Pub Date : 2018-12-26DOI: 10.24821/IJCAS.V5I2.2411
Kanpat Kalumpahaiti
The graphic design is essential for the science museum exhibition affecting the perception and motivation of children to learn and discover a science experience. the research aims to study the graphic design methods of science museum exhibition for children, to propose the new approach of the graphic design which the most efficient expression to motivate learning of children from age 6 to 9 years old, and to design the graphics module within the temporary exhibition space. this article is the 1st phase to observe the graphic design methods of the science museum exhibition by using the fieldwork case study analysing of literature by selected 27 exhibits from the united Kingdom, Japan, and thailand to compare. also, interviews the 7 experts who are a stakeholder with the research. the result indicated that the graphic design approach of all exhibitions with the consistent. However, the mood and tone vary depending on the exhibit presented, and the role of graphics is different because of the socio-cultural context of each country. the conclusion can be drawn that the study result can be the guide or sources inspiration of further artistic creation and design that is attracting children the further stage of development.
{"title":"Graphic Design Methods of a Science Museum Exhibition for Children","authors":"Kanpat Kalumpahaiti","doi":"10.24821/IJCAS.V5I2.2411","DOIUrl":"https://doi.org/10.24821/IJCAS.V5I2.2411","url":null,"abstract":"The graphic design is essential for the science museum exhibition affecting the perception and motivation of children to learn and discover a science experience. the research aims to study the graphic design methods of science museum exhibition for children, to propose the new approach of the graphic design which the most efficient expression to motivate learning of children from age 6 to 9 years old, and to design the graphics module within the temporary exhibition space. this article is the 1st phase to observe the graphic design methods of the science museum exhibition by using the fieldwork case study analysing of literature by selected 27 exhibits from the united Kingdom, Japan, and thailand to compare. also, interviews the 7 experts who are a stakeholder with the research. the result indicated that the graphic design approach of all exhibitions with the consistent. However, the mood and tone vary depending on the exhibit presented, and the role of graphics is different because of the socio-cultural context of each country. the conclusion can be drawn that the study result can be the guide or sources inspiration of further artistic creation and design that is attracting children the further stage of development.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78892081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-26DOI: 10.24821/ijcas.v5i2.2413
Singgih Sanjaya
this research aims to design a new concept in keroncong music creation with an explorative method. Keroncong is one kind of entertainment musics in indonesia that has a long existece and evolved up to today. Keroncong music is a musical mixture of a western diatonic music with Javanese gamelan music. the term of keroncong comes from the sound “...crong crong crong...” on the ukulele instrument that played rasquardo. an instrumentation music consists of: vocals, violin, flute, cak, cuk, cello, guitar, and bass. during this moment, keroncong is basically just served as a vocal accompaniment music. this becomes a driving force for the author to compose a special composition for keroncong music solo instrument. there is a new concept used in the arranging of this composition, as follows. this composition is designing a concerto, which is a type of the instrumental musics with a western diatonic instrument on the part-one of the solo oboe and an English horn in part-two, with keroncong music and orchestra. the conclusion of these designs are as follows. Keroncong music will be able to stand on its own as an instrumental music.
{"title":"New Composition Concept for Keroncong Music in the Oboe Concerto with Keroncong and Orchestra","authors":"Singgih Sanjaya","doi":"10.24821/ijcas.v5i2.2413","DOIUrl":"https://doi.org/10.24821/ijcas.v5i2.2413","url":null,"abstract":"this research aims to design a new concept in keroncong music creation with an explorative method. Keroncong is one kind of entertainment musics in indonesia that has a long existece and evolved up to today. Keroncong music is a musical mixture of a western diatonic music with Javanese gamelan music. the term of keroncong comes from the sound “...crong crong crong...” on the ukulele instrument that played rasquardo. an instrumentation music consists of: vocals, violin, flute, cak, cuk, cello, guitar, and bass. during this moment, keroncong is basically just served as a vocal accompaniment music. this becomes a driving force for the author to compose a special composition for keroncong music solo instrument. there is a new concept used in the arranging of this composition, as follows. this composition is designing a concerto, which is a type of the instrumental musics with a western diatonic instrument on the part-one of the solo oboe and an English horn in part-two, with keroncong music and orchestra. the conclusion of these designs are as follows. Keroncong music will be able to stand on its own as an instrumental music.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"69 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84817773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-26DOI: 10.24821/IJCAS.V5I2.2407
Ag. Dicky Prastomo, Bayu Widiantoro
Batik is not just visually but also philosophically enticing. a brief history in 1755, in the era of “Keraton Surakarta” and “Keraton yogyakarta”, each kingdom has developed their own style including motif and coloring. Making a Batik is not just simply decorating, it is also form a repository of beliefs and values. youth or young one, need to examine and understand Batik with spesific meet their ways. A digital native generations. Visual communication research design offers a case study and visual etnography or visual decoding to describe, to compare, and to evaluate the pattern, beliefs and values. Overall, analysis of findings would clearly indicate that most of the target audiences are not interested to know what the meaning of Batik meaning, but they relay on smartphone gaming as daily activity. the like to know things through 2 dimesional game.
{"title":"Introducing the Meaning of Batik through Game and Appearance in Virtual Reality","authors":"Ag. Dicky Prastomo, Bayu Widiantoro","doi":"10.24821/IJCAS.V5I2.2407","DOIUrl":"https://doi.org/10.24821/IJCAS.V5I2.2407","url":null,"abstract":"Batik is not just visually but also philosophically enticing. a brief history in 1755, in the era of “Keraton Surakarta” and “Keraton yogyakarta”, each kingdom has developed their own style including motif and coloring. Making a Batik is not just simply decorating, it is also form a repository of beliefs and values. youth or young one, need to examine and understand Batik with spesific meet their ways. A digital native generations. Visual communication research design offers a case study and visual etnography or visual decoding to describe, to compare, and to evaluate the pattern, beliefs and values. Overall, analysis of findings would clearly indicate that most of the target audiences are not interested to know what the meaning of Batik meaning, but they relay on smartphone gaming as daily activity. the like to know things through 2 dimesional game.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87960338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purposes of this research were ๑) to study the wisdom of Thai food package by wrapping and packing technique from the local Thai and Japanese food experts. ๒) to develop the WisdomTransferring Model of food packaging ๓) To experiment the specific program of Wisdom-Transferring Model of food packaging in Secondary school: Mathayomsuksa 4th year. The experimental program was examined in Thailand locally separated into 4 parts/4 schools. The result of this research can be explained the transferring technique of Thai wrapping were similar in attitudes and beliefs. The subject should described the content of materials and processes which directly matched with the subject of professional practice and technology together with the social science/cultural and history integrated with English understanding language The researcher founded that the program of Thai Wisdom Transferring has contained to be 24 hours or 4 = full day a continuing program. The control group of this research sample has increasing their creativity in wrapping and packaging up to 40.89% in attitude and belief and 55, 84% the same as the meaning between languages.
{"title":"Cross-Cultural Study in LocalWisdom for Creative Food Package Development in Secondary School","authors":"sineenart Laedpriwan, Wongduean Nuntatong, Komnate Ponsanthia, Waristha Iam-In, Bunkant Silpanurak, Pattamaporn Thunmarong, Paweena Chimklang","doi":"10.24821/IJCAS.V5I2.2410","DOIUrl":"https://doi.org/10.24821/IJCAS.V5I2.2410","url":null,"abstract":"The purposes of this research were ๑) to study the wisdom of Thai food package by wrapping and packing technique from the local Thai and Japanese food experts. ๒) to develop the WisdomTransferring Model of food packaging ๓) To experiment the specific program of Wisdom-Transferring Model of food packaging in Secondary school: Mathayomsuksa 4th year. The experimental program was examined in Thailand locally separated into 4 parts/4 schools. The result of this research can be explained the transferring technique of Thai wrapping were similar in attitudes and beliefs. The subject should described the content of materials and processes which directly matched with the subject of professional practice and technology together with the social science/cultural and history integrated with English understanding language The researcher founded that the program of Thai Wisdom Transferring has contained to be 24 hours or 4 = full day a continuing program. The control group of this research sample has increasing their creativity in wrapping and packaging up to 40.89% in attitude and belief and 55, 84% the same as the meaning between languages.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82149145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-26DOI: 10.24821/ijcas.v5i2.2412
Kiki Rahmatika
the human body is a tool that capable of understanding and then reveal various problems that exist in the social life. Body as tool means a body that has a technique or as technology that is able to express the problem. if the body has been positioned as a tool, of course the tool must have a technique that has been honed its ability. For example fall-recovery’s technique which is discovered by dorris Humphrey. then to get to the technique, the body must get treatment, conditioning and emphasis through strict discipline. ultimately the techniques that make the body into technology will be constructed through body behavior which is doing by long exercises and method from the right technique.
{"title":"Fall-Recovery Technique as Technology in Dancer’s Body","authors":"Kiki Rahmatika","doi":"10.24821/ijcas.v5i2.2412","DOIUrl":"https://doi.org/10.24821/ijcas.v5i2.2412","url":null,"abstract":"the human body is a tool that capable of understanding and then reveal various problems that exist in the social life. Body as tool means a body that has a technique or as technology that is able to express the problem. if the body has been positioned as a tool, of course the tool must have a technique that has been honed its ability. For example fall-recovery’s technique which is discovered by dorris Humphrey. then to get to the technique, the body must get treatment, conditioning and emphasis through strict discipline. ultimately the techniques that make the body into technology will be constructed through body behavior which is doing by long exercises and method from the right technique.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74288351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.24821/ijcas.v5i1.2218
A. Wirayudha
Ferdinand Indrajaya. Art as the Manifestation of Embodiment d. rio Adiwijaya, yasser izky Techne as Technology a d Techne as Ar I-na phuyuthanon. Video Art of “Bann ngsata Case Study” Stephanus Evert Indrawan, tri novi nto p. utomo lt r atives Forma ion of Bri ks P ttern Kar Mustaqim. Drawing Perform’s tepika odsaka . Music: A To l in Transfor i the Social Statu Asep Hid yat Wirayudha. C nfe nc Report
费迪南德Indrajaya。艺术是化身的表现。d. rio Adiwijaya, yasser izky，技术即技术，技术即Ar I-na phuyuthanon。“bannngsata案例研究”的影像艺术Stephanus Evert Indrawan，是一名新晋的摄影艺术家，他的作品是英国艺术家Kar Mustaqim的作品。Drawing Perform的tepika odsaka。音乐:A To i in transformation in the Social statesep Hid at Wirayudha。C nfe nc报告
{"title":"International Symposium on practice as research (ISpar) (Controversies, Challenges, Conceptualisations East-West perfectives)","authors":"A. Wirayudha","doi":"10.24821/ijcas.v5i1.2218","DOIUrl":"https://doi.org/10.24821/ijcas.v5i1.2218","url":null,"abstract":"Ferdinand Indrajaya. Art as the Manifestation of Embodiment d. rio Adiwijaya, yasser izky Techne as Technology a d Techne as Ar I-na phuyuthanon. Video Art of “Bann ngsata Case Study” Stephanus Evert Indrawan, tri novi nto p. utomo lt r atives Forma ion of Bri ks P ttern Kar Mustaqim. Drawing Perform’s tepika odsaka . Music: A To l in Transfor i the Social Statu Asep Hid yat Wirayudha. C nfe nc Report","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73546634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.24821/IJCAS.V5I1.2211
I-na Phuyuthanon
Video art is conveyance of creation of human emotions from a person who share similar emotions using digital media. It is conveyed through spiritual and emotional movements of the creators with definite aims concerning traditions, customs, beliefs, religions, and local ways of life. A range of issues in three border provinces of southern Thailand: Yala, Pattani, and Narathiwat, were brought up. With depiction of separatist terrorism in the area, video art might be able to tell complicated, over-a-decade-long story triggered by two incidents: the Tak Bai Incident and the clash at Krue Sae Mosque, which brought the three provinces to public attention. The video art provides a way to understand the society, human empathy, and conflict of interest in Bannangsata District. These aspects were conveyed through the local’s ways of life with religion as a spiritual keeping by believing that God has determined everything and that they, as human, have to face any test they are given. The end of the video art presented what cannot be narrated by words about the area, and showed more than what the news may offer, which intensifies fear.The researcher studied various aspects of Bannangsata District and has shown them through a type of artistic media called video art, specifically about the issue of women’s suppression as experienced by those who survived series of tragic incidents. The video art aimed to raise awareness about changes of a way of life in the area and to create sympathy for fellow human beings there. The researcher realized that empathy for fellow human beings was significant for the existence of the world and that it cannot be relinquished. Thus, this art media was made to portray the issue of complicated troubles in the area.
{"title":"video Art of “Bannan0gsata Case Study”: Women Muteness","authors":"I-na Phuyuthanon","doi":"10.24821/IJCAS.V5I1.2211","DOIUrl":"https://doi.org/10.24821/IJCAS.V5I1.2211","url":null,"abstract":"Video art is conveyance of creation of human emotions from a person who share similar emotions using digital media. It is conveyed through spiritual and emotional movements of the creators with definite aims concerning traditions, customs, beliefs, religions, and local ways of life. A range of issues in three border provinces of southern Thailand: Yala, Pattani, and Narathiwat, were brought up. With depiction of separatist terrorism in the area, video art might be able to tell complicated, over-a-decade-long story triggered by two incidents: the Tak Bai Incident and the clash at Krue Sae Mosque, which brought the three provinces to public attention. The video art provides a way to understand the society, human empathy, and conflict of interest in Bannangsata District. These aspects were conveyed through the local’s ways of life with religion as a spiritual keeping by believing that God has determined everything and that they, as human, have to face any test they are given. The end of the video art presented what cannot be narrated by words about the area, and showed more than what the news may offer, which intensifies fear.The researcher studied various aspects of Bannangsata District and has shown them through a type of artistic media called video art, specifically about the issue of women’s suppression as experienced by those who survived series of tragic incidents. The video art aimed to raise awareness about changes of a way of life in the area and to create sympathy for fellow human beings there. The researcher realized that empathy for fellow human beings was significant for the existence of the world and that it cannot be relinquished. Thus, this art media was made to portray the issue of complicated troubles in the area.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74920621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.24821/IJCAS.V5I1.2209
Ferdinand Indrajaya
It is undeniable that modern technology has been penetrating our contemporary life in myriad aspects. From the water we drink, foods we eat, to the installed applications inour phone. Hence modern technology has become one dominating worldview on itsown which skips our reflection upon it. Its rapid growth stems from the dismissal oftradition and simultaneously with the tremendous scientific discoveries with its inherentinstrumental rationality. It actively participates in serving the irrational dimension ofour cybernetics-contemporary life. Thus it is not a neutral ensemble of devices, butnormatively-prescriptive directs our being in achieving our goals mechanically. AsHeidegger said, it enframes our being in the world in a disembodied fashion. Enframing,is the quintessence of modern technology. Merleau-Ponty, as another ardent critic, alsostated that modern technology is essentially manipulative. Under the heading of scientism(and or cybernetics), it anesthetizes humanity as its own manipulandum. Contrastingwith such view, art potentially re-attunes our relation with things. From Merleau-Ponty’sphenomenological perspective, art (especially painting) powerfully shows the prereflectiveand embodied contact with the world. This paper is an attempt to show the roleofart in a life that has been eclipsed by the modern technological worldview.
{"title":"Art as the Manifestation of Embodiment in the Age of Modern technology","authors":"Ferdinand Indrajaya","doi":"10.24821/IJCAS.V5I1.2209","DOIUrl":"https://doi.org/10.24821/IJCAS.V5I1.2209","url":null,"abstract":"It is undeniable that modern technology has been penetrating our contemporary life in myriad aspects. From the water we drink, foods we eat, to the installed applications inour phone. Hence modern technology has become one dominating worldview on itsown which skips our reflection upon it. Its rapid growth stems from the dismissal oftradition and simultaneously with the tremendous scientific discoveries with its inherentinstrumental rationality. It actively participates in serving the irrational dimension ofour cybernetics-contemporary life. Thus it is not a neutral ensemble of devices, butnormatively-prescriptive directs our being in achieving our goals mechanically. AsHeidegger said, it enframes our being in the world in a disembodied fashion. Enframing,is the quintessence of modern technology. Merleau-Ponty, as another ardent critic, alsostated that modern technology is essentially manipulative. Under the heading of scientism(and or cybernetics), it anesthetizes humanity as its own manipulandum. Contrastingwith such view, art potentially re-attunes our relation with things. From Merleau-Ponty’sphenomenological perspective, art (especially painting) powerfully shows the prereflectiveand embodied contact with the world. This paper is an attempt to show the roleofart in a life that has been eclipsed by the modern technological worldview.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77561953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.24821/IJCAS.V5I1.2213
Surasak Jamnongsarn
There has been foreign music influence on traditional Thai music since Ayutthaya period. Pi Jawa ( Java flute), Klong Jawa ( Java drum) and some traditional Thai song with foreign title have been legally and literally evident in Ayutthaya era. Some said that Thai people are open-minded in music, harmonious mixing overseas music culture with their own. Ethnomusicologists have seen this social phenomenon via music context and explained the revolution of traditional Thai music differently from the acceptance of music in general. This article reviewed the acceptance of Indonesian music, including Javanese music from Central Java and Sundanese music from West Java, into the Javanese Idiomatic Melody in traditional Thai music and Angklung Thai style. Indonesian music was seriously and forcefully deculturated. Playing technique has been adjusted to suit Thai music playing. Tuning system of Javanese Gamelan in Thailand has been fine tuned to conform to that of Thai music. Physical appearance of Sundanese Angklung has been replaced with Angklung Thai style. Javanese song have undergone music elaboration and rewritten to satisfy Thai musicians, with approval from elite Thai musicians and previous Thai music institutes together with Thai people in the society.
{"title":"Music deculturation: A traditional thai Music tool for Indonesian Music Adoption","authors":"Surasak Jamnongsarn","doi":"10.24821/IJCAS.V5I1.2213","DOIUrl":"https://doi.org/10.24821/IJCAS.V5I1.2213","url":null,"abstract":"There has been foreign music influence on traditional Thai music since Ayutthaya period. Pi Jawa ( Java flute), Klong Jawa ( Java drum) and some traditional Thai song with foreign title have been legally and literally evident in Ayutthaya era. Some said that Thai people are open-minded in music, harmonious mixing overseas music culture with their own. Ethnomusicologists have seen this social phenomenon via music context and explained the revolution of traditional Thai music differently from the acceptance of music in general. This article reviewed the acceptance of Indonesian music, including Javanese music from Central Java and Sundanese music from West Java, into the Javanese Idiomatic Melody in traditional Thai music and Angklung Thai style. Indonesian music was seriously and forcefully deculturated. Playing technique has been adjusted to suit Thai music playing. Tuning system of Javanese Gamelan in Thailand has been fine tuned to conform to that of Thai music. Physical appearance of Sundanese Angklung has been replaced with Angklung Thai style. Javanese song have undergone music elaboration and rewritten to satisfy Thai musicians, with approval from elite Thai musicians and previous Thai music institutes together with Thai people in the society.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"57 5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91009500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.24821/IJCAS.V5I1.2216
Tepika Rodsakan
There are some attempts to politically encourage the rights of social status to Special Needs Children by both Thai government and non-government organizations. Practically, the fact indicates that the Special Needs Children’s social status and roles are vaguely partial in terms of whether opportunities or social rights. The researcher has experimented by organizing traditional Thai musical activities to Special Needs Children, the case study of Panyawutikorn School. Pre-test and post-test results and observation evidently have shown that the musical skills are increasingly improved. Similarly, an empirical data presents they took pride proudly when they are being praised in their developing skills by teachers, parents as well as H.R.H. Mahachakri Sirindhron princess, has been at Panyawutikorn school in order to attend Thai musical performance of Special Needs Children, the attention of princess can encourage them to be more engaged in musical performance of Special Needs Children and also people involved. As mentioned above, ‘music’ is utilized as a tool to transforms the social status and give them a chance of playing role as givers. The traditional Thai music ensemble of Special Needs Children is requested to broadly show their abilities in many places such as hospitals, elderly cares, and in other school activities. Truly, music therefore is effectively able to transmit the social status of the Special Needs Children from previously they were defined as always receivers to be currently understood as givers. Furthermore, the study also provided the number of children is stepping up and paying more attentions in musical activities. This is to really consider the attempts to push up Special Needs Children in the same level of citizenship hierarchy.
{"title":"Music: A tool in transforming the Social Status of Special needs Children","authors":"Tepika Rodsakan","doi":"10.24821/IJCAS.V5I1.2216","DOIUrl":"https://doi.org/10.24821/IJCAS.V5I1.2216","url":null,"abstract":"There are some attempts to politically encourage the rights of social status to Special Needs Children by both Thai government and non-government organizations. Practically, the fact indicates that the Special Needs Children’s social status and roles are vaguely partial in terms of whether opportunities or social rights. The researcher has experimented by organizing traditional Thai musical activities to Special Needs Children, the case study of Panyawutikorn School. Pre-test and post-test results and observation evidently have shown that the musical skills are increasingly improved. Similarly, an empirical data presents they took pride proudly when they are being praised in their developing skills by teachers, parents as well as H.R.H. Mahachakri Sirindhron princess, has been at Panyawutikorn school in order to attend Thai musical performance of Special Needs Children, the attention of princess can encourage them to be more engaged in musical performance of Special Needs Children and also people involved. As mentioned above, ‘music’ is utilized as a tool to transforms the social status and give them a chance of playing role as givers. The traditional Thai music ensemble of Special Needs Children is requested to broadly show their abilities in many places such as hospitals, elderly cares, and in other school activities. Truly, music therefore is effectively able to transmit the social status of the Special Needs Children from previously they were defined as always receivers to be currently understood as givers. Furthermore, the study also provided the number of children is stepping up and paying more attentions in musical activities. This is to really consider the attempts to push up Special Needs Children in the same level of citizenship hierarchy.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91387123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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