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From the Derived to the Deviant: A Translation-Based Creative Writing Pedagogy 从衍生到越轨:基于翻译的创意写作教学法
Q1 Social Sciences Pub Date : 2023-10-27 DOI: 10.1080/1358684x.2023.2267017
Xia Fang
ABSTRACTWhether creativity can be taught or not has remained an unresolved and recurring topic of debate in creative writing. Writing that is creative and imaginative is distinguished from translation, which is more derivative. However, both activities are creative in their own unique ways. With the intent of fostering creativity in creative writing, I wish to explore the following questions in this paper: Where does translation’s creativity come from? Can creativity be facilitated by the opposing forces of derivation and deviation in translation? If so, how exactly? How can a creative pedagogy be based on such disparate elements? In this essay, I argue that the contradictory characteristic of translation being both derivative and derived is consistent with a certain aspect of creativity, making it useful for creative writing. Then, I will propose a translation-based creative pedagogy while examining works from my poetry project that incorporate the practice of translation.KEYWORDS: Poetry writingpoetry translationcreativitypedagogydevianceself-expressiondialogics AcknowledgementsThe author would like to express her gratitude to the anonymous reviewers for their invaluable feedback, which helped refine and strengthen the content of the paper.Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationFundingThis work was supported by Yangzhou’s Outstanding Doctoral Programme: Lv Yang Jinfeng Initiative [YZLYJF2020PHD052].Notes on contributorsXia FangXia Fang is a bilingual poet and translator. She has published several collections of translated poems and her own creative and critical works have appeared in Postcolonial Text, Mascara, Mānoa, and New Writing. Some of her research interests include literary translation, intercultural/bilingual writing, and creative writing research. Xia obtained her Ph.D. from University of Macau in 2019. She is currently a Lecturer at the College of International Studies, Yangzhou University
摘要创造力能否被教授,一直是创意写作学界争论不休的话题。创造性和想象力的写作与翻译不同,后者更多的是衍生性的。然而,这两种活动都有其独特的创造性。为了在创意写作中培养创造力,我希望在本文中探讨以下问题:翻译的创造力从何而来?翻译中衍生和偏离的对立力量能促进创造性吗?如果有,具体是怎样的?创造性的教学法如何建立在这些完全不同的元素之上呢?在本文中,我认为翻译既衍生又衍生的矛盾特征与创造力的某些方面是一致的,这对创造性写作是有益的。然后,我将提出一种基于翻译的创造性教学法,同时考察我的诗歌项目中包含翻译实践的作品。关键词:诗歌创作、诗歌翻译、创造性、教学偏差、自我表达、对话感谢匿名审稿人的宝贵意见,使本文的内容更加完善和充实。披露声明作者未报告潜在的利益冲突。本研究得到扬州市优秀博士项目:吕阳金凤计划[YZLYJF2020PHD052]资助。夏芳是一位双语诗人和翻译家。她出版了几部翻译诗集,她自己的创作和批评作品出现在《后殖民文本》、《睫毛膏》、Mānoa和《新写作》上。她的研究兴趣包括文学翻译、跨文化/双语写作和创意写作研究。2019年获澳门大学博士学位。现任扬州大学国际关系学院讲师
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引用次数: 0
Teaching Fairy Tales Old and New: Revisiting Andersen via Emma Donoghue 新旧童话教学:通过艾玛·多诺霍重新审视安徒生
Q1 Social Sciences Pub Date : 2023-10-19 DOI: 10.1080/1358684x.2023.2261381
Hawk Chang
ABSTRACTFairy tales have been an essential ingredient in children’s literature. Canonical fairy tales passed down from generation to generation not only enrich children’s imagination but connote significant values typical of the community. However, as time passes, contemporary writers often challenge these traditional values when they work on the same topic. This changing face is evidenced by Emma Donoghue’s rewriting of classical tales. Based on my teaching of Donoghue’s story ‘The Tale of the Bird’ alongside Andersen’s ‘Thumbelina’ at a university in Hong Kong, this paper discusses the ever-evolving cultural values and the benefit of reading Donoghue via Andersen or vice versa in the literature class and beyond.KEYWORDS: Fairy talesAndersenEmma Donoghueteaching children’s literature AcknowledgementI am grateful to the editors and the anonymous reviewers who provided insightful feedback on my paper.Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsHawk ChangHawk Chang is Assistant Professor at the Department of Literature and Cultural Studies, The Education University of Hong Kong. His research has appeared in journals such as Critique: Studies in Contemporary Fiction, Changing English, English Studies, Partial Answers, Children’s Literature in Education, The Explicator, ANQ, Journal of English Studies, Neohelicon, Tamkang Review, Wenshan Review, Journal of Language, Literature and Culture, and CLCWeb, among others.
摘要童话是儿童文学的重要组成部分。代代相传的经典童话不仅丰富了孩子们的想象力,而且蕴含着社会典型的重要价值观。然而,随着时间的推移,当代作家在创作同一主题时往往会挑战这些传统价值观。艾玛·多诺霍(Emma Donoghue)对经典故事的改写证明了这种变化。本文以我在香港一所大学教授安徒生的《拇指姑娘》和多诺霍的《鸟的故事》为基础,讨论了不断变化的文化价值观,以及在文学课和其他课上阅读安徒生的《多诺霍》或反之亦然的好处。关键词:童话,安德森,艾玛·多诺霍教授儿童文学感谢编辑和匿名审稿人对我的论文提供了深刻的反馈。披露声明作者未报告潜在的利益冲突。作者简介张海鹰,香港教育大学文学及文化研究系助理教授。他的研究成果发表在《批判:当代小说研究》、《变化中的英语》、《英语研究》、《部分答案》、《教育中的儿童文学》、《解释者》、《ANQ》、《英语研究杂志》、《新helicon》、《Tamkang Review》、《文山评论》、《语言文学与文化杂志》、CLCWeb等期刊上。
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引用次数: 0
What Keeps a Narrative going? Teaching Narrative Interest 是什么让故事继续?教学叙事兴趣
Q1 Social Sciences Pub Date : 2023-10-17 DOI: 10.1080/1358684x.2023.2260756
Robert Jean LeBlanc
ABSTRACTThis article explores the potential of narrative interest for secondary literature education. Narrative is a purposeful construction which is organised with the intent of having effects on readers. For rhetorical narratologists, narrative is driven by the production of narrative gaps – suspense, curiosity, and surprise – which in turn drive reader interest in their potential fulfilment. Drawing from rhetorical-functionalist approaches to literature, I rethink contemporary perspectives on reader response to focus on the pedagogical implications of narrative interest, suggesting how English teachers might use narrative interest to explore narrative openings, the power of narrator perspective, and the ethics of storytelling. This reorientation of instruction balances specific reader responses with the textual production of narrative interest through genre forms, narrator voice, and narrative organisation.KEYWORDS: Literature instructionnarratologynarrativenarrative interestreader response Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsRobert Jean LeBlancRobert Jean LeBlanc, (PhD, University of Pennsylvania) is Associate Professor of ELA/Literacy and Board of Governors Research Chair of Literacy Studies at the University of Lethbridge, and Coyle Fellow at the University of Notre Dame’s Center for Literacy Education. He conducts research on literature instruction and classroom interaction. His work has appeared in journals such as Research in the Teaching of English, Written Communication, Literacy, Classroom Discourse, English Journal, Text & Talk, and Linguistics and Education.
摘要本文探讨了叙事兴趣在中学文学教育中的潜力。叙事是一种有目的的结构,其目的是对读者产生影响。对于修辞叙事学家来说,叙事是由叙事间隙的产生——悬念、好奇和惊喜——驱动的,这些间隙反过来又推动了读者对它们潜在实现的兴趣。从修辞功能主义的文学方法中,我重新思考了当代读者反应的观点,以关注叙事兴趣的教学含义,建议英语教师如何利用叙事兴趣来探索叙事的开端,叙述者视角的力量,以及讲故事的伦理。这种教学的重新定位平衡了特定的读者反应和通过体裁形式、叙述者的声音和叙事组织产生的叙事兴趣。关键词:文学教学叙事学叙事性读者反应披露声明作者未报告潜在的利益冲突。作者简介:robert Jean LeBlanc(博士,宾夕法尼亚大学)是莱斯布里奇大学文化教育协会/扫盲的副教授和理事会扫盲研究主席,也是圣母大学扫盲教育中心的科伊尔研究员。主要从事文学教学与课堂互动的研究。他的作品曾发表在《英语教学研究》、《书面交流》、《读写能力》、《课堂话语》、《英语杂志》、《文本与谈话》、《语言学与教育》等期刊上。
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引用次数: 0
Knowledge and English A Philosophical Enquiry into Subject English and Creative Writing , by Oli Belas, London, Routledge, 2023, 146 pp., Hardback £120; £35.09 (ebook), ISBN 978-0367-48736-2 《知识与英语:主题英语与创意写作的哲学探究》,奥利·贝拉斯著,伦敦,劳特利奇出版社,2023年版,146页,精装本120英镑;35.09英镑(电子书),ISBN 978-0367-48736-2
Q1 Social Sciences Pub Date : 2023-10-12 DOI: 10.1080/1358684x.2023.2258096
Patrick Creamer
ABSTRACTBelas’ book interrogates philosophical and educational questions of knowledge, evaluating their significance for subject English. It critically examines prevalent beliefs about knowledge, challenging the simplistic notion that devising a ‘knowledge-based’ or ‘knowledge-rich’ curriculum is straightforward or without deeper complexities. It confronts ubiquitous but debatable ideas about individual knowledge within education, such as the supposed distinction between ‘knowledge’ and ‘skill’. The concept of ‘powerful knowledge’ and its positive and negative influence on curriculum issues is investigated in detail. Specific questions about English subject knowledge are explored, such as how to balance close reading of texts with contextual approaches. Furthermore, Belas argues that a focus on writing is desirable for the evolution of subject English and education.KEYWORDS: Subject Englishcurriculumskillknowledgephilosophycreative writingsubject hierarchisationclose reading and context Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. AFOREST – Alliteration, Facts, Opinion, Rhetorical Question, Emotion, Statistics, Three – rule of three. TEEL – Topic sentence, Explanation, Evidence, Link. PEEL – Point, Evidence, Explanation, Link. PEE – Point, Evidence, Evaluation.Additional informationNotes on contributorsPatrick CreamerPatrick Creamer is a doctoral student at UCL researching the philosophy of education, with a focus on using inferentialism to explore knowledge within subject English. He is a former teacher of GCSE and A level English in further education.
摘要贝拉斯的著作对知识的哲学和教育问题提出了质疑,并评价了这些问题对学科英语的意义。它批判性地审视了关于知识的普遍观念,挑战了设计一个“以知识为基础”或“知识丰富”的课程是简单的或没有更深层次的复杂性的简单概念。它面对的是教育中普遍存在但有争议的关于个人知识的观点,比如所谓的“知识”和“技能”之间的区别。详细探讨了“强大知识”的概念及其对课程问题的积极和消极影响。课程还探讨了一些关于英语学科知识的具体问题,比如如何在文本细读和语境阅读之间取得平衡。此外,贝拉斯认为,对写作的关注对于学科英语和教育的发展是可取的。关键词:学科英语课程技能知识哲学创意写作学科层次细读与语境披露声明作者未发现潜在的利益冲突。头韵,事实,观点,反问,情感,统计,三法则。主题句,解释,证据,链接。皮尔-点,证据,解释,链接。要点,证据,评价。patrick Creamer是伦敦大学学院的一名博士生,研究教育哲学,重点是使用推理主义来探索学科英语中的知识。他曾担任GCSE和a - level英语继续教育教师。
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引用次数: 0
Students’ Understanding of Role 学生对角色的理解
Q1 Social Sciences Pub Date : 2023-09-14 DOI: 10.1080/1358684x.2023.2256242
Nick Bentley
ABSTRACTThis essay examines learners’ understanding of how they use role. It draws upon a semi-structured interview with five Year 7 students, which took place after their first lesson exploring Darkwood Manor, a gothic sequence of drama. Considering the elements which shape how they adopt roles in the classroom, I interrogate the students’ reflections, including ideas about their personal motivations, co-creation of the drama, peer interactions and response to the teacher. I explore how the students use and understand role, and how they are able to articulate their thinking about role-play, pointing towards perceptive reflections on the factors at play when roles are adopted in classroom drama.KEYWORDS: Dramarolestudent interviewrole-playteacher-in-role Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsNick BentleyNick Bentley is a doctoral student at the Institute of Education, UCL, where he is undertaking research into the use of teacher-in-role. Nick has been working as a Drama, English and Literacy teacher in a secondary school in East London since qualifying from his pre-service teacher education (PGCE) programme in 2014.
摘要本文考察了学习者对角色运用的理解。它借鉴了对五名七年级学生的半结构化采访,这是在他们探索Darkwood Manor的第一节课之后,这是一个哥特式的戏剧序列。考虑到影响他们如何在课堂上扮演角色的因素,我询问了学生的反思,包括他们的个人动机、戏剧的共同创作、同伴互动和对老师的反应。我探讨了学生如何使用和理解角色,以及他们如何能够表达他们对角色扮演的思考,指出了当角色在课堂戏剧中被采用时,对起作用的因素的敏锐反思。关键词:戏剧学生访谈角色教师角色披露声明作者未报告潜在利益冲突。尼克·本特利尼克·本特利是伦敦大学学院教育研究所的一名博士生,在那里他正在进行一项关于教师角色使用的研究。尼克自2014年获得职前教师教育(PGCE)课程资格以来,一直在东伦敦的一所中学担任戏剧、英语和扫盲教师。
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引用次数: 1
Black British Literature in the Secondary English Classroom 中学英语课堂中的英国黑人文学
Q1 Social Sciences Pub Date : 2023-09-14 DOI: 10.1080/1358684x.2023.2253178
Amy Saleh
This essay explores the teaching and learning of Black British literature in UK secondary schools with reference to texts that now appear on GCSE English Literature specifications. It seeks to reveal some of the issues that may arise when teaching texts that deal with race and racism while emphasising the role of racial literacy in facilitating dialogue around these. By discussing initial considerations for teaching, I hope to support teachers new to teaching such literature feel better prepared to do so.
本文通过参考GCSE英国文学规范中出现的文本,探讨了英国中学黑人英国文学的教学。它旨在揭示在教授涉及种族和种族主义的文本时可能出现的一些问题,同时强调种族扫盲在促进围绕这些问题的对话中的作用。通过讨论教学的初步考虑,我希望支持刚开始教授这类文学的教师做好准备。
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引用次数: 0
Super Smash Sisters: Critical Literacy, Gender, and Video Games in the Elementary Classroom 《超级粉碎姐妹:小学课堂中的批判性素养、性别和电子游戏》
IF 0.8 Q1 Social Sciences Pub Date : 2023-08-02 DOI: 10.1080/1358684x.2023.2237948
Rachel LaMear, Sam von Gillern
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引用次数: 0
Review of ‘Creativity in the English Curriculum: Historical Perspectives and Future Directions’ 《英语课程中的创造力:历史视角与未来方向》述评
IF 0.8 Q1 Social Sciences Pub Date : 2023-07-24 DOI: 10.1080/1358684x.2023.2233099
Francis Gilbert
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引用次数: 0
Secondary Shakespeare in the UK: Pedagogies and Practice 英国的莎士比亚中学:教学法与实践
IF 0.8 Q1 Social Sciences Pub Date : 2023-07-13 DOI: 10.1080/1358684x.2023.2233077
Victoria Elliott, Sarah Olive
In this paper, we report data from the first national survey of secondary Shakespeare teaching in the UK, conducted online in 2017–18 with a sample of 211 teachers distributed throughout Wales, England, Northern Ireland, and Scotland. In this article, we outline the pedagogical practices which are dominant. Specifically, we examine the group of pedagogies known as ‘Active Methods’ and consider their popularity in secondary classrooms, and why teachers say they do or do not use them. The most popular activities for teaching Shakespeare plays in the UK across the key stages are as follows: reading with parts around the groups; creating scene summaries; watching a film; and historical context activities.
在本文中,我们报告了英国第一次全国中学莎士比亚教学调查的数据,该调查于2017-18年在线进行,样本包括分布在威尔士、英格兰、北爱尔兰和苏格兰的211名教师。在本文中,我们概述了占主导地位的教学实践。具体来说,我们研究了一组被称为“积极方法”的教学法,并考虑了它们在中学课堂上的受欢迎程度,以及为什么老师们说他们使用或不使用它们。在英国,最受欢迎的莎士比亚戏剧教学活动包括:分组朗读;创建场景总结;看电影;以及历史背景活动。
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引用次数: 0
Beyond Measure: The Potential of Storytelling to Challenge Standardised English 超越尺度:讲故事挑战标准化英语的潜力
IF 0.8 Q1 Social Sciences Pub Date : 2023-07-13 DOI: 10.1080/1358684x.2023.2233083
Bella Illesca
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引用次数: 0
期刊
Changing English-Studies in Culture and Education
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