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Estudio sobre el consumo audiovisual de la Generación Z en España 西班牙Z一代视听消费研究
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-06-01 DOI: 10.14201/fjc.28216
José Antonio Cortés Quesada, Teresa Barceló Ugarte, Gonzalo Fuentes Cortina
La transformación del sector televisivo en la última década (2010-2020) se ha visto potenciada por el desarrollo tecnológico, como la aparición de la televisión digital y la transmisión de imágenes a través de la banda ancha. Los espectadores han adquirido un papel protagonista en la elección y creación del contenido audiovisual. En este escenario, los jóvenes no renuncian a la televisión lineal, apostando principalmente por los informativos y programas de entretenimiento. Tras la realización de un estudio cualitativo mediante un focus group y un cuestionario a 400 jóvenes, se demuestra que su consumo es cada vez menor por ser considerada como anticuada y sujeta a un horario y la ficción es vista, casi en su totalidad, a través de las plataformas de contenido en streaming. La Generación Z prefiere visionar contenidos dónde y cómo quieren y, además, la comparten con otros usuarios gracias a las redes sociales. Esta evolución audiovisual provoca una hiperfragmentación de la audiencia y una brecha generacional entre el consumo de la televisión tradicional y los contenidos por streaming.
在过去十年(2010-2020年),电视行业的转型受到技术发展的推动,如数字电视的出现和通过宽带传输图像。观众在视听内容的选择和创作中起着主导作用。在这种情况下,年轻人并没有放弃线性电视,主要选择新闻和娱乐节目。定性后进行了一项研究,通过focus group和400名青年、问卷调查表明,自己越来越低消费被视为过时和挂一个时间表和小说的观点,几乎所有通过流媒体内容平台。Z一代更喜欢在他们想要的地方和方式查看内容,并通过社交网络与其他用户分享。这种视听演变导致了观众的过度碎片化,以及传统电视消费和流媒体内容之间的代际差距。
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引用次数: 2
Yuxtaposición narrativa a través de la metaficción 通过元小说的叙事并置
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-06-01 DOI: 10.14201/fjc.28306
María Jesús Cabello Bustos
Una de las características que define el cine de Woody Allen son las referencias al séptimo arte. Continuamente se observa cómo sus personajes acuden a proyecciones cinematográficas. Sin duda, la más icónica de estas situaciones en su filmografía ocurre en La rosa púrpura de El Cairo (1985), donde la dicotomía realidad-ficción se fusiona traspasando los personajes sus respectivas narrativas. Partiendo de la idea que Buster Keaton desarrollara en El moderno Sherlock Holmes (1924), Allen recupera la memoria de Keaton reelaborando la idea de la permeabilidad entre ambas narrativas, permitiendo al director reinterpretar la alegoría platónica de la caverna a través de los personajes de la película, esclavos de un guion que representan una y otra vez. De un modo similar, la cuarta entrega de la saga Matrix presenta un nuevo mundo autoconsciente y metaficcional. Con Matrix Resurrections (2021) Lana Wachowski realiza una vuelta de tuerca al sistema ficcional de Matrix, creando un Matrix dentro de Matrix. El objetivo de esta comunicación es realizar un acercamiento a la utilización de la metaficción partiendo de la yuxtaposición entre ambas narrativas, que conllevan una transgresión de los niveles de la narración.
伍迪·艾伦电影的一个决定性特征是对第七艺术的引用。他的角色经常出现在电影放映中。毫无疑问,这些场景中最具标志性的是《开罗的紫玫瑰》(1985),在这部电影中,现实与虚构的二分法融合在一起,将人物转移到各自的叙事中。巴斯特基顿的想法为基础开发的现代福尔摩斯(1924年),艾伦会恢复记忆的基顿reelaborando narrativas两者之间的渗透率的想法,重新诠释的柏拉图式的寓意主任洞穴通过角色的电影,一个电影剧本的奴隶所代表的一遍又一遍。同样,《黑客帝国》系列的第四部也呈现了一个新的自我意识的元小说世界。在《黑客帝国复活》(2021)中,Lana Wachowski对虚构的黑客帝国系统进行了彻底的改造,在黑客帝国中创造了一个黑客帝国。这种交流的目的是通过两种叙事的并置来实现元小说的使用,这导致了叙事层次的越界。
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引用次数: 0
A Methodological Framework for Analyzing the Appearance and Duration of Media Effects 分析媒体效应的出现和持续时间的方法论框架
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-05-11 DOI: 10.1093/joc/jqac013
Fabian Thomas
Media effects have been studied for decades. However, it is still unclear how to assess the dynamic nature of media effects methodologically and analytically. Building on recent research on media effects and developments in statistical modeling, I present a methodological framework to provide a detailed analysis of media effect dynamics. To do so, I describe general patterns for the appearance and the duration of media effects and present statistical approaches to analyze them. Using artificial data, I illustrate how these statistical approaches can be applied to longitudinal data and show how they behave across different data scenarios. Further, extensions, limitations, and the theoretical contribution of the framework to the field of media effects research are discussed. In sum, the presented framework can be used to test various communication theories and can be combined with many research designs in order to identify patterns in the appearance and duration of media effects.
媒体效应已经研究了几十年。然而,如何在方法和分析上评估媒介效应的动态性质仍然不清楚。基于最近对媒体效应的研究和统计建模的发展,我提出了一个方法框架,以提供媒体效应动力学的详细分析。为此,我描述了媒体效应的出现和持续时间的一般模式,并提出了分析它们的统计方法。我将使用人工数据说明如何将这些统计方法应用于纵向数据,并展示它们在不同数据场景中的表现。此外,本文还讨论了该框架在媒介效果研究领域的扩展、局限和理论贡献。总而言之,所提出的框架可用于测试各种传播理论,并可与许多研究设计相结合,以确定媒体效果的外观和持续时间的模式。
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引用次数: 4
Perception of Computer Generated Images (CGI) in Nigerian made animated films: A cognitive-semiotic view 尼日利亚动画电影中计算机生成图像(CGI)的感知:认知符号学观点
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-05-09 DOI: 10.47941/jcomm.860
U. C. Ajiwe, Stella Uchenna Nwofor
Purpose: There has been lots of positive and negative criticisms on the influences and effects of animated images on kids in Nigeria without considering the communicative potentials of such medium from our cultural perspectives. Again, many Nigerians may not have the knowledge that there are quality Nigerian local content animation.Methodology: This paper looks at the perception of computer generated imagery (CGI) in Nigerian animated films. It examines the nature of the application of CGI in popular Nigerian Animated films by analyzing the techniques used and meanings produced from The images constructed to communicate the ideas of the narratives. This paper is anchored on the framework of cognitive semiotic theory and adopts the qualitative research design to investigate the communication of meanings by use of CGI in Malika (2020), the basis for using cognitive semiotic theory in this paper is that CGI are simulated believable images that denote meanings to communicate encoded cultural ideologies to kids within and outside Nigeria. It is hoped that this study would make better appreciation of Nigerian Animated films and encourage Animators to make more.Findings: The findings in this study, is that, the use of CGI in object and character representation in Nigerian Animated films as regards reality simulates the simulacra nature of a typical African worldview and bring to life a historical antecedent. It submits that CGI boosts the visual and aural representation of the Nollywood film narratives which allow the viewer to recognize the already established meanings of the codes used in film text. Unique Contribution to Theory, Practice and Policy: It also recommends that Animation should be used for promotion and preservation of fast fading Igbo cultures
目的:在尼日利亚,动画图像对儿童的影响和效果有很多正面和负面的批评,没有考虑到这种媒体从我们的文化角度的传播潜力。同样,许多尼日利亚人可能不知道有高质量的尼日利亚本地内容动画。方法:本文着眼于感知计算机生成的图像(CGI)在尼日利亚动画电影。它检查了在流行的尼日利亚动画电影CGI应用的性质,通过分析所使用的技术和意义产生的图像构造,以传达叙事的想法。本文以认知符号学理论框架为基础,采用定性研究设计,研究马里卡(2020)使用CGI进行意义传播的情况。本文使用认知符号学理论的基础是,CGI是模拟可信的图像,表示意义,向尼日利亚境内外的儿童传达编码的文化意识形态。希望这项研究能让人们更好地欣赏尼日利亚动画电影,并鼓励动画师制作更多的动画电影。研究结果:本研究的发现是,在尼日利亚动画电影中,使用CGI来表现物体和角色,就现实而言,模拟了典型非洲世界观的拟像性质,并将历史先例带入生活。它认为,CGI增强了诺莱坞电影叙事的视觉和听觉表现,使观众能够识别电影文本中使用的代码已经建立的意义。对理论、实践和政策的独特贡献:它还建议应利用动画来促进和保护迅速衰落的伊博文化
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引用次数: 0
To Misspecify Is Common, to Probe Misspecification Scientific: Common “Confounds” in Pornography Research May Actually Be Predictors 错误定义是常见的,探究错误定义是科学的:色情研究中常见的“混淆”实际上可能是预测因素
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-04-23 DOI: 10.1093/joc/jqac012
P. Wright, R. Tokunaga, D. Herbenick, B. Paul
The ills of modeling variables substantively involved in a causal process as “controls” have been discussed extensively by social scientists who do not study media. Until recently, Slater was one of the few communication scientists to suggest that media effects scholars engage in overcontrol. Bushman and Anderson have now echoed this concern in the context of a broader treatise on research trends in the media violence literature. The present study responded to Wright’s recent discussion of control variable usage in the pornography literature. Specifically, using a national probability sample of approximately 1,900 U.S. adults, the present study assessed whether multiple demographic variables routinely modeled as controls in the pornography effects literature may be better conceptualized as initiating predictors. Results were inconsistent with the confounding approach but consistent with the hypothesis that individual differences predict cognitive response states that increase or decrease the likelihood of media effects.
不研究媒体的社会科学家广泛讨论了将与因果过程有关的变量建模为“控制”的弊病。直到最近,斯莱特还是为数不多的认为媒体影响学者过度控制的传播科学家之一。布什曼和安德森现在在一篇关于媒体暴力文学研究趋势的更广泛的论文中回应了这一担忧。本研究回应了Wright最近关于控制变量在色情文学中的使用的讨论。具体地说,本研究使用约1900名美国成年人的全国概率样本,评估了在色情影响文献中常规建模为控制的多种人口统计学变量是否可以更好地概念化为初始预测因子。结果与混淆方法不一致,但与个体差异预测认知反应状态增加或减少媒体效应可能性的假设一致。
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引用次数: 11
The Great and Powerful Dr. Oz? Alternative Health Media Consumption and Vaccine Views in the United States 伟大而强大的奥兹医生?美国另类健康媒体消费与疫苗观点
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-03-29 DOI: 10.1093/joc/jqac011
Dominik A. Stecuła, Matthew P. Motta, Ozan Kuru, K. Jamieson
Cardiothoracic surgeon Dr. Mehmet Oz, until recently the host of a nationally syndicated U.S. television show, is among the media figures who have espoused health views unsanctioned by established medical authorities such as the Center for Disease Control and Prevention and the Food and Drug Administration. In a large, probability-based national longitudinal study, we examine the prevalence and consequences of consuming alternative health media (AHM), such as The Dr. Oz Show. Drawing on data from a naturally occurring and time-varying quasi-experiment, we demonstrate that such programming may be able to shift the attitudes of its audience on consequential health topics. Specifically, Oz’s endorsement of the MMR vaccine was associated with a shift in acceptance among a segment of his audience. Our study demonstrates both the persuasive power of AHM and its capacity to align the views of its low-knowledge audience members with CDC and FDA-consistent science, should its trusted sources choose to do so.
心胸外科医生默罕默德·奥兹(Mehmet Oz)直到最近还在主持一个全国性电视节目,他是未经美国疾病控制与预防中心(Center for Disease Control and Prevention)和食品与药物管理局(Food and Drug Administration)等权威医疗机构批准的健康观点的媒体人物之一。在一项基于概率的大型全国性纵向研究中,我们调查了消费另类健康媒体(AHM)(如the Dr. Oz Show)的流行程度和后果。利用自然发生的时变准实验的数据,我们证明了这样的节目可能能够改变观众对相应健康主题的态度。具体来说,奥兹对MMR疫苗的支持与他的一部分听众接受程度的转变有关。我们的研究既证明了AHM的说服力,也证明了AHM有能力使其低知识受众的观点与CDC和fda一致的科学观点保持一致,如果它的可信来源选择这样做的话。
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引用次数: 9
Correction to: Media Systems in the Digital Age: An Empirical Comparison of 30 Countries 修正:数字时代的媒体系统:30个国家的实证比较
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-03-21 DOI: 10.1093/joc/jqac010
Edda Humprecht, Laia Castro Herrero, Sina Blassnig, M. Brüggemann, Sven Engesser
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引用次数: 36
Democratic Consequences of Incidental Exposure to Political Information: A Meta-Analysis 偶然接触政治信息的民主后果:一项元分析
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-03-17 DOI: 10.1093/joc/jqac008
Andreas Nanz, Jörg Matthes
In the last two decades, communication research dedicated substantial attention to the effects of incidental exposure (IE) to political information. In this meta-analysis, we analyzed the relationship of IE and five outcomes relevant for democracies. Including 106 distinct samples with more than 100,000 respondents, we observed positive cross-sectional relationships between IE and news use, political knowledge, political participation, expressive engagement, and political discussion. These effects shrink substantially but remain significant for panel studies. While we found a stronger relationship with knowledge for experiments compared to surveys, the relationship between IE and discussion and participation was not significant for experiments. Overall, findings suggest that IE matters, but its effects are smaller and more nuanced than previously thought. Also, the effects of IE are strongest when there is congruence between the exposure setting and the outcome setting. We discuss theoretical and methodological implications for IE research and the field at large.
在过去的二十年中,传播学研究对政治信息的偶然暴露(IE)的影响给予了大量关注。在这个荟萃分析中,我们分析了IE与民主国家相关的五个结果的关系。包括106个不同的样本,超过10万名受访者,我们观察到IE与新闻使用、政治知识、政治参与、表达性参与和政治讨论之间的正截面关系。这些影响大大缩小,但在小组研究中仍然很重要。虽然我们发现与调查相比,实验与知识之间的关系更强,但IE与讨论和参与之间的关系在实验中并不显著。总的来说,研究结果表明IE很重要,但它的影响比以前认为的要小,也更微妙。此外,当曝光设置和结果设置相一致时,IE的影响是最强的。我们讨论了IE研究和整个领域的理论和方法含义。
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引用次数: 15
Partisan Blocking: Biased Responses to Shared Misinformation Contribute to Network Polarization on Social Media 党派封锁:对共享错误信息的偏见反应导致社交媒体上的网络两极分化
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-03-15 DOI: 10.1093/joc/jqac002
J. Kaiser, Cristian Vaccari, A. Chadwick
Researchers know little about how people respond to misinformation shared by their social media “friends.” Do responses scale up to distort the structure of online networks? We focus on an important yet under-researched response to misinformation—blocking or unfollowing a friend who shares it—and assess whether this is influenced by political similarity between friends. Using a representative sample of social media users (n = 968), we conducted two 2 × 2 between-subjects experiments focusing on two political issues and individuals’ political ideology as a quasi-factor. The first factor manipulated who shared the misinformation (politically similar vs. dissimilar friend); the second manipulated the misinformation’s plausibility (implausible vs. moderately plausible). Our findings, which replicated across political issues and levels of plausibility, reveal that social media users, particularly left-wing users, are more likely to block and unfollow politically dissimilar than similar friends who share misinformation. Partisan blocking contributes to network polarization on social media.
研究人员对人们如何回应社交媒体“朋友”分享的错误信息知之甚少。反应是否会扩大到扭曲在线网络的结构?我们关注的是对错误信息的一个重要但尚未得到充分研究的反应——屏蔽或取消关注分享错误信息的朋友——并评估这是否受到朋友之间政治相似性的影响。我们选取了一个具有代表性的社交媒体用户样本(n = 968),进行了两个2 × 2的受试者间实验,重点关注两个政治问题和个人的政治意识形态作为准因素。第一个因素被操纵谁分享了错误信息(政治上相似vs不同的朋友);第二种方法是操纵错误信息的可信度(不可信vs.适度可信)。我们的研究结果在不同的政治问题和可信度水平上都得到了复制,结果表明,社交媒体用户,尤其是左翼用户,比分享错误信息的相似朋友更有可能阻止和取消关注政治上不同的朋友。党派封锁助长了社交媒体上的网络两极分化。
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引用次数: 4
News for the Rich, White, and Blue: How Place and Power Distort American Journalism Nikki Usher 《富人、白人和黑人的新闻:地方和权力如何扭曲美国新闻业
IF 0.4 Q3 COMMUNICATION Pub Date : 2022-03-08 DOI: 10.1093/joc/jqac005
Joshua P. Darr
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引用次数: 7
期刊
Fonseca-Journal of Communication
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