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Studies in the Age of Chaucer最新文献

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On Not Being Chaucer 论不做乔叟
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0028
Ruth Evans
Abstract:Chaucer's place in the canon and on the syllabus has at various times during the twentieth and twenty-first centuries, in various places around the world, been questioned by students, academics, administrators, and professional organizations, in response to very specific and often highly localized cultural, historical, and institutional factors. The history and nature of those factors are instructive if we want to continue to make the case for the value of studying Chaucer. In this address I consider some of the national and international contexts that have put pressure on the study of Chaucer, contexts that include US and UK responses to institutional racism, and feminist literary criticism's critique of Chaucer's sexism and of the institutionalization of feminist criticism. I consider some of the historical rejections of Chaucer, from that of the black British writer David Dabydeen in the 1970s to the brief flare of the Chaucer Wars of 2021. I argue that decentering Chaucer needs an informed critique of how canons are constructed and of the specific ways in which they are ethnocentric and non-representative. I then consider some of the ways in which Chaucer's work has been reimagined in positive political ways, such as Refugee Tales. I argue that we should continue to read Chaucer because his writings and the history of their reception continue to generate new and important ways of understanding the past history of race and racism, and thus enable the envisioning of more hopeful futures for Chaucerian scholars and our students.
摘要:乔叟在正典和教学大纲中的地位在二十世纪和二十一世纪的不同时期,在世界各地,由于非常具体且往往高度本地化的文化、历史和制度因素,受到了学生、学者、行政人员和专业组织的质疑。如果我们想继续证明研究乔叟的价值,这些因素的历史和性质是有指导意义的。在这篇演讲中,我考虑了一些给乔叟研究带来压力的国家和国际背景,包括美国和英国对制度性种族主义的回应,以及女权主义文学批评对乔叟性别歧视和女权主义批评制度化的批评。我考虑了一些对乔叟的历史拒绝,从20世纪70年代英国黑人作家大卫·达比登的拒绝,到2021年乔叟战争的短暂爆发。我认为,体面的乔叟需要对经典的构建方式以及它们以种族为中心和非代表性的具体方式进行知情的批判。然后,我考虑了乔叟的作品以积极的政治方式被重新想象的一些方式,比如《难民故事》。我认为,我们应该继续阅读乔叟,因为他的著作及其接受历史继续为理解过去的种族和种族主义历史创造新的重要途径,从而为乔叟学者和我们的学生设想更有希望的未来。
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引用次数: 0
Ode to Titivillus: Apathy and the Transformative Potentialities of "Sloth" in Late Medieval England 提提维勒斯颂:中世纪晚期英格兰“懒惰”的冷漠和变革潜力
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0035
N. Calder
Abstract:This essay examines the ways in which an anonymous fifteenth-century preacher addressed issues of apathy among his congregations, preserved in the English sermon cycle known as Jacob's Well. Through the preacher's expositions of the sin of sloth—and the dramatic exempla that accompany such passages—I argue that the text encapsulates an anxiety over apathy among the preacher's (fictionalized or real) lay audiences. The essay complicates the idea that laypeople in late medieval England believed homogeneously in the religious teachings delivered from the pulpit. Indeed, Jacob's Well is read here as an example of a preacher grappling with the difficulties of managing a congregation made up of diverse experiences and intensities of faith, in which religious indifference had the potential to be deep-rooted. I argue that the medieval Church's conceptualization of "sloth" belies a concern over lay apathy, understood as a potentially subversive mode of unbelief, rather than lay ignorance.
摘要:本文考察了一位15世纪的匿名传教士在他的会众中解决冷漠问题的方式,这些问题保存在被称为雅各井的英国讲道周期中。通过传教士对懒惰之罪的阐释——以及伴随这些段落的戏剧性例子——我认为,这篇文章概括了传教士(虚构的或真实的)外行听众对冷漠的焦虑。这篇文章使中世纪晚期英格兰的俗人都相信从讲坛上传下来的宗教教义这一观点复杂化了。事实上,《雅各之井》在这里被解读为一个牧师的例子,他努力应对管理会众的困难,会众由不同的经历和信仰强度组成,其中宗教冷漠可能根深蒂固。我认为,中世纪教会对“懒惰”的概念化掩盖了对俗人冷漠的关注,这种冷漠被理解为一种潜在的颠覆性的不信模式,而不是俗人的无知。
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引用次数: 0
John Trevisa's Information Age: Knowledge and the Pursuit of Literature, c. 1400 by Emily Steiner (review) 约翰·特雷维萨的《信息时代:知识与文学追求》,约1400年,艾米丽·斯坦纳著(评论)
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0016
M. Goldie
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引用次数: 0
Global Response: Consent in the Long View 全球应对:同意的长远观点
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0049
Elizabeth Fowler
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引用次数: 0
Unequal Power and Sexual Consent: The Case of Cassotte la Joye 不平等的权力和性同意:卡索特·拉·乔伊的案例
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0038
L. Akard
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引用次数: 0
"A Familiar Vois and Stevene": Hearing Voices in Chaucer's Dream Visions “熟悉的声音与史蒂文”:乔叟梦境中的幻听
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0031
C. Neufeld
Abstract:This article uses an aurality studies approach to the medieval concept of janglynge, whose semantic meaning ranges from idle chatter to animal noise, to sound out Chaucer's particular attentiveness to the act of listening in his dream visions. While Chaucer's first poem, The Book of the Duchess, illustrates the distinctions between hearing and listening, and highlights different relational dynamics implicit in various modes of listening, the implications of this aural preoccupation for his own poetics emerges most concretely in his two most famous dream visions, The Parliament of Fowls and The House of Fame, both of which clearly pivot from visual to aural perceptual modes over the course of their narratives. Here Chaucer's engagement with janglynge through The Parliament's bird calls and the acousmatic voices in the House of Rumor highlights his sense of the partiality of his own poetic voice, dependent as it is on the collaboration of his auditor to come into being.
摘要:本文运用听觉研究的方法,对中古时代的“嘈杂声”概念进行研究,以揭示乔叟在梦境中对倾听行为的特别关注。虽然乔叟的第一首诗《公爵夫人之书》(The Book of The Duchess)阐明了听觉和倾听之间的区别,并强调了各种倾听模式中隐含的不同关系动态,但这种对听觉的关注对他自己诗学的影响最具体地体现在他最著名的两个梦境中,《鸟群议会》和《名望之家》,这两个梦境在叙事过程中都明显地从视觉感知模式转向听觉感知模式。在这里,乔叟通过《议会》中的鸟鸣和《谣言之屋》中的声学声音与嘈杂声的接触,突出了他对自己诗歌声音的偏爱,这种偏爱依赖于他的听音者的合作才得以形成。
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引用次数: 0
Response to Leah Schwebel and Jennifer Alberghini 对Leah Schwebel和Jennifer Alberghini的回应
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0048
Lynn Shutters
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引用次数: 0
The Gift of Narrative in Medieval England by Nicholas Perkins (review) 《中世纪英格兰的叙事礼物》尼古拉斯·珀金斯著(书评)
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0013
R. Meyer‐Lee
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引用次数: 0
Hunting the Corpus Troilus: Illuminating Textura 寻找Corpus Troilus:照亮纹理
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0032
K. Kennedy
Abstract:Lack of research into its script has prevented scholars from fully situating the copy of Troilus and Criseyde found in Cambridge, Corpus Christi College, MS 61 in its production network, and has obscured its most likely patron. While unique in an English literary manuscript, the ornate textura employed by the scribes of the Corpus Troilus has direct peers in fine liturgical and religious manuscripts of the first half of the fifteenth century. Tracing the networks of these manuscripts across scribes, artists, and patrons, reveals that the Corpus Troilus was most likely commissioned by a high level prelate.
摘要:由于缺乏对其剧本的研究,学者们无法将在剑桥科珀斯克里斯蒂学院MS 61发现的Troilus和Criseyde的复制品完全定位在其制作网络中,并模糊了其最可能的赞助人。虽然在英国文学手稿中是独一无二的,但《圣经》抄写员使用的华丽文本在15世纪上半叶的精美礼拜仪式和宗教手稿中有着直接的同行。追踪这些手稿在抄写员、艺术家和赞助人之间的网络,可以发现《语料库》很可能是由一位高级牧师委托创作的。
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引用次数: 0
Wicked Wives and the Insatiable Virgin: Reading the Codicological Unconscious in a Fragment of MS Bodley 851 邪恶的妻子和贪得无厌的处女:读MS Bodley 851片段中的法典无意识
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0034
T. C. Sawyer
Abstract:Modern scholars, imagining the reading experience infamously evoked by Jankyn's "book of wicked wives," usually interpret medieval misogamous writing through a patristic and clerkly tradition dominated by Jerome. But surviving compilations rarely display the thematic unity of Jankyn's anthology or neatly reproduce familiar formulations of the Hieronymian tradition. Rather, in their juxtapositions of unlike texts, these manuscripts provide material indications of how medieval misogamy might have been conceived differently by the scribes who prepared such miscellanies and the readers who encountered them. In order to examine the cultural and imaginative assumptions that grounded material and textual compilation in mixed-content manuscripts, this essay attends to the "codicological unconscious" of Oxford, Bodleian Library, MS Bodley 851. Specifically, it examines the obsession with feminine insatiability shared by two wholly unlike poems that survive exclusively and contiguously in a single scribal hand in the earliest material fragment of Bodley 851. Where the Ave virgo mater christi (Hail Virgin Mother of Christ) imagines insatiability as a laudable aspect of the Virgin Mary's pure erotic relationship with God, the De coniuge non ducenda (On the Necessity of Avoiding Marriage) imagines insatiability as a despicable aspect of the wife's proclivity for sexual transgression. Although this topical conjunction does not generate any overarching conceptual synthesis or competing misogamous ideology, it nevertheless illuminates how the experience of reading—recuperated via attention to singular manuscript contexts—can produce harmonies and tensions otherwise obscured.
摘要:现代学者在想象扬金的《恶妻书》所引发的臭名昭著的阅读体验时,通常通过以杰罗姆为主导的教父和书记员传统来解读中世纪的厌妻写作。但幸存下来的汇编很少显示出扬金选集的主题统一性,也很少整齐地再现Hieronymian传统的熟悉公式。相反,在不同文本的并列中,这些手稿提供了实质性的迹象,表明编写这些杂记的抄写员和遇到这些杂记的读者可能对中世纪的厌妻制有不同的看法。为了研究混合内容手稿中基于材料和文本编辑的文化和想象假设,本文关注牛津大学的“法典无意识”,博德利图书馆,MS博德利851。具体地说,它考察了两首完全不同的诗对女性贪得无厌的痴迷,这两首诗在Bodley 851最早的材料片段中仅存并连续地保存在一个抄写者手中。《圣母玛利亚》(Ave virgo mater christi)将贪得无厌想象成圣母玛利亚与上帝纯洁的情爱关系中值得称赞的一面,而《论避免婚姻的必要性》(De coniuge non ducenda)则将贪得无厌想象成妻子性侵犯倾向的可鄙一面。虽然这个主题的结合并没有产生任何总体的概念综合或竞争的厌恶配偶的意识形态,但它仍然阐明了阅读的经验-通过对单一手稿上下文的关注来恢复-可以产生和谐和紧张,否则会被掩盖。
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引用次数: 0
期刊
Studies in the Age of Chaucer
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