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Studies in the Age of Chaucer最新文献

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The Shape of Sex: Nonbinary Gender from Genesis to the Renaissance by Leah DeVun (review) 《性的形态:从创世纪到文艺复兴的非二元性别》作者:利亚·德文
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0006
M. Goodrich
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引用次数: 0
Storytelling at the Gates of Hell: Narrative Epistemology in Piers Plowman 地狱之门的叙事:《皮尔斯·普洛曼》的叙事认识论
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0033
Mary Raschko
Abstract:This essay investigates the role of collective, reiterative storytelling within Piers Plowman. More specifically, it characterizes Langland's Four Daughters' debate in Passus B XVIII/C XX as a moment of metanarrative reflection that considers the power and limitations of storytelling for knowing God. At the poem's narrative climax, between the Crucifixion and the Harrowing of Hell, Langland inserts a deliberative pause in which Mercy, Truth, Justice, and Peace attempt to discern what the death of Christ means. While scholars typically read the debate as a discursive exchange, the speakers repeatedly tell stories. Most poignantly, within this larger life of Christ, Mercy, Peace, and the personification Book all narrate new lives of Christ. Langland presents the nested vitae Christi as acts of discernment that integrate select aspects of biblical history and forget or exclude others. By means of narrative selectivity, the speakers render God more legible, while also manifesting ideologies and potentially fostering misunderstanding. Ultimately, the essay argues that Langland presents any individual vita Christi as an insufficient means to know God, but affirms the collective, multivocal project of storytelling as vital to the quest for such knowledge.
摘要:本文探讨了《农夫皮尔斯》中集体复述故事的作用。更具体地说,它将朗兰的四个女儿的辩论描述为一个元叙事反思的时刻,思考了讲故事对于认识上帝的力量和局限性。在这首诗的叙事高潮,在受难和地狱的痛苦之间,朗兰插入了一个深思熟虑的停顿,在这个停顿中,《仁慈、真理、正义与和平》试图分辨出基督之死的意义。虽然学者们通常将辩论视为一种话语交流,但演讲者却反复讲述故事。最令人心酸的是,在这更大的基督生命中,怜悯、和平和拟人化的书都叙述了基督的新生命。朗兰认为,嵌套的基督教生活是一种洞察力的行为,它整合了圣经历史的某些方面,而忘记或排除了其他方面。通过叙事的选择性,说话者使上帝更加清晰,同时也体现了意识形态,并可能助长误解。最后,这篇文章认为,朗兰把任何一个人的生命作为认识上帝的手段都是不够的,但他肯定了集体的、多声音的讲故事项目对寻求这种知识至关重要。
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引用次数: 0
Practical Cues and Social Spectacle in the Chester Plays by Matthew Sergi (review) 《切斯特戏剧》中的实用线索与社会奇观马修·塞尔吉(书评)
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0015
Carla Neuss
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引用次数: 0
Consent and Misogyny: Response to Sarah Baechle and Sara V. Torres 同意与误解:对Sarah Baechle和Sara V.Torres的回应
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0045
Suzanne Edwards
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引用次数: 0
Chaucer and Ibn al-Haytham (Alhacen): Perspectiva, Arabic Mathematics, and Acts of Looking Chaucer和伊本·海瑟姆(Alhacen):透视、阿拉伯数学和观察行为
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0029
Shazia Jagot
Abstract:The question of "how one sees" gives rise to a brief, learned interjection on optics and perspectiva in the Squire's unfinished, interlaced romance—an intervention that draws "Alocen," the Arabic mathematician Ibn al-Haytham (Latin: Alhacen or Alhazen) into discussion. Alhacen's De aspectibus, the Latin translation of his extraordinary treatise Kitāb al-Manāzir (Book of Optics) has long been acknowledged and utilized in Chaucer scholarship. However, little focused attention has been paid to tracing the intertextual routes that lead to Chaucer's "Alocen" from Jean de Meun's reference to "Alhacem" in the Roman de la Rose, through to entries on "Ibn al-Haytham" in Arabic bio-bibliographic dictionaries. In tracing the ways that European vernacular literature can be connected with Arabic textualtradi tions, this article also challenges the under-examined Eurocentric approaches to Chaucer and late medieval vernacular literature where Arabic figures such as "Alocen" have been collapsed into generic molds of medieval philosophers. It argues that repositioning Chaucer's "Alocen" as an Arabic mathematician and optical authority allows us to understand better not only his presence in The Squire's Tale, but the depiction of the physical act of looking and the cognitive and psychological consequences of key moments of sight beyond this romance. In order to demonstrate this, the exact question of "how one sees" as presented in the Kitāb al-Manāzir is explored with particular attention paid to the psychology of sight in examining the relationship between perception and judgment in three pivotal acts of looking in The Knight's Tale, The Physician's Tale, and Troilus and Criseyde.
摘要:在Squire未完成的、交错的浪漫故事中,“一个人如何看待”的问题引发了对光学和透视的简短而习得的插话——这一插话吸引了阿拉伯数学家Ibn al-Haytham(拉丁语:Alhacen或Alhazen)“Alocen”的讨论。Alhacen的De aspectibus是他非凡论文Kitāb al-Manāzir(《光学之书》)的拉丁文翻译,长期以来一直被Chaucer学术界所认可和使用。然而,很少有人关注Chaucer的《Alocen》的互文路径,从Jean de Meun在《罗马玫瑰》中提到的“Alhacem”,到阿拉伯语生物书目词典中关于“Ibn al-Haytham”的条目。在追踪欧洲白话文学与阿拉伯文本传统的联系方式时,本文还对乔叟和中世纪晚期白话文学的欧洲中心主义方法提出了质疑,在这些方法中,像“Alocen”这样的阿拉伯人物已经被瓦解为中世纪哲学家的通用模式。它认为,将乔叟笔下的“Alocen”重新定位为一位阿拉伯数学家和光学权威,不仅可以让我们更好地理解他在《松鼠的故事》中的存在,还可以更好地理解对视觉的身体行为以及这段浪漫之外的关键视觉时刻的认知和心理后果的描述。为了证明这一点,《Kitāb al-Manāzir》中提出的“如何看待”的确切问题,在《骑士的故事》、《医生的故事》以及《特洛伊洛斯与基督》中,在考察感知和判断三个关键行为中的关系时,特别关注了视觉心理学。
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引用次数: 1
Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland by Katherine H. Terrell (review) 《书写民族:中世纪晚期苏格兰的宫廷诗歌与历史权威》凯瑟琳·h·特雷尔著(书评)
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0018
D. Davies
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引用次数: 0
Uncertain Refuge: Sanctuary in the Literature of Medieval England by Elizabeth Allen (review) 《不确定的避难所:中世纪英国文学中的避难所》伊丽莎白·艾伦著(书评)
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0000
Randy P. Schiff
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引用次数: 0
Denying Consent and Manipulating Victimhood in "Come over the woodes fair and grene" 在《飞越森林》中否认同意和操纵受害者
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0043
Sarah Baechle
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引用次数: 0
#NotAllMen: In Conversation with Lucia Akard and Samantha Katz Seal #NotAllMen:与Lucia Akard和Samantha Katz Seal的对话
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0039
R. Moss
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引用次数: 0
Paper in Medieval England: From Pulp to Fiction by Orietta Da Rold (review) 中世纪英格兰的纸:从纸浆到小说奥列塔·达·罗德(书评)
Q2 Arts and Humanities Pub Date : 2022-12-14 DOI: 10.1353/sac.2022.0005
Megan l. Cook
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引用次数: 0
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Studies in the Age of Chaucer
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