espanolEste articulo estudia la escritura biografica de tres escritores y periodistas espanoles desde finales de los anos 20 y hasta el comienzo de la Guerra Civil (1936), una epoca de cambios politicos en la que las biografias reflejaron la busqueda de seres humanos ejemplares para afrontar el presente. La nueva biografia, un tipo de biografia literaria o novelada popularizada en Europa por Lytton Strachey, Virginia Woolf, Andre Maurois o Stefan Zweig llego tambien a Espana. Se dio en ese momento un giro en la forma de relatar la historia de la vida de una persona que conectaba con el periodismo: el biografo seleccionaba solo escenas importantes en la vida del biografiado, se ahondaba en la psicologia en detrimento del relato de hechos y se caracterizaba a los personajes utilizando tecnicas novelescas. Las biografias de Josep Pla, Cesar Gonzalez-Ruano y Gomez de la Serna son buen ejemplo de esa tendencia. portuguesEste artigo estuda a escrita biografica de tres escritores e jornalistas espanhois desde o final da decada de 1920 ate ao inicio da Guerra Civil (1936), uma epoca de mudancas politicas em que as biografias reflectiam a procura de seres humanos exemplares para enfrentar o presente. A nova biografia, um tipo de biografia literaria ou romance tornado popular na Europa por Lytton Strachey, Virginia Woolf, Andre Maurois ou Stefan Zweig tambem chegou a Espanha. Nessa altura, houve uma mudanca na forma de contar a historia da vida de uma pessoa que se relacionava com o jornalismo: o biografo seleccionou apenas cenas importantes na vida do biografo, mergulhou na psicologia em detrimento da narracao de factos e caracterizou as personagens atraves de tecnicas inovadoras. As biografias de Josep Pla, Cesar Gonzalez-Ruano e Gomez de la Serna sao bons exemplos desta tendencia. EnglishThis article studies the writing of the biography of three writers and journalists in Spain in the years prior to the Second Spanish Republic and until the beginning of the Spanish Civil War in 1936. The new biography, a type of literary biography or novella following the European model of Lytton Strachey, Virginia Woolf, Andre Maurois or Stefan Zweig also arrived in Spain. At that moment, there was a turning in the way of telling the story of a person’s life: the biographer selected only important scenes in the life of the biography, delving into psychology to the detriment of the story of events and characterizing the characters using techniques from the novel. The biographies of Josep Pla, Cesar Gonzalez-Ruano and Gomez de la Serna are good examples of this.
{"title":"El periodismo en la biografía literaria en la España de los años 20 Pla, González-Ruano y Gómez de la Serna","authors":"Álvaro Pérez Álvarez, Antonio Martínez Illán","doi":"10.25185/7.8","DOIUrl":"https://doi.org/10.25185/7.8","url":null,"abstract":"espanolEste articulo estudia la escritura biografica de tres escritores y periodistas espanoles desde finales de los anos 20 y hasta el comienzo de la Guerra Civil (1936), una epoca de cambios politicos en la que las biografias reflejaron la busqueda de seres humanos ejemplares para afrontar el presente. La nueva biografia, un tipo de biografia literaria o novelada popularizada en Europa por Lytton Strachey, Virginia Woolf, Andre Maurois o Stefan Zweig llego tambien a Espana. Se dio en ese momento un giro en la forma de relatar la historia de la vida de una persona que conectaba con el periodismo: el biografo seleccionaba solo escenas importantes en la vida del biografiado, se ahondaba en la psicologia en detrimento del relato de hechos y se caracterizaba a los personajes utilizando tecnicas novelescas. Las biografias de Josep Pla, Cesar Gonzalez-Ruano y Gomez de la Serna son buen ejemplo de esa tendencia. portuguesEste artigo estuda a escrita biografica de tres escritores e jornalistas espanhois desde o final da decada de 1920 ate ao inicio da Guerra Civil (1936), uma epoca de mudancas politicas em que as biografias reflectiam a procura de seres humanos exemplares para enfrentar o presente. A nova biografia, um tipo de biografia literaria ou romance tornado popular na Europa por Lytton Strachey, Virginia Woolf, Andre Maurois ou Stefan Zweig tambem chegou a Espanha. Nessa altura, houve uma mudanca na forma de contar a historia da vida de uma pessoa que se relacionava com o jornalismo: o biografo seleccionou apenas cenas importantes na vida do biografo, mergulhou na psicologia em detrimento da narracao de factos e caracterizou as personagens atraves de tecnicas inovadoras. As biografias de Josep Pla, Cesar Gonzalez-Ruano e Gomez de la Serna sao bons exemplos desta tendencia. EnglishThis article studies the writing of the biography of three writers and journalists in Spain in the years prior to the Second Spanish Republic and until the beginning of the Spanish Civil War in 1936. The new biography, a type of literary biography or novella following the European model of Lytton Strachey, Virginia Woolf, Andre Maurois or Stefan Zweig also arrived in Spain. At that moment, there was a turning in the way of telling the story of a person’s life: the biographer selected only important scenes in the life of the biography, delving into psychology to the detriment of the story of events and characterizing the characters using techniques from the novel. The biographies of Josep Pla, Cesar Gonzalez-Ruano and Gomez de la Serna are good examples of this.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"108 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80825451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 2017 a team of journalists making research on the activities of Eastern European Intelligence Services in Latin America revealed that Vivian Trias – a renowned intelectual and leader of the Uruguayan Socialist Party had collaborated as an informant of the Tchecoslovakian Agency (Statni bezpecnost). This unexpected revelation showed in a particularly dramatic way the Trias’ alternatives of political struggle against imperialism, and became a controversy within the diverse forms of leftist identities in the present days.
{"title":"El fin y los medios teoría y praxis antiimperialista en Vivian Trías","authors":"H. Ghiretti","doi":"10.25185/7.5","DOIUrl":"https://doi.org/10.25185/7.5","url":null,"abstract":"In 2017 a team of journalists making research on the activities of Eastern European Intelligence Services in Latin America revealed that Vivian Trias – a renowned intelectual and leader of the Uruguayan Socialist Party had collaborated as an informant of the Tchecoslovakian Agency (Statni bezpecnost). This unexpected revelation showed in a particularly dramatic way the Trias’ alternatives of political struggle against imperialism, and became a controversy within the diverse forms of leftist identities in the present days.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72514801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolDesde la decada del cincuenta se desarrolla en Chile una linea de ensayistas y poetas ecologistas que denuncia el modelo depredador de crecimiento economico y hace un llamado a la accion colectiva. La publicacion de Ecopoemas del poeta chileno Nicanor Parra en 1982 constituye un hito fundamental que recupera el pensamiento ecologista de varios autores anteriores, al tiempo que propone nuevos paradigmas etico-esteticos capaces de articular subjetividades disidentes en los tres registros ecologicos (Guattari). Con este trabajo me propongo estudiar los ecopoemas como un espacio agonista del disentimiento. El trabajo se centra en la pregunta por los modos en que la ecopoesia de Nicanor Parra configura una performatividad y afectividad del disentir politico. Asi, primero analizo como la ecologia se construye como un discurso de resistencia instalado politica y esteticamente como oposicional; segundo, describo como este discurso configura un nosotros ecocentrico en el que nuevos actores seran capaces de producir los afectos y los gestos del disentir politico que promete una accion colectiva. Por ultimo, reflexiono en torno a la vigencia de la propuesta de Parra en el contexto de la Ecologia Politica latinoamericana. EnglishIn Chile, since the fifties, we start to note a developing trend of ecologist poets and writers denouncing the predatory model of economic growth, calling for collective action. The publication Ecopoemas by the Chilean poet Nicanor Parra in 1982 became a milestone that recovers the environmental thinking of several previous authors while proposing new ethical-aesthetic paradigms capable of articulating dissenting subjectivities in the three ecological registers (Guattari). With this work, I intend to study ecopoems as an agonist space of dissent. The work focuses on exploring how Nicanor Parra’s ecopoetry configures performativity and affectivity of political dissent. First, I analyze ecology as a discourse of resistance installed politically and aesthetically as oppositional in Parra’s poems; second, I describe how this discourse configures an ecocentric us in which new actors will be able to produce affections and gestures of political dissent with the promise of collective action. Finally, I consider the validity of Parra’s ecopoetry in the context of Latin American Political Ecology. portuguesDesde os anos cinquenta, uma linha de ensaistas e poetas ecologistas se desenvolveu no Chile para denunciar o modelo predatorio do crescimento economico e chama por uma acao coletiva. A publicacao de Ecopoemas pelo poeta chileno Nicanor Parra, em 1982, constitui um marco fundamental que recupera o pensamento ecologico de varios autores anteriores, propondo novos paradigmas etico-esteticos capazes de articular subjetividades dissidentes nos tres registros ecologicos (Guattari). Com este trabalho, pretendo estudar os ecopoemas como um espaco agonista de dissidencia. O trabalho enfoca a questao de como a eco-poesia de Nicanor Parra confi
自20世纪50年代以来，智利发展了一系列散文家和生态诗人，他们谴责经济增长的掠掠性模式，并呼吁集体行动。智利诗人Nicanor Parra于1982年出版的《生态诗》是一个重要的里程碑，它恢复了以前几位作者的生态思想，同时提出了新的伦理美学范式，能够在三个生态记录中表达不同的主体性(Guattari)。通过这项工作，我打算研究生态诗歌作为一个充满异议的空间。这项工作的重点是尼康诺·帕拉的生态诗歌如何配置政治异议者的表现和情感。因此，我首先分析了生态是如何被构建为一种抵抗话语，在政治上和美学上都是对立的;其次，我描述了这种话语如何建立一个以生态为中心的“我们”，在这个“我们”中，新的参与者将能够产生承诺集体行动的政治异议者的情感和姿态。最后，我对帕拉的建议在拉丁美洲政治生态学背景下的有效性进行了反思。在智利，自五十年代以来，我们开始注意到生态诗人和作家的发展趋势，谴责掠夺性的经济增长模式，呼吁采取集体行动。智利诗人尼康诺·帕拉(Nicanor Parra) 1982年出版的《生态诗》(ecopoes)是一个里程碑，它恢复了几位前作者的环境思维，同时提出了新的伦理美学范式，能够在三个生态登记处阐明不同的主体性(瓜达里)。With this work, I intend to study of dissent ecopoems as an agonist space。The work的on欧洲促进how阿尔Parra ' s ecopoetry配置performativity and affectivity of political dissent。首先，我分析生态学作为一种抵抗话语，在政治上和审美上都是帕拉诗歌中的对立;第二，我描述了这一论述如何建立一个以生态为中心的美国，在那里新的行动者能够产生情感和姿态的政治异议与集体行动的承诺。= =地理= =根据美国人口普查，这个县的面积为。自20世纪50年代以来，智利发展了一系列生态作家和诗人，谴责掠夺性的经济增长模式，并呼吁集体行动。1982年，智利诗人尼康诺·帕拉出版了《生态诗》，这是一个重要的里程碑，它恢复了以前几位作者的生态思想，提出了新的伦理美学范式，能够在三个生态记录(瓜塔里)中表达不同的主体性。通过这部作品，我打算把生态诗作为异议的激动者来研究。本文主要探讨帕拉的生态诗歌如何配置政治异议的表现力和情感。因此，首先，我分析了生态是如何被构建为一种抵抗话语，在政治上和美学上都是对立的;其次，我描述了这种话语如何以一种生态中心的方式配置我们，在这种方式中，新的行动者将能够产生政治异议的情感和姿态，承诺集体行动。最后，我在拉丁美洲政治生态学的背景下思考帕拉的建议的有效性。
{"title":"La ecopoesía de Nicanor Parra como espacio de disentimiento","authors":"Sofía Rosa","doi":"10.25185/6.8","DOIUrl":"https://doi.org/10.25185/6.8","url":null,"abstract":"espanolDesde la decada del cincuenta se desarrolla en Chile una linea de ensayistas y poetas ecologistas que denuncia el modelo depredador de crecimiento economico y hace un llamado a la accion colectiva. La publicacion de Ecopoemas del poeta chileno Nicanor Parra en 1982 constituye un hito fundamental que recupera el pensamiento ecologista de varios autores anteriores, al tiempo que propone nuevos paradigmas etico-esteticos capaces de articular subjetividades disidentes en los tres registros ecologicos (Guattari). Con este trabajo me propongo estudiar los ecopoemas como un espacio agonista del disentimiento. El trabajo se centra en la pregunta por los modos en que la ecopoesia de Nicanor Parra configura una performatividad y afectividad del disentir politico. Asi, primero analizo como la ecologia se construye como un discurso de resistencia instalado politica y esteticamente como oposicional; segundo, describo como este discurso configura un nosotros ecocentrico en el que nuevos actores seran capaces de producir los afectos y los gestos del disentir politico que promete una accion colectiva. Por ultimo, reflexiono en torno a la vigencia de la propuesta de Parra en el contexto de la Ecologia Politica latinoamericana. EnglishIn Chile, since the fifties, we start to note a developing trend of ecologist poets and writers denouncing the predatory model of economic growth, calling for collective action. The publication Ecopoemas by the Chilean poet Nicanor Parra in 1982 became a milestone that recovers the environmental thinking of several previous authors while proposing new ethical-aesthetic paradigms capable of articulating dissenting subjectivities in the three ecological registers (Guattari). With this work, I intend to study ecopoems as an agonist space of dissent. The work focuses on exploring how Nicanor Parra’s ecopoetry configures performativity and affectivity of political dissent. First, I analyze ecology as a discourse of resistance installed politically and aesthetically as oppositional in Parra’s poems; second, I describe how this discourse configures an ecocentric us in which new actors will be able to produce affections and gestures of political dissent with the promise of collective action. Finally, I consider the validity of Parra’s ecopoetry in the context of Latin American Political Ecology. portuguesDesde os anos cinquenta, uma linha de ensaistas e poetas ecologistas se desenvolveu no Chile para denunciar o modelo predatorio do crescimento economico e chama por uma acao coletiva. A publicacao de Ecopoemas pelo poeta chileno Nicanor Parra, em 1982, constitui um marco fundamental que recupera o pensamento ecologico de varios autores anteriores, propondo novos paradigmas etico-esteticos capazes de articular subjetividades dissidentes nos tres registros ecologicos (Guattari). Com este trabalho, pretendo estudar os ecopoemas como um espaco agonista de dissidencia. O trabalho enfoca a questao de como a eco-poesia de Nicanor Parra confi","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81518745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The present text contains a series of examples and considerations of the reflections of the first ‘Chroniclers of the Indias’ on American fossils and fauna. It is not as much a descriptive outline to visualise an often disregarded matter, as an interpretive reading of the key contributions bequeathed to the theories of land and life. The chronicles of Oviedo and Acosta are opposed in many senses in their conceptualisation of this problem. The first is resigned to perpetuating the scholastic model, although not without examining its limitations. The second formally presages evolutionism. I will attempt to reexamine said models in light of the Darwinian revolution.
{"title":"Tras la pista de Darwin. El problema de la fauna americana en las crónicas de José de Acosta y Gonzalo Fernández de Oviedo","authors":"Bernat Garí Barceló","doi":"10.25185/6.9","DOIUrl":"https://doi.org/10.25185/6.9","url":null,"abstract":"The present text contains a series of examples and considerations of the reflections of the first ‘Chroniclers of the Indias’ on American fossils and fauna. It is not as much a descriptive outline to visualise an often disregarded matter, as an interpretive reading of the key contributions bequeathed to the theories of land and life. The chronicles of Oviedo and Acosta are opposed in many senses in their conceptualisation of this problem. The first is resigned to perpetuating the scholastic model, although not without examining its limitations. The second formally presages evolutionism. I will attempt to reexamine said models in light of the Darwinian revolution.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"111 3S 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85488651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Artaud’s life was a constant journey through mental health institutions that left a profound impact on his artistic sensibility. Since he got in touch with the medical establishment and with his own psychiatrists, he appropriated their language and techniques, to the point of conferring the poet with the role of therapist for an ill and decadent society that could only be cured and healed by a functionally cruel art. Surgical procedures, plague and electroshock are some of the metaphors he utilized to illustrate the way to wake the audience up from the mesmerizing slumber caused by diabolical doctor Calgary or his avatar, Adolf Hitler. The fürher figure, who Artaud always said to have met in person, was for him a sinister double of sorts that seemed to have distorted his own ideas about the Theatre of Cruelty. In the face hypnotic spectacles that persuaded audiences to accept a hygienist, racial and eugenic politics of a cruelty not known before, Artaud looked into Medicine to provide the tools to heal a collectivity that had lost its sense of life and whose individuals sleepwalked around the world.
{"title":"«Quiero despertarlos» el gabinete del doctor Artaud","authors":"F. Fernández","doi":"10.25185/6.4","DOIUrl":"https://doi.org/10.25185/6.4","url":null,"abstract":"Artaud’s life was a constant journey through mental health institutions that left a profound impact on his artistic sensibility. Since he got in touch with the medical establishment and with his own psychiatrists, he appropriated their language and techniques, to the point of conferring the poet with the role of therapist for an ill and decadent society that could only be cured and healed by a functionally cruel art. Surgical procedures, plague and electroshock are some of the metaphors he utilized to illustrate the way to wake the audience up from the mesmerizing slumber caused by diabolical doctor Calgary or his avatar, Adolf Hitler. The fürher figure, who Artaud always said to have met in person, was for him a sinister double of sorts that seemed to have distorted his own ideas about the Theatre of Cruelty. In the face hypnotic spectacles that persuaded audiences to accept a hygienist, racial and eugenic politics of a cruelty not known before, Artaud looked into Medicine to provide the tools to heal a collectivity that had lost its sense of life and whose individuals sleepwalked around the world.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85971805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Claudia Montero. Y también hicieron periódicos. Cien años de prensa de mujeres en Chile, 1850-1950. Santiago: Hueders, 2018, 296 pp.","authors":"Nicolás Arenas Deleón","doi":"10.25185/5.9","DOIUrl":"https://doi.org/10.25185/5.9","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73988352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La subjetividad de la persona humana y las neurociencias","authors":"J. F. Franck","doi":"10.25185/5.1","DOIUrl":"https://doi.org/10.25185/5.1","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73637597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolPara Paul Ricoeur, Derek Parfit es un excelente representante de la tradicion basada en la identificacion que Locke realiza entre memoria e identidad. Esta identificacion, que eclipsa ademas la pregunta por el quien de la accion, permite llevar la identidad humana hacia un callejon sin salida en el que solo es viable el abandono de una preocupacion que apareceria como una aporia. Como el mismo Parfit declara en su obra, la identidad no es algo que interese. Ademas, la tecnologia moderna y los suenos del post-humano, que se inspiran en la ficcion literaria del siglo XX, trabajan apoyados en esta identificacion proveniente del empirismo, y parecen reforzar la idea de dicha coincidencia y, en nuestro concepto, a ayudar a empobrecer cada vez mas la nocion de memoria. El articulo se centra en primer lugar, en el analisis que Ricoeur realiza de la memoria intentando enriquecer su reflexion desde una perspectiva hermeneutica. En segundo lugar, en el contraste con la reduccion empirica de la memoria y en el intento de sugerir algunos argumentos que permitan llevarla un poco mas alla del dato biologico y psiquico. portuguesPara Paul Ricoeur, Derek Parfit e um excelente representante da tradicao baseada na identificacao que Locke faz entre memoria e identidade. Essa identificacao, que tambem eclipsa a questao de quem da acao, permite que a identidade humana seja levada a um impasse no qual so e viavel o abandono de uma preocupacao que aparecesse como uma aporia. Como o proprio Parfit afirma em seu trabalho, a identidade nao e algo que interessa. Alem disso, a tecnologia moderna e os sonhos pos-humanos, inspirados na ficcao literaria do seculo XX, funcionam apoiados por essa identificacao do empirismo, e parecem reforcar a ideia de tal coincidencia e, em nosso conceito, ajudar a empobrecer mais e mais a nocao de memoria. O artigo enfoca em primeiro lugar a analise que Ricoeur faz da memoria tentando enriquecer sua reflexao a partir de uma perspectiva hermeneutica. Em segundo lugar, em contraste com a reducao empirica da memoria e na tentativa de sugerir alguns argumentos que nos permitem ir um pouco alem dos dados biologicos e psiquicos. EnglishFor Paul Ricoeur, Derek Parfit is an excellent archetypal of the tradition based on Locke’s identification between memory and identity. This identification, which also eclipses the question of who is subject of the action, allows human identity to be taken into a blind alley, in which only the abandonment is the way of a concern that would appear as an aporia. As Parfit himself states in his work, identity is not what matters! In addition, modern technology and post-human dreams, inspired in 20th century literary fiction, work supported by this identification from empiricism, and seem to reinforce the idea of such coincidence and, in our concept, to impoverish more the notion of memory. In first place, the article focuses on the analysis that Ricoeur makes of the memory trying to enrich its reflection with his
对于Paul Ricoeur来说，Derek Parfit是基于Locke在记忆和身份之间的识别的传统的优秀代表。这种认同，也掩盖了谁在行动的问题，允许人类身份进入一个死胡同，在这个死胡同中，只有放弃一个似乎是aporia的担忧才可行。正如帕菲特自己在他的作品中所说，身份不是一个有趣的问题。此外,现代科技和post-humano的梦想,也在20世纪的文学ficcion工作提供的支持,这种识别之外,似乎和加强这种巧合,我们的理念帮助乞丐越来越内存nocion。这篇文章的目的是分析利科对记忆的分析，并试图从解释学的角度丰富他的反思。第二，与记忆的经验还原形成对比，并试图提出一些论点，使记忆超越生物和心理数据。保罗·利科(Paul Ricoeur)、德里克·帕菲特(Derek Parfit)和洛克(Locke)对记忆和身份的认同是传统的杰出代表。这种认同，也掩盖了谁在行动的问题，允许人类身份被引导到一个僵局，在这个僵局中，只有放弃一个似乎是aporia的担忧是可行的。正如帕菲特在他的作品中所说，身份并不重要。此外，受20世纪文学小说启发的现代技术和后人类梦，在这种经验主义认同的支持下运作，似乎强化了这种巧合的想法，在我们的概念中，帮助越来越少的记忆之夜。本文首先从解释学的角度对利科的记忆进行分析，试图丰富他的反思。其次，与记忆的经验还原形成对比，并试图提出一些论点，让我们超越生物学和精神数据。EnglishFor保罗恰当,德里克Parfit is an excellent archetypal of the tradition based on洛克' s识别between memory and identity。这种身份认同，也掩盖了谁是行动主体的问题，使人的身份认同进入一个盲区，在盲区中，唯一的放弃是一种关注的方式，它将作为一个aporia出现。As Parfit himself states in work, identity is not what matters !此外，现代技术和后人类的梦想，受到20世纪文学小说的启发，得到了这种经验主义认同的支持，似乎强化了这种巧合的观念，在我们的概念中，进一步强化了记忆的观念。In first place的the analysis条强调,恰当曾of the memory trying to enrich its reflection失去人民支持hermeneutical perspective。其次,减少in the对比经验of memory and in the特意to suggest一些论点,allow us to take it a little beyond to thebiological and psychic数据。
{"title":"Memoria y mismidad. Análisis desde la fenomenología-hermenéutica de Paul Ricoeur","authors":"J. D. Osorio","doi":"10.25185/5.4","DOIUrl":"https://doi.org/10.25185/5.4","url":null,"abstract":"espanolPara Paul Ricoeur, Derek Parfit es un excelente representante de la tradicion basada en la identificacion que Locke realiza entre memoria e identidad. Esta identificacion, que eclipsa ademas la pregunta por el quien de la accion, permite llevar la identidad humana hacia un callejon sin salida en el que solo es viable el abandono de una preocupacion que apareceria como una aporia. Como el mismo Parfit declara en su obra, la identidad no es algo que interese. Ademas, la tecnologia moderna y los suenos del post-humano, que se inspiran en la ficcion literaria del siglo XX, trabajan apoyados en esta identificacion proveniente del empirismo, y parecen reforzar la idea de dicha coincidencia y, en nuestro concepto, a ayudar a empobrecer cada vez mas la nocion de memoria. El articulo se centra en primer lugar, en el analisis que Ricoeur realiza de la memoria intentando enriquecer su reflexion desde una perspectiva hermeneutica. En segundo lugar, en el contraste con la reduccion empirica de la memoria y en el intento de sugerir algunos argumentos que permitan llevarla un poco mas alla del dato biologico y psiquico. portuguesPara Paul Ricoeur, Derek Parfit e um excelente representante da tradicao baseada na identificacao que Locke faz entre memoria e identidade. Essa identificacao, que tambem eclipsa a questao de quem da acao, permite que a identidade humana seja levada a um impasse no qual so e viavel o abandono de uma preocupacao que aparecesse como uma aporia. Como o proprio Parfit afirma em seu trabalho, a identidade nao e algo que interessa. Alem disso, a tecnologia moderna e os sonhos pos-humanos, inspirados na ficcao literaria do seculo XX, funcionam apoiados por essa identificacao do empirismo, e parecem reforcar a ideia de tal coincidencia e, em nosso conceito, ajudar a empobrecer mais e mais a nocao de memoria. O artigo enfoca em primeiro lugar a analise que Ricoeur faz da memoria tentando enriquecer sua reflexao a partir de uma perspectiva hermeneutica. Em segundo lugar, em contraste com a reducao empirica da memoria e na tentativa de sugerir alguns argumentos que nos permitem ir um pouco alem dos dados biologicos e psiquicos. EnglishFor Paul Ricoeur, Derek Parfit is an excellent archetypal of the tradition based on Locke’s identification between memory and identity. This identification, which also eclipses the question of who is subject of the action, allows human identity to be taken into a blind alley, in which only the abandonment is the way of a concern that would appear as an aporia. As Parfit himself states in his work, identity is not what matters! In addition, modern technology and post-human dreams, inspired in 20th century literary fiction, work supported by this identification from empiricism, and seem to reinforce the idea of such coincidence and, in our concept, to impoverish more the notion of memory. In first place, the article focuses on the analysis that Ricoeur makes of the memory trying to enrich its reflection with his","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83532853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：