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Changing English-Studies in Culture and Education最新文献

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Exploring dialogic assessment in English: an analysis of two lessons 探讨英语对话评价:两课分析
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-02-09 DOI: 10.1080/1358684X.2021.2022977
B. Marshall
ABSTRACT The article analyses in detail two lessons that were part of a larger research project on English teaching in Canada, England and Scotland. It considers whether the two English lessons are by their nature both dialogic and formative in practice. The research undertaken was carried out using arts-based criticism. It found that Eaglestone’s notion of good English teaching was synonymous with Alexander’s idea of dialogic assessment in the nature of the decisions teachers took to encourage students to think about texts. The dialogue that took place, through feedback that was cumulative, could potentially take any direction. In English, ‘the point is to respond to the “simultaneous presence of many meanings” rather than draw out one unambiguously’. The key decision for the teacher is to listen, assess and respond.
本文详细分析了加拿大、英格兰和苏格兰的英语教学研究项目中的两个课程。它考虑了这两门英语课程在实践中是否具有对话性和形成性。所进行的研究采用基于艺术的批评方法。研究发现,伊格尔斯通的良好英语教学理念与亚历山大的对话评估理念在本质上是同义的,即教师为鼓励学生思考课文而做出的决定。通过累积的反馈所进行的对话可能会朝着任何方向发展。在英语中,关键是要对“同时存在的多种含义”做出反应,而不是明确地说出一个意思。对老师来说,关键的决定是倾听、评估和回应。
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引用次数: 0
Literature, Videogames and Learning 文学、电子游戏和学习
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-02-03 DOI: 10.1080/1358684X.2022.2028546
Alexander Bacalja
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引用次数: 0
Language, Social Media and Ideologies: Translingual Englishes, Facebook and Authenticities 语言、社交媒体和意识形态:翻译英语、Facebook和真实性
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-02-03 DOI: 10.1080/1358684X.2021.2023465
I. Irham
are a rich site for learning and discovery with our students. It provides the stimulus for a wide range of questions: What hardware and software is necessary to engage in such practice? How closely should student productions reflect their literary originals? How is creativity constrained and/or enabled by game design software? Is it necessary for teachers to learn coding? What happens to the boundaries between reading and writing during the game-design process? How does one assess such productions? Burn provides a timely and much-needed addition to the field, and does so in a way that leverages the knowledge English teachers already possess, while also pushing at the boundaries of new ways of thinking about narrative.
是一个丰富的网站,学习和发现我们的学生。它为一系列广泛的问题提供了刺激:从事这种实践需要什么样的硬件和软件?学生作品应该在多大程度上反映他们的文学原作?创造力是如何受到游戏设计软件的限制和/或推动的?教师有必要学习编程吗?在游戏设计过程中,阅读和写作之间的界限发生了什么变化?人们如何评价这样的作品?Burn为这个领域提供了一个及时且急需的补充,并且以一种利用英语教师已经拥有的知识的方式做到了这一点,同时也推动了对叙事的新思维方式的边界。
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引用次数: 0
Perfecting Moral Concepts with Iris Murdoch in English Class 与Iris Murdoch在英语课堂上完善道德观念
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-01-25 DOI: 10.1080/1358684X.2021.2021796
R. Collin
ABSTRACT This article explores how, in English classes in secondary schools, students can perfect moral concepts such as love, honesty, and happiness. As the philosopher and novelist Iris Murdoch explains, people can perfect, or refine, moral concepts by paying attention to reality and altering their concepts in line with what is real. For Murdoch, the reading of literature is a means by which people can attend to reality and perfect moral concepts. Drawing on Murdoch’s ideas, this article presents a strategy for teaching students in English classes to perfect moral concepts through reading Romeo and Juliet and other works of literature.
摘要本文探讨了在中学英语课堂上,学生如何完善爱、诚实、幸福等道德观念。正如哲学家和小说家Iris Murdoch所解释的那样,人们可以通过关注现实并根据真实情况改变自己的概念来完善或完善道德概念。对默多克来说,阅读文学是人们关注现实、完善道德观念的一种手段。本文借鉴默多克的思想,提出了在英语课堂上通过阅读《罗密欧与朱丽叶》等文学作品来教会学生完善道德观念的策略。
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引用次数: 0
Shakespeare’s Education and What It Teaches Us 莎士比亚的教育及其教给我们的东西
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-01-20 DOI: 10.1080/1358684X.2022.2025764
D. Driver
ABSTRACT This article investigates the teaching of rhetoric as a discrete discipline within the curriculum of Tudor-era English grammar schools (such as the King’s New Grammar School in Stratford-Upon-Avon, where William Shakespeare is believed to have been educated). It examines more recent attempts to advocate for the value of rhetoric as a unifying principle guiding and informing how and why we educate; it also identifies links between these recent attempts and a Tudor-era understanding of imitatio (one aspect of rhetoric) arguing that these links can inform pedagogical practice and the interpretation of curriculum for today’s English teachers, particularly for the teaching of Shakespeare. Finally, the article argues that a comparison between a Tudor-era understanding of rhetoric and a 21st-century understanding carries significant implications for how we understand and teach for creativity.
本文调查了都铎时代英国文法学校(如位于埃文河畔斯特拉特福的国王新文法学校,据信威廉·莎士比亚曾在那里接受教育)课程中作为一门独立学科的修辞学教学。它考察了最近倡导修辞学作为指导和告知我们如何以及为什么教育的统一原则的价值的尝试;它还指出了这些最近的尝试与都铎时代对模仿(修辞学的一个方面)的理解之间的联系,认为这些联系可以为当今英语教师的教学实践和课程解释提供信息,特别是在莎士比亚的教学中。最后,本文认为,都铎时代对修辞学的理解与21世纪对修辞学的理解之间的比较,对我们如何理解和教授创造力具有重要意义。
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引用次数: 0
Embracing Counternarratives: Negotiating the Authority of Teacher and Text 接受反叙事:教师与文本的权威性谈判
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-01-20 DOI: 10.1080/1358684X.2021.2015570
Andrew Rejan
ABSTRACT In this narrative inquiry, the author dramatises the tensions and discoveries that emerged in a literature course for pre-service and in-service teachers in an English education graduate programme. The students’ resistance to the instructor’s choice of Mary Shelley’s Frankenstein as a central text led to reflection on responsible and responsive approaches for managing the inclusion or excision of canonical texts by white authors in the syllabi of literature courses designed for secondary English teachers as well as within the secondary English curriculum. The author also explores the tension between a belief in an open, democratic learning environment and the authority structures that reinforce the power of the teacher or teacher educator.
摘要在这篇叙述性的调查中,作者戏剧性地展示了英国教育研究生课程中为在职教师和在职教师开设的文学课程中出现的紧张关系和发现。学生们对教师选择玛丽·雪莱的《弗兰肯斯坦》作为中心文本的抵制,导致他们反思了负责任和回应的方法,以管理白人作家在为中学英语教师设计的文学课程教学大纲中以及在中学英语课程中对规范文本的纳入或删减。作者还探讨了对开放、民主的学习环境的信念与加强教师或教师教育者权力的权威结构之间的紧张关系。
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引用次数: 1
Spanish and Swedish Pre-Service Teachers’ ELF User Attitudes Towards English and its Users 西班牙语和瑞典语职前教师ELF用户对英语及其用户的态度
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-01-19 DOI: 10.1080/1358684X.2021.2022976
Hyeseung Jeong, Raquel Sánchez Ruiz, Georgia Wilhelmsson
ABSTRACT English as a lingua franca (ELF) is a well-known concept for English used as an international contact language among people from diverse linguacultural backgrounds. Using a questionnaire, we explored the attitudes of Spanish and Swedish pre-service primary school teachers towards English and its users after their collaboration on a virtual platform, during which they were ELF users. The findings showed that the ELF user attitudes of the two European student cohorts tended to be ambivalent, mixed, and self-contradictory. After discussing factors for participants’ attitudinal tendencies, we conclude that the ambivalence in their overall attitudes seems to mirror the ambivalence of the ‘double’ definitions of English in educational policy documents, which may affect the goals of teaching English in the classroom. We suggest that university teaching help pre-service teachers develop critical perspectives towards English and English users, as well as reflecting on why they teach English to their future pupils.
英语作为一种通用语(ELF)是一个众所周知的概念,英语作为一门国际接触语言,在不同语言文化背景的人中使用。通过问卷调查,我们探讨了西班牙语和瑞典语职前小学教师在虚拟平台上合作后对英语及其用户的态度,在此期间,他们是ELF用户。研究结果表明,两个欧洲学生群体的ELF用户态度往往是矛盾的、混合的和自相矛盾的。在讨论了参与者态度倾向的因素后,我们得出结论,他们整体态度的矛盾心理似乎反映了教育政策文件中对英语“双重”定义的矛盾心理,这可能会影响课堂英语教学的目标。我们建议,大学教学有助于职前教师培养对英语和英语使用者的批判性观点,并反思他们为什么要教未来的学生英语。
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引用次数: 1
A critical reflection of my collaborative learning journey in a South African pre-service teacher education film study module 批判性地反思我在南非职前教师教育电影学习模块中的合作学习之旅
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-01-19 DOI: 10.1080/1358684X.2021.2023464
B. Campbell
ABSTRACT This paper reports on the process of understanding myself and my pre-service teacher education students better through my lecture reflections and deliberations with critical friends as I taught a South African film entitled Tsotsi. Conversations with colleagues deepened my analysis as I was challenged to revisit my musings on lecture reflections, and to probe facets of my background that influenced my responses to students. At the outset, I believed that my learning lay in the film. I now realise that I could have engaged in the process with any text. My learning happened not through the film, but in beginning to understand how my socio-cultural background influences my pedagogy. My reflections along with colleagues’ comments served as the link between myself and my classroom practice. I explore the question: What did I learn about myself in relation to my students through lecture reflections and my engagements with colleagues?
摘要本文报道了我在教授一部名为《Tsotsi》的南非电影时,通过与批判性朋友的讲座反思和思考,更好地理解我自己和我的职前教师教育学生的过程。与同事的对话加深了我的分析,因为我被要求重新审视我对课堂反思的思考,并探究影响我对学生反应的背景方面。一开始,我相信我的学习来自电影。我现在意识到,我本可以用任何文本参与这个过程。我的学习并不是通过电影进行的,而是在开始理解我的社会文化背景如何影响我的教育学时。我的思考和同事们的评论是我和课堂实践之间的纽带。我探讨了这个问题:通过课堂反思和与同事的互动,我对自己与学生的关系了解了什么?
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引用次数: 0
The teaching archive: a new history for literary study 教学档案:文学研究的新历史
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-01-02 DOI: 10.1080/1358684x.2021.2013161
Ken Jones
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引用次数: 9
Editorial 编辑
IF 0.8 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-01-02 DOI: 10.1080/1358684x.2022.2026651
J. Yandell
Questions of knowledge continue to preoccupy us. What do we know about teaching and learning in English? And who are the knowledgeable ones – the ‘we’, if you like, of the previous question? This issue opens with Seyyed-Abdolhamid Mirhosseini’s playful thought experiment: is there anything to be learnt from the current pandemic – and are there any parallels between Coronavirus and English (language) teaching? Might this be a moment to reconsider what we think we know, and to question (again) the relationship between research and practice? The other contributors to this issue might be regarded as taking up Mirhosseini’s challenge. Yan Huang and Azirah Hashim’s report on perceptions of (English) accents indicates that the spectre of the native speaker continues to haunt the consciousness of the Chinese university students who were the participants in their research. But the picture they present is more complicated than this would suggest. When the students considered their own (English) accents, they appeared to judge them according to their sense of native-speaker norms; when they reflected on others’ accents, however, they became much more accepting of diversity, readier to adopt criteria of intelligibility and more inclined to see language as a shared resource for meaning-making – for getting things done, collaboratively, in the world. John Keen interrogates the orthodoxies that have grown up in the past three decades around the teaching of writing: the dominance of what he terms the ‘analysis-andapplication’ approaches that tend to situate knowledge about writing firmly in the minds of the experts – those who know a thing or two about genre, or the use of adjectives, or fronted adverbials and suchlike arcana. Keen returns to an older tradition of ‘process’ writing, modified in ways that further undermine what might be seen as common-sense hierarchies of knowledge and of the knowledgeable. In the classroom practice he presents, students’ development as writers entails learning from each other rather more than from the teacher-as-editor. What, then, of reading, which is, in different ways, the subject of the other contributions to this issue? Lorna Smith and her collaborators offer a fictionalised account of a preservice student teacher’s experience of her first practicum, a school in which the shared reading of stories has been reduced to mere exam-focused instrumentalism. In this place, no-one cares if the students are bored: feelings are irrelevant; what matters is results. The bleakness of this story is inseparable from the absence of meaningful, respectful dialogue in the interactions between Thea, the student, and her more experienced colleagues. And yet there is hope: perhaps Thea’s second practicum will be different. Other schools are possible, and other experiences of reading, as Özge Üstündağ Güvenç and her colleagues demonstrate in their account of literature teaching during the pandemic. Their university students in Turkey are given o
知识问题一直困扰着我们。我们对英语教学了解多少?谁是知识渊博的人——如果你愿意的话,是前一个问题中的“我们”?本期以Seyyed Abdolhamid Mirhosseini有趣的思维实验开始:从当前的疫情中可以学到什么吗?冠状病毒和英语(语言)教学之间有什么相似之处吗?这可能是一个重新考虑我们认为自己知道的东西,并(再次)质疑研究与实践之间关系的时刻吗?这一问题的其他贡献者可能被视为接受了米尔侯赛尼的挑战。Yan Huang和Azirah Hashim关于(英语)口音感知的报告表明,母语为英语的人的幽灵继续困扰着参与他们研究的中国大学生的意识。但他们所呈现的情况比这所暗示的要复杂得多。当学生们考虑他们自己的(英语)口音时,他们似乎是根据他们对母语规范的感觉来评判他们的;然而,当他们反思他人的口音时,他们变得更加接受多样性,更愿意采用可理解性的标准,更倾向于将语言视为创造意义的共享资源——在世界上合作完成事情。约翰·基恩(John Keen)质疑了过去三十年来围绕写作教学形成的正统观念:他所说的“分析和应用”方法的主导地位,这种方法倾向于将写作知识牢牢地放在专家的脑海中——那些对体裁、形容词或前置状语的使用略知一二的专家。Keen回到了“过程”写作的古老传统,以进一步破坏可能被视为常识性的知识和知识层次的方式进行了修改。在他提出的课堂实践中,学生作为作家的发展需要相互学习,而不是向作为编辑的老师学习。那么,阅读是什么呢?在不同方面,阅读是这个问题的其他贡献的主题?Lorna Smith和她的合作者虚构了一位职前实习教师的第一次实习经历,在这所学校里,分享故事的阅读已经沦为纯粹的以考试为中心的工具主义。在这个地方,没有人在乎学生们是否无聊:感情是无关紧要的;重要的是结果。这个故事的凄凉与学生西娅和她更有经验的同事之间的互动中缺乏有意义、尊重的对话是分不开的。然而,还是有希望的:也许西娅的第二次实习会有所不同。其他学校和其他阅读体验也是可能的,正如ÖzgeÜstündağGüvenç和她的同事在他们对疫情期间文学教学的描述中所展示的那样。他们在土耳其的大学生有机会有意义地参与他们正在阅读的文本,因为他们利用自己的阅读来反思《改变英语2022》,第29卷,第1,1–2期https://doi.org/10.1080/1358684X.2022.2026651
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Changing English-Studies in Culture and Education
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