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UnMute Yourself: Surfing the Synthesis of the Academic and Pastoral 解开沉默:学术与田园的综合冲浪
IF 0.2 0 RELIGION Pub Date : 2023-07-03 DOI: 10.1080/0458063x.2023.2224159
Michelle K. Baker-Wright
One of the things that drew me to the discipline of liturgical studies was the way in which scholars in the field modeled a deep commitment to pastoral practice and to understanding how rite and ritual plays out in everyday life. I was inspired by the way they formulated intelligent reflection and analysis with a mindfulness toward the spiritual welfare of actual people and communities of faith. Perhaps for these reasons, I have cringed to find that, in many denominational contexts, a tension still exists between the “academic” and the “pastoral,” with these terms often being pitted against each other in discussions surrounding job searches, pastoral practices, and styles of leadership. Sometimes the implication is conveyed that to be “academic” is somehow to be less concerned with pastoral facets of ministry and that those inclined toward the “pastoral” are more generous and attuned to the nuances of human experience. Or, in a reversal of hierarchies, the “pastoral” is conflated with a certain intellectual sloppiness, as if compassionate practice requires a suspension of critical analysis. Of course, I am oversimplifying a bit to make a point. But not as much as I wish I was. I have been thinking about this false dichotomy often as I have navigated a number of poignant, sometimes joyful and sometimes heartbreaking pastoral situations and rites. I’ve found that having theoretical grounding in the dynamics of how people engage ritual and symbol gives me a more patient and inquiring spirit. I am less inclined to see liturgical conflicts in congregational settings as contested sites of control and more as particularly saturated hermeneutical hot spots. Or, to speak more colloquially, the places where people fight for control over liturgical issues are places that matter for some reason. And discovering what is at stake for people is a pastoral map into their souls and spirits, provided we are willing to listen and observe. At its best, training in liturgy, sacrament, and worship informs and deepens pastoral care rather than being a boutique pursuit or an ephemeral exercise. I have found that phrases that once seemed intriguing but esoteric have offered robust theoretical frames to carry the unthinkable. One such phrase that comes to mind is Nathan Mitchell’s description of the “inexhaustible ‘excess’ that is always ‘pointed to’ or ‘hinted at’ by the symbol but never fully or finally disclosed.” I once sat with this for hours and analyzed it. It made much more sense to me recently when I officiated at a funeral for a young person whose life ended much too soon, when no words were adequate, and yet it was my job to find some. Every symbol seemed tasked with carrying the impossible weight of the grief of a community. This idea that symbols of hope and resurrection—a paschal candle, a pall, the flowers carefully and lovingly arranged by those who were bereft—could never fully disclose hope and love, but could indeed point to these in part, proved invalu
吸引我进入礼仪研究学科的一件事是,该领域的学者们对田园实践以及理解仪式和仪式在日常生活中的表现做出了深刻的承诺。他们以正念的方式制定明智的反思和分析,以实现实际人民和信仰社区的精神福利,这让我深受启发。也许是出于这些原因,我尴尬地发现,在许多教派背景下,“学术”和“牧师”之间仍然存在紧张关系,在围绕求职、牧师实践和领导风格的讨论中,这些术语经常相互对立。有时,这意味着“学术”在某种程度上不太关心牧师的牧师方面,而那些倾向于“牧师”的人更慷慨,更适应人类经验的细微差别。或者,在等级制度的逆转中,“田园”与某种智力上的草率混为一谈,就好像富有同情心的实践需要暂停批判性分析一样。当然,为了表明一点,我过于简单化了。但没有我希望的那么多。我经常思考这种错误的二分法,因为我经历了一些辛酸、有时快乐、有时令人心碎的田园场景和仪式。我发现,在人们如何参与仪式和象征的动态中有理论基础,会让我更有耐心和探究精神。我不太倾向于将会众环境中的礼拜冲突视为有争议的控制场所,而更倾向于将其视为特别饱和的解释学热点。或者,更通俗地说,人们为控制礼拜仪式问题而斗争的地方是出于某种原因而重要的地方。只要我们愿意倾听和观察,发现人们的利害关系就是一幅进入他们灵魂和精神的田园图。在最好的情况下,礼拜仪式、圣礼和礼拜的训练会告知和加深田园关怀,而不是精品追求或短暂的练习。我发现,曾经看似有趣但深奥的短语提供了强有力的理论框架来承载不可思议的东西。脑海中浮现的一句话是Nathan Mitchell对“取之不尽用之不竭的‘过度’的描述,这种过度总是被符号‘指向’或‘暗示’,但从未完全或最终披露。”,当没有足够的语言,但我的工作是找到一些。每一个象征似乎都肩负着承载一个社区不可能承受的悲痛。这种希望和复活的象征——一支帕沙尔蜡烛、一个棺材、那些失去亲人的人精心布置的花朵——永远无法完全揭示希望和爱,但确实可以部分指出这些,这在一个非常实用、非深奥的层面上对我来说是无价的。
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引用次数: 0
“What Is Not Assumed Is Not Redeemed”: Worship Lifestyle Branding at Bethel Church “不被假定就不被救赎”:伯特利教会的敬拜生活方式品牌化
IF 0.2 0 RELIGION Pub Date : 2023-07-03 DOI: 10.1080/0458063X.2023.2224157
Emily Snider Andrews
It’s no secret: some outside its sphere find evangelicalism’s megachurch, contemporary worship problematic. Accounts vary, but at their center many criticisms dismiss it as a public expression of cop-out Christianity, the kind neglecting Scripture’s call to not be “conformed to the patterns of this world” (Rom. 12:2, CEB). In this view, contemporary worship and its corresponding faith-world embodies, at best, a superficial, feeling-based spirituality swayed by the latest, commercially-driven trends and, at worst, the corrupt excesses of our culture’s consumerism, individualism, and even narcissism—those aspects that Christians, it is assumed, should rally against. As this narrative is told, the cultural ethos of consumption would be unquestionably incongruent with the gospel’s message. There is no shortage of energy spent portraying evangelicals as those who have commodified their worship, guided by the desires of individual consumers rather than the Christian tradition, the common good, and much less Godself. Even so, those evangelical ecclesial contexts have emerged alongside the rise of consumerism as a dominant cultural ethos that have become known for their vibrancy in the twenty-first century. The evangelical megachurch, chiefly recognized by its contemporary worship, has emerged as a novel, yet enduring phenomenon thoroughly debunking notions of contemporary culture’s assumed disenchanted, secularized condition. As described in this essay, evangelical faith is tailored specifically to the same consumption culture that has been lambasted as antithetical to faithful Christianity, and yet is shown as generating a comprehensive way of being-in-the-world in which adherents understand their faith-world to be congruent with their “real life” world. By attending to consumer culture’s practices of marketing and branding, particularly through worship practices of the megachurch, evangelical identity is formed for both the individual devotee and the particular community. For adherents, this gives way to a lifestyle that makes sense of the cultural resources and experiences available to them, resulting in a faith that is accepted as relevant and vibrant. The worship-rooted lifestyle corresponds to a supernatural reality that is just as real and true as the natural one. To focus on how the evangelical megachurch’s adoption of consumer culture’s branding and marketing practices enables a vital faith in the twenty-first century, I will attend to the case of internationally known and market-oriented Bethel Church of Redding, California. At Bethel, worshipers engage liturgical practice as a lifestyle brand, one that shapes all aspects of life both inside and outside the Church, offering [re]enchantment to an allegedly disenchanted world. Understood in this light, liturgical formation at Bethel Church nourishes the whole life of the worshiper, who is revealed to be much more than a shopper-consumer. Furthermore, I explain
这已经不是什么秘密了:一些在其范围之外的人发现福音派的大教堂,当代崇拜有问题。各种说法各不相同,但在其核心,许多批评将其视为逃避基督教的公开表达,这种表达忽视了《圣经》关于不“符合这个世界的模式”的呼吁(罗马书12:2,CEB)。在这种观点中,当代崇拜及其相应的信仰世界,往好了说,体现了一种肤浅的、基于感觉的精神,受到最新的、商业驱动的趋势的影响,往坏了说,也体现了我们文化中消费主义、个人主义甚至自恋的腐败过度——人们认为,基督徒应该团结起来反对这些方面。正如这种说法所说,消费的文化精神无疑与福音的信息不一致。将福音派描绘成那些以个人消费者的欲望为导向,而不是以基督教传统、共同利益为导向,更不用说神性为导向,将他们的崇拜商品化的人,这一点并不缺乏精力。即便如此,这些福音派教会的背景是随着消费主义的兴起而出现的,消费主义是一种主导的文化精神,在21世纪以其活力而闻名。福音派大教堂,主要由其当代崇拜所认可,已经成为一种新颖但持久的现象,彻底揭穿了当代文化假定的祛魅、世俗化状态。正如本文所述,福音派信仰是专门针对同一消费文化而设计的,这种消费文化被抨击为与忠实的基督教对立,但它被证明是一种全面的生活方式,信徒们在这个世界上理解他们的信仰世界与他们的“现实生活”世界是一致的。通过关注消费者文化的营销和品牌实践,特别是通过大教堂的礼拜实践,为个人奉献者和特定社区形成了福音派身份。对于信徒来说,这让位于一种有意义的生活方式,这种生活方式利用了他们可以获得的文化资源和经验,从而产生了一种被认为是相关的和充满活力的信仰。植根于崇拜的生活方式对应着一种超自然的现实,这种现实与自然的现实一样真实。为了关注福音派大教堂如何采用消费者文化的品牌和营销实践,使其在21世纪成为一种重要的信仰,我将关注国际知名且以市场为导向的加利福尼亚州雷丁市贝瑟尔教堂的案例。在伯特利,礼拜者将礼拜仪式作为一种生活方式品牌,塑造教会内外生活的方方面面,为一个据称不再幻想的世界提供[重新]魅力。从这个角度理解,伯特利教堂的礼拜仪式形式滋养了崇拜者的整个生活,而崇拜者不仅仅是一个购物消费者。此外,我解释
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引用次数: 0
UnMute Yourself: Musings on the Obstacles of Worship’s Impact on Ethics 解除沉默:宗教信仰对伦理影响的障碍
IF 0.2 0 RELIGION Pub Date : 2023-07-03 DOI: 10.1080/0458063x.2023.2224162
David Bjorlin
While studying for my Master of Divinity, one of the concepts that drew me to the field of liturgical studies was the idea that what we did in worship shaped our ethical lives. I wrote my master’s thesis on how the storied nature of the liturgy should help insert us into the story of God, and I relied heavily on the virtue ethics approach promoted by thinkers like Don Saliers, Alasdair MacIntyre, Sam Wells, and Stanley Hauerwas (among others). With the zeal of a new convert, I believed if we could just get our liturgies right (whatever that means!), we could and would fundamentally change the foundational narrative out of which worshipers make their day-to-day ethical decisions as humans. While I still believe there is a strong connection between liturgy and ethics and find the work of these thinkers invaluable, the last decade of divisions and destructive behaviors in our churches and nation have tempered my initial enthusiasm. I have both grown more suspicious of any simple one-to-one correspondences I formerly drew between the way we worship and the way we live our lives, and I have lost the convert’s enthusiasm that believed if we just crafted historically grounded and theologically rich liturgies, they would somehow work ex opere operato (in the simplistic and corrupted sense of the phrase) on the ethical lives of the worshiper. It now seems much more complicated than that. So, I want to use this edition of “Unmute Yourself” not to propose a bold new theological or liturgical framework, but to suggest, with the help of various thinkers, what I believe are a few of the obstacles that limit the ethical impact of the liturgy on the average worshiper. First, some necessary caveats. Save a time machine in which you could make the same congregation the control group and the experimental group, there is no way to prove the ethical impact of worship. Thus, even liturgies that appear to the outside observer ineffectual in shaping the ethical lives of the average congregant may very well be forming the worshiper on a deeper level than our superficial observations can register. In a similar vein, the Spirit of God is not limited by the forms of our worship. God’s Spirit has, is, and will continue to draw people to the life of Christian discipleship through even the most shoddy and ill-performed liturgies, if only to remind the liturgist that worship is first and foremost an intrinsic good rather than an instrumental one used to shape the ethics of our congregation. We do not worship to create good people; we worship to glorify the God who is worthy of worship. So, the obstacles that I suggest may inhibit the ethical impact of worship might be analogous to the way the Roman Catholic Church describes the grace conferred through the sacraments: validly performed sacraments will always confer grace because they are the gift of God (the true meaning of ex opere operato), but we can place obstacles between ourselves and the grace conferred that limit their e
在攻读神学硕士期间,吸引我进入礼拜研究领域的一个概念是,我们在礼拜中所做的事情塑造了我们的道德生活。我写了一篇硕士论文,探讨礼拜仪式的传奇性质应该如何帮助我们融入上帝的故事,我在很大程度上依赖于唐·萨利尔斯、阿拉斯代尔·麦金太尔、萨姆·威尔斯和斯坦利·豪尔瓦斯等思想家倡导的美德伦理方法。带着一个新皈依者的热情,我相信,如果我们能把礼拜仪式做好(不管这意味着什么!),我们就能也会从根本上改变崇拜者作为人类日常道德决策的基本叙事。虽然我仍然相信礼拜仪式和伦理之间有着密切的联系,并发现这些思想家的工作是宝贵的,但过去十年我们教会和国家的分裂和破坏性行为削弱了我最初的热情。我俩都越来越怀疑我以前在我们的崇拜方式和我们的生活方式之间建立的任何简单的一对一的对应关系,我也失去了皈依者的热情,他们认为如果我们只是精心制作历史性的、神学丰富的礼拜仪式,他们会以某种方式对崇拜者的道德生活进行操作(在这个短语的简单化和腐败的意义上)。现在看来,情况要复杂得多。因此,我想用这一版本的《Unmute Yourself》,不是为了提出一个大胆的新神学或礼拜仪式框架,而是在各种思想家的帮助下,提出我认为限制礼拜仪式对普通礼拜者道德影响的一些障碍。首先,一些必要的注意事项。省去一台时间机器,让同一个会众成为对照组和实验组,就没有办法证明崇拜的伦理影响。因此,即使是在外部观察者看来对塑造普通会众的道德生活无效的礼拜仪式,也很可能在比我们肤浅的观察所能记录的更深层次上形成崇拜者。同样,神的灵不受我们崇拜形式的限制。上帝的精神已经、现在和将来都会通过最低劣和最糟糕的礼拜仪式来吸引人们进入基督教门徒的生活,哪怕只是为了提醒礼拜者,崇拜首先是一种内在的善,而不是用来塑造我们会众道德的工具。我们崇拜不是为了创造好人;我们崇拜是为了荣耀值得崇拜的上帝。因此,我认为可能阻碍礼拜道德影响的障碍可能类似于罗马天主教会描述通过圣礼授予的恩典的方式:有效执行的圣礼总是会授予恩典,因为它们是上帝的礼物(ex-opere operato的真正含义),但我们可以在自己和所赋予的恩典之间设置障碍,限制它们对我们生活的影响。同样,我建议
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引用次数: 0
Taizé: Brand or Anti-Brand? Taizé:品牌还是反品牌?
IF 0.2 0 RELIGION Pub Date : 2023-07-03 DOI: 10.1080/0458063X.2023.2224720
J. Kubicki
For many Christians, the mention of Taiz e prayer or Taiz e music may recall a favorite Taiz e song or an experience of participating in a Taiz e service. For others, the actual experience of having made a pilgrimage to Taiz e, France may conjure up vivid memories of moving prayer events that included Taiz e music as an integral element of the worship service. At the same time, others may be completely unaware that some of the music sung by their local assemblies is part of a distinct collection known as Taiz e music. Since several hymnals and worship resources include Taiz e music as part of a collection of hymn offerings, congregations may simply identify the music as part of their local repertoire. This essay addresses the question of whether Taiz e is a brand. To answer that question, we have to look at the history and intention of the founders and compare Taiz e with earlier understandings of a brand as a mark, stamp, label, or trademark. The story of Taiz e begins with Roger Louis Schutz-Marsauche. Brother Roger was born in Provence, fifteen miles from Neuchâtel, Switzerland in 1915. He first came to Taiz e during the Second World War. He was searching for a place where he could live the Gospel with others. His desire to follow such a lifestyle was inspired by his research on early Christian monasticism at the University of Lausanne. Roger hoped to retrieve some form of traditional monasticism for Protestantism. He was drawn to France because its defeat during World War II awakened in him both sympathy and a desire to assist those ravaged by the war. These impulses eventually led him to purchase a house in Taiz e in 1940. There he originally housed Jews and other war refugees. Eventually, other men, attracted to leading a life of prayer, joined Roger. In 1949 seven of them committed themselves to living a community life together. The first brothers came from various Protestant denominations. Roger’s original inspiration to embrace a monastic life of prayer developed over time and eventually became the community known as the Brothers of Taiz e. A dominant feature of the spirituality of the brothers was their zeal for reconciliation. Promoting Christian unity grew out of this more general focus. In fact, their own ecumenical makeup embodied that intention and was also evident in their active engagement in ecumenical efforts, not only at Taiz e but also with leaders of the various Christian churches throughout the world. From the beginning, the brothers of Taiz e have embraced their vocation to be witnesses to a mutual Christian and human unity that overcomes all barriers. By 1996, the community included nearly 100 Protestant, Roman Catholic, Anglican, Lutheran, and Reformed brothers from twenty-five different countries on four different continents. Brother Roger’s aim was to create a monastic community that might be “a parable of community” among divided Christians. In fact, the brothers were guests of Pope John XXIII at the Second Vatican Co
对于许多基督徒来说,提到Taiz e祈祷或Taiz e音乐可能会让人想起一首最喜欢的Taizé歌曲或参加Taiz e.服务的经历。对其他人来说,前往法国塔伊兹朝圣的实际经历可能会让人想起感人的祈祷活动,其中包括塔伊兹音乐作为礼拜服务的一个组成部分。与此同时,其他人可能完全没有意识到,他们当地集会演唱的一些音乐是被称为Taiz e音乐的独特集合的一部分。由于一些赞美诗和礼拜资源包括Taiz e音乐,作为赞美诗的一部分,会众可以简单地将音乐确定为他们当地曲目的一部分。本文探讨的是Taiz e是否是一个品牌的问题。为了回答这个问题,我们必须审视创始人的历史和意图,并将Taiz e与早期对品牌作为标记、印章、标签或商标的理解进行比较。Taiz e的故事从Roger-Louis Schutz Marsauche开始。罗杰兄弟1915年出生于普罗旺斯,距离瑞士诺伊沙特尔15英里。他第一次来到泰兹是在第二次世界大战期间。他正在寻找一个可以和其他人一起生活在福音书中的地方。他渴望过这样的生活方式,是受到他在洛桑大学对早期基督教修道主义的研究的启发。罗杰希望为新教找回某种形式的传统修道主义。他之所以被法国吸引,是因为法国在第二次世界大战中的失败唤醒了他同情和帮助那些遭受战争蹂躏的人的愿望。这些冲动最终促使他在1940年在Taiz e买了一栋房子。他最初在那里安置犹太人和其他战争难民。最终,其他男人被吸引过着祈祷的生活,加入了罗杰的行列。1949年,他们中的七人承诺共同过社区生活。第一个兄弟来自不同的新教教派。罗杰最初接受修道院祈祷生活的灵感随着时间的推移而发展,最终成为了被称为Taiz e兄弟的社区。兄弟精神的一个主要特征是他们对和解的热情。促进基督教的团结源于这种更普遍的关注。事实上,他们自己的普世构成体现了这一意图,而且在他们积极参与普世努力中也很明显,不仅在Taiz e,而且在世界各地的各个基督教会的领导人中也是如此。从一开始,Taiz e的兄弟们就接受了他们的使命,成为克服所有障碍的基督教和人类共同团结的见证人。到1996年,该社区包括来自四大洲25个不同国家的近100名新教、罗马天主教、圣公会、路德会和归正会兄弟。罗杰兄弟的目标是在分裂的基督徒中创建一个可能是“社区寓言”的修道院社区。事实上,兄弟俩是教皇约翰二十三世在梵蒂冈第二届理事会的客人,也参加了世界教会理事会的会议。罗杰·舒茨兄弟和马克斯·图里安兄弟多次前往君士坦丁堡与
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引用次数: 0
When a Brand is Tainted: The Ethics of Song Selection in Corporate Worship 当一个品牌被玷污:企业崇拜中的选歌伦理
IF 0.2 0 RELIGION Pub Date : 2023-07-03 DOI: 10.1080/0458063X.2023.2224189
Nelson Cowan
Our very brief story begins on a typical day in Jacksonville, Florida, in 2010—hot, humid, with a chance of scattered showers in the afternoon. I was deciding what I wanted to eat for lunch, so I pulled my vehicle into the drive-through at Chick-fil-A and ordered my usual: a fried chicken sandwich, waffle fries, and sweet tea. I then ate the meal and enjoyed it. That’s the end of the story. I told you it was short. The simplicity of this scenario changed drastically in 2011. Chick-fil-A gained the national spotlight when its president, Dan Cathy, defended the company’s monetary donations to organizations supporting "biblical marriage" (i.e., one man and one woman). Between the news cycle commentators, op-ed columnists, bloggers, and social media pundits, Chick-fil-A went from a well-respected fried chicken powerhouse to an ethical quandary for some, and a rallying cry for others on both sides of the proverbial fence. The chicken sandwich was no longer just a chicken sandwich. The ubiquity of social media and its algorithmic echo chambers fueled the controversy. Even today—many years after Cathy’s public comments—the Chick-fil-A brand is treated with adoration from political and theological conservatives and with suspicion from liberals and progressives. In 2019, Chick-fil-A modified its charitable giving strategy to focus on education, homelessness, and hunger. In doing so, they ceased donations to groups scrutinized by the media such as the Salvation Army and the Fellowship of Christian Athletes. However, despite their best efforts to pivot in response to controversy, for many, Chick-fil-A remains a tainted brand. Among critics and questioners of Chick-fil-A, the topic of how to respond ethically proved to be a dividing point. In 2018 (and updated in 2022), Noah Michelson, Editorial Director of HuffPost Personal, penned the article “If You Really Love LGBTQ People, You Just Can’t Keep Eating Chick-fil-A.” A large photo of a spread of Chick-fil-A food adorns the article, with the biting subtitle “queerphobia never tastes good.” In no unclear terms, he contends that LGBTQ persons and allies need to choose where their loyalties lie—“with your community or with your stomach.” Marie Whitaker is not as hard-lined, offering her thoughts in the NBC News article, “I’m black and gay and I still eat at Chick-fil-A.” She summarily quips, “The next time I treat myself to the chain’s sinful but tasteful fried chicken and white bread, I will give triple the money I spend to the marriage equality effort.” In a similar pivot, Executive Director of Baptist News, Mark Wingfield, refused to boycott the restaurant, instead suggesting readers redirect their frustration by boycotting politicians who work against the rights of LGBTQ people.
我们非常简短的故事始于2010年佛罗里达州杰克逊维尔的一个典型日子——炎热潮湿,下午可能会有零星阵雨。我正在决定午餐想吃什么,所以我把车开进了Chick-fil-A的免下车通道,点了我通常吃的东西:炸鸡三明治、华夫饼薯条和甜茶。然后我吃了饭,很享受。故事到此结束。我告诉过你它很短。2011年,这种情况的简单性发生了巨大变化。Chick-fil-A的总裁Dan Cathy为该公司向支持“圣经婚姻”(即一男一女)的组织捐款辩护,从而引起了全国的关注。在新闻周期评论员、专栏作家、博客作者和社交媒体专家之间,Chick-fil-A从一个备受尊敬的炸鸡巨头变成了一些人的道德困境,也成为了众所周知的围栏两边其他人的号召。鸡肉三明治不再只是鸡肉三明治。社交媒体及其算法回音室的普遍性引发了争议。即使在凯茜公开发表评论多年后的今天,Chick-fil-A品牌仍受到政治和神学保守派的崇拜,自由派和进步派的怀疑。2019年,Chick-fil-A修改了其慈善捐赠战略,将重点放在教育、无家可归和饥饿问题上。在这样做的过程中,他们停止了向救世军和基督教运动员联谊会等媒体关注的团体捐款。然而,尽管他们尽了最大努力来应对争议,但对许多人来说,Chick-fil-A仍然是一个有污点的品牌。在Chick-fil-A的评论家和提问者中,如何合乎道德地回应的话题被证明是一个分歧点。2018年(并于2022年更新),《赫芬顿邮报》个人版编辑总监诺亚·迈克尔森写了一篇文章《如果你真的爱LGBTQ人群,你就不能一直吃Chick-fil-A》。文章上装饰着一张Chick-fil-A食品的大照片,并配上了尖刻的副标题“同性恋恐惧症从来都不好吃。”,他认为,LGBTQ人士和盟友需要选择他们的忠诚所在——“与你的社区还是与你的胃。”玛丽·惠特克并没有那么强硬,她在NBC新闻的文章中表达了自己的想法,“我是黑人和同性恋,我仍然在Chick-fil-A吃东西。”,“下次我吃这家连锁店罪恶但美味的炸鸡和白面包时,我会把花在婚姻平等上的钱增加三倍。”同样,浸礼会新闻执行董事马克·温菲尔德拒绝抵制这家餐厅,相反,建议读者通过抵制那些反对LGBTQ人群权利的政客来转移他们的沮丧情绪。
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引用次数: 0
A Brand Is a Promise 品牌是一种承诺
IF 0.2 0 RELIGION Pub Date : 2023-07-03 DOI: 10.1080/0458063x.2023.2224723
Kate Williams, Daniel Kantor
It was heavy in my hands, that first hymnal. Growing up in rural Iowa, many pew resources were disposable, their tattered edges clinging for dear life to their temporary spine, waiting for their periodic replacement. But that first GIA hymnal I received––Gather Comprehensive, Second Edition––felt anchored, confident, meant to last. Its thick, maroon-colored cover was built to endure the wrath of restless toddlers and hasty page turns. Its opaque paper held a canon of treasured tunes both ancient and new, but perhaps the most beautiful content of these pages was yet to be created. These impressions would be captured over years and years by those who held this book in their hands—their tears of joy and sadness that made permanent splotches and puckers between the staves of music, the smudge of ashes that fell from their Lenten foreheads, the dog-eared pages of someone’s favorite melody, the remnants of oils from hands that traced the embossed cover, the smell of incense that seeps deep down into the binding. I was fourteen then and, of course, I couldn’t know that my life’s work would bring me under the very roof that created these beautiful books. Since I began working at GIA Publications in 2016, I’ve gotten to know just how much work goes into creating a resource of such significance—committees who discern the contents over months and years of dialogue, engravers who are the stewards of clarity and style, licensing and permissions editors who are the custodians of the copyrighted materials, proofers who demand accuracy and consistency, outside censors and readers who confirm the theological and liturgical reliability of texts and rubrics. The printing process itself contains a whole new vernacular previously unknown to me, one of “signatures,” “blue lines,” “headbands,” and “case binding.” But none of that fancy language, not one individual nor the sum of each step in the long publishing process said as much to me about what the book was about or what it was for or what it could mean than the book itself. Not the songs or the editors, not the text or the music, not the proofers or permissions. Just the book. The weight of the book. The weight of the symbol I held in my own two hands. It said “Here. This is important. Now it’s yours.” The weight of that symbol has followed me all throughout my life—through college and my teaching career, through each church job no matter how partor full-time. It follows me here to GIA because I know how important it feels to hold a symbol in your hands, to be entrusted with it. I know the impact it has on the rest of your life’s work. And I know the power it has to communicate who and whose we are––that we are beloved and valued in the Creator’s eyes. I have a palpable sense of the responsibility and privilege of being made in God’s image and likeness, of remembering the feeling of first knowing that I could belong to something, to someone—all of that from just a book.
第一首赞美诗在我手里很沉。在爱荷华州农村长大,许多长椅资源都是一次性的,它们破旧的边缘紧紧抓住临时脊椎,等待定期更换。但我收到的第一首GIA赞美诗——《收集综合》,第二版——让我感到锚定、自信,注定会持续下去。它厚厚的栗色封面是为了忍受不安的蹒跚学步的孩子的愤怒和匆忙的翻页。它不透明的纸上有一本古老和新的珍贵曲调的经典,但这些页面中最美丽的内容可能还没有创作出来。这些印象会被那些拿着这本书的人年复一年地捕捉到——他们喜悦和悲伤的泪水在音乐的小节之间留下了永久的斑点和褶皱,四旬斋额头上落下的灰烬污迹,某人最喜欢的旋律的折耳页,手上留下的油迹,深深渗入装订处的香味。那时我十四岁,当然,我不知道我一生的工作会把我带到创造这些美丽书籍的屋顶下。自2016年我开始在GIA Publications工作以来,我已经知道在创建一个如此重要的资源方面需要做多少工作——通过数月或数年的对话来辨别内容的委员会,作为清晰度和风格管理者的雕刻师,作为版权材料保管人的许可和许可编辑,要求准确性和一致性的校对人员、外部审查人员以及确认文本和量规的神学和礼拜可靠性的读者。印刷过程本身包含了一种我以前不知道的全新语言,一种是“签名”、“蓝线”、“头带”和“装帧”。但在漫长的出版过程中,没有任何一种花哨的语言,无论是一个人还是每一步的总和,对我来说,这本书是关于什么的,它是为了什么,它可能意味着什么,都比不上这本书本身。不是歌曲或编辑,不是文本或音乐,也不是校对或许可。只是那本书。这本书的重量。我双手握着的符号的重量。上面写着“给。这很重要。现在它是你的了。”这个符号的重量在我的一生中一直伴随着我——通过大学和我的教学生涯,通过每一份教会工作,无论是兼职还是全职。它跟随我来到GIA,因为我知道把一个符号握在手中,被托付给它是多么重要。我知道它对你余生的工作有什么影响。我知道它所具有的沟通我们是谁的力量——我们在造物主的眼中是被爱和被重视的。我有一种明显的责任感和特权感,那就是按照上帝的形象和肖像,记住第一次知道我可以属于某个东西,属于某个人的感觉——所有这些都来自一本书。
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引用次数: 0
Branding, Enduring Racial Logic, and Creation of Liturgical Places: Better World Logo as Heuristic Case Study 品牌化、持久的种族逻辑和外科手术场所的创造:作为启发性案例研究的更美好世界标志
IF 0.2 0 RELIGION Pub Date : 2023-07-03 DOI: 10.1080/0458063X.2023.2224718
Hyemin Na
Better World, an international development NGO with UN Economic and Social Council (ECOSOC) status, helps “global neighbors suffering from poverty, disease, and disasters to make better villages around the world.” They take holistic approaches to working with locals to nurture healthy socio-economically and environmentally sustainable communities. The “village” language takes cues from Park Jeong-Hee regime’s modernization initiative “Saemaeul” (New Village) movement of the 1970s that promoted the industrialization of poverty-stricken rural villages of Korea. The NGO takes steps toward fulfilling their hope of a better world one village at a time. Partnerships with local government and village constituents unfold through the umbrella of “Clean Village,” “Healthy Village,” and “Wealthy Village” programs. According to their website, Better World has assisted 98,734 persons through their Clean Village programs that assist with waste management, fostering access to public hygiene, and developing sustainable energy solutions. The Healthy Village program aided 86,227 persons by constructing medical facilities and resourcing prevention medicine as paths toward elevating levels of public health. The Wealthy Village programming addresses housing needs, finances road, and bridge infrastructure, and provides occupational training. The sensibility of the word translated into English as “wealthy” aligns closer to “abundant” and “flourishing.” Over the course of its 10 years of existence Better World considered the people of 22 villages in 18 nations their neighbors and held them in the sightline of love. Better World NGO held its 10th Anniversary Celebration Worship Service in 2020. Preaching on the Good Samaritan story (Luke 10:33–37), Rev. Jae Hoon Lee, head pastor of Onnuri Church in Seoul, Republic of Korea, and Representative of the NGO, reiterated Jesus’ teaching regarding the nature of neighborliness. According to Lee, the scribe as well as the contemporary elites of today intellectualize the issue of extending compassion. “Who is my neighbor?” the powerful ask. Yet recognizing a neighbor in need is not a matter of proper intellectual discourse; it is a matter of the heart. Addressing those gathered to celebrate the accomplishments of Better World, Lee emphasized that those who only deliberate categories will fail to recognize another as a neighbor. In their gatekeeping, they will fail “not because they don’t know who their neighbor is, but because they lack love.” Lee continued by sharing a saying: “Love, instead of stirring our hands to action, will first open our eyes.” According to Lee, the power of love lies in the opening of perception. Lee explained that the work of the NGO would be impossible without love. It is through love that “we orient ourselves to those we don’t see, those who are—for us [Koreans]—at the ends of the earth. Of course, through photography and videos, we see them in limited ways, but without living there, there are
“更美好的世界”是一个具有联合国经济及社会理事会(ECOSOC)地位的国际发展非政府组织,它帮助“遭受贫困、疾病和灾害的全球邻国在世界各地建设更美好的村庄”。他们采取全面的方法与当地人合作,培育健康的社会经济和环境可持续发展的社区。“村庄”一词来源于朴正熙政权在20世纪70年代推动韩国贫困农村产业化的现代化倡议“新村运动”。这个非政府组织一步一步地实现他们对一个更美好世界的希望。通过“清洁村”、“健康村”和“富裕村”项目,与地方政府和村民建立伙伴关系。根据他们的网站,“更美好的世界”通过他们的清洁村项目帮助了98,734人,这些项目协助废物管理、促进公共卫生和发展可持续能源解决方案。健康村方案通过建设医疗设施和提供预防医学资源作为提高公共卫生水平的途径,帮助了86 227人。富村计划解决住房需求,为道路和桥梁基础设施提供资金,并提供职业培训。这个词翻译成英语的感觉是“富有的”,更接近于“丰富的”和“繁荣的”。“美好世界”成立10年来,把18个国家的22个村庄的人们当作自己的邻居,把他们放在爱的视线里。美好世界非政府组织于2020年举办了十周年庆祝敬拜仪式。在宣讲好撒玛利亚人的故事(路加福音10:33-37)时,韩国首尔Onnuri教会的首席牧师、非政府组织代表李宰勋牧师重申了耶稣关于邻里关系本质的教导。根据李的说法,今天的文士和当代精英都将同情心的扩展问题理智化了。“谁是我的邻居?”强者问道。然而,认识到一个有需要的邻居并不是一个恰当的智力话语问题;这是心灵的问题。李总统向庆祝“更美好的世界”所取得的成就的人们强调说,那些只考虑分类的人将无法认识到另一个人是邻居。在守门方面,他们会失败,“不是因为他们不知道他们的邻居是谁,而是因为他们缺乏爱。”李安还分享了一句话:“爱,不是让我们动手行动,而是首先打开我们的眼睛。”根据李,爱的力量在于知觉的开放。他解释说,没有爱,NGO的工作是不可能的。正是通过爱,“我们把自己定位于那些我们看不见的人,那些对我们(韩国人)来说在地球尽头的人。”当然,通过摄影和视频,我们以有限的方式看到它们,但没有生活在那里,它们就在那里
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引用次数: 0
Branded Worship: Introduction 品牌崇拜:简介
IF 0.2 0 RELIGION Pub Date : 2023-07-03 DOI: 10.1080/0458063x.2023.2224156
Nelson Cowan
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引用次数: 0
Future Renewals: Looking Toward the Next Fifty Years of Worship Scholarship and Practice 未来的更新:展望下一个五十年的敬拜学术和实践
IF 0.2 0 RELIGION Pub Date : 2023-01-02 DOI: 10.1080/0458063x.2022.2154507
Melinda A. Quivik, Andrew Wymer
When the Liturgical Conference board realized that the North American Academy of Liturgy (NAAL) was approaching a celebration of its first fifty years, the board decided to mark the event by looking at where liturgical scholarship and practice had come in that time and what might be the direction of future work. Accordingly, the board set out to publish two issues of Liturgy focused first on the past and secondly on the future. The first issue was a retrospective on the unfolding—the changing worlds—of liturgical scholarship and practice over the past 50 years. This is the second issue: a prospective reflection on the future possibilities and trajectories of worship scholarship and practice over the next 50 years. At each annual meeting of the NAAL in recent memory, five banners have stood behind the podium at which we conduct most of our communal work and fellowship. These banners portray the rising sun—an homage to the logo of the NAAL—behind two trees that, appropriate to our winter meetings, are devoid of leaves. The cover image of this issue pays tribute to this familiar visual, yet we selected it, as well, because it visualizes trees that rather than being in hibernation—or dead—are bursting with the lush and long-awaited greenery of spring. This visual provides an apt metaphor for much of what we encountered in this issue marking the fiftieth anniversary of NAAL. When these two issues were originally planned, we had a very clear sense of one issue (vol. 37, no. 4) being historical in focus and the second issue (vol. 38, no. 1) being future-facing. In this issue, we encounter the complex interweaving of the past, present, and future. In the first issue, authors engaged the past but often with a vivid awareness of and concern for the present and future, and in the second issue, authors who were tasked with imagining the future were still very concerned about the past and present. As the image on the cover is intended to remind us, even as we look forward with hope and expectation for the ongoing renewal of liturgical scholarship and practice, it is certain that the past has brought us to where we are today and set us on still unfolding trajectories. The concept for this issue was first tested in a focus group held in May 2021 that was funded by a grant from the Styberg Preaching Institute. The editors drew together a small but diverse array of liturgical scholars and practitioners—many of whom subsequently agreed also to write for this issue. This focus group was a generative time of sharing why liturgy matters within our individual contexts, reflecting on the strengths and weaknesses of current liturgical scholarship and practice, identifying needed shifts in the study and practice of liturgy, and identifying obstacles to change within the field. This conversation provided us with rich content from which emerged some of the essays comprising this issue and through which we were able to provide initial generative questions for additional aut
当Liturgical Conference董事会意识到北美Liturgy学院(NAAL)即将迎来其成立五十周年的庆祝活动时,董事会决定通过研究当时的礼拜学术和实践情况以及未来的工作方向来纪念这一活动。因此,董事会开始出版两期《Liturgy》,第一期关注过去,第二期关注未来。第一期回顾了过去50年来礼仪学术和实践的发展——不断变化的世界。这是第二个问题:对未来50年崇拜学术和实践的可能性和轨迹的前瞻性思考。在最近的记忆中,在NAAL的每一次年度会议上,我们都会在讲台后面竖起五条横幅,在讲台上我们进行了大部分的社区工作和联谊。这些横幅描绘了冉冉升起的太阳——向全国有色人种协进会的标志致敬——在两棵树后面,这两棵树适合我们的冬季会议,没有树叶。本期的封面图片向这一熟悉的视觉致敬,但我们也选择了它,因为它将树木想象成了郁郁葱葱、期待已久的春天绿色,而不是冬眠或死亡。这一视觉为我们在纪念NAAL成立五十周年的这期杂志上遇到的许多事情提供了一个恰当的比喻。当最初计划这两个问题时,我们有一个非常清楚的感觉,即一个问题(第37卷,第4号)是历史焦点,第二个问题(第一卷,第38卷)是面向未来的。在这个问题上,我们遇到了过去、现在和未来的复杂交织。在第一期中,作者关注过去,但往往对现在和未来有着生动的认识和关注。在第二期中,负责想象未来的作者仍然非常关注过去和现在。正如封面上的图像旨在提醒我们的那样,尽管我们满怀希望和期望地期待着礼拜学术和实践的不断更新,但可以肯定的是,过去已经把我们带到了今天,并使我们走上了仍在发展的轨道。这一问题的概念首次在2021年5月举行的一个焦点小组中进行了测试,该小组由施蒂伯格传教研究所资助。编辑们召集了一小部分但多样化的礼仪学者和从业者,其中许多人后来也同意为这一问题撰稿。这个焦点小组是一个生成时间,分享为什么礼拜仪式在我们的个人背景下很重要,反思当前礼拜仪式学术和实践的优势和劣势,确定礼拜仪式研究和实践中需要的转变,并确定该领域内变革的障碍。这次对话为我们提供了丰富的内容,从中产生了一些构成这一问题的文章,通过这些文章,我们能够为其他作者提供最初的生成性问题。
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引用次数: 0
Contemplating Queer Futures for Liturgical Studies: A Conversation 思考酷儿未来的礼仪研究:对话
IF 0.2 0 RELIGION Pub Date : 2023-01-02 DOI: 10.1080/0458063x.2022.2154514
W. S. Haldeman, Stephanie A. Budwey, Jason J. McFarland, Lis Valle-Ruiz
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引用次数: 0
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Liturgy
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