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When climate policy bogs down, humanities and the arts can move things forward 当气候政策停滞不前时,人文和艺术可以推动发展
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-17 DOI: 10.1111/gequ.12471
Simon Richter

At least since the publication of Amitav Ghosh's The Great Derangement (2016), it has become commonplace to say that the climate crisis is also a crisis of the imagination. Policymakers and their publics find it difficult to imagine how things could be otherwise. For scholars dedicated to the study of German culture and works of imagination, this would seem to be our moment. But many of us are not quite sure how to seize it. We understand the urgency, but deeply ingrained habits of mind and discipline stand in our way. As Caroline Levine emphasizes, our commitment to critique has taught us to be wary of “instrumentality” in any form. But I would argue, it's precisely the instruments of our discipline that are needed now. For the past two years, I've been experimenting with ways to put my skillset to work for climate adaptation in the Netherlands and Germany. I can readily imagine that there are policy contexts where you could do the same with yours.

People in the Netherlands don't like to talk about managed retreat. Moving to higher terrain is one of the ways low-lying communities, even whole cities and regions, can and will adapt to sea level rise. That's important because the 2022 report of the Intergovernmental Panel on Climate Change says that scientists cannot rule out two meters of sea level rise by 2100 and five meters by 2150. Other climate scientists such as James Hansen and Michael Mann think it could be much more and much sooner. For a country that regards itself as “the safest delta in the world,” even though 26% of its densely populated terrain already lies below sea level—in some places as low as seven meters—the idea of managed retreat is at odds with its national narrative of an eternal and ongoing battle with the sea. Dutch engineers boast that they can take on another ten meters of sea level rise. Retreat, they say, is for losers.

There are some Dutch climate scientists and ecologically-oriented water management experts who worry that the Netherlands is locking itself into maintaining an inflexible technocratic system that can't keep up with accelerated sea level rise. Since 2016, they've tried various strategies to keep retreat on the table, with moderate success. Landscape architects and designers have helped by offering visions of what an adaptive, inundated Netherlands might look like. The engineering lobby wants none of it. Recent opinion pieces in prominent newspapers suggest that those who advocate for retreat and cast doubt on Dutch engineering prowess are committing landverraad (treason).

I've been tracking the conversation on managed retreat in the Netherlands for the past six years. I was intrigued by a phenomenon that manifests in many other regions as well: low-level awareness of the urgency of climate change, coupled with a supreme confidence in technical solutions, bolstered by political inertia. As I spoke with climate and water professionals in the Netherlands, I realized that

至少自阿米塔夫-高什(Amitav Ghosh)的《大错乱》(The Great Derangement,2016 年)出版以来,气候危机也是一场想象力危机的说法已变得司空见惯。政策制定者和他们的公众很难想象事情会是怎样的。对于致力于研究德国文化和想象力作品的学者来说,这似乎是我们的时代。但我们中的许多人并不十分清楚该如何抓住这个时机。我们明白刻不容缓,但根深蒂固的思维习惯和纪律却阻碍了我们。正如卡罗琳-莱文(Caroline Levine)所强调的,我们对批判的承诺教会了我们警惕任何形式的 "工具性"。但我想说的是,现在需要的恰恰是我们纪律的工具。在过去的两年里,我一直在荷兰和德国尝试如何将我的技能用于气候适应。在荷兰,人们不喜欢谈论有管理的撤退。搬迁到地势较高的地方是低洼社区,甚至是整个城市和地区适应海平面上升的方法之一。这一点很重要,因为政府间气候变化专门委员会 2022 年的报告指出,科学家们不能排除到 2100 年海平面上升两米、到 2150 年上升五米的可能性。詹姆斯-汉森(James Hansen)和迈克尔-曼(Michael Mann)等其他气候科学家认为,海平面上升的幅度可能更大,时间可能更早。对于一个自诩为 "世界上最安全的三角洲 "的国家来说,尽管其人口稠密的地形有 26% 已经低于海平面--有些地方甚至低至 7 米--但有管理的退却理念与其与海洋进行永恒和持续斗争的国家叙事相悖。荷兰工程师夸口说,他们可以承受海平面再上升十米。一些荷兰气候科学家和以生态为导向的水资源管理专家担心,荷兰正在将自己锁定为一个僵化的技术官僚体系,无法跟上海平面的加速上升。自 2016 年以来,他们尝试了各种策略来保持退缩,并取得了一定的成功。景观建筑师和设计师提供了一些帮助,他们提出了一个适应性强、被淹没的荷兰可能是什么样子的愿景。但工程游说团体对此毫无兴趣。最近,一些知名报纸上的评论文章指出,那些主张退缩并对荷兰工程实力表示怀疑的人是在犯叛国罪。我对其他许多地区也存在的一种现象感到好奇:人们对气候变化的紧迫性认识不足,同时在政治惰性的支持下,对技术解决方案充满信心。当我与荷兰的气候和水资源专业人士交谈时,我意识到,我所能做的不仅仅是反思现状。在荷兰,讨论有管理的撤退的回旋余地正变得越来越小。我注意到的一点是,每当谈及退缩问题时,紧张或开玩笑地提及德国边境的声音总是不绝于耳。在荷兰首屈一指的水研究机构 Deltares 委托绘制的四种官方气候适应途径的漫画中,只有 "meebewegen"(随波逐流或与水共存,这是公认的撤退的委婉说法)提到了德国边境(见图 1)。荷兰日报》2019 年的一篇文章援引乌得勒支大学一位科学家的话说:"如果我们继续保持现状,我们将不得不放弃国家的大部分领土。我们需要讨论搬到德国的选择,因为我们最终会到达一个不归点"(Schuttenhelm)。另一个人则调侃说,荷兰剩下的一切都可以成为第十三个联邦州。学习德语将是强制性的。撤退的想法威胁着荷兰的民族认同。作为来自西方的气候难民,他们将不可避免地越过边境,带着二战的所有包袱到德国避难。他们能承受这种想法吗?更重要的是,他们会受到欢迎吗?荷兰歌舞剧演员帕特里克-内德科恩(Patrick Nederkoorn)创作了一部德语剧,名为《荷兰人来了!》(Die orangene Gefahr:荷兰人来了!"的德语节目,在边境地区的德国剧院向观众提出的正是这个问题:"亲爱的德国人,你们愿意让我、我的家人和1700万下里巴人离开吗?"同时播出的荷兰语版本向荷兰语观众讲述了一个残酷的事实:"伙计们,你们的德语说得怎么样?很快我们就要搬家了。"我联系了帕特里克,我们开始了一个合作项目,以他的表演为平台,让荷兰和德国专家参与到与边境城镇居民配对的研讨会中。
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引用次数: 0
Teaching sustainability in German studies: Culture, curriculum, and collaboration 德国研究中的可持续性教学:文化、课程与合作
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-17 DOI: 10.1111/gequ.12468
Kiley M. Kost
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引用次数: 0
The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany By Jennifer M. Kapczynski and Caroline Kita (Eds.), University of Michigan Press. 2022. pp. 268. $75.00 (hardcover), $59.95 (e-book) 民主化的艺术:Jennifer M.Kapczynski 和 CarolineKita (Eds.) 著,密歇根大学出版社。2022年。268页。75.00美元(精装),59.95美元(电子书)
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-16 DOI: 10.1111/gequ.12455
Paul Buchholz
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引用次数: 0
Plant studies 植物研究
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-16 DOI: 10.1111/gequ.12469
Joela Jacobs
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引用次数: 0
Fannish Folklore: Feminist Fan-Fiction Retellings of Germanic Fairy Tales By Jaime W. Roots, Peter Lang. 2022. pp. 240. $78.80 (paperback and ebook) Fannish Folklore:女性主义粉丝小说对日耳曼童话的重述 作者:Jaime W.Roots、PeterLang。2022年,第240页。78.80 美元(平装本和电子书)
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-10 DOI: 10.1111/gequ.12459
Anne Kustritz
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引用次数: 0
Disability in German-Speaking Europe: History, Memory, Culture By Linda Leskau, Tanja Nusser, and Katherine Sorrels (Eds.), Camden House. 2022. pp. 258. $99 (hardcover), $29.95 (ebook) 欧洲德语区的残疾问题:历史、记忆、文化》,LindaLeskau、TanjaNusser 和 KatherineSorrels(编辑)著,卡姆登书屋。2022 年。第 258 页。99美元(精装),29.95美元(电子书)
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-10 DOI: 10.1111/gequ.12462
Silke von der Emde
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引用次数: 0
Präparierte Emotionen: Formen der Trauer im Umgang mit der Stellerschen Seekuh 准备好的情绪:与斯特勒海牛打交道时的悲伤形式
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-09 DOI: 10.1111/gequ.12452
Romana Bund

Wie werden Emotionen im Kontext des Artenverlusts eingesetzt? In welchem Ausmaß sind sie steuerbar und für welche Zwecke werden sie genutzt? Anhand des Beispiels der Stellerschen Seekuh fragt der Artikel nach Formen der Trauer im Umgang mit der Auslöschung und den Überresten des marinen Säugetiers. Die Stellersche Seekuh wurde Mitte des 18. Jahrhunderts an den Rändern frühmoderner Seewege im Nordpazifik entdeckt und zu Nahrungszwecken ausgerottet. Das Tier ist Teil einer speziesübergreifenden Ausrottungsgeschichte und zeigt die Verbindung der Vernichtung nicht-menschlicher Lebewesen und indigener Gemeinschaften auf. Mithilfe der Seekuh wird untersucht, wessen Auslöschung überhaupt Trauer erfährt und wie diese mithilfe der in naturhistorischen Museen zusammengesetzten Knochengerüste her- und dargestellt wird. Fragen nach der Verbindung von Emotion und imperialen Machtstrukturen spielen dabei ebenso eine Rolle, wie die von Sammlungsinstitutionen genutzten Erzählungen letzter Individuen, tragischer Abgesänge und die Kommodifizierung der Überreste des Tieres. Abschließend wird Trauer als Möglichkeit berücksichtigt, über Artengrenzen hinweg zu verbinden.

在物种丧失的背景下,情感是如何被利用的?它们在多大程度上是可控的?文章以斯特勒海牛为例,探讨了在处理这种海洋哺乳动物的灭绝和遗骸时的哀悼形式。斯特勒海牛于 18 世纪中叶在北太平洋早期现代海上航线的边缘被发现,后被灭绝作为食物。这种动物是跨物种灭绝故事的一部分,展示了非人类生命的毁灭与土著社区之间的联系。海牛被用来研究首先是谁的灭绝受到了哀悼,以及这种哀悼是如何在自然历史博物馆所收集的骨骼的帮助下产生和表现出来的。情感与帝国权力结构之间的联系问题,以及收藏机构对最后个体的叙述、悲惨的告别和动物遗骸的商品化,在这里都发挥了作用。最后,哀悼被视为一种跨越物种界限的联系方式。
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引用次数: 0
What Remains: Responses to the Legacy of Christa Wolf By Gerald A. Fetz and Patricia Herminghouse (Eds.), Berghahn. 2022. pp. 292. $99 (hardcover) 还剩下什么?对克里斯塔-沃尔夫遗产的回应 作者:杰拉尔德-A-费茨和帕特里夏-赫明豪斯(编辑),Berghahn。2022 年。第 292 页。99 美元(精装)
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-08 DOI: 10.1111/gequ.12460
Catherine Smale
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引用次数: 0
To the Collector Belong the Spoils: Modernism and the Art of Appropriation By Annie Pfeifer, Cornell University Press. 2023. pp. 347. $67.95 (hardcover) 战利品属于收藏家:现代主义与挪用艺术》 作者:AnniePfeifer,康奈尔大学出版社。2023. pp.347.67.95美元(精装)
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-08 DOI: 10.1111/gequ.12463
Petra Watzke
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引用次数: 0
Sentiment and specters: The posthumous influence of animals and women in Marie Espérance von Schwartz's Gemma, oder Tugend und Laster (1877) and the late nineteenth-century anti-vivisection debate 情感与幽灵:玛丽-埃斯佩朗斯-冯-施瓦茨的《Gemma, oder Tugend und Laster》(1877 年)中动物和女性对后世的影响以及 19 世纪晚期的反活体解剖辩论
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2024-07-08 DOI: 10.1111/gequ.12453
Anna Richards

Animals enjoyed an active afterlife in late-nineteenth-century pro-animal texts in Germany. Drawing on a number of primary texts and recent scholarship on the anti-vivisection movement, this article argues that remembering, mourning, and haunting by animals is part of a gendered discourse on animal rights that is associated in particular with sentiment and with maternity. This is illustrated with reference to Marie Espérance von Schwartz's Gemma, oder Tugend und Laster (1877), a sentimental anti-vivisection novella in which deceased animals and women return to punish their abusers or shore up the resistant stance of the living. Viewing Schwartz's fictional novella in the context of non-fictional pro-animal works, including Ernst Grysanowski's Die Vivisection, ihr wissenschaftlicher Werth und ihre ethische Berechtigung (1877) and Ignaz Bregenzer's Thier-Ethik: Darstellung der sittlichen und rechtlichen Beziehungen zwischen Mensch und Thier (1894), allows me, by means of contrast, to highlight its gendered dimension.

在 19 世纪晚期德国支持动物的文本中,动物享有活跃的来世。本文借鉴了一些原始文本和近期有关反活体解剖运动的学术研究,认为对动物的怀念、哀悼和萦绕是动物权利性别话语的一部分,尤其与情感和母性相关。玛丽-埃斯佩朗斯-冯-施瓦茨(Marie Espérance von Schwartz)的《Gemma, oder Tugend und Laster》(1877 年)是一部感伤的反活体解剖长篇小说。将施瓦茨的虚构长篇小说与支持动物的非虚构作品(包括恩斯特-格里萨诺夫斯基(Ernst Grysanowski)的《Die Vivisection, ihr wissenschaftlicher Werth und ihre ethische Berechtigung》(1877 年)和伊格纳茨-布雷根泽尔(Ignaz Bregenzer)的《Thier-Ethik:通过对比,我可以突出其性别维度。
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引用次数: 0
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GERMAN QUARTERLY
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