The media, including popular media such as music and films, often generate conversations about different spectrums of society. Due to an overabundance of imagery and sounds from the media, including television, film, advertising, social media and the internet, audiences are constantly bombarded with stereotypes and ideologies about other races and identities. As an exponentially growing popular culture industry, Nollywood – the Nigerian movie industry – positions itself as a source of knowledge and popular discourse about issues emanating from the continent and other places. With this growth, Nollywood seems to have been given a spot in the political circle of identity politics, giving it the power to represent the ‘Others’. This study interrogates the theme of identity construction in African films by focusing on the ways in which some select Nollywood films of the early and late 2000s and early 2010s frame and construct foreign races and foreign societies, using critical ideological analysis and the framework of critical race theory. Representations and portrayals of difference in the analysed movies could be serving some ‘revenge’ of sorts, transgressing age-long representations of Black people in Blaxploitation films. The multiplex representations as seen in the analyses serve the primary purpose of such stereotypes: to reproduce and to reaffirm prejudices that over time become naturalized and normalized. The study thematically specifies the significant use of labels, stereotypes and certain orthodoxies that aim to frame and characterize foreign societies in popular Nigerian films and suggests some broader implications of the findings.
{"title":"Oppositional gaze or revenge? A critical ideological analysis of foreignness and foreign identities in Nollywood feature films","authors":"Chikezie E. Uzuegbunam","doi":"10.1386/cjcs_00042_1","DOIUrl":"https://doi.org/10.1386/cjcs_00042_1","url":null,"abstract":"The media, including popular media such as music and films, often generate conversations about different spectrums of society. Due to an overabundance of imagery and sounds from the media, including television, film, advertising, social media and the internet, audiences are constantly bombarded with stereotypes and ideologies about other races and identities. As an exponentially growing popular culture industry, Nollywood – the Nigerian movie industry – positions itself as a source of knowledge and popular discourse about issues emanating from the continent and other places. With this growth, Nollywood seems to have been given a spot in the political circle of identity politics, giving it the power to represent the ‘Others’. This study interrogates the theme of identity construction in African films by focusing on the ways in which some select Nollywood films of the early and late 2000s and early 2010s frame and construct foreign races and foreign societies, using critical ideological analysis and the framework of critical race theory. Representations and portrayals of difference in the analysed movies could be serving some ‘revenge’ of sorts, transgressing age-long representations of Black people in Blaxploitation films. The multiplex representations as seen in the analyses serve the primary purpose of such stereotypes: to reproduce and to reaffirm prejudices that over time become naturalized and normalized. The study thematically specifies the significant use of labels, stereotypes and certain orthodoxies that aim to frame and characterize foreign societies in popular Nigerian films and suggests some broader implications of the findings.","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"13 1","pages":"121-139"},"PeriodicalIF":0.5,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42616286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
C. Navarro, Matilde Delgado, Elisa Paz, Núria García-Muñoz, Alba Mendoza
The current interrelation between social media and the audio-visual industry has required traditional broadcasters to extend their programming strategies outside the box. TV fiction is a suitable genre to test new forms of audience loyalty, which is essential in a highly competitive environment. In this article, we present results regarding the actions of the industry through a content analysis of the official Twitter profiles of the most-watched series in Spain and the United Kingdom. We conclude that both market strategies revolve around the linear broadcast. However, Spanish channels are more aggressive in their actions to stimulate social conversation.
{"title":"Comparative analysis of the broadcaster’s Twitter strategies of the highest-rated British and Spanish TV series","authors":"C. Navarro, Matilde Delgado, Elisa Paz, Núria García-Muñoz, Alba Mendoza","doi":"10.1386/cjcs_00041_1","DOIUrl":"https://doi.org/10.1386/cjcs_00041_1","url":null,"abstract":"The current interrelation between social media and the audio-visual industry has required traditional broadcasters to extend their programming strategies outside the box. TV fiction is a suitable genre to test new forms of audience loyalty, which is essential in a highly competitive environment. In this article, we present results regarding the actions of the industry through a content analysis of the official Twitter profiles of the most-watched series in Spain and the United Kingdom. We conclude that both market strategies revolve around the linear broadcast. However, Spanish channels are more aggressive in their actions to stimulate social conversation.","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"13 1","pages":"101-119"},"PeriodicalIF":0.5,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46576656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. B. Gonzalo, Rocío Zamora Medina, Marta Rebolledo de la Calle
Politainment is a phenomenon that deals with the political communication of entertainment regarding its production, diffusion and intake in its different formats. It entails consequences regarding the dynamics of communication such as political informative decline, along with the loss of democratic quality giving prominence to a post-truth communication environment and promoting the celebritization of politicians. The academic basis upholds that, in the politainment environment, social networks play an important role acting as instruments that help promote information exchange, both horizontally and vertically, from an active, connected, empowered social audience which evidences participation, contribution, production and collaboration. This research is pioneer in identifying the kind of contents of politainment programmes that promote a greater engagement among the social audience. Therefore, it includes an empirical analysis from a quantitative and qualitative approach of the contents of tweets and comments with the highest level of interaction among prosumers from the profiles of the three most representative politainment programmes in Spain: El Objetivo, El programa de Ana Rosa and El Intermedio. The results achieved from this comparative analysis include significant differences regarding the politainment content promoted by these programmes and also in relation to the level of online engagement. Although the limited interaction from the social audience was a common pattern, the results show that tweets with hashtags, visual elements and the ones using the attribute of responsibility frame achieved a higher engagement level than the rest of them.
政治是一种处理娱乐的政治传播的现象，涉及娱乐的不同形式的生产、传播和接受。它带来了传播动态的后果，如政治信息的减少，以及民主质量的丧失，突出了后真相传播环境，并促进了政治家的知名度。学术基础认为，在政治环境中，社交网络作为工具发挥着重要作用，有助于促进信息交流，无论是横向还是纵向，来自活跃、互联、赋权的社会受众，这证明了参与、贡献、生产和合作。这项研究是确定政治节目内容的先驱，这些内容可以促进社会观众的更多参与。因此，它包括对推特和评论内容的定量和定性方法进行的实证分析，这些推文和评论在西班牙三个最具代表性的政治节目的简介中具有最高水平的互动：El Objetivo、El programa de Ana Rosa和El Intermediao。这一比较分析得出的结果包括，在这些节目宣传的政治内容以及在线参与水平方面存在显著差异。尽管社交受众的有限互动是一种常见模式，但研究结果表明，带有标签、视觉元素和使用责任框架属性的推文比其他推文获得了更高的参与度。
{"title":"Politainment social audience and political engagement: Analysing Twitter conversations in Spain","authors":"S. B. Gonzalo, Rocío Zamora Medina, Marta Rebolledo de la Calle","doi":"10.1386/cjcs_00037_1","DOIUrl":"https://doi.org/10.1386/cjcs_00037_1","url":null,"abstract":"Politainment is a phenomenon that deals with the political communication of entertainment regarding its production, diffusion and intake in its different formats. It entails consequences regarding the dynamics of communication such as political informative decline, along with the loss of democratic quality giving prominence to a post-truth communication environment and promoting the celebritization of politicians. The academic basis upholds that, in the politainment environment, social networks play an important role acting as instruments that help promote information exchange, both horizontally and vertically, from an active, connected, empowered social audience which evidences participation, contribution, production and collaboration. This research is pioneer in identifying the kind of contents of politainment programmes that promote a greater engagement among the social audience. Therefore, it includes an empirical analysis from a quantitative and qualitative approach of the contents of tweets and comments with the highest level of interaction among prosumers from the profiles of the three most representative politainment programmes in Spain: El Objetivo, El programa de Ana Rosa and El Intermedio. The results achieved from this comparative analysis include significant differences regarding the politainment content promoted by these programmes and also in relation to the level of online engagement. Although the limited interaction from the social audience was a common pattern, the results show that tweets with hashtags, visual elements and the ones using the attribute of responsibility frame achieved a higher engagement level than the rest of them.","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"13 1","pages":"23-42"},"PeriodicalIF":0.5,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46947797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sabina Civila, Luis M. Romero-Rodríguez, Ignacio Aguaded
The following research studies, from a theoretical perspective, the different forms of symbolic and discursive violence and the transmission of hate speech through new media. The main objective is to understand the consequences of symbolic violence through language and how this affects freedom of expression. Reflective and critical argumentation is highlighted through an exploratory analysis carried out by a literature review, where it is determined that the confrontational narrative used by the media contributes to the dehumanization, demonization and polarization of specific collectives.
{"title":"Symbolic-discursive violence and new media: An epistemological perspective","authors":"Sabina Civila, Luis M. Romero-Rodríguez, Ignacio Aguaded","doi":"10.1386/cjcs_00038_1","DOIUrl":"https://doi.org/10.1386/cjcs_00038_1","url":null,"abstract":"The following research studies, from a theoretical perspective, the different forms of symbolic and discursive violence and the transmission of hate speech through new media. The main objective is to understand the consequences of symbolic violence through language and how this affects freedom of expression. Reflective and critical argumentation is highlighted through an exploratory analysis carried out by a literature review, where it is determined that the confrontational narrative used by the media contributes to the dehumanization, demonization and polarization of specific collectives.","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"13 1","pages":"43-61"},"PeriodicalIF":0.5,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48765122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A review of literature suggests that very few studies have examined how selection, deletion and inclusion of comments in news articles affect audience perception of news credibility, newsworthiness and trustworthiness. Using an experimental methodology, this study seeks to understand how journalistic use of UGCs influences audience perception of news credibility, newsworthiness and trustworthiness. The study also sought to espouse on the two-step flow theory and its relevance to online media; with particular reference to news selection. Four hundred participants from selected Nigerian universities constitute the sample of this study and the findings showed that comments use influenced audience perception of news credibility, newsworthiness and trustworthiness. Also, the findings lent credence to developing research that seeks to prove that the two-step flow story is relevant to online media. The findings of this study showed evidence of the two-step flow of information.
{"title":"The use of user-generated comments and their effects on the perception of news: An experimental study","authors":"Ayodeji Olalekan Awobamise, Yosra Jarrar","doi":"10.1386/cjcs_00040_1","DOIUrl":"https://doi.org/10.1386/cjcs_00040_1","url":null,"abstract":"A review of literature suggests that very few studies have examined how selection, deletion and inclusion of comments in news articles affect audience perception of news credibility, newsworthiness and trustworthiness. Using an experimental methodology, this study seeks to understand how journalistic use of UGCs influences audience perception of news credibility, newsworthiness and trustworthiness. The study also sought to espouse on the two-step flow theory and its relevance to online media; with particular reference to news selection. Four hundred participants from selected Nigerian universities constitute the sample of this study and the findings showed that comments use influenced audience perception of news credibility, newsworthiness and trustworthiness. Also, the findings lent credence to developing research that seeks to prove that the two-step flow story is relevant to online media. The findings of this study showed evidence of the two-step flow of information.","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"13 1","pages":"83-100"},"PeriodicalIF":0.5,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48209393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: The White Racial Frame: Centuries of Racial Framing and Counter-Framing, JOE R. FEAGIN (2020), 3rd ed. New York: Routledge, 302 pp., ISBN 978-0-36737-347-4, h/bk, £120 ISBN 978-0-36737-348-1, p/bk, £32.99
{"title":"The White Racial Frame: Centuries of Racial Framing and Counter-Framing, JOE R. FEAGIN (2020), 3rd ed.","authors":"Cristina García Martínez","doi":"10.1386/cjcs_00046_5","DOIUrl":"https://doi.org/10.1386/cjcs_00046_5","url":null,"abstract":"Review of: The White Racial Frame: Centuries of Racial Framing and Counter-Framing, JOE R. FEAGIN (2020), 3rd ed.\u0000New York: Routledge, 302 pp.,\u0000ISBN 978-0-36737-347-4, h/bk, £120\u0000ISBN 978-0-36737-348-1, p/bk, £32.99","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"13 1","pages":"161-162"},"PeriodicalIF":0.5,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42972626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rosalía gained worldwide fame with the release of El Mal Querer in 2018, carving a niche for herself in mainstream music with her distinctive aesthetic style and the incorporation of flamenco rhythms in her music. Our study aims to analyse four of her most important songs to highlight how she created her artistic place by incorporating collective cultural memories and translating them into a late modern scenario while at the same time commodifying the working-class standard of choni women in Spain. Our main findings suggest that (1) Rosalía’s work appropriates certain cultural and collective memories and translates them into a fashionable and desirable late modern lifestyle that combines a flamenco sound with other rhythms that could lead to the sustenance of this music genre in the new generations; (2) Rosalía establishes her youth style and femininity by incorporating a set of consumer practices that are also guided by elements of the postfeminist sensibility; and (3) there are four main actions that helped Rosalía to establish the choni-chic style. With this combination, we argue that Rosalía brings to the present a hybridized flamenco for contemporary generations while also rescuing cultural and patrimonial elements that are relevant within the construction of identities.
Rosalía凭借2018年发行的《El Mal Querer》而享誉全球，凭借独特的审美风格和融入弗拉门戈节奏的音乐在主流音乐中占据一席之地。我们的研究旨在分析她最重要的四首歌曲，以突出她是如何通过将集体文化记忆融入到现代晚期的场景中来创造自己的艺术地位，同时将西班牙工人阶级的choni女性标准商品化。我们的主要研究结果表明:(1)Rosalía的作品符合一定的文化和集体记忆，并将其转化为一种时尚和令人向往的晚期现代生活方式，将弗拉门戈的声音与其他节奏相结合，可能导致这种音乐类型在新一代中得到维持;(2) Rosalía建立了她的青春风格和女性气质，通过纳入一套消费实践，也由后女权主义敏感性的元素引导;(3)有四个主要的行动帮助Rosalía建立了choni-chic风格。通过这种结合，我们认为Rosalía为当代人带来了一种混合的弗拉门戈，同时也拯救了与身份建构相关的文化和遗传元素。
{"title":"Rosalía’s kaleidoscope in the crossroads of late modernity","authors":"Priscila Álvarez-Cueva, P. Guerra","doi":"10.1386/cjcs_00036_1","DOIUrl":"https://doi.org/10.1386/cjcs_00036_1","url":null,"abstract":"Rosalía gained worldwide fame with the release of El Mal Querer in 2018, carving a niche for herself in mainstream music with her distinctive aesthetic style and the incorporation of flamenco rhythms in her music. Our study aims to analyse four of her most important songs to highlight how she created her artistic place by incorporating collective cultural memories and translating them into a late modern scenario while at the same time commodifying the working-class standard of choni women in Spain. Our main findings suggest that (1) Rosalía’s work appropriates certain cultural and collective memories and translates them into a fashionable and desirable late modern lifestyle that combines a flamenco sound with other rhythms that could lead to the sustenance of this music genre in the new generations; (2) Rosalía establishes her youth style and femininity by incorporating a set of consumer practices that are also guided by elements of the postfeminist sensibility; and (3) there are four main actions that helped Rosalía to establish the choni-chic style. With this combination, we argue that Rosalía brings to the present a hybridized flamenco for contemporary generations while also rescuing cultural and patrimonial elements that are relevant within the construction of identities.","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"13 1","pages":"3-21"},"PeriodicalIF":0.5,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44985188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Fake News: Understanding Media and Misinformation in the Digital Age, Melissa Zimdars and Kembrew McLeod (eds) (2020) New York: PublicAffairs, 416 pp., ISBN 978-0-26253-836-7, p/bk, $38
{"title":"Fake News: Understanding Media and Misinformation in the Digital Age, Melissa Zimdars and Kembrew McLeod (eds) (2020)","authors":"Nico Hylkema","doi":"10.1386/cjcs_00045_5","DOIUrl":"https://doi.org/10.1386/cjcs_00045_5","url":null,"abstract":"Review of: Fake News: Understanding Media and Misinformation in the Digital Age, Melissa Zimdars and Kembrew McLeod (eds) (2020)\u0000New York: PublicAffairs, 416 pp.,\u0000ISBN 978-0-26253-836-7, p/bk, $38","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"13 1","pages":"158-160"},"PeriodicalIF":0.5,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66691692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pada dasarnya di era sekarang ini terlihat begitu banyak individu yang menggunakan media sosial. Banyak sekali yang memanfaatkan media sosial sebagai media self disclosure (Pengungkapan diri). Self Disclosure yang merupakan kegiatan berbagi suatu pemikiran dan rasa dengan orang lain ini berkaitan erat dengan perantara media sosial yang mana dapat menjangkau publik secara luas dan bersamaan. Salah satu contoh media sosial yang banyak sekali digunakan adalah whatsapp stories. Di dalam whatsapp stories itulah sebagian Mahasiswa Fakultas Ushuluddin Adab dan Dakwah IAIN Ponorogo Tahun Angkatan 2017 melakukan pengungkapan diri, dan whatsapp merupakan ruang lingkup publik, berarti keterbukaan yang dilakukan dapat dibagikan dan dikonsumsi oleh banyak orang. Untuk itu perlu diketahui bagaimana bentuk dan efek dari keterbukaan yang dilakukan oleh Mahasiswa Fakultas Ushuluddin Adab dan Dakwah IAIN Ponorogo Tahun Angkatan 2017. Penelitian ini berfokus pada whatsapp stories sebagai media komunikasi self disclosure. Untuk menjabarkan focus penelitian tersebut secara mendalam, dalam penelitian ini menggunakan metode penelitian kualitatif deskriptif dengan teori Self Disclosure Johari Window. Berdasarkan hasil penelitian, telah ditemukan: Pertama, bentuk self disclosure Mahasiswa Fakultas Ushuluddin Adab dan Dakwah IAIN Ponorogo Tahun Angkatan 2017 adalah terbuka, buta, dan tertutup. Kedua, efek yang ditimbulkan dari self disclosure yaitu berupa efek positif dan efek negatif. Efek positifnya adalah mencapai kepuasan, respon orang lain menentukan perubahan diri, dan postingan orang lain membuka pikiran diri. Sedangkan untuk efek negatifnya adalah apabila tidak dapat mengontrol penggunaan maka akan mendapatkan respon negatif dari orang lain, tidak mendapatkan kepercayaan, dan mendapatkan kerugian.
{"title":"Whatsapp Stories Sebagai Media Komunikasi Self Disclosure (Studi pada Mahasiswa Fakultas Ushuluddin Adab dan Dakwah IAIN Ponorogo Tahun Angkatan 2017)","authors":"Berliana Huaida","doi":"10.37680/jcs.v1i01.728","DOIUrl":"https://doi.org/10.37680/jcs.v1i01.728","url":null,"abstract":"Pada dasarnya di era sekarang ini terlihat begitu banyak individu yang menggunakan media sosial. Banyak sekali yang memanfaatkan media sosial sebagai media self disclosure (Pengungkapan diri). Self Disclosure yang merupakan kegiatan berbagi suatu pemikiran dan rasa dengan orang lain ini berkaitan erat dengan perantara media sosial yang mana dapat menjangkau publik secara luas dan bersamaan. Salah satu contoh media sosial yang banyak sekali digunakan adalah whatsapp stories. Di dalam whatsapp stories itulah sebagian Mahasiswa Fakultas Ushuluddin Adab dan Dakwah IAIN Ponorogo Tahun Angkatan 2017 melakukan pengungkapan diri, dan whatsapp merupakan ruang lingkup publik, berarti keterbukaan yang dilakukan dapat dibagikan dan dikonsumsi oleh banyak orang. Untuk itu perlu diketahui bagaimana bentuk dan efek dari keterbukaan yang dilakukan oleh Mahasiswa Fakultas Ushuluddin Adab dan Dakwah IAIN Ponorogo Tahun Angkatan 2017. \u0000Penelitian ini berfokus pada whatsapp stories sebagai media komunikasi self disclosure. Untuk menjabarkan focus penelitian tersebut secara mendalam, dalam penelitian ini menggunakan metode penelitian kualitatif deskriptif dengan teori Self Disclosure Johari Window. \u0000Berdasarkan hasil penelitian, telah ditemukan: Pertama, bentuk self disclosure Mahasiswa Fakultas Ushuluddin Adab dan Dakwah IAIN Ponorogo Tahun Angkatan 2017 adalah terbuka, buta, dan tertutup. Kedua, efek yang ditimbulkan dari self disclosure yaitu berupa efek positif dan efek negatif. Efek positifnya adalah mencapai kepuasan, respon orang lain menentukan perubahan diri, dan postingan orang lain membuka pikiran diri. Sedangkan untuk efek negatifnya adalah apabila tidak dapat mengontrol penggunaan maka akan mendapatkan respon negatif dari orang lain, tidak mendapatkan kepercayaan, dan mendapatkan kerugian.","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"4 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86544998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rinwanto Rinwanto, Hidayatus Sholihah, N. Hakim, Mufid Syakhlani
Abstract This paper discusses the phenomenon of the development of communication tools in the ancient era until it has grown rapidly until now. Many uncovered stories that are not true from people who are not responsible, either from certain groups or from personal interests. Communication from social media is very dangerous if it is not accompanied by proper ethics in communicating, especially in social media. AS-Syaukani, for example, defines the keyword al-bayan as the ability to communicate. Besides that, in the al-quran there is another keyword, namely qoul. The commands to say in the al-quran and hadith are an indication of the obligation for Muslims to apply the nature of honesty and correct speech which in the concept of al-quran is known as qaulan sadidan.
{"title":"Etika Komunikasi dalam Media Sosial Sesuai Tuntutan Al-Qur an","authors":"Rinwanto Rinwanto, Hidayatus Sholihah, N. Hakim, Mufid Syakhlani","doi":"10.37680/jcs.v1i01.721","DOIUrl":"https://doi.org/10.37680/jcs.v1i01.721","url":null,"abstract":"Abstract \u0000This paper discusses the phenomenon of the development of communication tools in the ancient era until it has grown rapidly until now. Many uncovered stories that are not true from people who are not responsible, either from certain groups or from personal interests. Communication from social media is very dangerous if it is not accompanied by proper ethics in communicating, especially in social media. AS-Syaukani, for example, defines the keyword al-bayan as the ability to communicate. Besides that, in the al-quran there is another keyword, namely qoul. The commands to say in the al-quran and hadith are an indication of the obligation for Muslims to apply the nature of honesty and correct speech which in the concept of al-quran is known as qaulan sadidan.","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"22 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82419294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：