espanolEl articulo estudia los rasgos que definen la autoconciencia humana. Revisa la continuidad evolutiva que se registra en el surgimiento del hombre como especie. Trata de establecer las bases para compatibilizar la gradualidad que hay en el origen y funcionamiento de la autoconciencia con la discontinuidad metafisica que existe entre ella y las formas naturalizables de conciencia, cuyas caracteristicas son objeto de un estudio comparativo. portuguesO artigo estuda os tracos que definem a autoconsciencia humana. Verifica a continuidade evolutiva registrada no surgimento do homem como especie. Procura estabelecer as bases para compatibilizar a gradualidade que existe na origem e funcionamento da autoconsciencia com a descontinuidade metafisica existente entre ela e as formas naturalizaveis de consciencia, cujas caracteristicas sao objeto de um estudo comparativo. EnglishThe paper studies the traits that define human self-consciousness. It goes over the evolutionary continuity that is recorded in the emergence of man as a species. It tries to establish the bases in order to make compatible the graduality that exists in the origin and functioning of self-consciousness with the metaphysical discontinuity that exists between it and the naturalizable forms of consciousness, whose characteristics are the object of acomparative study.
{"title":"¿Cómo se produjo la personalización de la matriz biológica del hombre?","authors":"J. Arana","doi":"10.25185/5.2","DOIUrl":"https://doi.org/10.25185/5.2","url":null,"abstract":"espanolEl articulo estudia los rasgos que definen la autoconciencia humana. Revisa la continuidad evolutiva que se registra en el surgimiento del hombre como especie. Trata de establecer las bases para compatibilizar la gradualidad que hay en el origen y funcionamiento de la autoconciencia con la discontinuidad metafisica que existe entre ella y las formas naturalizables de conciencia, cuyas caracteristicas son objeto de un estudio comparativo. portuguesO artigo estuda os tracos que definem a autoconsciencia humana. Verifica a continuidade evolutiva registrada no surgimento do homem como especie. Procura estabelecer as bases para compatibilizar a gradualidade que existe na origem e funcionamento da autoconsciencia com a descontinuidade metafisica existente entre ela e as formas naturalizaveis de consciencia, cujas caracteristicas sao objeto de um estudo comparativo. EnglishThe paper studies the traits that define human self-consciousness. It goes over the evolutionary continuity that is recorded in the emergence of man as a species. It tries to establish the bases in order to make compatible the graduality that exists in the origin and functioning of self-consciousness with the metaphysical discontinuity that exists between it and the naturalizable forms of consciousness, whose characteristics are the object of acomparative study.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76192579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEn este articulo nos interesa abordar como opera la articulacion narradorprotagonista textual- autor, en los relatos de viajes del intelectual argentino Alcides Greca (San Javier 1889- Rosario, 1956). De alguna manera, esta cuestion nos conduce a plantearnos algunas aristas del funcionamiento de lo autobiografico en su literatura. Teniendo en cuenta esos resortes del genero relato de viajes, que ocupan un lugar de relevancia, como la descripcion, la intertextualidad, la mirada performativa, por citar solo algunos, entendemos que el entramado narrador- protagonista textual- autor pivotea esta y otra serie de rasgos vinculados y que resulta, a las claras, necesario cartografiar: el pacto autobiografico, el contrato de lectura, el despliegue del yo en el texto, el efecto de realidad. El estatuto ficcional del genero (y de estos relatos de viajes particularmente) es peculiar: abonamos la tesitura de que tanto los recuerdos como los medios de locomocion vehiculizan la construccion de la cuestion autobiografica. portuguesNeste artigo interessa-nos como se constroi o narrador- autor- protagonista textual, nos relatos de viagem do intelectual argentino Alcides Greca (San Javier 1889- Rosario, 1956). De certa forma, essa questao nos leva a considerar algumas arestas do funcionamento do autobiografico em sua literatura. Levando em conta a descricao, a intertextualidade, o olhar performativo, para citar apenas alguns, entendemos que a construcao narrador - autorprotagonista textual articula essa e outra serie de tracos interligados e que e, claramente, necessario mapear: o pacto autobiografico, o contrato de leitura, o desdobramento do eu no texto, o efeito da realidade. O status ficticio de genero (e esses relatos de viagem em particular) e peculiar: acreditamos que tanto as memorias quanto os meios de locomocao manifestam a construcao da questao autobiografica. EnglishIn this paper we are interested in showing how the interaction between Narrator-Textual Protagonist-Author operates in the travel writing of the argentine intellectual Alcides Greca (San Javier, 1889- Rosario, 1956). In certain way, this matter leads us to set out some aspects of the performance of the autobiographical topic in his literature. Considering that the resources for genre travel writing occupy a relevant place, like the description, the intertextuality and the performative glance, among others, we understand that the interaction between Narrator-Textual Protagonist-Author relies on this and other series of related features that, evidently, are necessary to map: the autobiographical pact, the reading contract, the unfolding of the self in the text, the reality effect. The own fictional character of the genre –and, particularly, of these travel writing– is peculiar: we hold on to the position that the memories as well as the means of locomotion enable the construction of the autobiographical issue.
在这篇文章中，我们感兴趣的是在阿根廷知识分子阿尔西德斯·格列卡(San Javier 1889- Rosario 1956)的游记中，文本叙述者-主角-作者之间的联系是如何运作的。在某种程度上，这个问题使我们对他的文学中自传体功能的一些边缘提出了质疑。鉴于这些弹簧的性别问题相关的旅行故事,占有重要地位,比如descripcion intertextualidad、performativa,仅引用一些,我们的眼睛,肌体叙事文本主角——作者pivotea这种和其他若干有关特征明确,需要绘制:autobiografico协议合同,在文本的阅读,我的部署,现实的影响。在这篇文章中，我们发现了一种特殊的叙事形式，这种叙事形式是由一种特殊的叙事形式构成的，这种叙事形式是由一种特殊的叙事形式构成的，这种叙事形式是由一种特殊的叙事形式构成的，这种叙事形式是由一种特殊的叙事形式构成的。在这篇文章中，我们感兴趣的是如何在阿根廷知识分子阿尔希德斯·格列卡(San Javier 1889- Rosario 1956)的游记中构建文本中的叙述者-作者-主角。在某种程度上，这个问题引导我们考虑自传在他的文学作品中的一些边缘功能。手法的descricao intertextualidade,或他们olhar performativo,举才,稻米,我们理解,construcao部和行动的文本叙事- autorprotagonista outra套tracos interligados映射和e,显然,necessario: leitura autobiografico契约或合同,或desdobramento do eu没有文字,或者efeito realidade。性别的虚构地位(尤其是这些旅行故事)是奇特的:我们相信记忆和交通方式都体现了自传体问题的建构。我们感兴趣的是，在阿根廷知识分子阿尔希德斯·格列卡(San Javier, 1889- Rosario, 1956)的旅行写作中，叙述者-文本主角-作者之间的互动是如何运作的。在某些way,这一事项线索us to set out some aspects of the performance of the autobiographical议题将其文献。虽然ngok the resources for性别travel writing occupy有关的地方,像the description, the intertextuality and the performative一览,案中,我们明白that the interaction between Narrator-Textual Protagonist-Author relies on this and other series of related特写,evidently are必要to map: autobiographical负担沉重,the reading时序unfolding of the self)一书text, the reality effect。自己的虚构的查阅《性别—特别是,这些travel writing—is特点:we抱on to The position that The记忆as well as The means of locomotion enable The construction of The autobiographical issue。
{"title":"La construcción del entramado narrador- protagonista textual- autor en la obra del escritor santafesino Alcides Greca (1889-1956): relato de viaje y autobiografía","authors":"María Florencia Antequera","doi":"10.25185/5.7","DOIUrl":"https://doi.org/10.25185/5.7","url":null,"abstract":"espanolEn este articulo nos interesa abordar como opera la articulacion narradorprotagonista textual- autor, en los relatos de viajes del intelectual argentino Alcides Greca (San Javier 1889- Rosario, 1956). De alguna manera, esta cuestion nos conduce a plantearnos algunas aristas del funcionamiento de lo autobiografico en su literatura. Teniendo en cuenta esos resortes del genero relato de viajes, que ocupan un lugar de relevancia, como la descripcion, la intertextualidad, la mirada performativa, por citar solo algunos, entendemos que el entramado narrador- protagonista textual- autor pivotea esta y otra serie de rasgos vinculados y que resulta, a las claras, necesario cartografiar: el pacto autobiografico, el contrato de lectura, el despliegue del yo en el texto, el efecto de realidad. El estatuto ficcional del genero (y de estos relatos de viajes particularmente) es peculiar: abonamos la tesitura de que tanto los recuerdos como los medios de locomocion vehiculizan la construccion de la cuestion autobiografica. portuguesNeste artigo interessa-nos como se constroi o narrador- autor- protagonista textual, nos relatos de viagem do intelectual argentino Alcides Greca (San Javier 1889- Rosario, 1956). De certa forma, essa questao nos leva a considerar algumas arestas do funcionamento do autobiografico em sua literatura. Levando em conta a descricao, a intertextualidade, o olhar performativo, para citar apenas alguns, entendemos que a construcao narrador - autorprotagonista textual articula essa e outra serie de tracos interligados e que e, claramente, necessario mapear: o pacto autobiografico, o contrato de leitura, o desdobramento do eu no texto, o efeito da realidade. O status ficticio de genero (e esses relatos de viagem em particular) e peculiar: acreditamos que tanto as memorias quanto os meios de locomocao manifestam a construcao da questao autobiografica. EnglishIn this paper we are interested in showing how the interaction between Narrator-Textual Protagonist-Author operates in the travel writing of the argentine intellectual Alcides Greca (San Javier, 1889- Rosario, 1956). In certain way, this matter leads us to set out some aspects of the performance of the autobiographical topic in his literature. Considering that the resources for genre travel writing occupy a relevant place, like the description, the intertextuality and the performative glance, among others, we understand that the interaction between Narrator-Textual Protagonist-Author relies on this and other series of related features that, evidently, are necessary to map: the autobiographical pact, the reading contract, the unfolding of the self in the text, the reality effect. The own fictional character of the genre –and, particularly, of these travel writing– is peculiar: we hold on to the position that the memories as well as the means of locomotion enable the construction of the autobiographical issue.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89082369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
There are philosophical links between Romantic thought, materialistic positivism, psychoanalysis and some central ideas of current neurosciences. One of them, with many theoretical and practical consequences, is the metaphysical thesis that identifies the ‘temporal order’ and the ‘order of nature’ in human development —the expressions belong to St. Thomas Aquinas—. This hypothesis is illustrated here with the comparison betweenthree moments in the history of psychology, having Cesare Lombroso, Sigmund Freud and Antonio Damasio as protagonists.
{"title":"Tres momentos, una idea. Un concepto filosófico acerca del desarrollo del ser humano presente en la psicología contemporánea","authors":"Juan Pablo Roldán","doi":"10.25185/5.3","DOIUrl":"https://doi.org/10.25185/5.3","url":null,"abstract":"There are philosophical links between Romantic thought, materialistic positivism, psychoanalysis and some central ideas of current neurosciences. One of them, with many theoretical and practical consequences, is the metaphysical thesis that identifies the ‘temporal order’ and the ‘order of nature’ in human development —the expressions belong to St. Thomas Aquinas—. This hypothesis is illustrated here with the comparison betweenthree moments in the history of psychology, having Cesare Lombroso, Sigmund Freud and Antonio Damasio as protagonists.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81874564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyzes the short story “Agnieszka en la costa” by Hugo Fontana (included in his book Desaparicion de Susana Estevez, 2015) as a sophisticated re-elaboration of several narrative materials (characters, scenes, and topics) from the fictional world of Juan Carlos Onetti. I aim to reveal the painstaking narrative design of Fontana’s work, as well as the implications on meaning of this literary remaking. Fontana shares with Onetti a strong interest in the detective novel and they both incorporate resources from this genre to their works. However, Fontana shows an additional facet in his use of the detective novel devices: a critique about the political situation.
本文分析了雨果·丰塔纳(Hugo Fontana)的短篇小说《Agnieszka en la costa》(收录在他的书《Susana Estevez Desaparicion》中，2015年)，它是对胡安·卡洛斯·奥内蒂虚构世界中的几种叙事材料(人物、场景和主题)的复杂重新阐述。我的目的是揭示丰塔纳作品中苦心的叙事设计，以及这种文学重塑的意义。丰塔纳和奥内蒂都对侦探小说有着浓厚的兴趣，他们都将这一类型的资源融入到自己的作品中。然而，丰塔纳在运用侦探小说手法时表现出了另一个方面:对政治局势的批判。
{"title":"Un discreto homenaje a Juan Carlos Onetti: “Agnieszka en la costa” de Hugo Fontana","authors":"F. Mansilla","doi":"10.25185/5.6","DOIUrl":"https://doi.org/10.25185/5.6","url":null,"abstract":"This article analyzes the short story “Agnieszka en la costa” by Hugo Fontana (included in his book Desaparicion de Susana Estevez, 2015) as a sophisticated re-elaboration of several narrative materials (characters, scenes, and topics) from the fictional world of Juan Carlos Onetti. I aim to reveal the painstaking narrative design of Fontana’s work, as well as the implications on meaning of this literary remaking. Fontana shares with Onetti a strong interest in the detective novel and they both incorporate resources from this genre to their works. However, Fontana shows an additional facet in his use of the detective novel devices: a critique about the political situation.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80965234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In Orbes del sueno, Clara Janes offers a sample of the “orbs” that dreaming makes accessible, all of which are somewhat associated with areas in physics (hidden variables, quantum indivisibility and entanglements, multiple universes, relativity, wave function, supersymmetry, chaos theories…). In these formulations, the author finds parallels with subjective and internal experiences. Poems articulate encounters between poles that are traditionally opposed and mutually exclusive (subject/object, body/mind, inside/outside…) exemplifying Niels Bohr’s complementarity princile by which it becomes possible to elucidate the perceptual content of the phenomenon. The more the poetic speaker inserts herself into the cosmic web, the more she experiences a love-like relationship with the creativity of the cosmos and apprehends the life that it sustains.
{"title":"Contraria sunt complementa o los Orbes del sueño de Clara Janés una historia de amor","authors":"C. Gala","doi":"10.25185/6.2","DOIUrl":"https://doi.org/10.25185/6.2","url":null,"abstract":"In Orbes del sueno, Clara Janes offers a sample of the “orbs” that dreaming makes accessible, all of which are somewhat associated with areas in physics (hidden variables, quantum indivisibility and entanglements, multiple universes, relativity, wave function, supersymmetry, chaos theories…). In these formulations, the author finds parallels with subjective and internal experiences. Poems articulate encounters between poles that are traditionally opposed and mutually exclusive (subject/object, body/mind, inside/outside…) exemplifying Niels Bohr’s complementarity princile by which it becomes possible to elucidate the perceptual content of the phenomenon. The more the poetic speaker inserts herself into the cosmic web, the more she experiences a love-like relationship with the creativity of the cosmos and apprehends the life that it sustains.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87538128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Teoría de la creatividad, eclosión, gloria y miseria de las ideas. Jorge Wagensberg","authors":"Rodrigo Bacigalupe Echevarría","doi":"10.25185/6.12","DOIUrl":"https://doi.org/10.25185/6.12","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83259136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ciencia, matemática y experiencia. Estudios en historia del conocimiento científico. Pablo Melogno, (comp).","authors":"Manuel Santana Hernández","doi":"10.25185/6.13","DOIUrl":"https://doi.org/10.25185/6.13","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75647504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEl articulo muestra el poder de la trilogia de John Banville: Doctor Copernicus, Kepler y The Newton Letter, dedicada a la revolucion cientifica, para analizar procesos epistemologicos complejos en la historia de las ideas, como son el paso de la episteme renacentista a la ilustrada, las dificultades epistemologicas de la historiografia para reconstruir el pasado de forma fiable y convertirse en una ciencia dura, o el problema del innatismo, que enfrento a Isaac Newton con Thomas Hobbes. Todos los razonamientos aqui expuestos se sustentan en los textos literarios del escritor irlandes. portuguesO artigo mostra o poder da trilogia de John Banville: Doctor Copernicus, Kepler y The Newton Letter, dedicada a revolucao cientifica, para analisar processos epistemologicos complexos na historia das ideias, como sao o passo da episteme renascentista a ilustrada, as dificuldades epistemologicas da historiografia para reconstruir o passado de forma fiavel y converter-se em uma ciencia consistente, ou o problema do inatismo, que enfrentou Isaac Newton com Thomas Hobbes. Todos os raciocinios aqui expostos sustentam-se nos textos literarios do escritor irlandes. EnglishThe paper shows the power of John Banville’s trilogy, Doctor Copernicus, Kepler y The Newton Letter, focused on the scientific revolution, to analyze epistemologic processes. It is especially interested in some samples of famous epistomologic complex processes in the histoty of ideas: a) the epistemic transition from the Early Modern Period to Enlightnment; b) the epistemologic issues of historiography to rebuild the past with confidence, becoming a hard science; c) the controversy around innatism, which involved sir Isaac Newton and Thomas Hobbes. All reasoning developed in the paper is based on Banville’s trilogy.
espanolEl跟进显示trilogia的力量(John Banville):医生Copernicus,开普勒和牛顿给,献给cientifica大革命,分析过程epistemologicos账户在历史的想法,就像文艺复兴时期的episteme转向的插图,epistemologicas挑战historiografia重建过去可靠,成为一门科学持续,或innatismo问题,面对牛顿(Isaac Newton)与托马斯·霍布斯。这里提出的所有论点都是基于这位爱尔兰作家的文学文本。portuguesO artigo画面客观上给John Banville trilogia医生Copernicus,开普勒和牛顿给,献给revolucao cientifica, analisar processos epistemologicos complexos na故事给意见,作为臭氧消耗物质或者passo episteme renascentista的插图,难关epistemologicas给了historiografia fiavel地重建或passado converter-se洪都拉斯一致的科学,ou或问题do inatismo enfrentou牛顿com托马斯·霍布斯。这里提出的所有论点都是基于这位爱尔兰作家的文学文本。这篇论文展示了约翰·班维尔三部曲、哥白尼博士、开普勒和牛顿书信的力量，聚焦于科学革命，分析认识论过程。特别令人感兴趣的是关于思想历史的一些著名的书信体复杂过程的例子:a)从早期现代时期到启蒙时期的认识论过渡;b)史学的认识论问题，以信心重建过去，成为一门硬科学;= =地理= =根据美国人口普查，这个县的土地面积为。All -发达in the paper is based on Banville ' s泰乐琪。
{"title":"La trilogía científica de John Banville un mapeado del cambio de episteme a través de la literatura","authors":"Carlos Gámez Pérez, J. Echevarria","doi":"10.25185/6.10","DOIUrl":"https://doi.org/10.25185/6.10","url":null,"abstract":"espanolEl articulo muestra el poder de la trilogia de John Banville: Doctor Copernicus, Kepler y The Newton Letter, dedicada a la revolucion cientifica, para analizar procesos epistemologicos complejos en la historia de las ideas, como son el paso de la episteme renacentista a la ilustrada, las dificultades epistemologicas de la historiografia para reconstruir el pasado de forma fiable y convertirse en una ciencia dura, o el problema del innatismo, que enfrento a Isaac Newton con Thomas Hobbes. Todos los razonamientos aqui expuestos se sustentan en los textos literarios del escritor irlandes. portuguesO artigo mostra o poder da trilogia de John Banville: Doctor Copernicus, Kepler y The Newton Letter, dedicada a revolucao cientifica, para analisar processos epistemologicos complexos na historia das ideias, como sao o passo da episteme renascentista a ilustrada, as dificuldades epistemologicas da historiografia para reconstruir o passado de forma fiavel y converter-se em uma ciencia consistente, ou o problema do inatismo, que enfrentou Isaac Newton com Thomas Hobbes. Todos os raciocinios aqui expostos sustentam-se nos textos literarios do escritor irlandes. EnglishThe paper shows the power of John Banville’s trilogy, Doctor Copernicus, Kepler y The Newton Letter, focused on the scientific revolution, to analyze epistemologic processes. It is especially interested in some samples of famous epistomologic complex processes in the histoty of ideas: a) the epistemic transition from the Early Modern Period to Enlightnment; b) the epistemologic issues of historiography to rebuild the past with confidence, becoming a hard science; c) the controversy around innatism, which involved sir Isaac Newton and Thomas Hobbes. All reasoning developed in the paper is based on Banville’s trilogy.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81714971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aprender en la incertidumbre entrevista a Gilles Cyr","authors":"Víctor Bermúdez","doi":"10.25185/6.14","DOIUrl":"https://doi.org/10.25185/6.14","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85283856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
During the encounter of loss and its eventual overcoming, the cognitive seizing of the new death’s person status as a solid epistemic object turns out to be a recurring psychic operation for the grieving subject. This article proposes, through the analyse of texts belonging to the contemporary French literature, a brief theory of the “effigy” to address the way in which the deceased is evocated textually, at the same time that it analyses the conditions of its emergence and the discursive alterations that go with it.
{"title":"La efigie literaria escritura y duelo","authors":"Lorenzo Piera Martín","doi":"10.25185/6.6","DOIUrl":"https://doi.org/10.25185/6.6","url":null,"abstract":"During the encounter of loss and its eventual overcoming, the cognitive seizing of the new death’s person status as a solid epistemic object turns out to be a recurring psychic operation for the grieving subject. This article proposes, through the analyse of texts belonging to the contemporary French literature, a brief theory of the “effigy” to address the way in which the deceased is evocated textually, at the same time that it analyses the conditions of its emergence and the discursive alterations that go with it.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78563450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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