Pub Date : 2023-01-01DOI: 10.21747/2182-1097/cem15v1
Francesco Renzi, A. Mariani, M. J. T. Silva, Luís Carlos Amaral
The aim of this article is to study Bishop of Porto D. Hugo, a key figure to understand the transformation of Portugal in the 12th century. Probably ailing from France, he was archdeacon in Compostela under Diego Gelmírez and consecrated bishop by Maurice of Braga. D. Hugo dealt with the most important problems of his time: the conflict between the See of Compostela and Braga, the political evolution of the County of Portugal and the relations with the Papacy. The study of D. Hugo reveals a very peculiar image of a medieval bishop: clergyman, politician, writer and tireless traveller.
{"title":"A Frenchman in Portugal. Bishop D. Hugo of Porto and the transformations of the north-western Iberian Peninsula in the early 12th century","authors":"Francesco Renzi, A. Mariani, M. J. T. Silva, Luís Carlos Amaral","doi":"10.21747/2182-1097/cem15v1","DOIUrl":"https://doi.org/10.21747/2182-1097/cem15v1","url":null,"abstract":"The aim of this article is to study Bishop of Porto D. Hugo, a key figure to understand the transformation of Portugal in the 12th century. Probably ailing from France, he was archdeacon in Compostela under Diego Gelmírez and consecrated bishop by Maurice of Braga. D. Hugo dealt with the most important problems of his time: the conflict between the See of Compostela and Braga, the political evolution of the County of Portugal and the relations with the Papacy. The study of D. Hugo reveals a very peculiar image of a medieval bishop: clergyman, politician, writer and tireless traveller.","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83011127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21747/2182-1097/cem15r1
Rui Carlos Fonseca
{"title":"Riehle, Alexander, ed. (2020). A Companion to Byzantine Epistolography. Leiden; Boston: Brill. XII + 531 pp. ISBN 978-90-04-41369-6","authors":"Rui Carlos Fonseca","doi":"10.21747/2182-1097/cem15r1","DOIUrl":"https://doi.org/10.21747/2182-1097/cem15r1","url":null,"abstract":"","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86682288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/2182-1097/14a11
S. Duarte
The survey of musical iconography in Portuguese paintings that we have been carrying out in recent years has revealed a very considerable number of specimens with the representation of Santa Cecilia, especially in the north and center of the country. Patroness of music according to a debatable biographical account that indicates the virgin heard during her wedding the sound of divine music, Santa Cecilia appears to us represented in hagiological strategically placed on the ceiling of coenobias, churches, public and private chapels. Starting from the organisation of the Cecilian image in seven predominant typologies, we will list aspects related to her devotion, sources and models used by painters in representations, as well as the uses and functions of the Cecilian image in Portugal. This first survey and study of the image of Santa Cecília in Portugal is naturally incomplete.
{"title":"Imagens de Santa Cecília na pintura portuguesa dos séculos XVII e XVIII: devoção, usos e funções, fontes e modelos","authors":"S. Duarte","doi":"10.21747/2182-1097/14a11","DOIUrl":"https://doi.org/10.21747/2182-1097/14a11","url":null,"abstract":"The survey of musical iconography in Portuguese paintings that we have been carrying out in recent years has revealed a very considerable number of specimens with the representation of Santa Cecilia, especially in the north and center of the country. Patroness of music according to a debatable biographical account that indicates the virgin heard during her wedding the sound of divine music, Santa Cecilia appears to us represented in hagiological strategically placed on the ceiling of coenobias, churches, public and private chapels. Starting from the organisation of the Cecilian image in seven predominant typologies, we will list aspects related to her devotion, sources and models used by painters in representations, as well as the uses and functions of the Cecilian image in Portugal. This first survey and study of the image of Santa Cecília in Portugal is naturally incomplete.","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"253 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76510033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/2182-1097/14a19
Antonio Joaquín Santos Márquez
This paper reveals the cult of Saint Veronica in the Cathedral of Seville. It was developed around a copy of the Santa Face of Jaén which was donated in 1629 and which aroused great fervour among the faithful, both in its original location in the main sacristy and in the chapel of Nuestra Señora de la Antigua, where it was placed in 1690 in a silver reliquary, to be replaced in 1739 by the tabernacle that still guards it today.
本文揭示了塞维利亚大教堂对圣维罗妮卡的崇拜。它是围绕着1629年捐赠的一幅《雅萨芬的圣诞老人脸》的复制品发展起来的，这幅画在信徒中引起了极大的热情，无论是在最初的圣器室里，还是在Nuestra Señora de la Antigua的小教堂里，它于1690年被放在一个银色的圣髑盒里，1739年被圣髑盒取代，直到今天还在守卫着它。
{"title":"Devoción y culto a la Santa Verónica en la Capilla de Nuestra Señora de la Antigua de la catedral de Sevilla","authors":"Antonio Joaquín Santos Márquez","doi":"10.21747/2182-1097/14a19","DOIUrl":"https://doi.org/10.21747/2182-1097/14a19","url":null,"abstract":"This paper reveals the cult of Saint Veronica in the Cathedral of Seville. It was developed around a copy of the Santa Face of Jaén which was donated in 1629 and which aroused great fervour among the faithful, both in its original location in the main sacristy and in the chapel of Nuestra Señora de la Antigua, where it was placed in 1690 in a silver reliquary, to be replaced in 1739 by the tabernacle that still guards it today.","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"59 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80757663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The present paper aims to investigate the function of the dog-headed image of Saint Christopher among the Romanian Orthodox representations of the 18th century. The research will address the relationship between the existing zoomorphic representations and a new hagiography created by the popular lore, which circulated in Wallachia after 1700. This legend converted the monstrous ugliness of the hagiographic hero into his voluntary relinquishment of physical beauty, a semantic change intended to stress Saint Christopher’s virtue. The article will focus on the role of this unusual visual representation within the religious edifice, as well as on the saint’s exemplarity which operates in triggering the contemplation of Christian virtues
{"title":"Once upon a time there was a handsome man. The virtue of a saint traveling across south-eastern Europe","authors":"Silvia Marin Barutcieff","doi":"10.21747/2182-1097/14a2","DOIUrl":"https://doi.org/10.21747/2182-1097/14a2","url":null,"abstract":"The present paper aims to investigate the function of the dog-headed image of Saint Christopher among the Romanian Orthodox representations of the 18th century. The research will address the relationship between the existing zoomorphic representations and a new hagiography created by the popular lore, which circulated in Wallachia after 1700. This legend converted the monstrous ugliness of the hagiographic hero into his voluntary relinquishment of physical beauty, a semantic change intended to stress Saint Christopher’s virtue. The article will focus on the role of this unusual visual representation within the religious edifice, as well as on the saint’s exemplarity which operates in triggering the contemplation of Christian virtues","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"249 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76989071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/2182-1097/14a17
M. Rocha, Sofía Nunes Vechina
Passionist religiosity was gradually established from the 12th and 13th centuries onwards, encouraged by the Franciscan ideals of imitation, meditation, and devotion to Christ, with St. Francis becoming the very image of sorrowful humanity as he received the stigmata of Christ. The medieval cult of the Passion, reiterated in the Council of Trent, continued into the Modern Age, and is preserved today in manifestations of spirituality and popular devotion, experienced through artistic images of the Passion of Christ, as well as the veneration of relics of Vera Cruz, the shroud, among others. The liturgy and devotion have used and still use these images in religious solemnities, of which the Holy Week ceremonies stand out, as well as in theatrical performances in which the image serves as a vehicle mediating between two worlds, the earthly and the celestial, following the itineraries of the Stations of the Cross which, from the 15th century onwards, allow us to relive the final stages of Christ’s earthly life in the Holy Land.
{"title":"Imagens da Via Crucis: cenários de ritualização, sacralização e devoção, no norte e centro de Portugal","authors":"M. Rocha, Sofía Nunes Vechina","doi":"10.21747/2182-1097/14a17","DOIUrl":"https://doi.org/10.21747/2182-1097/14a17","url":null,"abstract":"Passionist religiosity was gradually established from the 12th and 13th centuries onwards, encouraged by the Franciscan ideals of imitation, meditation, and devotion to Christ, with St. Francis becoming the very image of sorrowful humanity as he received the stigmata of Christ. The medieval cult of the Passion, reiterated in the Council of Trent, continued into the Modern Age, and is preserved today in manifestations of spirituality and popular devotion, experienced through artistic images of the Passion of Christ, as well as the veneration of relics of Vera Cruz, the shroud, among others. The liturgy and devotion have used and still use these images in religious solemnities, of which the Holy Week ceremonies stand out, as well as in theatrical performances in which the image serves as a vehicle mediating between two worlds, the earthly and the celestial, following the itineraries of the Stations of the Cross which, from the 15th century onwards, allow us to relive the final stages of Christ’s earthly life in the Holy Land.","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78873090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/2182-1097/14a18
Marisa Aparecida Pereira Santos
On the 24th of August, the day when Saint Bartholomew takes possession of the waters and the Devil is on the loose, the believers of the 19th century headed to the beaches of Foz do Douro for the holy bath, in search of protection against skin diseases, stuttering or demonic effects. Through the saint, the sins of the former skin were expelled to make way for a renewed soul and body. This act of apotropaic and prophylactic nature was transferred to the cultural practice that we know today: the Cortejo dos Trajes de Papel de São Bartolomeu. This playful and spontaneous manifestation originated in the ancient religious festival, keeping the memory of the stripping of costumes in the waters.Based on the image of Saint Bartholomew from the parish church of São João da Foz do Douro, we intend in this study to reveal the evolution of the cult, the practices and rituals to which it was associated and how it can be understood as a support for cultural permeabilities, reinforcing the need of the study of the image in its context.
8月24日是圣巴塞洛缪(Saint Bartholomew)占领这片水域、魔鬼四处游荡的日子，19世纪的信徒们会前往福斯多杜罗(Foz do Douro)的海滩进行圣浴，以寻求预防皮肤病、口吃或恶魔影响的方法。通过圣人，以前的皮肤上的罪恶被驱逐，为更新的灵魂和身体让路。这种净化和预防性质的行为被转移到我们今天所知道的文化实践中:Cortejo dos Trajes de Papel de s o Bartolomeu。这种戏谑和自发的表现形式起源于古代的宗教节日，保留了水中脱衣的记忆。基于来自s o jo o da Foz do Douro教区教堂的圣巴塞洛缪的形象，我们打算在本研究中揭示邪教的演变，与之相关的实践和仪式，以及如何将其理解为对文化渗透性的支持，加强在其背景下研究形象的需要。
{"title":"O Diabo anda à solta: o culto a São Bartolomeu na Foz do Douro","authors":"Marisa Aparecida Pereira Santos","doi":"10.21747/2182-1097/14a18","DOIUrl":"https://doi.org/10.21747/2182-1097/14a18","url":null,"abstract":"On the 24th of August, the day when Saint Bartholomew takes possession of the waters and the Devil is on the loose, the believers of the 19th century headed to the beaches of Foz do Douro for the holy bath, in search of protection against skin diseases, stuttering or demonic effects. Through the saint, the sins of the former skin were expelled to make way for a renewed soul and body. This act of apotropaic and prophylactic nature was transferred to the cultural practice that we know today: the Cortejo dos Trajes de Papel de São Bartolomeu. This playful and spontaneous manifestation originated in the ancient religious festival, keeping the memory of the stripping of costumes in the waters.Based on the image of Saint Bartholomew from the parish church of São João da Foz do Douro, we intend in this study to reveal the evolution of the cult, the practices and rituals to which it was associated and how it can be understood as a support for cultural permeabilities, reinforcing the need of the study of the image in its context.","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"39 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88058358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/2182-1097/14a12
J. Fernandes
The present study aims to explicit the dynamics established between the people of Porto and the participants of the Venerable Third Order of Saint Francis of Porto’s Ash Procession, with particular regard for those whose profane reminiscences, albeit readjusted to better suit the religious manifestation’s universe, remained as deposit for traditions and practices that cheered the population. We will thus try to assess how the involvement between assistance and participants embodied another dimension of the procession.
{"title":"A Procissão de Cinzas da Venerável Ordem Terceira de São Francisco do Porto: reminiscências profanas das imagens e práticas sociais","authors":"J. Fernandes","doi":"10.21747/2182-1097/14a12","DOIUrl":"https://doi.org/10.21747/2182-1097/14a12","url":null,"abstract":"The present study aims to explicit the dynamics established between the people of Porto and the participants of the Venerable Third Order of Saint Francis of Porto’s Ash Procession, with particular regard for those whose profane reminiscences, albeit readjusted to better suit the religious manifestation’s universe, remained as deposit for traditions and practices that cheered the population. We will thus try to assess how the involvement between assistance and participants embodied another dimension of the procession.","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"87 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84205926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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