This article is an autoethnographic essay on the challenges of conducting participant observation in times of crises, both on a personal and on a national level. To summarize, I trace the evolution of my own personal research itinerary, which focuses on Beirut's leisure and clubbing scene during the internal political turmoil in Lebanon and, later on, the 2024 war with Israel. Finally, I examine the impact of these events on my very ability to conduct research, how they affected my relationship to the field and, ultimately, the decisions I needed to make. In conclusion, this essay adds to a growing body of research on ethnography in dangerous times and places: what becomes of research when research becomes impossible?
{"title":"Can I dance over the bodies of the dead? On the impossibility of participant observation","authors":"Sarah Hamdar","doi":"10.1111/anhu.70071","DOIUrl":"https://doi.org/10.1111/anhu.70071","url":null,"abstract":"<p>This article is an autoethnographic essay on the challenges of conducting participant observation in times of crises, both on a personal and on a national level. To summarize, I trace the evolution of my own personal research itinerary, which focuses on Beirut's leisure and clubbing scene during the internal political turmoil in Lebanon and, later on, the 2024 war with Israel. Finally, I examine the impact of these events on my very ability to conduct research, how they affected my relationship to the field and, ultimately, the decisions I needed to make. In conclusion, this essay adds to a growing body of research on ethnography in dangerous times and places: what becomes of research when research becomes impossible?</p>","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145890999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Multispecies Ethnography and Artful Methods. Edited by Andrea Petitt, Anke Tonnaer, Véronique Servais, Catrien Notermans, Natasha Fijn (Eds.), Winwick, Cambridgeshire, UK: The White Horse Press. 2025. pp. 210. £30.00 (softcover)","authors":"Debanjali Biswas","doi":"10.1111/anhu.70070","DOIUrl":"https://doi.org/10.1111/anhu.70070","url":null,"abstract":"","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145891386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
These are four poems from a collection that burst out of me around the time of my 50th birthday. I am a social and cultural gerontologist and so 50 is a particularly significant age—it is the marker of having finally qualified as an older person, at least in physiological terms. It also signifies menopause and the end of the reproductive stage of life. That significant birthday coincided with my eldest son reaching adulthood. This confluence of life events caused me to reflect on how I have spent my adult life. The past 20 years have been dedicated to academic life, but always within the context and confines of raising a family. The pressure to perform both roles, daily and to a high standard is, perhaps, the most striking message from these poems.
{"title":"Autoethnography of mothering","authors":"Gemma M. Carney","doi":"10.1111/anhu.70069","DOIUrl":"https://doi.org/10.1111/anhu.70069","url":null,"abstract":"<p>These are four poems from a collection that burst out of me around the time of my 50th birthday. I am a social and cultural gerontologist and so 50 is a particularly significant age—it is the marker of having finally qualified as an older person, at least in physiological terms. It also signifies menopause and the end of the reproductive stage of life. That significant birthday coincided with my eldest son reaching adulthood. This confluence of life events caused me to reflect on how I have spent my adult life. The past 20 years have been dedicated to academic life, but always within the context and confines of raising a family. The pressure to perform both roles, daily and to a high standard is, perhaps, the most striking message from these poems.</p>","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145891303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
<p><i>Unhoused</i> is a composite fieldwork document—drawn, written, layered—that emerged through collaboration between cartoonist Mana Neyestani and anthropologist Mirco Göpfert. What began as a series of interviews, drawing lessons and message exchanges gradually evolved into something less easily classifiable: a joint attempt to trace how displacement unsettles not only bodies and homes, but also narrative, memory, and authorship itself.</p><p>The resulting work moves across three interwoven registers. The first is public and discursive: a series of Wikipedia edits that reveal how identity, kinship, and truth claims are rewritten through digital struggle. The second is political and forensic: a report drawn from Neyestani's imprisonment, typed in clipped, compressed form and language. The third is intimate and disoriented: a dream sequence that distills the mood of narrative suspension, doors that open into nowhere, speech that cannot find its place. The three registers are folded together by other forms: a sketch-based dialogue, a reflective monologue, and a glossary that reframes rather than defines. Drawing, marginalia, and typographic shifts are meant to reframe how the piece is read: not as a single narrative, but as a layered encounter.</p><p>This piece was developed over the course of several years of conversation, sketching, and co-editing between Mana and Mirco, in Paris, Frankfurt and virtually. The report section draws on Mana's own records, reconstructed from memory, personal documents, and an autobiographical comic book (Neyestani, <span>2012</span>). The dialogue was adapted from chat transcripts and live conversations. The comic sequence was jointly sketched: Mana drew Mirco, and Mirco drew Mana. Drawing and layout choices were shaped in tandem with narrative and ethnographic framing.</p><p>Figures 1-11 contain the complete work, including conceptual framing, drawn dialogue, report, monologue, glossary, and dream. Each figure corresponds to a full-page layout as finalized by the authors. Grouped loosely by mode and tone: Figures 1 and 2 establish the conceptual frame; Figures 3-6 present, first, a public and then a personal version of who Mana Neyestani is; Figures 7-9 include the report, dialogue, and glossary; and Figures 10 and 11 carry the final sequence.</p><p>We are deeply grateful to the anonymous reviewers and the editorial collective of <i>Anthropology and Humanism</i> for their generous and thoughtful engagement. Their encouragement gave us confidence to take the visual and structural choices of this piece seriously. For assistance in shaping both the questions and the manuscript itself, we thank Sepide Ghorbani for her careful thinking, critical nudges, and steady support. Earlier versions of this work were presented at LMU Munich (on invitation by Eveline Dürr) and at the University of Vienna (on invitation from Tatjana Thelen). We thank both for creating space for this strange material—and the students and colleague
{"title":"Unhoused","authors":"Mana Neyestani, Mirco Göpfert","doi":"10.1111/anhu.70066","DOIUrl":"https://doi.org/10.1111/anhu.70066","url":null,"abstract":"<p><i>Unhoused</i> is a composite fieldwork document—drawn, written, layered—that emerged through collaboration between cartoonist Mana Neyestani and anthropologist Mirco Göpfert. What began as a series of interviews, drawing lessons and message exchanges gradually evolved into something less easily classifiable: a joint attempt to trace how displacement unsettles not only bodies and homes, but also narrative, memory, and authorship itself.</p><p>The resulting work moves across three interwoven registers. The first is public and discursive: a series of Wikipedia edits that reveal how identity, kinship, and truth claims are rewritten through digital struggle. The second is political and forensic: a report drawn from Neyestani's imprisonment, typed in clipped, compressed form and language. The third is intimate and disoriented: a dream sequence that distills the mood of narrative suspension, doors that open into nowhere, speech that cannot find its place. The three registers are folded together by other forms: a sketch-based dialogue, a reflective monologue, and a glossary that reframes rather than defines. Drawing, marginalia, and typographic shifts are meant to reframe how the piece is read: not as a single narrative, but as a layered encounter.</p><p>This piece was developed over the course of several years of conversation, sketching, and co-editing between Mana and Mirco, in Paris, Frankfurt and virtually. The report section draws on Mana's own records, reconstructed from memory, personal documents, and an autobiographical comic book (Neyestani, <span>2012</span>). The dialogue was adapted from chat transcripts and live conversations. The comic sequence was jointly sketched: Mana drew Mirco, and Mirco drew Mana. Drawing and layout choices were shaped in tandem with narrative and ethnographic framing.</p><p>Figures 1-11 contain the complete work, including conceptual framing, drawn dialogue, report, monologue, glossary, and dream. Each figure corresponds to a full-page layout as finalized by the authors. Grouped loosely by mode and tone: Figures 1 and 2 establish the conceptual frame; Figures 3-6 present, first, a public and then a personal version of who Mana Neyestani is; Figures 7-9 include the report, dialogue, and glossary; and Figures 10 and 11 carry the final sequence.</p><p>We are deeply grateful to the anonymous reviewers and the editorial collective of <i>Anthropology and Humanism</i> for their generous and thoughtful engagement. Their encouragement gave us confidence to take the visual and structural choices of this piece seriously. For assistance in shaping both the questions and the manuscript itself, we thank Sepide Ghorbani for her careful thinking, critical nudges, and steady support. Earlier versions of this work were presented at LMU Munich (on invitation by Eveline Dürr) and at the University of Vienna (on invitation from Tatjana Thelen). We thank both for creating space for this strange material—and the students and colleague","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"50 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://anthrosource.onlinelibrary.wiley.com/doi/epdf/10.1111/anhu.70066","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145750915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this paper is to look deeper into the connection between divinities, and interpret how a shift in necessity of mortals is reflected through a shift in the attributes the divine were worshipped through. In this process, it becomes more clear as to how the people of ancient Greece viewed their gods and goddesses. Through comparing literary descriptions with archaeological evidence and artistic representations, a more realistic picture of life in ancient Greek cult worship and festivals emerges. In this, we can understand not only how mortals viewed their divinities, but how their worship acted as connections between people; through worship and communal gatherings the divine brought people together in extraordinary ways. This information is useful to anyone studying history, archaeology, mythology, and anthropology. This is also extremely relevant to the philosophy of religion. By looking past surface-level assumptions and digging deeper into ancient literary descriptions, we possess the ability to uncover the deeper meaning that lies hidden within them. This studies the pantheon through time and space in conjunction with cultural, environmental, and social links that tie in with physical attributes. This anthropology of the gods as fluid figures is argued.
{"title":"Poseidon, Athena, and Demeter: Epithets and associations in the divine","authors":"Anika Elema","doi":"10.1111/anhu.70065","DOIUrl":"https://doi.org/10.1111/anhu.70065","url":null,"abstract":"<p>The purpose of this paper is to look deeper into the connection between divinities, and interpret how a shift in necessity of mortals is reflected through a shift in the attributes the divine were worshipped through. In this process, it becomes more clear as to how the people of ancient Greece viewed their gods and goddesses. Through comparing literary descriptions with archaeological evidence and artistic representations, a more realistic picture of life in ancient Greek cult worship and festivals emerges. In this, we can understand not only how mortals viewed their divinities, but how their worship acted as connections between people; through worship and communal gatherings the divine brought people together in extraordinary ways. This information is useful to anyone studying history, archaeology, mythology, and anthropology. This is also extremely relevant to the philosophy of religion. By looking past surface-level assumptions and digging deeper into ancient literary descriptions, we possess the ability to uncover the deeper meaning that lies hidden within them. This studies the pantheon through time and space in conjunction with cultural, environmental, and social links that tie in with physical attributes. This anthropology of the gods as fluid figures is argued.</p>","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"50 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145750655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This volume of creative encounters, Homing beyond Boundaries, explores the lived meanings of home as expressed by Ethiopian migrants navigating displacement, war, and longing. Originating from a public dialogue at Antropologidagene in Trondheim, the project centers on poetic expressions of “homing” as embodied, affective experience rather than abstract theory. Set against the backdrop of Ethiopia's Tigray conflict (2020–2022), three contributors—Ethiopian migrants studying in Norway—share their homing journeys through stories of food, family photographs, and the fragile presence of hope. The poetic format invites readers into a shared space of recognition and resonance, illuminating the fractured, sensory textures of exile, and belonging.
{"title":"Homing beyond boundaries","authors":"Shuhua Chen, Kahsu Ferede, Negash Abebe Tufa, Gerawork Legesse","doi":"10.1111/anhu.70061","DOIUrl":"https://doi.org/10.1111/anhu.70061","url":null,"abstract":"<p>This volume of creative encounters, Homing beyond Boundaries, explores the lived meanings of home as expressed by Ethiopian migrants navigating displacement, war, and longing. Originating from a public dialogue at <i>Antropologidagene</i> in Trondheim, the project centers on poetic expressions of “homing” as embodied, affective experience rather than abstract theory. Set against the backdrop of Ethiopia's Tigray conflict (2020–2022), three contributors—Ethiopian migrants studying in Norway—share their homing journeys through stories of food, family photographs, and the fragile presence of hope. The poetic format invites readers into a shared space of recognition and resonance, illuminating the fractured, sensory textures of exile, and belonging.</p>","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"50 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145751245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pablo Ampuero-Ruiz, Priyanka Borpujari, Fiona Murphy, Julia Offen, Johann Sander Puustusmaa, Eva van Roekel, Rich Thornton, Susan Wardell
{"title":"Editors’ note: The future is now","authors":"Pablo Ampuero-Ruiz, Priyanka Borpujari, Fiona Murphy, Julia Offen, Johann Sander Puustusmaa, Eva van Roekel, Rich Thornton, Susan Wardell","doi":"10.1111/anhu.70064","DOIUrl":"https://doi.org/10.1111/anhu.70064","url":null,"abstract":"","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"50 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145751364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
By the early 2000s, and especially after September 11, 2001, the increasing surveillance on non-sovereign subjects intensified. One clear example is Texas's recent practice of busing migrants to northern cities, especially to Chicago. This article traces the emergence of this practice and analyzes the political and economic discourse surrounding it. Scholarship on border theorizing has suggested that the border has thickened, been externalized inward as well, and the policies implemented at the border are similar to those at the core of the nation-state. In this article, I argue that this strategy is part of a broader process of internal rebordering, where migrants are relocated within the country to enforce exclusion while sustaining urban economies. Migrants are often viewed as unwanted or burdensome, yet they quickly find jobs across a range of economic sectors in Chicago. By examining statements and practices from state officials and local communities, I demonstrate how internal rebordering reveals contradictions in immigration policy—exclusionary narratives coexist with a structural dependence on migrant labor—and links the busing of migrants as a novel state practice to certain genealogies in history.
{"title":"Unwanted journeys: The politics and practice of busing migrants from Texas to Chicago","authors":"Sergio Lemus","doi":"10.1111/anhu.70062","DOIUrl":"https://doi.org/10.1111/anhu.70062","url":null,"abstract":"<p>By the early 2000s, and especially after September 11, 2001, the increasing surveillance on non-sovereign subjects intensified. One clear example is Texas's recent practice of busing migrants to northern cities, especially to Chicago. This article traces the emergence of this practice and analyzes the political and economic discourse surrounding it. Scholarship on border theorizing has suggested that the border has thickened, been externalized inward as well, and the policies implemented at the border are similar to those at the core of the nation-state. In this article, I argue that this strategy is part of a broader process of <i>internal rebordering</i>, where migrants are relocated within the country to enforce exclusion while sustaining urban economies. Migrants are often viewed as unwanted or burdensome, yet they quickly find jobs across a range of economic sectors in Chicago. By examining statements and practices from state officials and local communities, I demonstrate how internal rebordering reveals contradictions in immigration policy—exclusionary narratives coexist with a structural dependence on migrant labor—and links the busing of migrants as a novel state practice to certain genealogies in history.</p>","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"50 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145751365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay contemplates the emotional and intellectual experience of conducting fieldwork on violence. It explores the cognitive dissonance that ethnographers must navigate as they exist in a field site, which can also be a global tourist destination. Focusing on the horror of witnessing contemporary femicide in the Buenos Aires urban margins, it weaves in and out of the past and present, wealthy and poor, periphery to the center, to ultimately land on a chance encounter with a taxi driver who survived forced disappearance during Argentina's military dictatorship. Taking place during the onset of the COVID-19 pandemic, “disappearance” and “reappearance” also serve as ways for thinking about the ephemeral nature of fieldwork and how our research can vanish and reappear over the course of years or overnight.
{"title":"Burning trash: An essay on fieldwork, disappearance, and hunting for mushrooms","authors":"Claire Branigan","doi":"10.1111/anhu.70063","DOIUrl":"https://doi.org/10.1111/anhu.70063","url":null,"abstract":"<p>This essay contemplates the emotional and intellectual experience of conducting fieldwork on violence. It explores the cognitive dissonance that ethnographers must navigate as they exist in a field site, which can also be a global tourist destination. Focusing on the horror of witnessing contemporary femicide in the Buenos Aires urban margins, it weaves in and out of the past and present, wealthy and poor, periphery to the center, to ultimately land on a chance encounter with a taxi driver who survived forced disappearance during Argentina's military dictatorship. Taking place during the onset of the COVID-19 pandemic, “disappearance” and “reappearance” also serve as ways for thinking about the ephemeral nature of fieldwork and how our research can vanish and reappear over the course of years or overnight.</p>","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"50 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145751363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}