Americanism” of the 20th.
{"title":"Sentidos del americanismo","authors":"María Carla Galfione","doi":"10.25185/8.9","DOIUrl":"https://doi.org/10.25185/8.9","url":null,"abstract":"The description of the West world in decline, typical of the first postwar period, is interpreted along with the perception of America as a new scenario in history. However, this means various things. Many of the diagnosis about the West world was based on Spengler’s paradigm, which arrived in Argentina through Ernesto Quesada. His reading of German, the dissemination of these ideas in courses, conferences, books and articles, and his signaling of America as a replacement for that world decline helped him to be recognized as a promoter of “Americanism”. However, those readings raised criticism on theoretically and politically controversial aspects. In the article we deal with these debates, reading the critics that appeared in the Revista de Filosofia since 1923. If many of Quesada’s articles were published there, several of the sharpest comments also appeared from the pen of its director and frequent authors. We go through the arguments, reading Quesada and his critics, to notice the conceptual axes through which the debate took place. The objective is to advance in the recognition of some pertinent distinctions when defining the “Americanism” of the 20th.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82544622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The philosophical, political, theological and economic reflections present in the authors of the School of Salamanca offer us a privileged vision of the world market that was shaped by the colonial expansion. The slave trade was a fundamental part of its inquiries, requiring an effort to unravel the emergence of strictly economic thinking regarding the African black slave trade to America. Thus, the moral problem present in the act of capture, which has been defined in the specialized literature as “the problem of slavery”, was overshadowed by an incipient economic reason that can only be understood since the emergence of modern economic science. and the proliferation of a sovereign state power that was building in turn on the margins of the world-system peripheral spaces of exclusion, appropriation and confinement.
{"title":"El pensamiento económico de la Escuela de Salamanca y la esclavitud negra","authors":"Juan Vicente Iborra Mallent, L. Guerrero","doi":"10.25185/8.4","DOIUrl":"https://doi.org/10.25185/8.4","url":null,"abstract":"The philosophical, political, theological and economic reflections present in the authors of the School of Salamanca offer us a privileged vision of the world market that was shaped by the colonial expansion. The slave trade was a fundamental part of its inquiries, requiring an effort to unravel the emergence of strictly economic thinking regarding the African black slave trade to America. Thus, the moral problem present in the act of capture, which has been defined in the specialized literature as “the problem of slavery”, was overshadowed by an incipient economic reason that can only be understood since the emergence of modern economic science. and the proliferation of a sovereign state power that was building in turn on the margins of the world-system peripheral spaces of exclusion, appropriation and confinement.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"139 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72640498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article systematizes the existing data and provides new information on the life and production of Carla Witte, the German artist who lived in Uruguay between 1927 and 1943. Understanding she was one of the local representatives of Expressionism, her biography is rebuilt to —from there— open up new questions on the concrete participation of Uruguay in this artistic movement of transnational character.
{"title":"Carla Witte, una expresionista alemana en Uruguay","authors":"M. Frick","doi":"10.25185/8.6","DOIUrl":"https://doi.org/10.25185/8.6","url":null,"abstract":"This article systematizes the existing data and provides new information on the life and production of Carla Witte, the German artist who lived in Uruguay between 1927 and 1943. Understanding she was one of the local representatives of Expressionism, her biography is rebuilt to —from there— open up new questions on the concrete participation of Uruguay in this artistic movement of transnational character.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91314962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Bartolome de Albornoz’s Arte de los contractos (1573), was perceived by Hanke (1959), Davis (1966) and other authors as a strong critic of slavery. Recently, J. Tellkamp (2004) criticized these interpretations, pointing out that in his opinion a complete reading of Arte de los Contractos shows a less forceful opposition than was attributed to it. For him, the criticism of slavery that can be read there, analyzed from Political Philosophy perspective, is, at least, ambiguous. In this article I will review Albornoz’s position on slavery, and, assuming some of the aspects proposed by Tellkamp, I will offer an alternative explanation for this alleged ambiguity. I will try to show that in the case of Albornoz there is a conscious attempt to have certain discussions, usually raised in Philosophy of Law or in Political Philosophy, in the epistemological framework of the Philosophy of Economics. If this is correct, then Albornoz uses an alternative argumentation to the usual ones, and for this reason, looking at his work from this perspective, it shows a strong critic of slavery.
Bartolome de Albornoz的Arte de los contractos(1573)被Hanke (1959)， Davis(1966)和其他作家认为是对奴隶制的强烈批判。最近，J. Tellkamp(2004)批评了这些解释，他指出，在他看来，完整阅读《契约艺术》会发现，这种反对并不像人们认为的那样强烈。对他来说，从政治哲学的角度来看，对奴隶制的批评，至少是模棱两可的。在这篇文章中，我将回顾阿尔博尔诺斯对奴隶制的立场，并假设特尔坎普提出的一些方面，我将为这种所谓的模棱两可提供另一种解释。我将试图表明，在阿尔博尔诺兹的案例中，有一种有意识的尝试，在经济学哲学的认识论框架中，进行某些讨论，通常是在法律哲学或政治哲学中提出的。如果这是正确的，那么阿尔博尔诺兹使用了一种不同于通常的论证，因此，从这个角度来看他的作品，它显示了对奴隶制的强烈批评。
{"title":"Bartolomé de Albornoz y la esclavitud. ¿Una crítica desde la filosofía de la economía?","authors":"Álvaro Perpere Viñuales","doi":"10.25185/8.5","DOIUrl":"https://doi.org/10.25185/8.5","url":null,"abstract":"Bartolome de Albornoz’s Arte de los contractos (1573), was perceived by Hanke (1959), Davis (1966) and other authors as a strong critic of slavery. Recently, J. Tellkamp (2004) criticized these interpretations, pointing out that in his opinion a complete reading of Arte de los Contractos shows a less forceful opposition than was attributed to it. For him, the criticism of slavery that can be read there, analyzed from Political Philosophy perspective, is, at least, ambiguous. In this article I will review Albornoz’s position on slavery, and, assuming some of the aspects proposed by Tellkamp, I will offer an alternative explanation for this alleged ambiguity. I will try to show that in the case of Albornoz there is a conscious attempt to have certain discussions, usually raised in Philosophy of Law or in Political Philosophy, in the epistemological framework of the Philosophy of Economics. If this is correct, then Albornoz uses an alternative argumentation to the usual ones, and for this reason, looking at his work from this perspective, it shows a strong critic of slavery.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91052506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
After briefly introducing the theme of penalty and punishment in the First and Second Scholasticism’s tradition, we seek to show the development that Tomas de Mercado (1525-1575) makes of the concept of Restitution in his Summa de Tratos e Contratos written in 1571 with an especial emphasis on the black slavery problem. In it, he will defend the Restitution as an imperative of justice that binds in consciousness and which cannot be dispensed by any power since it is a mandate of the natural law.
在简要介绍第一和第二经院哲学传统中的惩罚和惩罚主题之后，我们试图展示托马斯·德·梅尔卡多(1525-1575)在1571年写的他的Summa de Tratos e Contratos中对恢复概念的发展，特别强调了黑人奴隶制问题。在书中，他将为“恢复原状”辩护，认为它是一种正义的命令，束缚在意识中，不能被任何权力所废除，因为它是自然法的命令。
{"title":"Restitución y Esclavitud Negra en Tomás de Mercado","authors":"A. Culleton","doi":"10.25185/8.3","DOIUrl":"https://doi.org/10.25185/8.3","url":null,"abstract":"After briefly introducing the theme of penalty and punishment in the First and Second Scholasticism’s tradition, we seek to show the development that Tomas de Mercado (1525-1575) makes of the concept of Restitution in his Summa de Tratos e Contratos written in 1571 with an especial emphasis on the black slavery problem. In it, he will defend the Restitution as an imperative of justice that binds in consciousness and which cannot be dispensed by any power since it is a mandate of the natural law.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"435 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72439981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article proposes the study of Atlantida magazine (Buenos Aires, 1911-1914) as a cultural object, and as an editorial project by the historian and writer David Pena. It makes a general presentation of the publication, which can be considered an expression of the Hispanic-American and Argentine cultural context of the early 20th century. In particular, it is concerned with gauging the Americanist purpose that its director intended to impress upon it, while establishing how his concern for the national was translated into three defined moments in the trajectory of the publication: the Centennial of May, the electoral reform of 1912 and associative sociability. At last, and also with reference to Pena’s topics of interest, it places it in relation to the development of historical discipline in Argentina. To carry out this study, we worked longitudinally with the magazine’s complete collection, as the main source of information, which was complemented with documentation consulted in David Pena’s personal archive and in other publications of that time. From an axis of analysis that evaluates the imprint that its director marked, the article contributes to the knowledge of an Argentine cultural magazine so far little frequented by specialists.
{"title":"La revista Atlántida de David Peña. Entre el impulso por unir el «alma de la América» y la vehemencia por reafirmar lo nacional","authors":"María Gabriela Micheletti","doi":"10.25185/8.7","DOIUrl":"https://doi.org/10.25185/8.7","url":null,"abstract":"This article proposes the study of Atlantida magazine (Buenos Aires, 1911-1914) as a cultural object, and as an editorial project by the historian and writer David Pena. It makes a general presentation of the publication, which can be considered an expression of the Hispanic-American and Argentine cultural context of the early 20th century. In particular, it is concerned with gauging the Americanist purpose that its director intended to impress upon it, while establishing how his concern for the national was translated into three defined moments in the trajectory of the publication: the Centennial of May, the electoral reform of 1912 and associative sociability. At last, and also with reference to Pena’s topics of interest, it places it in relation to the development of historical discipline in Argentina. To carry out this study, we worked longitudinally with the magazine’s complete collection, as the main source of information, which was complemented with documentation consulted in David Pena’s personal archive and in other publications of that time. From an axis of analysis that evaluates the imprint that its director marked, the article contributes to the knowledge of an Argentine cultural magazine so far little frequented by specialists.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81733144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Little is known yet about the normative discussions on black slavery that were had by scholastic thinkers from the sixteenth to the eighteenth century. In this article, we connect the writings of Diego de Avendano S.J. (1594–1688) to the conceptual history of the slavery of black people. We highlight in particular the connection that Avendano promotes between the legitimacy of the slave trade, slave ownership and probabilism. This new perspective is acknowledged and criticized by Francisco Jose de Jaca O.F.M. Cap. (c. 1645–1689) and Epifanio de Moirans O.F.M. Cap. (1644–1689). The main purpose of the present essay is to describe and interpret the reactions of these two authors to Avendano’s discussion. Their anti-slavery works provide views on slavery in the ius gentium, freedom as a good and a right, and the insufficiency of moral probabilism as a doctrine when applied to the problem of the slavery of Africans.
从16世纪到18世纪，学者们对黑人奴隶制的规范性讨论知之甚少。在这篇文章中，我们将Diego de Avendano S.J.(1594-1688)的作品与黑人奴隶制的概念历史联系起来。我们特别强调了阿文达诺提出的奴隶贸易的合法性、奴隶所有权和可能性之间的联系。弗朗西斯科·何塞·德·雅卡(约1645-1689年)和埃皮法尼奥·德·莫伊兰斯(1644-1689年)承认并批评了这种新的观点。本文的主要目的是描述和解释这两位作者对Avendano的讨论的反应。他们的反奴隶制著作提供了对ius gentium中的奴隶制，自由作为一种善和权利的观点，以及道德概率论作为一种理论在应用于非洲奴隶问题时的不足。
{"title":"Probabilismo y esclavitud negra","authors":"R. Pich","doi":"10.25185/8.2","DOIUrl":"https://doi.org/10.25185/8.2","url":null,"abstract":"Little is known yet about the normative discussions on black slavery that were had by scholastic thinkers from the sixteenth to the eighteenth century. In this article, we connect the writings of Diego de Avendano S.J. (1594–1688) to the conceptual history of the slavery of black people. We highlight in particular the connection that Avendano promotes between the legitimacy of the slave trade, slave ownership and probabilism. This new perspective is acknowledged and criticized by Francisco Jose de Jaca O.F.M. Cap. (c. 1645–1689) and Epifanio de Moirans O.F.M. Cap. (1644–1689). The main purpose of the present essay is to describe and interpret the reactions of these two authors to Avendano’s discussion. Their anti-slavery works provide views on slavery in the ius gentium, freedom as a good and a right, and the insufficiency of moral probabilism as a doctrine when applied to the problem of the slavery of Africans.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89114406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nuevas perspectivas sobre la doctrina de la restitución y la esclavitud en la “Escuela de Salamanca”","authors":"Álvaro Perpere Viñuales","doi":"10.25185/8.1","DOIUrl":"https://doi.org/10.25185/8.1","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81290641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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