Pub Date : 2018-10-29DOI: 10.24821/IJCAS.V5I1.2215
Karna Mustaqim
The determination of academic research on the field of the arts education troubling its own artistic practices. It was assumed by clarifying the objective and method of doing the research, art was believed would be contributing to a greater intellectualisation, otherwise it is just an art practice without justification from science, and therefore no contribution worth to human knowledge. Since it contrastive to the nature of artistic practice embodied in the arts itself, which unfortunately not even realize by the artist his/herself. Whilst it is well said by Joseph Kosuth (1971) that: “the artist, not unlike a scientist for whom there is no distinction between working in the laboratory and writing a thesis, has now “to cultivate the conceptual implications of his art propositions, and argue their explication.” This paper is about explicating the writer as the artist himself who done the livedexperience of drawing performs as the research processed. Artists use drawings an activity or a way of understanding the meaning of who we are and how we lived in the world. However, the objective of this research is an exceptional one, it searches for the dual experiences of the researcher as the artist as the instrument who producing the drawing and as the spectators himself welcoming and appreciating as he/she reveals him/ herself capable of wondering. In a particular way, this research is to show that through the making of drawings, the drawing performs lived-experience, that it can be another paradigm so called art-based or artistic research.
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Pub Date : 2018-10-29DOI: 10.24821/ijcas.v5i1.2214
Stephanus Evert Indrawan
This research is a continuation of the potential mapping from Trowulan Art and Crafts commodity based on its material which consist of Terracotta, Stone and Brass. Studies are limited to Terracotta and bricks as its products. Terracotta of Trowulan has a distinctive color texture and the product that based on this material are mostly sculpture, roofs tile, roofs ornament and bricks. Bricks are the most common material for building construction and being exposed in a common principles of bricks formation. This recent research aims to find an alternative principles of bricks formation through parametric design approach. The software that being used are Rhinoceros and Grasshopper plug ins. Product of studies are parametric script that enables designer to make a well calculated simulation and shorten the prototyping process. It is also implemented as design module or designs pattern that can be developed manually by handworkers.
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Pub Date : 2018-10-29DOI: 10.24821/ijcas.v5i1.2210
D. R. Adiwijaya
We live in an age where our existence has been remarkably shaped by technology. However, as contemporary thinkers have elucidated, technology is not a mere sum of our tools. At a more profound level, technology forms an instrumental context that frames our relation to the world and to ourselves. Everything thereupon tends to appear merely as a means to an end. Countering the instrumentalistic tendencies of global technologization, this paper would like to ponder on the meaning of technology beyond mere tools. The core influence of this study is the thought of Martin Heidegger (18891976) which reveals that both technology and art stem from ancient techne, our basic way to reveal reality through embodied praxis. However, 2500 years of Western intellectual history has rendered the instrumental meaning of techne – that is, the way we understand technology today as practical utilization of science – becomes far more dominant than the artistic or poetic one. It is the aim of this literary study to elucidate Heidegger’s dense phenomenological inquiry which reveals the dual meaning of techne: techne as technology and techne as art. Recovery of the forgotten poetic meaning of techne is crucial to counter instrumentalism that pervades art in our techno-scientific age.
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Pub Date : 2018-10-29DOI: 10.24821/IJCAS.V5I1.2217
F. Firmansah
Ferdinand Indrajaya. Art as the Manifestation of Embodiment d. rio Adiwijaya, yasser izky Techne as Technology a d Techne as Ar I-na phuyuthanon. Video Art of “Bann ngsata Case Study” Stephanus Evert Indrawan, tri novi nto p. utomo lt r atives Forma ion of Bri ks P ttern Su s k J mnongsarn, alita p olsup. Music D ulturatio Kar Mustaqim. Drawing Perform’s tepika odsaka . Mu ic: A To l in Transfor i the Social Statu Fi n h. Book Rev ew
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