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The dark sides of sharenting 分享的阴暗面
IF 0.5 Q3 COMMUNICATION Pub Date : 2019-04-01 DOI: 10.1386/CJCS.11.1.115_1
A. Siibak, Keily Traks
Present day parents have become accustomed to regularly posting information and disclosing details about their children on social media, i.e. engaging in sharenting. Although many parents value the practice as it not only enables to involve distant family members and friends in the growing up of the children, but has also become a practice for collecting precious memories receiving social support and sharing one’s parenting dilemmas; sharenting has still gained quite a negative public image. The current article aims to highlight some of the most dominant concerns that scholars have voiced when talking about the dark sides of sharenting – the emergence of a datafied child, loss of privacy and a potential distress the practices of sharenting might cause to the parent-child relationship.
现在的父母已经习惯于定期在社交媒体上发布信息和披露孩子的详细信息,即分享。尽管许多父母重视这种做法,因为它不仅能够让远方的家人和朋友参与孩子的成长,而且已经成为一种收集珍贵记忆、获得社会支持和分享育儿困境的做法;分享仍然获得了相当负面的公众形象。当前的文章旨在强调学者们在谈论分享的黑暗面时表达的一些最主要的担忧——数据化孩子的出现、隐私的丧失以及分享的做法可能对亲子关系造成的潜在困扰。
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引用次数: 32
From Action Art to Artivism on Instagram: Relocation and instantaneity for a new geography of protest 从行动艺术到Instagram上的野兽派:新抗议地理的迁移和即时性
IF 0.5 Q3 COMMUNICATION Pub Date : 2019-04-01 DOI: 10.1386/CJCS.11.1.23_1
Asunción Bernárdez Rodal, G. Castillo, Roxana Popelka Sosa Sánchez
This article addresses how the concept of ‘Action Art’, which came mainly from the anti-cultural movements of May 1968 in Europe, has been transformed into the term Artivism. The main hypothesis is that it is a succession of committed and protest art, transformed by two fundamental elements: the emergence of social networks and the exposure of a very young audience to artistic creation through this network. This type of creative action has acquired an urban character that is strongly linked to civil protest movements. In the second part, this article discusses how both terms circulate as Instagram hashtags in this delocalized world of networks. The terms are used to show that, beyond transcending national territories, new, significant geographies are continually being reconstructed.
这篇文章论述了“行动艺术”的概念是如何转变为“野兽派”的,“动作艺术”主要来自1968年5月欧洲的反文化运动。主要的假设是,这是一系列致力于抗议的艺术,由两个基本要素转变:社交网络的出现和非常年轻的观众通过这个网络接触艺术创作。这种类型的创造性行动具有城市特征,与民间抗议运动密切相关。在第二部分中,本文讨论了这两个术语如何作为Instagram标签在这个异地网络世界中传播。这些术语用来表明,除了超越国家领土之外,新的、重要的地理位置正在不断重建。
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引用次数: 17
The eSports ecosystem: Stakeholders and trends in a new show business 电子竞技生态系统:新娱乐业的利益相关者和趋势
IF 0.5 Q3 COMMUNICATION Pub Date : 2019-04-01 DOI: 10.1386/CJCS.11.1.3_1
José Agustín Carrillo Vera, J. Terrón
The competitive practice of videogames, known as electronic sports, has changed the traditional entertainment consumption scenario associated with games, creating a new kind of show business with several specific features. This article aims to introduce a holistic view of this new phenomenon, delimiting its socio-economic ecosystem and identifying the actors and relationship characteristics of its dynamic. This model of analysis allows us to take a general perspective of every actor role within the industry. Our research focuses on the new business models, the spectacularization of the eSports industry and the relationship between videogame and user. Finally, this article attends to the emerging issues, challenges and traditional game industry disruptions related to the mobile devices, game distribution platforms and the prosumer identity of the gamer in the digital society.
电子游戏的竞技实践,被称为电子竞技,已经改变了与游戏相关的传统娱乐消费场景,创造了一种具有几个特定功能的新娱乐业。本文旨在对这一新现象进行整体分析,界定其社会经济生态系统,识别其动态的行动者和关系特征。这种分析模型使我们能够对行业内的每个角色都有一个大致的了解。我们的研究重点是新的商业模式,电子竞技产业的壮观化以及电子游戏和用户之间的关系。最后,本文还将讨论与移动设备、游戏发行平台和数字社会中玩家的消费身份相关的新兴问题、挑战和传统游戏产业的颠覆。
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引用次数: 16
The question of linguistic minorities and the debates on cultural sovereignty 语言少数群体问题与文化主权之争
IF 0.5 Q3 COMMUNICATION Pub Date : 2019-04-01 DOI: 10.1386/CJCS.11.1.99_1
Josu Amezaga-Albizu, J. Martínez-Martínez
When observing certain global debates in recent decades on the defence of national cultural and linguistic spaces, one finds what seems to be a paradox: states that were historically constructed by homogenizing cultures and stifling languages in their territory (even states that were until recently accused of promoting cultural imperialism), now seem to be resorting to defensive arguments traditionally used by threatened minorities. This reaction is based on the perception that flows linked to globalization, migratory movements and the development of telecommunications are threatening the linguistic and cultural space of the nation, and therefore the nation itself, and could thus suggest a confluence of arguments between states and minorities. As in any paradox, we are not only faced with statements that apparently depart from common sense, but instead with a complex reality, whose understanding poses a challenge. In this article, we will try to analyse, from the point of view of the linguistic minorities, the limits of the arguments wielded by the states in defence of their national space, as well as the possibilities those minorities have of resorting to the discourses constructed at a global level in defence of diversity.
当观察近几十年来关于捍卫国家文化和语言空间的某些全球辩论时,人们会发现似乎是一个悖论:历史上通过在其领土上同质化文化和扼杀语言而构建的国家(甚至是直到最近才被指控宣扬文化帝国主义的国家),现在似乎诉诸于传统上受到威胁的少数民族使用的防御论点。这种反应是基于这样一种看法,即与全球化、移民运动和电信发展有关的流动正在威胁国家的语言和文化空间,从而威胁国家本身,因此可能表明国家和少数群体之间的争论汇合在一起。与任何悖论一样,我们不仅面临着明显偏离常识的言论,而且面临着复杂的现实,其理解构成了挑战。在这篇文章中,我们将试图从语言少数群体的角度分析国家捍卫其国家空间的论点的局限性,以及这些少数群体诉诸全球层面构建的话语捍卫多样性的可能性。
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引用次数: 2
Measuring the small in the digital landscape 在数字世界中测量微小的事物
IF 0.5 Q3 COMMUNICATION Pub Date : 2019-04-01 DOI: 10.1386/CJCS.11.1.79_1
Joan Sabaté Salazar, J. Micó
In Catalonia, the smaller media publishing in the Catalan language – usually calling themselves proximity media instead of local media – is a significant and particularly dynamic sector of the media industry’s environment. In a constant struggle to be visible against the backdrop of the state-focused Spanish media measurement systems, different approaches have been tested to portray a more accurate picture of the importance of these media, to increase their advertising revenue and also to assess the impact of Catalonian media and culture. This article analyses the effect produced in the audiences of the local media integrated in the Associacio de Mitjans d’Informacio i Comunicacio (Association of Information and Communication Media) by the changes observed in the Communication and Culture Barometer published by the Communication and Culture Audiences Foundation (FUNDACC). The objective of this article is to delineate the challenges that these media have to face to be market-significant from an audience measurement standpoint and how the media measurement institutions are a key player in this process.
在加泰罗尼亚,使用加泰罗尼亚语的小型媒体出版——通常称自己为邻近媒体,而不是当地媒体——是媒体行业环境中一个重要且特别有活力的部门。在以国家为中心的西班牙媒体衡量体系的背景下,人们不断努力让人们看到这些媒体,并测试了不同的方法来更准确地描述这些媒体的重要性,增加其广告收入,以及评估加泰罗尼亚媒体和文化的影响。本文通过传播与文化受众基金会(FUNDACC)出版的《传播与文化晴雨表》的变化,分析了信息与传播媒体协会(Association of Information and Communication media)整合后的地方媒体受众所产生的影响。本文的目的是从受众测量的角度来描述这些媒体要想在市场上发挥重要作用所必须面对的挑战,以及媒体测量机构如何在这一过程中发挥关键作用。
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引用次数: 1
‘Neither male or female, just Falete’: Resistance and queerness on Spanish TV screens “既不是男性也不是女性,只有Falete”:西班牙电视屏幕上的反抗和怪异
IF 0.5 Q3 COMMUNICATION Pub Date : 2019-04-01 DOI: 10.1386/CJCS.11.1.135_1
R. Platero, M. Rosón
Spanish copla singer Falete is best known for his frequent presence on TV shows, which receive record ratings, and also for the jokes made regarding his appearance. Confronted with normative questions regarding gender and sexuality, Falete’s successful TV career challenges not only binary conceptions of gender but also how we think about TV spectatorship. We argue that liminal spaces, such as the one that Falete inhabits on TV, are useful for unveiling how audiences develop plural and complex forms of identifying with TV stars. Watching Falete on TV, therefore, challenges theories of gender that reify processes of identity formation and identification. In this article, we highlight Falete’s engagement with queer strategies of resistance, such as humour, reappropriation and hypervisibility to resist society’s impulse to name and fix normative identities, but also to gain the audience’s attention and sympathy.
西班牙合唱歌手法列特最出名的是他频繁出现在电视节目中,这些节目的收视率创下了纪录,也因为他的外表而被取笑。面对关于性别和性的规范性问题,法莱特成功的电视事业不仅挑战了性别的二元概念,也挑战了我们对电视观众的看法。我们认为,像Falete在电视上居住的空间这样的阈值空间,对于揭示观众如何形成对电视明星的多元和复杂的认同形式是有用的。因此,在电视上观看法莱特对性别理论提出了挑战,这些理论将身份形成和认同的过程具体化。在这篇文章中,我们强调Falete运用酷儿的抵抗策略,如幽默、挪用和超可见性来抵抗社会命名和固定规范身份的冲动,同时也获得观众的关注和同情。
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引用次数: 4
Book Reviews 书评
IF 0.5 Q3 COMMUNICATION Pub Date : 2019-04-01 DOI: 10.1386/cjcs.11.1.145_5
A. Sendra, Ruth Z. Yuste-Alonso, Bart Bloem Herraiz, S. Baselga, Miguel Vicente-Mariño
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引用次数: 0
How tourism deals with terrorism from a public relations perspective: A content analysis of communication by destination management organizations in the aftermath of the 2017 terrorist attacks in Catalonia 从公共关系的角度来看,旅游业如何应对恐怖主义:2017年加泰罗尼亚恐怖袭击事件后,目的地管理组织传播的内容分析
IF 0.5 Q3 COMMUNICATION Pub Date : 2019-04-01 DOI: 10.1386/CJCS.11.1.39_1
Assumpció Huertas, Andrea Oliveira
The aim of this article is to verify how the Destination Management Organizations of Barcelona and Cambrils managed their crisis communication following the attacks of August 2017 via their Twitter platforms. To do so, an analysis template was created from the field of public relations and a content analysis was performed on the tweets published on the official accounts of these organizations during one month after the terrorist attacks. The results show that, despite the great communication potential of Twitter during crises following terrorist attacks, only Barcelona Turisme published a high volume of tweets in the first days after the attack. However, the content of the tweets by Barcelona Turisme and Cambrils Turisme focuses mainly on how the attack was dealt with, the actions they took to protect the stakeholders, and the promotion of their tourist attractions. The tweets reported to a lesser extent on what had happened during the attacks and the security measures adopted after the attacks. The study has shown the need for public relations and crisis communication by Destination Management Organizations when terrorist attacks take place. This article involves the creation of a highly useful methodology to analyse crisis communication management after terrorist attacks at tourist destinations.
本文的目的是验证巴塞罗那和坎布里尔斯的目的地管理组织在2017年8月的袭击后是如何通过其推特平台管理危机沟通的。为此,从公共关系领域创建了一个分析模板,并在恐怖袭击发生后的一个月内对这些组织官方账户上发布的推文进行了内容分析。结果显示,尽管推特在恐怖袭击后的危机中具有巨大的传播潜力,但只有巴塞罗那图里斯姆在袭击后的头几天发布了大量推文。然而,Barcelona Turisme和Cambrils Turisme的推文内容主要集中在袭击是如何处理的,他们为保护利益相关者而采取的行动,以及对其旅游景点的宣传。这些推文在较小程度上报道了袭击期间发生的事情以及袭击后采取的安全措施。该研究表明,在发生恐怖袭击时,目的地管理组织需要进行公共关系和危机沟通。本文涉及创建一种非常有用的方法来分析旅游目的地恐怖袭击后的危机沟通管理。
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引用次数: 6
The board game designer: An approach 桌面游戏设计师:一种方法
IF 0.5 Q3 COMMUNICATION Pub Date : 2018-10-01 DOI: 10.1386/cjcs.10.2.271_1
Antonio Catalán Villanueva
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引用次数: 0
The impact of digital practices on the perception of risks and benefits of digital gaming 数字实践对数字游戏风险和收益感知的影响
IF 0.5 Q3 COMMUNICATION Pub Date : 2018-10-01 DOI: 10.1386/CJCS.10.2.247_1
D. Aranda, Jórdi Sánchez-Navarro, Juan-Francisco Martínez-Cerdá, J. Meneses
This study introduces a new multivariate framework around a set of digital practices such as entertainment-oriented uses, information-oriented uses, social-connection uses, and ecommerce uses, and shows that these digital practices are, in fact, important predictors of the positive and negative perceptions of digital gaming. We developed two multiple regression models on a representative sample of the Spanish population. After controlling for socio-demographic factors (age, gender and level of education), our models reveal that gaming-related perceptions of benefits and risks are associated with people’s concrete personal experiences with digital games and, interestingly, to the greater or lesser development of their digital practices. We show that the perceptions of benefits with regards to video games are related to more developed digital practices. Conversely, the perceptions of risk are higher in the case of individuals who lack exposure and experiences regarding digital practices.
该研究围绕一系列数字实践(游戏邦注:如娱乐导向的使用、信息导向的使用、社交联系的使用和电子商务的使用)引入了一个新的多元框架,并表明这些数字实践实际上是数字游戏正面和负面看法的重要预测因素。我们在西班牙人口的代表性样本上开发了两个多元回归模型。在控制了社会人口因素(年龄、性别和教育水平)后,我们的模型显示,与游戏相关的利益和风险感知与人们对数字游戏的具体个人体验有关,有趣的是,与他们的数字实践或多或少的发展有关。我们认为,电子游戏的好处与更发达的数字实践有关。相反,缺乏数字实践经验和经验的个人对风险的感知更高。
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引用次数: 4
期刊
Catalan Journal of Communication & Cultural Studies
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