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This Thing of Darkness I (Now) Acknowledge Mine 这件黑暗的事我(现在)承认我的
0 LITERATURE Pub Date : 2020-11-15 DOI: 10.17456/SIMPLE-152
Giovanni Verdoliva
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引用次数: 0
La rinascita della tragedia dallo spirito del blues nel teatro di August Wilson 在奥古斯特·威尔逊的戏剧中,悲剧从忧郁的精神中重生
0 LITERATURE Pub Date : 2020-11-15 DOI: 10.17456/SIMPLE-163
Valentina Rapetti
Nato nel 1945 a Pittsburgh, in Pennsylvania, August Wilson e stato il drammaturgo afroamericano piu prolifico e rappresentato del Novecento. Il Century Cycle , un corpus di dieci testi teatrali che ripercorre la storia afroamericana del ventesimo secolo, e espressione del realismo spirituale di Wilson, un tipo di teatro che, pur aderendo alla tradizione realista euroamericana, vi immette elementi di innovazione ispirati alla musica blues e alla cosmologia Yoruba. Il saggio prende in analisi questa duplice matrice culturale per dimostrare come la drammaturgia di Wilson, pur tenendo fede al principio aristotelico della mimesis che governa il dramma realista, sia permeata da un’estetica nera. Nel concepire un teatro in cui musica e parola si compenetrano in un contesto performativo rituale, Wilson ripristina l’armonia tra dionisiaco e apollineo auspicata da Friedrich Nietzsche, rianimando quello che secondo il filosofo tedesco era lo spirito primigenio della tragedia greca e immettendo al tempo stesso un ethos inconfondibilmente afroamericano nel canone teatrale occidentale. DOI : 10.17456/SIMPLE-163 Parole chiave August Wilson, tragedia, blues, Yoruba, Nietzsche. Bibliografia Antonelli, Sara. 2005. Il Black English. Anna Scacchi (a cura di). La Babele americana. Lingue e identita negli Stati Uniti d’oggi . Roma: Donzelli, 145-161. Aristotele. 1998. Poetica . Traduzione e introduzione di Guido Paduano. Roma-Bari: Editori Laterza. Benston, Kimberly W. 1975. Tragic Aspects of the Blues. Phylon , 36, 2: 164-176. Burian, Peter. 1997. Myth into Muthos: The Shaping of Tragic Plot. Patricia Elizabeth Easterling ed. The Cambridge Companion to Greek Drama . Cambridge: Cambridge University Press, 178-208. Caporaletti, Vincenzo. 2002. Prefazione del curatore. Ring Shout. Rivista di Studi Musicali Afroamericani , 1, 1: 5-10. Christian, Barbara. 1988. The Race for Theory. Feminist Studies , 14, 1: 67-79. Du Bois, William Edward Burghardt. 2015 [1903]. The Souls of Black Folk . Jonathan Scott Holloway ed. New Haven: Yale University Press. Falola, Toyin & Matt D. Childs. 2004. The Yoruba Diaspora in the Atlantic World . Bloomington: Indiana University Press. Flowers, Arthur. 2001. Mojo Rising. Confessions of a 21 st Century Conjureman . New York: Wanganegresse Press. Gates, Henry Louis. 1988. The Signifying Monkey . New York: Oxford University Press. Grant, Nathan L. 2006. Men, Women, and Culture. A Conversation with August Wilson. Jackson R. Bryer & Mary C. Hartig eds. Conversations with August Wilson . Jackson: University Press of Mississippi, 172-187. Gussow, Adam. 2008. Blues Literature. M. Thomas Inge ed. New Encyclopedia of Southern Culture. Literature . Chapel Hill: The University of North Carolina Press, 44-51. Harrison, Paul Carter. 1974. Introduction. Black Theatre in Search of a Source. Paul Carter Harrison ed. Kuntu Drama. Plays of the African Continuum . New York: Grove Press, 3-29. Harrison, Paul Carter. 1991. August Wilson’s Blues Poetics. August Wi
1945年生于宾夕法尼亚州匹兹堡,奥古斯特·威尔逊是20世纪最多产、最具代表性的非裔美国剧作家。《世纪周期》是一部讲述20世纪非裔美国人历史的十部戏剧作品,也是威尔逊精神现实主义的一种表现。这篇文章分析了这种双重文化背景,以证明威尔逊的戏剧是如何被一种黑色的美学所渗透的,尽管它坚持了统治现实主义戏剧的亚里士多德的模仿原则。在音乐和发言所述设想一种戏剧在渗透performativo仪式,Wilson的背景下重新dionisiaco之间的和谐和弗里德里希·尼采,倡导的apollineo恢复精神的是德国哲学家认为希腊悲剧的primigenio同时投放一种inconfondibilmente裔美国精神在西方戏剧租金。DOI: 10.17456/ simple163关键字August Wilson,悲剧,忧郁,Yoruba,尼采。安东内利书目,萨拉,2005年。黑人英语。安娜·国际象棋。美国巴别塔。今天美国的语言和身份。Donzelli, 145-161。亚里士多德1998年。诗意。翻译和介绍Guido Paduano。罗马-巴里:出版商Laterza。本斯顿,金伯利W. 1975。忧郁的阴郁方面。菲隆,36,2,164-176。布里安,彼得,1997年。悲剧情节的变化。帕特里夏·伊丽莎白·伊斯特林剑桥:剑桥大学出版社,178-208。卡波拉蒂,文森佐,2002年。馆长序言。魔戒Shout。非裔美国人音乐研究杂志,1,5,10。克里斯蒂安,芭芭拉,1988年。为理论而战。女权主义研究,141,67 -79。杜波依斯,威廉·爱德华·伯格哈特。黑人的灵魂。乔纳森·斯科特·霍洛威,纽黑文,耶鲁大学出版社。法罗拉,托因和马特·D·蔡尔兹,2004年。大西洋世界的散居约鲁巴人。布卢明顿,印第安纳大学出版社。弗劳尔斯,亚瑟,2001年。咒发声。21世纪的忏悔。纽约,万花筒出版社。盖茨,亨利·路易斯,1988年。重要的猴子。纽约,牛津大学出版社。格兰特,内森·L·2006。男人,女人,文化。与奥古斯特·威尔逊的对话。杰克逊R. Bryer & Mary C. Hartig eds。与奥古斯特·威尔逊对话。杰克逊:密西西比大学出版社,172-187。亚当,古斯索,2008年。蓝调文学。托马斯·英格先生,南方文化的新百科全书。文学。北卡罗来纳州大学出版社,44-51。哈里森,保罗·卡特,1974年。导言。寻找源头的黑剧院。保罗·卡特·哈里森·昆图戏剧。非洲连续体的玩家。纽约格罗夫出版社,3-29。哈里森,保罗·卡特,1991年。八月威尔逊的蓝调诗。奥古斯特·威尔逊。三场。匹兹堡大学出版社,291-318。哈里森,保罗·卡特,2002年。赞美/ Word。保罗·卡特·哈里森,维克多·里奥·沃克和格斯·爱德华兹·艾德。黑人剧院。非洲散居侨民的例行表演。费城:天普大学出版社,1-10。杰克逊,奥利弗,1974年。Preface。保罗·卡特·哈里森·昆图戏剧。非洲连续体的玩家。纽约,格罗夫出版社,ix-xiii。爱,维尔玛E. 2012。自我占卜。约鲁巴神话与人类意识的研究。宾夕法尼亚州立大学出版社。马拉,金,2000年。但是雷尼和那个男孩。八月威尔逊百老汇佳能的性别意识。玛丽莲·埃尔金斯和奥古斯特·威尔逊。酪蛋白。加兰出版社,123-160。米勒,亚瑟,1949年。悲剧和普通人。《纽约时报》(2月27日),第2节:1-3。摩纳哥,帕梅拉·吉恩,2000年。父亲,儿子,神圣的灵魂。从当地到神话在8月威尔逊。玛丽莲·埃尔金斯和奥古斯特·威尔逊。酪蛋白。纽约:加兰出版社,89-104。莫里森,托尼,2007年。Foreword。奥古斯特·威尔逊。Lesson计划。剧院通讯组,vii-xiii。莫耶斯,比尔,2006年。奥古斯特·威尔逊。Playwright。杰克逊R. Bryer & Mary C. Hartig eds。与奥古斯特·威尔逊对话。杰克逊:密西西比大学出版社,61-80。尼采,弗里德里希,1983[1889]。偶像的黄昏。Ferruccio权利)。米兰:反馈。尼采,弗里德里希。Ecce Homo。你如何成为你自己。罗伯托·卡拉索(编辑)。米兰:反馈。尼采,弗里德里希,1995[1872]。悲剧的诞生。由保罗·基亚里尼和罗伯托·维奥尼编辑)。罗马-巴里:出版商Laterza。佩雷拉,金,1995年。奥古斯特·威尔逊和非洲裔美国奥德赛。伊利诺斯大学出版社。平克尼,米克尔,2004年。非洲裔美国人戏剧理论的发展:w.e.b.杜波依斯to August Wilson -手拉手!Dana A. Williams和Sandra G. Shannon eds。 奥古斯特·威尔逊和黑人美学。纽约:Palgrave Macmillan, 11-36。桑德拉·理查兹,2013。非洲侨民戏剧。哈维·杨主编,《剑桥非裔美国人戏剧指南》。剑桥:剑桥大学出版社,230-254。马克·威廉·罗查,2000。奥古斯特·威尔逊和四个B。玛丽莲·埃尔金斯编,奥古斯特·威尔逊。一本案例书。纽约:加兰出版社,3-16。Carl Rosen, 2006。8月威尔逊。蓝调吟游诗人。Jackson R. Bryer和Mary C. hartigs。与奥古斯特·威尔逊的对话。杰克逊:密西西比大学出版社,188-203。David Savran, 2006。8月威尔逊。Jackson R. Bryer和Mary C. hartigs。与奥古斯特·威尔逊的对话。杰克逊:密西西比大学出版社,19-37页。桑德拉·g·香农1993。布鲁斯,历史和戏剧。采访奥古斯特·威尔逊。[j] .中国农业科学,2016,(4):539-559。Sandra G. Shannon, 2006。奥古斯特·威尔逊解释他的戏剧性愿景。面试。Jackson R. Bryer和Mary C. hartigs。与奥古斯特·威尔逊的对话。杰克逊:密西西比大学出版社,118-154。Shannon, Sandra G.和Dana A. Williams. 2004。与奥古斯特·威尔逊的对话。Dana A. Williams & Sandra G. Shannon编辑。奥古斯特·威尔逊和黑人美学。纽约:Palgrave Macmillan出版社,187-196。谢帕德,维拉。2006。8月威尔逊。面试。Jackson R. Bryer和Mary C. hartigs。与奥古斯特·威尔逊的对话。杰克逊:密西西比大学出版社,101-117。史密斯,芭芭拉。2015[1977]。走向黑人女权主义批评。格洛丽亚·t·赫尔,帕特里夏·贝尔-斯科特和芭芭拉·史密斯编辑。所有的女人都是白人,所有的黑人都是男人,但我们中有些人很勇敢。纽约:女权主义出版社,157-175页。威尔逊,1997年8月。我所站立的土地。中国生物医学工程学报,2011,31(3):493-503。[1988]。乔·特纳的《来了又走》。纽约:戏剧传播集团。温彻斯特,詹姆斯J. 2002。跨肤色的美学。为什么尼采(有时)唱不出蓝调。兰哈姆(MD):罗曼&利特菲尔德。理查德·赖特,1999。定义蓝调-有用的/有趣的/
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引用次数: 0
La luce e l'inchiostro 灯光和墨水
0 LITERATURE Pub Date : 2020-11-15 DOI: 10.17456/SIMPLE-165
A. Monaco
Recensione a: Biancamaria Rizzardi e Giovanni Bassi (a cura di). 2020. La luce e l’inchiostro. Scritture e fotografie in dialogo. Pisa: Edizioni ETS, 172 pp., € 18,00, ISBN 978-88-4675-749-4
a:比安卡·里佐迪和乔凡尼·巴斯(编辑)。2020. 光和墨水。对话中的文字和照片。Pisa:版本ETS, 172页,18.00,ISBN 978-88-4675-749-4
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引用次数: 0
Depression on a Screen. “The Love Song of J. Alfred Prufrock” in the Light of Cognitive Theories of Depression 屏幕上的凹陷。从抑郁症认知理论看普鲁弗洛克的情歌
0 LITERATURE Pub Date : 2020-11-15 DOI: 10.17456/SIMPLE-154
Angela Leonardi
This article analyses “The Love Song of J. Alfred Prufrock” in the light of the American psychiatrist A. T. Beck’s diagnostic criteria and cognitive theories for interpreting and evaluating symptoms and levels of depression. This study aims to show that many symptoms listed in Beck’s Inventory for Measuring Depression (sixteen out of twenty-one) are recognizable – at different levels of signifier and signified – in both the poetical structure and the imagery of the poem, whereas specific aspects included in Cognitive Therapy of Depression (for instance, the cognitive process defined by Beck as “Faulty Information Processing” and two crucial points of this process, “Selective abstraction” and “Arbitrary inference”) are identifiable in some of the most relevant figurative isotopies of the poem. DOI : 10.17456/SIMPLE-154 Keywords Prufrock, Beck, Modernism, psychology, depression. Bibliography Beck, Aaron T., C. H. Ward, M. Mendelson, J. Mock, & J. Erbaugh. 1961. An Inventory for Measuring Depression. Archives of General Psychiatry , 4: 561-571. Beck, Aaron T., A. John Rush, Brian F. Shaw & Gary Emery. 1979. Cognitive Therapy of Depression . New York: The Guildford Press. Calimani, Dario. 1998. T. S. Eliot. Le geometrie del disordine. Napoli: Liguori. Crivelli, Renzo Stefano. 2015. T. S. Eliot. Roma: Salerno Editrice. Eiss, Harry. 2016. The Joker . Cambridge: Cambridge Scholars Publishing. Eliot, Thomas Stearns. 1962. An Interview. Grantite Review , 24, 3: 17. Eliot, Thomas Stearns. 2018. The Poems of T. S. Eliot, Volume I, Collected and Uncollected Poems . Cristopher Ricks & Jim MacCue eds. London: Faber & Faber. Goodwin, Frederick K. & Kay Redfield Jamison. 2007 [2 nd ed.]. Manic-Depressive Illness: Bipolar Disorders and Recurrent Depression . Oxford: Oxford University Press. Kenner, Hugh. 1978 [1960]. “Prufrock”. Brian Charles Southam ed. “Prufrock”, “Gerontion”, Ash Wednesday and Other Shorter Poems. A Selection of Critical Essays . London: MacMillan, 127-134. Paige, Douglas D. ed. 1971. The Selected Letters of Ezra Pound. 1907-1941 . New York: New Directions. Perry, Seamus, 2016 (May, 25), https://www.bl.uk/20th-century-literature/articles/a-close-reading-of-the-love-song-of-j-alfred-prufrock (consulted on 20/02/2020). Plato. 1973. Phaedrus and Letters VII and VIII . (trans. Walter Hamilton). Harmondsworth: Penguin. Schuchard, Ronald. 2017. Eliot’s Allusive Legacy and Obscurity in “Prufrock”. John D. Morgestern ed. The T. S. Eliot Studies Annual . Liverpool: Clemson University Press - Liverpool University Press. Wellek, Rene & Warren Austin. 1978 [1949]. Theory of Literature . Harmondsworth: Penguin.
本文以美国精神病学家贝克的诊断标准和认知理论为依据,对《普鲁弗洛克的情歌》进行分析,以解读和评价抑郁症的症状和程度。这项研究旨在表明,贝克的《抑郁测量量表》中列出的许多症状(二十一分之十六)在诗歌结构和意象中都是可识别的,在能指和所指的不同层面上,而《抑郁症的认知治疗》中包含的特定方面(例如,贝克将认知过程定义为“错误信息处理”,以及该过程的两个关键点“选择性抽象”和“任意推理”)可以在该诗的一些最相关的比喻等同体中识别。DOI:10.17456/SIMPLE-154普鲁弗洛克,贝克,现代主义,心理学,抑郁症。参考书目Beck、Aaron T.、C.H.Ward、M.Mendelson、J.Mock和J.Erbaugh。1961年,《衡量萧条的清单》。《普通精神病学档案》,4:561-571。Beck、Aaron T.、A.John Rush、Brian F.Shaw和Gary Emery。1979年,抑郁症的认知治疗。纽约:吉尔福德出版社。卡里马尼,达里奥。1998年,T.S.艾略特。二阶几何。那不勒斯:利古里。克里维利,伦佐·斯蒂法诺。2015年,T.S.艾略特。罗马:萨莱诺·伊迪丝。艾斯,哈利。2016年,小丑。剑桥:剑桥学者出版社。艾略特,托马斯·斯特恩斯。1962年,一次采访。《Grantite评论》,24,3:17。艾略特,托马斯·斯特恩斯。2018年,《T.S.艾略特的诗》,第一卷,诗集和非诗集。克里斯托弗·里克斯和吉姆·麦克奎编辑。伦敦:费伯和费伯。弗雷德里克·古德温和凯·雷德菲尔德·贾米森。2007年【第2版】。躁狂抑郁症:双相情感障碍和复发性抑郁症。牛津:牛津大学出版社。肯纳,休。1978年[1960]。“普鲁弗洛克”。布莱恩·查尔斯·索瑟姆主编的《普鲁弗洛克》、《格朗蒂翁》、《灰烬星期三》和其他短诗。评论文章选集。伦敦:麦克米兰,127-134。Paige,Douglas D.编辑,1971年。庞德书信选集。1907-1941年。纽约:新方向。Perry,Seamus,2016(5月25日),https://www.bl.uk/20th-century-literature/articles/a-close-reading-of-the-love-song-of-j-alfred-prufrock(于2020年2月20日咨询)。柏拉图。1973.Phaedrus和Letters VII和VIII。(Walter Hamilton)。哈蒙兹沃斯:企鹅。舒查德,罗纳德。2017年,艾略特在《普鲁弗洛克》中的“诱惑遗产”与“朦胧”。约翰·莫格斯特恩主编的《T.S.艾略特研究年鉴》。利物浦:克莱姆森大学出版社-利物浦大学出版社。韦勒克、雷内和沃伦·奥斯汀。1978年[1949]。文学理论。哈蒙兹沃斯:企鹅。
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引用次数: 0
Narrative Form and Palimpsestic Memory in Namwali Serpell’s The Old Drift 纳姆瓦利·斯贝尔《旧漂流》的叙事形式与改写记忆
0 LITERATURE Pub Date : 2020-11-15 DOI: 10.17456/SIMPLE-159
A. Monaco
L’articolo esplora il romanzo di esordio di Namwali Serpell, The Old Drift (2019), attraverso la lente della ‘memoria del palinsesto’, individuando l’interconnessione tra memoria e migrazione. In primo luogo, si analizza il rapporto dialettico tra tempo eonico e alcuni elementi paratestuali che, nel tentativo di stabilire ordine e guidare il lettore, sembrano imitare ed evocare la stessa trama intricata del palinsesto. Quindi, si discute l’oscillazione tra narrazione extradiegetica e intradiegetica e l’uso del modello del romanzo multi-generazionale, mettendone in luce il carattere palinsestico in cui varie generazioni e storie diverse si intersecano, generando una spirale che rifrange le traiettorie multiple e invisibili del tempo. DOI : 10.17456/SIMPLE-159 Parole chiave Palimpsestic memory, migration, narrative form, postcolonial fiction, allegory. Bibliografia Basile, Giambattista. 2007 [1634]. Pentamerone . Detroit: Wayne State University Press. Benjamin, Walter. 1999. The Arcades Project . Cambridge (MA): Belknap Press. Bhabha, Homi. 1992. The World and the Home. Social Text , 31-32: 141-153. Booker, Keith M. 2009. The African Historical Novel. Abiola Irele ed. The Cambridge Companion to the African Novel . Cambridge: Cambridge University Press, 141-157. Creet, Julia. 2011. Introduction: The Migration of Memory and Memories of Migration. Creet, Julia & Andreas Kitzmann eds. Memory and Migration: Multidisciplinary Approaches to Memory Studies . Toronto: Toronto University Press, 3-25. Deleuze, Gilles. 1990. The Logic of Sense . New York: Columbia University Press. Dery, Mark. 1994. Black to the Future: Interviews with Samuel R. Delaney, Greg Tate and Tricia Rose. Mark Dery ed. Flame Wars: The Discourse of Cyberculture . Durham: Duke University Press, 179-222. Doolittle, Hilda. 1968 [1926]. Palimpsest . Carbondale: Southern Illinois University Press. Erll, Astrid. 2017. Fictions of Generational Memory: Caryl Philips’s In the Falling Snow and Black British Writing in Times of Mnemonic Transition. Lucy Bond, Stef Craps & Peter Vermeulen eds. Memory Unbound: Tracing the Dynamics of Memory Studies . New York: Berghahn Books, 109-130. Heaney, Seamus. 2016. Aeneid Book VI . London: Faber & Faber. Owens, Craig. 1980. The Allegorical Impulse: Toward a Theory of Postmodernism. October , 13: 58-80. Quayson, Ato. 2009. Magic Realism and the African Novel. Abiola Irele ed. The Cambridge Companion to the African Novel . Cambridge: Cambridge University Press, 159-176. Rothberg, Michael. 2009. Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization. Stanford: Stanford University Press. Rushdie, Salman. 2019. Salman Rushdie Reviews a Sweeping Debut Novel about the Roots of Modern Zambia. The New York Times (March, 28), https://www.nytimes.com/2019/03/28/books/review/old-drift-salman-rushdie.html (consulted on 20/05/2020). Serpell, Namwali. 2014. The Sack. Ellah Wakatama Allfrey ed. Africa 39: New Writing from Africa South of the Sahara
这篇文章通过“时间表记忆”镜头探索了Namwali Serpell的处子小说《旧漂流》(2019),确定了记忆与移民之间的联系。首先,我们分析了时间与某些准分子之间的辩证关系,这些准分子在试图建立秩序和指导读者时,似乎模仿和唤起了与时间表相同的复杂情节。因此,我们讨论了多代外传和跨代叙事与多代叙事模型的使用之间的波动,强调了多代叙事与不同故事交集的时间表性质,产生了一个螺旋,折回了时间的多代和不可见的轨迹。DOI: 10.17456/简单-159关键字:Palimpsestic memory, migration,叙事形式,后殖民小说,寓言。Basile参考书目,Giambattista. 2007[1634]。Pentamerone。底特律韦恩州立大学出版社。本杰明,沃尔特,1999年。古老的计划。剑桥(MA): Belknap出版社。Bhabha, Homi, 1992年。世界和家。社会文本,31-32:141-153。布克,基思·M·2009。非洲历史小说。阿比奥拉·艾里尔·埃德,剑桥与非洲小说的伙伴。剑桥:剑桥大学出版社,141-157。克里特,茱莉亚,2011年。引言:移民的记忆和记忆的迁移。Creet, Julia和Andreas Kitzmann eds。记忆与迁移:记忆研究的多学科方法。多伦多:多伦多大学出版社,3-25。德鲁兹,吉尔斯,1990年。意义的逻辑。纽约,哥伦比亚大学出版社。德里,马克,1994年。采访塞缪尔·R·德莱尼、格雷格·泰特和崔茜卡·罗斯。马克·德里·艾德·火焰战争:网络文化的发现。杜克大学出版社,179-222。希尔达,杜利特尔,1968年。Palimpsest。南伊利诺斯大学出版社。呃,阿斯特丽德,2017年。《世代记忆小说》:卡里尔·菲利普在《雨雪》和《英国黑人在记忆过渡时期》中写作。露西·邦德,斯特夫·克拉普斯和彼得·弗默伦·艾德。跟踪记忆研究的动态。纽约:伯格汉书,109-130。希尼,西莫。一本好书六。伦敦:费伯和费伯。欧文斯,克雷格,1980年。后现代主义的理论。10月13日,58-80。Quayson, Ato, 2009。神奇的现实主义和非洲小说。阿比奥拉·艾里尔·埃德,剑桥与非洲小说的伙伴。剑桥:剑桥大学出版社,159-176。罗斯伯格,迈克尔,2009年。多方向记忆:在去殖民时代回忆全息图。斯坦福大学出版社。拉什迪,萨尔曼,2019年。萨尔曼·拉什迪(Salman Rushdie)回忆起一本关于现代赞比亚根基的小说。《纽约时报》(3月28日),https://www.nytimes.com/2019/03/28/books/review/old-漂流-salman-rushdie.html(咨询on 20/05/2020)。Serpell, Namwali, 2014。The Sack。来自撒哈拉以南非洲的新写作。伦敦,布卢姆斯伯里,288-297。Serpell, Namwali, 2019年。采访Namwali Serpell。大型Echo, www.bigecho .org/采访-with-namwali-serpell(咨询on 25/05/2020)。Serpell, Namwali, 2019b。老漂流。伦敦:Penguin)。西尔弗曼,麦克斯,2013年。Palimpsestic记忆:法语和法语电话小说和电影中的全息和殖民主义。纽约-牛津:伯格汉书。斯莱蒙,斯蒂芬,1988年。殖民时期发现的神奇现实主义。加拿大文学,116:9-24。2015年短名单:Namwali Serpell。非洲作家凯恩奖,http://caineprize.com/2015-凯恩奖(15/05/2020咨询)。厄普斯通,莎拉,2009年。后殖民时期的Spatial政治。王国法:Ashgate。
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引用次数: 3
Fra ‘letterario’ e digitale 介于“文学”和数字之间
0 LITERATURE Pub Date : 2020-11-15 DOI: 10.17456/SIMPLE-162
Andrea Cuna
Padre Roberto Busa e universalmente considerato il fondatore dello Humanities Computing (HC) per il suo approccio pionieristico all’analisi del testo, che ha aperto la strada alla linguistica computazionale. Questo focus iniziale sul ‘letterario’ si e indirizzato nel corso degli anni verso nuove modalita d’interazione fra umanistiche e computing . Le Digital Humanities (DH) rappresentano un contesto di natura metodologica e di portata interdisciplinare. Questo contributo intende esplorare a grandi linee la transizione fra HC e DH, nel tentativo di evidenziare i principali elementi di continuita e/o di cambiamento. DOI : 10.17456/SIMPLE-162 Parole chiave Humanities Computing , Digital Humanitie s, critica e analisi dei testi, rappresentazione della conoscenza. Bibliografia Cecire, Natalia. 2011. When Digital Humanities Was in Vogue. Journal of Digital Humanities , 1, 1, http://journalofdigitalhumanities.org/1-1/when-digital-humanities-was-in-vogue-by-natalia-cecire/ (consultato il 2/7/2020). Cuna, Andrea. 2019. Developing an Online Catalogue for the L. P. Tessitori Manuscript Collection. Tessitori Collection. The Indian Manuscripts of the “Vincenzo Joppi” Municipal Library in Udine . Udine: Societa Indologica L.P.T., 83-90. Davis, Randall, Howard Shrobe & Peter Szolovits. 1993. What is a Knowledge Representation? AI Magazine , 14, 1: 17-33. Gunkel, Lutz & Gisela Zifoun. 2009. Classifying modifiers in common names. Word Structure , 2, 2: 215-218. Hockey, Susan. 2004. The History of Humanities Computing. Susan Schreibman, Raymond G. Siemens & John Unsworth eds. A Companion to Digital Humanities . Malden (MA): Blackwell, 3-19. Jones, Steven E. 2016. Roberto Busa, S. J., and Humanities Computing. The Priest and the Punched Cards . New York: Routledge. Kirschenbaum, Matthew G. 2010. What is Digital Humanities and What’s It Doing in English Departments? ADE Bulletin , 150: 55-61. Nowviskie, Bethany. 2014. On the Origin of “Hack” and “Yack”, http://nowviskie.org/2014/on-the-origin-of-hack-and-yack/ (consultato il 2/7/2020). Orlandi, Tito. n.d. The Scholarly Environment of Humanities Computing, http://www.cmcl.it/~orlandi/mccarty1.html (consultato il 2/7/2020). Ramsay, Stephen. 2016 [2013]. On Building. Melissa Terras, Julianne Nyhan & Edward Vanhoutte eds. Defining Digital Humanities. A Reader . London: Routledge, 243-246. Ramsay, Stephen & Geoffrey Rockwell. 2012. Developing Things: Notes toward an Epistemology of Building in the Digital Humanities. Matthew K. Gold ed. Debates in the Digital Humanities . Minneapolis (MN): University of Minnesota Press, 75-84. Robinson, Lyn, Ernesto Priego & David Bawden. 2015. Library and Information Science and Digital Humanities: Two Disciplines, Joint Future? Franjo Pehar, Christian Schlogl & Christian Wolff eds. Re:inventing Information Science in the Networked Society. Gluckstadt: W. Hulsbusch, 44-54. Scheinfeldt, Tom. 2010. Stuff Digital Humanists Like: Defining Digital Humanities by its Values, in Found History,
Roberto Busa教授认为,人文计算基金会(HC)是一个全面的测试方法,它是一个跨语言计算的平台。我们要把重点放在“letterario”上,这是一种间接的计算方式。数字人文(DH)在自然医学和跨学科门户网站上发表了一篇论文。为了在HC和DH之间建立一条大的传输线,这是一个持续的主要因素。DOI:10.17456/SIMPLE-162 Parole chiave Humanities Computing,Digital Humanitie s,critica e analisi dei testi,rappresentazione della conoscenza。纳塔利娅Cecire图书馆。2011年,《数字人文》登上《时尚》杂志。数字人文学报,1,http://journalofdigitalhumanities.org/1-1/when-digital-humanities-was-in-vogue-by-natalia-cecire/(consultato il 2/7/2020)。库纳,安德里亚。2019.为L.P.Tessitori手稿集开发在线目录。Tessitori系列。乌迪内“Vincenzo Joppi”市立图书馆的印度手稿。乌迪内:印度社会,83-90。Davis、Randall、Howard Shrobe和Peter Szolovits。1993.什么是知识表示?AI杂志,14,1:17-33。Gunkel,Lutz&Gisela Zifoun。2009年,将修饰符分类为通用名称。《单词结构》,2,2:215-218。冰球,苏珊。2004年,《人文计算史》。Susan Schreibman、Raymond G.Siemens和John Unsworth主编:《数字人文指南》。马尔登(马萨诸塞州):布莱克威尔,3-19年。Jones,Steven E.2016。Roberto Busa,S.J.和人文计算。牧师和穿孔的卡片。纽约:劳特利奇。Kirschenbaum,Matthew G.2010。什么是数字人文,它在英语系做什么?ADE公告,150:55-61。新维斯基,贝瑟妮。2014.论“哈克”和“亚克”的起源,http://nowviskie.org/2014/on-the-origin-of-hack-and-yack/(consultato il 2/7/2020)。奥兰迪,蒂托。n.d.人文计算的学术环境,http://www.cmcl.it/~orlandi/mccarty1.html(consultato il 2/7/2020)。拉姆齐,斯蒂芬。2016[2013]。关于建筑。Melissa Terras,Julianne Nyhan和Edward Vanhoutte编辑。定义数字人文。读者。伦敦:劳特利奇,243-246。Ramsay、Stephen和Geoffrey Rockwell。2012年,《发展事物:数字人文中的建筑认识论札记》。马修·K·戈尔德主编《数字人文领域的辩论》。明尼阿波利斯(明尼苏达州):明尼苏达大学出版社,75-84。Robinson、Lyn、Ernesto Priego和David Bawden。2015。图书情报学与数字人文:两个学科,共同的未来?Franjo Pehar,Christian Schlogl和Christian Wolff编辑:《重新发明网络社会中的信息科学》。Gluckstadt:W.Hulsbusch,44-54。谢菲尔德,汤姆。2010年,《数字人文主义者喜欢的东西:用价值观定义数字人文》,载于《发现的历史》,http://www.foundhistory.org/2010/12/02/stuff-digital-humanists-like/(consultato il 3/7/2020)。Schreibman,Susan,Raymond G.Siemens和John Unsworth编辑。2004a。数字人文的伴侣。马尔登(马萨诸塞州):布莱克威尔。Schreibman、Susan、Raymond G.Siemens和John Unsworth。2004b。数字人文与人文计算:导论。Susan Schreibman,Ray Siemens和John Unsworth编辑。数字人文伴侣。马尔登(马萨诸塞州):布莱克威尔,xxv。史密斯,詹姆斯。2014.数字人文,后基础主义,后工业文化。数字人文季刊,8,1,http://www.digitalhumanities.org/dhq/vol/8/1/000172/000172.html(consultato il 3/7/2020)。Patrik Svensson。2009。人文计算作为数字人文。数字人文季刊,3,3,http://digitalhumanities.org/dhq/vol/3/3/000065/000065.html(consultato il 3/7/2020)。Unsworth,John。2001.人文计算中的知识表示,http://people.virginia.edu/~jmu2m//KR/KRinHC.html(查阅日期:2020年3月7日)。Unsworth,John。2002.什么是人文计算,什么不是?计算机语言学,4:71-84,http://computerphilologie.digital-humanities.de/jg02/unsworth.html(consultato il 3/7/2020)。
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引用次数: 0
More than Language and Literature 不仅仅是语言和文学
0 LITERATURE Pub Date : 2020-11-15 DOI: 10.17456/SIMPLE-155
E. Adami
L’articolo tratta dei legami transdisciplinari fra lingua e letteratura nel contesto postcoloniale, concentrandosi sulla scena letteraria indiana di lingua inglese. L’articolo sottolinea l’importanza di un approccio al testo letterario che tenga presente aspetti linguistici per svelare complesse questioni identitarie. In quest’ottica, viene presentata un’analisi preliminare di alcuni racconti tratti da The Adivasi Will Not Dance (2017) di Hansda Sowvendra Shekhar, uno scrittore della comunita adivasi, i cosiddetti ‘tribali’. I racconti, che descrivono lo sfruttamento di tale comunita, presentano una notevole ricchezza stilistica grazie al Indian English, ai prestiti dalla lingua santhali, e al gioco fra i vari registri del testo. DOI : 10.17456/SIMPLE-155 Parole chiave Language and literature, Indian English, identity, Hansda Sowvendra Shekhar, Adivasi. Bibliografia Auddy, Ranjan Kumar. 2020. In Search of Indian English. History, Politics and Indigenisation . Abingdon: Routledge. Ashcroft, Bill. 2009. Caliban’s Voice. The Transformation of English in Post-Colonial Literatures . London: Routledge. Bandyopadhyay, Sumana. 2010. Indianisation of English. Analysis of Linguistic Features in Selected Post-1980 Indian English Fiction . New Delhi: Concept Publishing Company. Bendi, Jaskiran. 2020. English Language in India. A Dichotomy between Economic Growth and Inclusive Growth . Abingdon: Routledge. Census of India 2011. https://censusindia.gov.in/2011-common/censusdata2011.html (consulted on 13/05/2020). Chakraborty, Abin. 2017. Examining Subalterneity in Hansda Sowvendra Sekhar’s The Adivasi Will Not Dance . Postcolonial Text , 12, 1: 1-15. Chandra, Bipan, Mridula Mukherjee & Aditya Mukherjee. 2008. India since Independence . Gurgaon: Penguin Random House India. Choksi, Nishaant. 2017. From Language to Script: Graphic Practice and the Politics of Authority in Santali-language Print Media, Eastern India. Modern Asian Studies , 51, 5: 1519-1560. Denke, Charles Ngiewih. 2013. The Vulnerability of Imperial Language as a Transformational Tool in Postcolonial Transcultural Discourse. Academic Journal of Interdisciplinary Studies , 2, 3: 71-81. Jaydeep, Sarangi. 2018. Indian Novels in English. Texts, Contexts and Language . New Delhi: Authors Press. Jeffrey, Craigg & John Harriss. 2014. Keywords for Modern India . Oxford: Oxford University Press. Kachru, Yamuna & Larry E. Smith. 2008. Cultures, Contexts and World Englishes . New York: Routledge. Oxford English Dictionary online. 2020. www.oed.com (consulted on 12/05/2020). Sailaja, Pingali. 2009. Indian English . Edinburgh: Edinburgh University Press. Shekhar, Hansda Sowvendra. 2015. The Adivasi will not Dance . New Delhi: Speaking Tiger. Spivak, Gayatri. 1988. Can the Subaltern Speak? Nelson Cary & Lawrence Grossberg eds. Marxism and the Interpretation of Culture . Urbana (ILL): University of Illinois Press, 271-313. Talib, Ismail. 2002. The Language of Postcolonial Literatures . London: Routledge. Tripath
跨学科法律文章与后殖民时代的文学作品相比较,集中在单一语言中的印度文学场景中。这篇文章的重要性在于,根据完整的身份问题,它展示了语言方面的内容。在提问中,viene在Hansda Sovendra Shekhar的《阿迪瓦西不会跳舞》(2017)中展示了一场“阿里西”预赛,这是一场“部落”。我说,我描述了一个社区的故事,介绍了印度英语,我的语言是santhali,我的名字是gioco fra I vari registri del testo。DOI:10.17456/SIMPLE-155教区语言和文学,印度英语,身份,Hansda Souvendra Shekhar,Adivasi。Bibliografia Auddy,Ranjan Kumar。2020.寻找印度英语。历史、政治和本土化。阿宾顿:劳特利奇。阿什克罗夫特,比尔。2009年,卡利班之声。后殖民文学中英语的转变。伦敦:劳特利奇。Bandyopadhyay,Sumana。2010年,英语印度化。《1980后印度英语小说选集》语言特征分析。新德里:概念出版公司。本迪,贾斯基兰。2020年,印度英语。经济增长和包容性增长之间的二分法。阿宾顿:劳特利奇。2011年印度人口普查。https://censusindia.gov.in/2011-common/censusdata2011.html(于2020年5月13日咨询)。查克拉博蒂,阿宾。2017年,在Hansda Sovendra Sekhar的《阿迪瓦西不会跳舞》中审视亚交替性。后殖民文本,12,1:1-15。Chandra、Bipan、Mridula Mukherjee和Aditya Mukher吉。2008年,独立后的印度。古尔冈:企鹅兰登书屋印度。Choksi,Nishaant。2017年,《从语言到文字:桑塔利语平面媒体的平面实践与权力政治》,东印度。《现代亚洲研究》,51,5:1519-1560。Denke,Charles Ngiewih。2013年,《帝国语言作为后殖民跨文化话语中的转换工具的脆弱性》。跨学科研究学术期刊,2,3:71-81。Jaydeep,Sarangi。2018.印度英语小说。文本、上下文和语言。新德里:作家出版社。杰弗里·克雷格和约翰·哈里斯。2014.现代印度关键词。牛津:牛津大学出版社。Kachru、Yamuna和Larry E.Smith。2008年,《文化、语境与世界英语》。纽约:劳特利奇。牛津英语词典在线。2020.www.oed.com(查阅日期:2020年5月12日)。Sailaja,平加利。2009年,印度英语。爱丁堡:爱丁堡大学出版社。Shekhar,Hansda Souvendra。2015年。阿迪瓦西不会跳舞。新德里:会说话的老虎。斯皮瓦克,加亚特里。1988年,潜艇会说话吗?纳尔逊·卡里、劳伦斯·格罗斯伯格主编:《马克思主义与文化阐释》。厄巴纳(伊利诺伊州):伊利诺伊大学出版社,271-313。Talib,伊斯梅尔。2002年,《后殖民文学的语言》。伦敦:劳特利奇。特里帕西,2017年。阿迪瓦西人不会跳舞:Hansda Sovendra Shekhar的故事。Rupkatha人文学科跨学科研究杂志,9,4:1193-196。Varughese,E.Dawson。2013.阅读新印度。后千禧年印度英语小说。伦敦:布鲁姆斯伯里。威尔士,凯蒂。1995年,《文体学词典》。伦敦:朗曼。
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引用次数: 0
Metaphors of Psychological Deterioration 心理退化的隐喻
0 LITERATURE Pub Date : 2020-11-15 DOI: 10.17456/SIMPLE-161
C. Tonon
Il presente articolo si propone di individuare e analizzare i comportamenti linguistici metaforici di individui che convivono con stati depressivi. A tale scopo, sono stati selezionati quattro fora online di auto-aiuto dedicati a varie malattie mentali, tra cui la depressione. I dati raccolti sono stati interpretati alla luce dei principi cardine della Teoria della Metafora Concettuale e della Teoria psicologica dell’Auto-determinazione. La combinazione di questi due quadri teorici permette, in primo luogo, di individuare modelli metaforici ricorrenti nella comprensione della depressione e, in secondo luogo, di discernere una dimensione psichica armonica da una problematica per il benessere psicologico della persona. DOI : 10.17456/SIMPLE-161 Parole chiave Depression, conceptual metaphor theory, self-determination theory, online fora . Bibliografia Bartczak, Marlena & Barbara Bokus. 2015. Cognitive representations (Metaphorical Conceptualizations) of past, future, joy, sadness and happiness in depressive and non-depressive subjects: cognitive distortions in depression at the level of notion. Journal of Psycholinguistic Research , 44, 2: 159-185. Beyond Blue: https://www.beyondblue.org.au/get-support/online-forums/depression (consulted on 31/08/19). Boden, Margaret A. 2004. The Creative Mind: Myths and Mechanisms . London-New York: Routledge. Deci, Edward L. & Richard M. Ryan. 2000. The “what” and “why” of goal pursuits: Human needs and the self-determination of behavior. Psychological Inquiry , 11, 4: 227-268. Demjen, Zsofia. 2014. Drowning in negativism, self-hate, doubt, madness: Linguistic insights into Sylvia Plath’s experience of depression. Communication & Medicine , 11, 11: 41-54. Depression Understood: https://www.depression-understood.org/forum/viewforum.php?f=6 (consulted on 31/08/19). Evola, Vito. 2008. La metafora come carrefour cognitivo del pensiero e del linguaggio. Vie della metafora: linguistica, filosofia, psicologia . Chieti: Editore Prime Vie-Sulmona, 55-80. Friedman, Edward S., Ian M. Anderson, Danilo Arnone & Timothey Denko. 2014. Handbook of Depression . London: Springer Healthcare Limited. Gentner, Dedre & Julie Colhoun. 2010. Analogical processes in human thinking and learning. Towards a Theory of Thinking . Berlin: Springer, 35-48. Kimmel, Michael. 2002. Metaphor, Imagery, and Culture. Spatialized Ontologies, Mental Tools, and Multimedia in the Making (Doctoral dissertation, University of Vienna). Kovecses, Zoltan. 2017. Conceptual Metaphor Theory . Elena Semino & Zsofia Demjen eds. The Routledge Handbook of Metaphor and Language . Abingdon-New York: Routledge. Lakoff, George. 1993. The Contemporary Theory of Metaphor. Andrew Ortony ed. Metaphor and Thought . Cambridge: Cambridge University Press, 202-252. Lakoff, George & Mark Johnson. 2003 [1980]. Metaphors We Live By . Chicago-London: The University of Chicago Press. Landau, Mark J., Brian P. Meier & Lucas A Keefer. 2010. A metaphor-enriched social cognition. Psycholog
本文旨在识别和分析抑郁症患者的隐喻语言行为。为此,我们选择了四种在线自助论坛,专门针对包括抑郁症在内的各种精神疾病。收集到的数据是根据概念隐喻理论和自我决定心理理论的基本原则来解释的。这两个理论框架的结合首先使我们能够确定理解抑郁的隐喻模型,其次使我们能够从一个人的心理健康问题中找到一个和谐的心理维度。DOI: 10.17456/ simple161关键词:抑郁,概念化生理论,自我决定理论,在线论坛。Bartczak, Marlena & Barbara Bokus, 2015年。过去、未来、快乐、悲伤和幸福在抑郁和非抑郁subjects:认知扭曲在抑郁的状态。心理语言学研究杂志,44.2:159-185。Beyond Blue: https://www.beyondblue.org.au/get- support/online-forums/抑郁(咨询on 31/08/19)。波登,玛格丽特·A·2004。神话与机制伦敦-纽约,路特里奇。决定,爱德华·L·理查德·M·瑞安。目标追求的“什么”和“为什么”:人类的需要和行为的自我确定。心理调查,11,4,227-268。Demjen, Zsofia, 2014年。沉浸在消极主义中,自我怀疑,毫无疑问,疯狂:通讯与医学,11,11,41-54。压抑Understood: https://www.depression-understood.org/forum/viewforum.php?f=6(咨询on 31/08/19)。很好,维多,2008年。家乐福的思想和语言的认知隐喻。隐喻的方式:语言学,哲学,心理学。问问你,Prime Vie-Sulmona编辑,55-80。弗里德曼,爱德华S.,伊恩M.安德森,达尼洛·阿尔诺和蒂莫西·登科,2014年。抑郁的手本。伦敦施普林格医疗有限公司。Gentner, Dedre & Julie Colhoun, 2010年。人类思维和学习中的模拟过程。迈向思考的理论。柏林:施普林格,35-48。坎摩尔,迈克尔,2002年。Metaphor,想象和文化。学术社会学,精神工具,和多媒体在制作。Kovecses,佐尔坦,2017年。概念化生理论。Elena Semino & Zsofia Demjen eds报道。《元浩与语言的手册》。鲁特里奇。拉科夫,乔治,1993年。Metaphor的当代理论。安德鲁·奥托尼·艾德。剑桥:剑桥大学出版社,202-252。Lakoff,2003年乔治·马克·约翰逊&[1980]。我们靠它生活。芝加哥-伦敦:芝加哥大学出版社。2010年,马克·J·布莱恩·P·迈耶和卢卡斯致基弗。元丰富的社会认知。心理公报,136,1045 -1067。劳利,詹姆斯和佩妮汤普金斯,2000年。元数据。通过符号建模进行转换。伦敦:发展公司出版社。莱维特,海蒂,伊法特·科曼和琳恩·安格斯,2000年。抑郁症治疗中的metaphor分析:作为变化标记的metaphor。心理咨询季刊,13,1,23 -35。精神健康论坛,https://www.mentalhealthforum.net/forum/forums/depression-forum.366/(咨询on 31/08/19)。Mind, https://www.mind.org.uk/information-support/yourstories/(咨询on 31/08/19)。米勒,格雷戈里和埃金·布莱克威尔,2006年。退火:炎症作为一种机制,与慢性压力、抑郁和心脏疾病有关。心理科学的当前方向,15,6,269 -272。Pennebaker, James W., Matthias R. Mehl和Kate G. Niederhoffer, 2003年。自然语言的心理方面:我们的语言,我们的自我。心理年度回顾,54,1:547-577。普里茨克,索尼娅,2003年。metaphor在文化、意识和医学中的作用:对中国、西方医学和通用语言中抑郁的元数据的初步调查。医学,4,1,11 -28。雷,奥克利,2004年。心灵是如何伤害身体的。美国心理学家,59,1:29-40。瑞安,理查德·M·爱德华,2000年12月。自我确定理论和促进内部激励、社会发展和良好。美国心理学家,5:68 -78。种子,艾琳娜,2008年。Metaphor在迪斯科舞厅。剑桥大学出版社。2017年,希拉·佩恩和保罗·雷森。以肉体为基础的研究。纽约,路特里奇。Steen, Gerard ed. 2010。语言Metaphor标识的方法:从MIP到MIPVU[第14卷]。阿姆斯特丹:约翰·本杰明出版社。世界卫生组织,2017年。全球健康评估。不。2017年WHO / MSD /市场/ 2。 日内瓦:世界卫生组织。钟振波、李奥纳德利,2008。寒冷和孤独:社会排斥真的会让你感到寒冷吗?心理科学,1999,9:838-842。
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引用次数: 0
“The Origins of Speech Lie in Song” “言语的起源在于歌”
0 LITERATURE Pub Date : 2020-11-01 DOI: 10.17456/SIMPLE-153
Gillian Dooley
In Disgrace, David Lurie finds preposterous the proposition that “Human society has created language in order that we may communicate our thoughts, feelings and intentions to each other”, privately believing that, on the contrary, “the origins of speech lie in song” (Coetzee 2000: 3-4). In my 2010 book J. M. Coetzee and the Power of Narrative, I included a brief survey of references to music as a type of language in Coetzee’s work. In this paper I will examine my claim in greater depth, seeking musical resonances in his novel Age of Iron, both in his prose and in the form and structure of the novel. I will attempt to account for my impression that despite his reputation for spare, academic prose, Coetzee is a lyrical and impassioned writer, and that musical rhythms and structures are an essential element in his work.
在《耻辱》一书中,David Lurie认为“人类社会创造了语言,以便我们可以相互交流我们的思想、感受和意图”这一命题是荒谬的,他私下里认为,恰恰相反,“言语的起源在于歌曲”(Coetzee 2000:3-4)。在我2010年出版的《J·M·库切与叙事的力量》一书中,我对库切作品中音乐作为一种语言的引用进行了简短的调查。在这篇论文中,我将更深入地研究我的主张,在他的小说《铁的时代》中寻求音乐共鸣,无论是在他的散文中,还是在小说的形式和结构中。我将试图解释我的印象,尽管库切以简洁、学术的散文而闻名,但他是一位抒情而热情的作家,音乐节奏和结构是他的作品中必不可少的元素。
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引用次数: 0
Spots of Time 时间点
0 LITERATURE Pub Date : 2020-11-01 DOI: 10.2307/j.ctt1cg4m8v.12
Giovanni Bassi
Recensione a: Biancamaria Rizzardi. 2019. Spots of Time: Lectures on the English Literary Tradition vol. I. Pisa: Edizioni ETS, 208 pp., € 17.00, ISBN 978-884675748-7
评论a:比安卡·里扎迪。时间的重点:英语文学传统讲座卷
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引用次数: 0
期刊
Simplegadi
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