José Antonio Cortés Quesada, Teresa Barceló Ugarte, Gonzalo Fuentes Cortina
La transformación del sector televisivo en la última década (2010-2020) se ha visto potenciada por el desarrollo tecnológico, como la aparición de la televisión digital y la transmisión de imágenes a través de la banda ancha. Los espectadores han adquirido un papel protagonista en la elección y creación del contenido audiovisual. En este escenario, los jóvenes no renuncian a la televisión lineal, apostando principalmente por los informativos y programas de entretenimiento. Tras la realización de un estudio cualitativo mediante un focus group y un cuestionario a 400 jóvenes, se demuestra que su consumo es cada vez menor por ser considerada como anticuada y sujeta a un horario y la ficción es vista, casi en su totalidad, a través de las plataformas de contenido en streaming. La Generación Z prefiere visionar contenidos dónde y cómo quieren y, además, la comparten con otros usuarios gracias a las redes sociales. Esta evolución audiovisual provoca una hiperfragmentación de la audiencia y una brecha generacional entre el consumo de la televisión tradicional y los contenidos por streaming.
{"title":"Estudio sobre el consumo audiovisual de la Generación Z en España","authors":"José Antonio Cortés Quesada, Teresa Barceló Ugarte, Gonzalo Fuentes Cortina","doi":"10.14201/fjc.28216","DOIUrl":"https://doi.org/10.14201/fjc.28216","url":null,"abstract":"La transformación del sector televisivo en la última década (2010-2020) se ha visto potenciada por el desarrollo tecnológico, como la aparición de la televisión digital y la transmisión de imágenes a través de la banda ancha. Los espectadores han adquirido un papel protagonista en la elección y creación del contenido audiovisual. En este escenario, los jóvenes no renuncian a la televisión lineal, apostando principalmente por los informativos y programas de entretenimiento. Tras la realización de un estudio cualitativo mediante un focus group y un cuestionario a 400 jóvenes, se demuestra que su consumo es cada vez menor por ser considerada como anticuada y sujeta a un horario y la ficción es vista, casi en su totalidad, a través de las plataformas de contenido en streaming. La Generación Z prefiere visionar contenidos dónde y cómo quieren y, además, la comparten con otros usuarios gracias a las redes sociales. Esta evolución audiovisual provoca una hiperfragmentación de la audiencia y una brecha generacional entre el consumo de la televisión tradicional y los contenidos por streaming.","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"24 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81126249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Una de las características que define el cine de Woody Allen son las referencias al séptimo arte. Continuamente se observa cómo sus personajes acuden a proyecciones cinematográficas. Sin duda, la más icónica de estas situaciones en su filmografía ocurre en La rosa púrpura de El Cairo (1985), donde la dicotomía realidad-ficción se fusiona traspasando los personajes sus respectivas narrativas. Partiendo de la idea que Buster Keaton desarrollara en El moderno Sherlock Holmes (1924), Allen recupera la memoria de Keaton reelaborando la idea de la permeabilidad entre ambas narrativas, permitiendo al director reinterpretar la alegoría platónica de la caverna a través de los personajes de la película, esclavos de un guion que representan una y otra vez. De un modo similar, la cuarta entrega de la saga Matrix presenta un nuevo mundo autoconsciente y metaficcional. Con Matrix Resurrections (2021) Lana Wachowski realiza una vuelta de tuerca al sistema ficcional de Matrix, creando un Matrix dentro de Matrix. El objetivo de esta comunicación es realizar un acercamiento a la utilización de la metaficción partiendo de la yuxtaposición entre ambas narrativas, que conllevan una transgresión de los niveles de la narración.
{"title":"Yuxtaposición narrativa a través de la metaficción","authors":"María Jesús Cabello Bustos","doi":"10.14201/fjc.28306","DOIUrl":"https://doi.org/10.14201/fjc.28306","url":null,"abstract":"Una de las características que define el cine de Woody Allen son las referencias al séptimo arte. Continuamente se observa cómo sus personajes acuden a proyecciones cinematográficas. Sin duda, la más icónica de estas situaciones en su filmografía ocurre en La rosa púrpura de El Cairo (1985), donde la dicotomía realidad-ficción se fusiona traspasando los personajes sus respectivas narrativas. Partiendo de la idea que Buster Keaton desarrollara en El moderno Sherlock Holmes (1924), Allen recupera la memoria de Keaton reelaborando la idea de la permeabilidad entre ambas narrativas, permitiendo al director reinterpretar la alegoría platónica de la caverna a través de los personajes de la película, esclavos de un guion que representan una y otra vez. De un modo similar, la cuarta entrega de la saga Matrix presenta un nuevo mundo autoconsciente y metaficcional. Con Matrix Resurrections (2021) Lana Wachowski realiza una vuelta de tuerca al sistema ficcional de Matrix, creando un Matrix dentro de Matrix. \u0000El objetivo de esta comunicación es realizar un acercamiento a la utilización de la metaficción partiendo de la yuxtaposición entre ambas narrativas, que conllevan una transgresión de los niveles de la narración.","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"6 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89358288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Media effects have been studied for decades. However, it is still unclear how to assess the dynamic nature of media effects methodologically and analytically. Building on recent research on media effects and developments in statistical modeling, I present a methodological framework to provide a detailed analysis of media effect dynamics. To do so, I describe general patterns for the appearance and the duration of media effects and present statistical approaches to analyze them. Using artificial data, I illustrate how these statistical approaches can be applied to longitudinal data and show how they behave across different data scenarios. Further, extensions, limitations, and the theoretical contribution of the framework to the field of media effects research are discussed. In sum, the presented framework can be used to test various communication theories and can be combined with many research designs in order to identify patterns in the appearance and duration of media effects.
{"title":"A Methodological Framework for Analyzing the Appearance and Duration of Media Effects","authors":"Fabian Thomas","doi":"10.1093/joc/jqac013","DOIUrl":"https://doi.org/10.1093/joc/jqac013","url":null,"abstract":"\u0000 Media effects have been studied for decades. However, it is still unclear how to assess the dynamic nature of media effects methodologically and analytically. Building on recent research on media effects and developments in statistical modeling, I present a methodological framework to provide a detailed analysis of media effect dynamics. To do so, I describe general patterns for the appearance and the duration of media effects and present statistical approaches to analyze them. Using artificial data, I illustrate how these statistical approaches can be applied to longitudinal data and show how they behave across different data scenarios. Further, extensions, limitations, and the theoretical contribution of the framework to the field of media effects research are discussed. In sum, the presented framework can be used to test various communication theories and can be combined with many research designs in order to identify patterns in the appearance and duration of media effects.","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"23 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79087604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Purpose: There has been lots of positive and negative criticisms on the influences and effects of animated images on kids in Nigeria without considering the communicative potentials of such medium from our cultural perspectives. Again, many Nigerians may not have the knowledge that there are quality Nigerian local content animation. Methodology: This paper looks at the perception of computer generated imagery (CGI) in Nigerian animated films. It examines the nature of the application of CGI in popular Nigerian Animated films by analyzing the techniques used and meanings produced from The images constructed to communicate the ideas of the narratives. This paper is anchored on the framework of cognitive semiotic theory and adopts the qualitative research design to investigate the communication of meanings by use of CGI in Malika (2020), the basis for using cognitive semiotic theory in this paper is that CGI are simulated believable images that denote meanings to communicate encoded cultural ideologies to kids within and outside Nigeria. It is hoped that this study would make better appreciation of Nigerian Animated films and encourage Animators to make more. Findings: The findings in this study, is that, the use of CGI in object and character representation in Nigerian Animated films as regards reality simulates the simulacra nature of a typical African worldview and bring to life a historical antecedent. It submits that CGI boosts the visual and aural representation of the Nollywood film narratives which allow the viewer to recognize the already established meanings of the codes used in film text. Unique Contribution to Theory, Practice and Policy: It also recommends that Animation should be used for promotion and preservation of fast fading Igbo cultures
{"title":"Perception of Computer Generated Images (CGI) in Nigerian made animated films: A cognitive-semiotic view","authors":"U. C. Ajiwe, Stella Uchenna Nwofor","doi":"10.47941/jcomm.860","DOIUrl":"https://doi.org/10.47941/jcomm.860","url":null,"abstract":"Purpose: There has been lots of positive and negative criticisms on the influences and effects of animated images on kids in Nigeria without considering the communicative potentials of such medium from our cultural perspectives. Again, many Nigerians may not have the knowledge that there are quality Nigerian local content animation.\u0000Methodology: This paper looks at the perception of computer generated imagery (CGI) in Nigerian animated films. It examines the nature of the application of CGI in popular Nigerian Animated films by analyzing the techniques used and meanings produced from The images constructed to communicate the ideas of the narratives. This paper is anchored on the framework of cognitive semiotic theory and adopts the qualitative research design to investigate the communication of meanings by use of CGI in Malika (2020), the basis for using cognitive semiotic theory in this paper is that CGI are simulated believable images that denote meanings to communicate encoded cultural ideologies to kids within and outside Nigeria. It is hoped that this study would make better appreciation of Nigerian Animated films and encourage Animators to make more.\u0000Findings: The findings in this study, is that, the use of CGI in object and character representation in Nigerian Animated films as regards reality simulates the simulacra nature of a typical African worldview and bring to life a historical antecedent. It submits that CGI boosts the visual and aural representation of the Nollywood film narratives which allow the viewer to recognize the already established meanings of the codes used in film text. \u0000Unique Contribution to Theory, Practice and Policy: It also recommends that Animation should be used for promotion and preservation of fast fading Igbo cultures","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"21 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91154704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The ills of modeling variables substantively involved in a causal process as “controls” have been discussed extensively by social scientists who do not study media. Until recently, Slater was one of the few communication scientists to suggest that media effects scholars engage in overcontrol. Bushman and Anderson have now echoed this concern in the context of a broader treatise on research trends in the media violence literature. The present study responded to Wright’s recent discussion of control variable usage in the pornography literature. Specifically, using a national probability sample of approximately 1,900 U.S. adults, the present study assessed whether multiple demographic variables routinely modeled as controls in the pornography effects literature may be better conceptualized as initiating predictors. Results were inconsistent with the confounding approach but consistent with the hypothesis that individual differences predict cognitive response states that increase or decrease the likelihood of media effects.
{"title":"To Misspecify Is Common, to Probe Misspecification Scientific: Common “Confounds” in Pornography Research May Actually Be Predictors","authors":"P. Wright, R. Tokunaga, D. Herbenick, B. Paul","doi":"10.1093/joc/jqac012","DOIUrl":"https://doi.org/10.1093/joc/jqac012","url":null,"abstract":"\u0000 The ills of modeling variables substantively involved in a causal process as “controls” have been discussed extensively by social scientists who do not study media. Until recently, Slater was one of the few communication scientists to suggest that media effects scholars engage in overcontrol. Bushman and Anderson have now echoed this concern in the context of a broader treatise on research trends in the media violence literature. The present study responded to Wright’s recent discussion of control variable usage in the pornography literature. Specifically, using a national probability sample of approximately 1,900 U.S. adults, the present study assessed whether multiple demographic variables routinely modeled as controls in the pornography effects literature may be better conceptualized as initiating predictors. Results were inconsistent with the confounding approach but consistent with the hypothesis that individual differences predict cognitive response states that increase or decrease the likelihood of media effects.","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"167 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88185324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dominik A. Stecuła, Matthew P. Motta, Ozan Kuru, K. Jamieson
Cardiothoracic surgeon Dr. Mehmet Oz, until recently the host of a nationally syndicated U.S. television show, is among the media figures who have espoused health views unsanctioned by established medical authorities such as the Center for Disease Control and Prevention and the Food and Drug Administration. In a large, probability-based national longitudinal study, we examine the prevalence and consequences of consuming alternative health media (AHM), such as The Dr. Oz Show. Drawing on data from a naturally occurring and time-varying quasi-experiment, we demonstrate that such programming may be able to shift the attitudes of its audience on consequential health topics. Specifically, Oz’s endorsement of the MMR vaccine was associated with a shift in acceptance among a segment of his audience. Our study demonstrates both the persuasive power of AHM and its capacity to align the views of its low-knowledge audience members with CDC and FDA-consistent science, should its trusted sources choose to do so.
心胸外科医生默罕默德·奥兹(Mehmet Oz)直到最近还在主持一个全国性电视节目,他是未经美国疾病控制与预防中心(Center for Disease Control and Prevention)和食品与药物管理局(Food and Drug Administration)等权威医疗机构批准的健康观点的媒体人物之一。在一项基于概率的大型全国性纵向研究中,我们调查了消费另类健康媒体(AHM)(如the Dr. Oz Show)的流行程度和后果。利用自然发生的时变准实验的数据,我们证明了这样的节目可能能够改变观众对相应健康主题的态度。具体来说,奥兹对MMR疫苗的支持与他的一部分听众接受程度的转变有关。我们的研究既证明了AHM的说服力,也证明了AHM有能力使其低知识受众的观点与CDC和fda一致的科学观点保持一致,如果它的可信来源选择这样做的话。
{"title":"The Great and Powerful Dr. Oz? Alternative Health Media Consumption and Vaccine Views in the United States","authors":"Dominik A. Stecuła, Matthew P. Motta, Ozan Kuru, K. Jamieson","doi":"10.1093/joc/jqac011","DOIUrl":"https://doi.org/10.1093/joc/jqac011","url":null,"abstract":"\u0000 Cardiothoracic surgeon Dr. Mehmet Oz, until recently the host of a nationally syndicated U.S. television show, is among the media figures who have espoused health views unsanctioned by established medical authorities such as the Center for Disease Control and Prevention and the Food and Drug Administration. In a large, probability-based national longitudinal study, we examine the prevalence and consequences of consuming alternative health media (AHM), such as The Dr. Oz Show. Drawing on data from a naturally occurring and time-varying quasi-experiment, we demonstrate that such programming may be able to shift the attitudes of its audience on consequential health topics. Specifically, Oz’s endorsement of the MMR vaccine was associated with a shift in acceptance among a segment of his audience. Our study demonstrates both the persuasive power of AHM and its capacity to align the views of its low-knowledge audience members with CDC and FDA-consistent science, should its trusted sources choose to do so.","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"34 10 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88533467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Edda Humprecht, Laia Castro Herrero, Sina Blassnig, M. Brüggemann, Sven Engesser
{"title":"Correction to: Media Systems in the Digital Age: An Empirical Comparison of 30 Countries","authors":"Edda Humprecht, Laia Castro Herrero, Sina Blassnig, M. Brüggemann, Sven Engesser","doi":"10.1093/joc/jqac010","DOIUrl":"https://doi.org/10.1093/joc/jqac010","url":null,"abstract":"","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"14 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79172621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the last two decades, communication research dedicated substantial attention to the effects of incidental exposure (IE) to political information. In this meta-analysis, we analyzed the relationship of IE and five outcomes relevant for democracies. Including 106 distinct samples with more than 100,000 respondents, we observed positive cross-sectional relationships between IE and news use, political knowledge, political participation, expressive engagement, and political discussion. These effects shrink substantially but remain significant for panel studies. While we found a stronger relationship with knowledge for experiments compared to surveys, the relationship between IE and discussion and participation was not significant for experiments. Overall, findings suggest that IE matters, but its effects are smaller and more nuanced than previously thought. Also, the effects of IE are strongest when there is congruence between the exposure setting and the outcome setting. We discuss theoretical and methodological implications for IE research and the field at large.
{"title":"Democratic Consequences of Incidental Exposure to Political Information: A Meta-Analysis","authors":"Andreas Nanz, Jörg Matthes","doi":"10.1093/joc/jqac008","DOIUrl":"https://doi.org/10.1093/joc/jqac008","url":null,"abstract":"\u0000 In the last two decades, communication research dedicated substantial attention to the effects of incidental exposure (IE) to political information. In this meta-analysis, we analyzed the relationship of IE and five outcomes relevant for democracies. Including 106 distinct samples with more than 100,000 respondents, we observed positive cross-sectional relationships between IE and news use, political knowledge, political participation, expressive engagement, and political discussion. These effects shrink substantially but remain significant for panel studies. While we found a stronger relationship with knowledge for experiments compared to surveys, the relationship between IE and discussion and participation was not significant for experiments. Overall, findings suggest that IE matters, but its effects are smaller and more nuanced than previously thought. Also, the effects of IE are strongest when there is congruence between the exposure setting and the outcome setting. We discuss theoretical and methodological implications for IE research and the field at large.","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"23 17 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91259199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Researchers know little about how people respond to misinformation shared by their social media “friends.” Do responses scale up to distort the structure of online networks? We focus on an important yet under-researched response to misinformation—blocking or unfollowing a friend who shares it—and assess whether this is influenced by political similarity between friends. Using a representative sample of social media users (n = 968), we conducted two 2 × 2 between-subjects experiments focusing on two political issues and individuals’ political ideology as a quasi-factor. The first factor manipulated who shared the misinformation (politically similar vs. dissimilar friend); the second manipulated the misinformation’s plausibility (implausible vs. moderately plausible). Our findings, which replicated across political issues and levels of plausibility, reveal that social media users, particularly left-wing users, are more likely to block and unfollow politically dissimilar than similar friends who share misinformation. Partisan blocking contributes to network polarization on social media.
{"title":"Partisan Blocking: Biased Responses to Shared Misinformation Contribute to Network Polarization on Social Media","authors":"J. Kaiser, Cristian Vaccari, A. Chadwick","doi":"10.1093/joc/jqac002","DOIUrl":"https://doi.org/10.1093/joc/jqac002","url":null,"abstract":"\u0000 Researchers know little about how people respond to misinformation shared by their social media “friends.” Do responses scale up to distort the structure of online networks? We focus on an important yet under-researched response to misinformation—blocking or unfollowing a friend who shares it—and assess whether this is influenced by political similarity between friends. Using a representative sample of social media users (n = 968), we conducted two 2 × 2 between-subjects experiments focusing on two political issues and individuals’ political ideology as a quasi-factor. The first factor manipulated who shared the misinformation (politically similar vs. dissimilar friend); the second manipulated the misinformation’s plausibility (implausible vs. moderately plausible). Our findings, which replicated across political issues and levels of plausibility, reveal that social media users, particularly left-wing users, are more likely to block and unfollow politically dissimilar than similar friends who share misinformation. Partisan blocking contributes to network polarization on social media.","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"2010 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82535173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"News for the Rich, White, and Blue: How Place and Power Distort American Journalism Nikki Usher","authors":"Joshua P. Darr","doi":"10.1093/joc/jqac005","DOIUrl":"https://doi.org/10.1093/joc/jqac005","url":null,"abstract":"","PeriodicalId":53925,"journal":{"name":"Fonseca-Journal of Communication","volume":"63 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90449758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}